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The Thompson Fields

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347: 342: 337: 332: 327: 309: 304: 299: 294: 289: 271: 266: 261: 256: 251: 233: 228: 223: 218: 213: 417:, Nate Chinen wrote that she is borrowing methods used by Duke Ellington and Wynton Marsalis but that she has her own way of "using timbre and harmony to bring a tactile presence to the dimensions of sound." Chinen added that her orchestra planned to perform this pastoral composition at the Birdland club in New York City. Doug Ramsey at 411:, Dan Bilawsky called the album "awe-inspiring". He said that the quotation from Theodore Roosevelt on the liner notes fits much of Schneider's music: "'There is nothing more practical in the end than the preservation of beauty, than the preservation of anything that appeals to the higher emotions in mankind.'" In 29: 1308: 1172: 1011: 1223: 1037: 785: 366: 369:
in 2017. Schneider was the composer, conductor, and co-producer of the autobiographical work. The title comes from the Minnesota farm where she was raised.
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early in her career. Critic Kevin Whitehead of NPR praised the album, though he said the album's grandeur could get "too purple". At
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comes with over fifty pages of liner notes containing photographs, drawings, and Schneider's thoughts about nature.
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magazine, music critic Fred Kaplan called the album a masterpiece and ranked Schneider with big band composers
28: 1239: 1104:"The Thompson Fields - Maria Schneider Orchestra, Maria Schneider | Songs, Reviews, Credits | AllMusic" 1231: 1298: 1255: 153: 790: 442:, and how the music mimics the Minnesota landscape's "quality of being both huge and intimate." At 434: 242: 1103: 439: 413: 637:, a trumpet player who had performed on all previous albums by the Maria Schneider Orchestra. 1064:"Maria Schneider: The Thompson Fields review – heartening jazz suite that's too good to miss" 1012:"Review: Maria Schneider Orchestra's 'The Thompson Fields,' Connections to the Natural World" 814:"Maria Schneider: The Thompson Fields review – heartening jazz suite that's too good to miss" 869: 846: 716: 692: 394: 318: 127: 1129: 762: 665: 407: 402: 390: 205: 75: 1292: 385: 1215: 818: 698: 677: 634: 444: 280: 115: 1260: 647: 429: 120: 83: 1275: 659: 171: 725: 464: 398: 92: 1088:
Morrison, Allen (December 2016). "Schneider Attacking the Data Lords".
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comments on the importance of the liner notes, the bird paintings by
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a suite because of "its unity of style and its mood of reflection."
899:"'The Thompson Fields' Mixes Prairie Dreaming With A Big-Band Beat" 842:"The Maria Schneider Orchestra: The Thompson Fields - Album Review" 1150: 650:– alto saxophone, clarinet, piccolo, flute, alto flute, bass flute 36: 656:– alto saxophone, soprano saxophone, clarinet, flute, alto flute 88: 1154: 1038:"Maria Schneider Orchestra, The Thompson Fields, album review" 786:"Maria Schneider Orchestra, The Thompson Fields, album review" 1191:
Years given are for the recording(s), not first release.
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won best jazz album of the year in the Readers' Poll at
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Index


Studio album
Maria Schneider Orchestra
Avatar
Genre
Jazz
big band
Label
ArtistShare
Producer
Maria Schneider
Maria Schneider Orchestra
Winter Morning Walks
Data Lords
All About Jazz
The Daily Telegraph
The Guardian
The Irish Times
Maria Schneider
Best Large Jazz Ensemble Album
Stereo Review
Duke Ellington
Billy Strayhorn
Gil Evans
Bob Brookmeyer
All About Jazz
The New York Times
Ivan Hewett
The Daily Telegraph
Audubon

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