349:". The band then played the as yet unreleased "Egypt", while Bush emerged from the back of the stage wearing an Egyptian costume. An extended introduction to "L'Amour Looks Something Like You" was then played in darkness, while Bush changed into a black leotard and red skirt. While at centre-stage by a tall mirror, a magician emerged to perform with a flying cane. Bush performed "Violin", wearing bat wings and taunted by her two dancers dressed as giant violins. As the stage darkened, Bush's brother, John Carder Bush, recited a poem, which culminated in a spoken duet with Bush herself. She was then illuminated by a spotlight for the performance "The Kick Inside" at the piano. A black veil was placed over her and the curtains closed.
384:) began to be played. Bush, now dressed in a blue leotard covered by a leather jacket, performed while waving to the audience as images of a cloudy sky were projected. Bush, now covered in party streamers refused a floating glass of champagne from the magician and performed "Feel It" at the piano. As the song came to an end, thunder was heard while Bush changed; she emerged with her leotard now fitted with wings, to perform "Kite", being lifted off the stage at the end of the song. Bush then appeared in Wild West attire whilst brandishing a shotgun, dancing and singing to "James and the Cold Gun". Her dancers, emerging from the wings, were shot by Bush using red ribbons acting as gunfire as the song ended and the curtain closed.
341:." A shadow projection of the band's saxophone player was used next, during "The Saxophone Song". The theatre was then filled with the sound of a heartbeat as red lights flickered while the onstage piano was removed. A large oval upholstered with red satin, designed to look like an egg or womb, was rolled onto the stage, from within which Bush sang "Room for the Life" as it was rolled around the stage. Dressed in a long coat and trilby hat, Bush was joined by two male dancers to perform "
365:", recreating the routine from its music video, after which a chant commenced, leading into "Kashka from Baghdad", performed at the piano. Traffic noise was played to the audience while the stage was fitted with a street theme, including fences which the dancers illuminated with torches. A spotlight was switched on and Bush sang and danced to "Don't Push Your Foot on the Heartbrake", bringing the second section to a close.
357:" as Bush changed into a magician's top hat and tails, while her dancers, now dressed as space men, performed with her. The magician then reappeared with his cane; he walked to the back of the stage holding a black cloth, which then dropped to reveal Bush, now wearing a veil, behind it. She danced with a male dancer to a live rehearsal
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performed throughout the show. The stage itself was constructed with a retractable ramp at its centre, with a "large ribbed screen – intended to represent an egg – on to which slides and film footage could be projected". Eight "follow spot" moving lights tracked the musicians and performers on stage.
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headset microphone using a wire clothes hanger, making her the first singer to use such a device on stage. The staging also involved rear-screen projection and the accompaniment of two male dancers. The tour was notable for the death of Bush's lighting engineer, Bill
Duffield, to whom one of the
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attire as a parachute was spread across the stage. She sat to sing "Oh
England My Lionheart", and the curtain closed again. There was a short interval before the curtains re-opened upon the stage covered in dry ice fog and illuminated in red with a forest backdrop. As the music to
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disagreed, praising both Bush's lower and higher-pitched vocal registers, whilst noting that Bush had created "a series of tableaux vivants of peerless visual and aural dazzle that added immeasurably to the complexity and variable excellence of her songs." Another reviewer for
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musicians, and sought to combine "music, dance, poetry, mime, burlesque, magic and theatre." The performance was divided into four sections, concluding with two encores, and incorporated seventeen costume changes and involved thirteen on-stage personnel. Magician
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The second section began with the curtains parting to reveal Bush wearing a long black dress, sitting on top of a piano to perform "In the Warm Room". She then played the piano while singing "Fullhouse", after which the band played an extended introduction to
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on 31 August 1979, featuring live performances of the songs "Them Heavy People", "Don't Push Your Foot on the
Heartbrake", "James and the Cold Gun" and "L'Amour Looks Something Like You". The EP peaked at number 10 and spent nine weeks on the
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on 2 April 1979. Following the Poole show, the tour's lighting engineer Bill
Duffield was killed after falling from a stage and seating structure at the concert venue. The first of the final three London dates on 12 May 1979 was performed as a
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on 31 August 1979. Although it did not show any of the full performances, it featured Bush discussing her involvement in the tour, and incorporated footage of dance and band rehearsals, before showing footage of the final rehearsals at the
209:. The documentary featured the production and staging of the set, and revealed the extent to which Bush was involved. Broadcast in 1979, it did not show any of the full performances. The concert spawned two physical releases, the EP
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The tour was known for its innovative use of visual projections, audio and microphone technology, and narrative storyline. Bush aimed for the tour to offer a theatrical experience to contrast the performances of other contemporary
171:. Starting in April 1979, the tour lasted just over six weeks. The tour was acclaimed for its incorporation of mime, magic, and readings during costume changes The show contained 24 performances from Bush's first two albums
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The name, "Tour of Life", was not coined until after its completion, with all promotional material referring to it simply as the Kate Bush Tour. Neither the EP nor the home video makes any reference to the name.
