29:
682:
194:
praised the band's' unique sound and said "the caustic mesh behind the guitar work, the harsh vocals, and programming is often intense and overwhelming."
742:
737:
676:
699:
732:
28:
605:
566:
535:
407:
428:
465:
461:
212:
668:
633:
415:
179:
130:
118:
85:
41:
726:
509:
436:
208:
175:
108:
596:
440:
411:
154:
80:
403:
204:
123:
711:
705:
716:
71:
456:
36:
536:"Interview with Christ Analogue - Club Razor, Indianapolis, IN"
567:"Interview with Christ Analogue - Satyricon, Portland, OR"
227:
219:
129:
117:
107:
91:
79:
63:
48:
35:
21:
681:: CS1 maint: others in cite AV media (notes) (
671:. Seattle, Washington: Manifest Records. 1995.
8:
182:, released in May 1995 by Manifest Records.
27:
18:
479:
216:
16:1995 studio album by Christ Analogue
526:
674:
394:Adapted from the album's liner notes.
357:"The Religious Experience of Mankind"
7:
207:, except "Product of the Rape" by
14:
565:Christian, Chris (May 28, 1997).
613:(1–6). GPI Publications: 8. 2004
534:Christian, Chris (May 1, 1996).
220:
1:
743:Albums produced by Wade Alin
335:"Withdrawal Method - Type 2"
324:"Withdrawal Method - Type 1"
759:
203:All tracks are written by
632:Christian, Chris (2004).
375:
364:
353:
342:
331:
320:
309:
298:
287:
276:
269:"Southern Baptist Result"
265:
254:
243:
232:
224:
137:
26:
439: – instruments and
738:Christ Analogue albums
712:The Texture ov Despise
701:The Texture ov Despise
664:The Texture ov Despise
636:The Texture ov Despise
599:Everyday Is Distortion
368:"I Believe in Slavery"
171:The Texture ov Despise
146:The Texture ov Despise
22:The Texture ov Despise
466:assistant engineering
450:Production and design
313:"Product of the Rape"
302:"Divine Intervention"
422:Additional musicians
280:"Surface Like Nerve"
677:cite AV media notes
719:(list of releases)
634:"Christ Analogue:
597:"Christ Analogue:
236:"The God of Crack"
733:1995 debut albums
518:
517:
471:
462:Markus Von Prause
445:
433:
386:
385:
291:"Lie of the Mind"
213:Markus Von Prause
167:
166:
163:
162:
750:
687:
686:
680:
672:
659:
653:
652:
650:
648:
629:
623:
622:
620:
618:
593:
587:
586:
584:
582:
562:
556:
555:
553:
551:
531:
480:
469:
443:
431:
222:
217:
139:
138:
103:
102:
98:
75:
59:
57:
31:
19:
758:
757:
753:
752:
751:
749:
748:
747:
723:
722:
696:
691:
690:
673:
669:Christ Analogue
661:
660:
656:
646:
644:
631:
630:
626:
616:
614:
595:
594:
590:
580:
578:
564:
563:
559:
549:
547:
533:
532:
528:
523:
478:
476:Release history
398:Christ Analogue
392:
387:
200:
188:
180:Christ Analogue
158:
149:
131:Christ Analogue
100:
96:
95:
86:Industrial rock
69:
68:
55:
53:
44:
42:Christ Analogue
17:
12:
11:
5:
756:
754:
746:
745:
740:
735:
725:
724:
721:
720:
708:
695:
694:External links
692:
689:
688:
654:
624:
588:
557:
525:
524:
522:
519:
516:
515:
512:
507:
504:
503:United States
501:
497:
496:
493:
490:
487:
484:
477:
474:
473:
472:
468:, instruments
459:
455:Chrome –
447:
446:
434:
419:
418:
391:
388:
384:
383:
380:
377:
373:
372:
369:
366:
362:
361:
358:
355:
351:
350:
347:
344:
340:
339:
336:
333:
329:
328:
325:
322:
318:
317:
314:
311:
307:
306:
303:
300:
296:
295:
292:
289:
285:
284:
281:
278:
274:
273:
270:
267:
263:
262:
259:
256:
252:
251:
248:
247:"Intervention"
245:
241:
240:
237:
234:
230:
229:
226:
223:
201:
199:
196:
187:
184:
165:
164:
161:
160:
151:
142:
135:
134:
127:
126:
121:
115:
114:
111:
105:
104:
93:
89:
88:
83:
77:
76:
65:
61:
60:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
755:
744:
741:
739:
736:
734:
731:
730:
728:
718:
714:
713:
709:
707:
703:
702:
698:
697:
693:
684:
678:
670:
666:
665:
658:
655:
643:
639:
637:
628:
625:
612:
608:
607:
602:
600:
592:
589:
576:
572:
568:
561:
558:
545:
541:
537:
530:
527:
520:
513:
511:
508:
505:
502:
499:
498:
494:
491:
488:
485:
482:
481:
475:
467:
463:
460:
458:
454:
453:
452:
451:
442:
438:
435:
430:
427:Casha –
426:
425:
424:
423:
417:
413:
409:
405:
402:
401:
400:
399:
395:
389:
381:
379:"Sour Nation"
378:
374:
370:
367:
363:
359:
356:
352:
348:
345:
341:
337:
334:
330:
326:
323:
319:
315:
312:
308:
304:
301:
297:
293:
290:
286:
282:
279:
275:
271:
268:
264:
260:
257:
253:
249:
246:
242:
238:
235:
231:
218:
215:
214:
210:
206:
198:Track listing
197:
195:
193:
185:
183:
181:
177:
174:is the debut
173:
172:
157:
156:
152:
148:
147:
143:
141:
140:
136:
132:
128:
125:
122:
120:
116:
112:
110:
106:
94:
90:
87:
84:
82:
78:
73:
66:
62:
52:May 1995
51:
47:
43:
38:
34:
30:
25:
20:
710:
700:
663:
662:
657:
645:. Retrieved
641:
635:
627:
615:. Retrieved
610:
604:
598:
591:
579:. Retrieved
574:
570:
560:
548:. Retrieved
543:
539:
529:
449:
448:
441:arrangements
437:Rey Guajardo
421:
420:
412:arrangements
397:
396:
393:
209:Rey Guajardo
202:
191:
190:A critic at
189:
176:studio album
170:
169:
168:
153:
145:
144:
37:Studio album
667:(booklet).
429:instruments
408:programming
258:"Antipathy"
727:Categories
642:Sonic Boom
571:Sonic Boom
540:Sonic Boom
521:References
416:production
346:"Fracture"
192:Sonic Boom
133:chronology
506:Manifest
404:Wade Alin
390:Personnel
205:Wade Alin
186:Reception
124:Wade Alin
67:The Razor
706:Bandcamp
647:July 23,
617:July 23,
606:Keyboard
581:July 23,
550:July 23,
495:Catalog
464: –
406: –
119:Producer
113:Manifest
49:Released
39: by
717:Discogs
492:Format
483:Region
159:(1996)
150:(1995)
72:Seattle
56:1995-05
54: (
514:001-4
489:Label
457:design
228:Length
155:Optima
92:Length
64:Studio
500:1995
486:Date
225:Title
109:Label
81:Genre
74:, WA)
683:link
649:2020
619:2020
583:2020
552:2020
382:2:50
371:4:37
360:5:28
349:4:49
338:3:05
327:1:24
316:5:29
305:1:14
294:2:16
283:5:14
272:0:50
261:5:18
250:0:55
239:1:13
211:and
715:at
704:at
577:(6)
546:(4)
470:(1)
444:(8)
432:(6)
376:14.
365:13.
354:12.
343:11.
332:10.
221:No.
178:of
729::
679:}}
675:{{
640:.
611:30
609:.
603:.
573:.
569:.
542:.
538:.
510:CD
414:,
410:,
321:9.
310:8.
299:7.
288:6.
277:5.
266:4.
255:3.
244:2.
233:1.
101:42
97:44
685:)
651:.
638:"
621:.
601:"
585:.
575:5
554:.
544:4
99::
70:(
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.