275:
Since the tour, Bush has become known as the first artist to use a cordless microphone headset, which allowed her to move and dance freely while singing live. The headset prototype was constructed using a
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The tour was a critical and commercial success, with most dates selling out and additional shows being added due to high demand. Members of the Kate Bush Club were provided with a guaranteed ticket. The
372:." "Coffee Homeground" began as a prisoner cell set was assembled; Bush sang on a centre-stage chair, as corpse props fell out of the walls. Another spoken word poem was recited by Bush's brother as "
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described Bush as a "stunningly original stage performer", praising the setlist of the show as "dazzling testimony to a remarkable talent, evidently intense rehearsal and technological know-how".
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praised the show's "innovation in rock choreography and microphone design". However, Denselow was critical of Bush's vocals, describing Bush as possessing a "shrill acrobatic voice". A review in
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including an audio CD of the broadcast as well as the video. Neither the EP nor the home video make reference to the name "Tour of Life", which was not coined until after the tour's completion.
245:, production for the tour began in December 1978. Bush was said to be involved in almost every aspect of the show's design, rehearsals, and performances. The show was choreographed by Bush and
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408:. She performed the dance routine from the song's music video, before retreating to the top of the ramp, waving to the audience, and exiting the stage as the curtain closed.
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in 1981. Also recorded on 13 May 1979, the video featured only twelve performances as others were marred by technical difficulties. In 1994, the video was re-issued as a
313:(1980). In 1994, Bush described the physical exhaustion she experienced as a result of touring, a comment which she echoed in 2011. Bush did not tour again until 2014's
1981:
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The third section began with the curtain opening on Bush, now wearing a purple dress, at the edge of the ramp which had been lifted to replicate a pier, to perform "
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The tour is renowned for its use of new technology; because of Bush's determination to dance as she sang, her stage sound engineer Gordon
Paterson developed the
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described the tour's performance in
Birmingham as "the most magnificent spectacle ever encountered in the world of rock".
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on 13 May 1979, however they are markedly different to those later published on the home video of that concert.
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was later re-issued in 1994 as a boxed set including an audio CD of the broadcast as well as the video.
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Unofficial outside sources have also referred to this as the "Kate Bush Show" and "Kate Bush: On Tour".
183:(both 1978), and new songs "Violin" and "Egypt" which would subsequently appear on Bush's third album
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filmed a documentary following the tour as part of the news and current affairs television programme
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249:, in collaboration with dancers Stewart Avon Arnold and Gary Hurst. Dance rehearsals took place at
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The show on 12 May was a benefit concert for Bill
Duffield with an altered setlist, billed as
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Credits and personnel adapted from the Kate Bush Tour programme available at the concerts.
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257:. Production rehearsals featuring all personnel and audiovisual technology took place at
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during mornings leading up to the tour, before afternoon vocal and band rehearsals in
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163:(originally known as the "Lionheart Tour", and also officially referred to as the
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for the family of
Duffield, and featured an altered setlist and performances by
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For the show's first encore, Bush and her dancers emerged wearing World War II
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1511:"Chapter 7: We Are Ruled By Everything Around Us: UK, European tour 1978-79"
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Stage crew – Cliff Carter, Martin Prior, Gerry
Raymond Barker, Andrew Bryant
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noted that
British reviews of the tour were almost universally "euphoric".
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Reaction to the tour performances was overwhelmingly positive. In 2010,
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Schedules from 25 August 1979 to 31 August 1979 – Friday 31 August 1979
1776:"Kate Bush's first live performance, at the Palladium on 17 April 1979"
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167:) was the first concert tour by English singer-songwriter and musician
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1936:"Leaf through history with the programme from Kate Bush's 1979 tour"
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and radio microphone. Ultimately, each night of the tour sold out.
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Thomson, Graeme (9 February 2015). "Chapter 6: The Tour of Life".
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396:" began, Bush sprang up through the fog, costumed as the ghost of
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An hour length video of aspects of the concert was released as a
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in London, beginning on 26 March and finishing on 29 March 1978.
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Hill, Susan (21 April 1979). "Kate Bush: Palladium, London".
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499:". A documentary following two performances of the tour for
691:* followed by John Carder Bush poetry reading. ** Encores.
1650:"Flashback: Kate Bush at the Liverpool Empire, April 1979"
2001:"Kate Bush's only tour: pop concert or disappearing act?"
1824:"Kate Bush, Palladium, 1979 review: 'she beggars belief'"
1473:"Kate Bush's only tour: pop concert or disappearing act?"
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Describing the show as "exceptional", Robin Denselow of
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The show on 2 April was billed as a "warm-up" concert.
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Programmes – Kate Bush, Nicholas Wade, Nick Price
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Production design, stage direction – Dave Jackson
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After Bush turned down an opportunity to perform as a
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Photography – Gered Mankowitz, Terry Walker, Hirchono
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Tour co-ordination – Hilary Walker, John Carder Bush
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1677:"Kate Bush announces live shows after 35-year gap"
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1546:"Kate Bush announces first live shows since 1979"
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877:Tour graphics and merchandise – Paul Maxwell Ltd.
1415:Under the Ivy: The Life & Music of Kate Bush
510:Two physical releases were spawned by the tour.
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815:Conception, producer, director – Kate Bush
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1615:"Kate Bush: Live at Hammersmith Odeon (1979)"
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529:. The tracks were ostensibly recorded at the
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1980:: CS1 maint: multiple names: authors list (
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1576:"Dear Diary: The Secret World of Kate Bush"
456:Live at Hammersmith Odeon (Kate Bush album)
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1745:"What to expect from Kate Bush's new gigs"
1713:"Why did Kate Bush never tour after 1979?"
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855:Spoken word and poetry – John Carder Bush
830:Costuming assistance – Hermione Brakspear
643:(with extended instrumental introduction)
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753:, background vocals, various instruments
345:". She then moved to the piano to play "
1832:. London: Telegraph Media Group Limited
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631:Don't Push Your Foot on the Heartbrake"
507:was also aired in Germany in May 1980.
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2530:This Woman's Work: Anthology 1978–1990
1973:
1964:; Wade, Nicholas; Price, Nick (1979).
491:. It also included a screening of the
205:filmed a special of the show entitled
7:
1882:"Kate Bush Tour of Life documentary"
1574:Sinclair, David (24 February 1994).
846:Sound engineering – Gordon Patterson
2669:Concert tours of the United Kingdom
2628:The Most Wuthering Heights Day Ever
628:"Kashka From Baghdad" then chanting
282:The tour opened on 3 April 1979 in
2213:The Man with the Child in His Eyes
1934:Heawood, Sophie (31 August 2014).
1509:Jovanovic, Rob (3 December 2015).
1373:Lynskey, Dorian (25 August 2014).
593:"L'Amour Looks Something Like You"
585:The Man with the Child in His Eyes
487:and the official opening night in
347:The Man with the Child in His Eyes
14:
2590:The Line, the Cross and the Curve
1648:McHale, Kirsty (26 August 2015).
1342:Kate Bush In Aid of Bill Duffield
765:Glenys Groves – background vocals
333:The show opened with playback of
215:(1979) as well as the home video
2689:Concert tours of the Netherlands
1910:"Kate Bush - full chart history"
852:Lighting consulting – James Dann
670:(with instrumental introduction)
1999:Thomson, Graeme (13 May 2010).
1471:Thomson, Graeme (13 May 2010).
1375:"The 10 best Kate Bush moments"
805:Liz Pearson – background vocals
1743:Tsjeng, Zing (21 March 2014).
1711:Masters, Tim (21 March 2014).
871:Tour management – Richard Ames
821:Stage management – Nick Levitt
478:. The special was screened on
376:" (incorporating elements of "
112:
16:1979 concert tour by Kate Bush
1:
2583:The Sensual World: The Videos
2555:Live at the Hammersmith Odeon
2484:Live at the Hammersmith Odeon
1352:appeared as guest performers.
290:, following a warm-up gig in
223:Live at the Hammersmith Odeon
197:London shows was dedicated.
2283:December Will Be Magic Again
2181:Aspects of the Sensual World
1517:. Little, Brown Book Group.
849:Projections – Ken Sutherland
680:"Oh England My Lionheart" **
1914:The Official Charts Company
1193:Kongresszentrum Liederhalle
793:– electric guitar, whistles
46:Cover of the tour programme
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1967:"Kate Bush Tour" programme
1862:, pp. 60–62. London:
1243:Théâtre des Champs-Élysées
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1822:Coldstream, John (1979).
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1037:Sunderland Empire Theatre
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868:Promotion – Lindsay Brown
647:"In Search of Peter Pan"*
547:Live at Hammersmith Odeon
450:Broadcasts and recordings
233:Background and production
218:Live at Hammersmith Odeon
130:
39:
26:
2684:Concert tours of Germany
2679:Concert tours of Denmark
1774:Denselow, Robin (1979).
1515:Kate Bush: The biography
937:Liverpool Empire Theatre
677:"James and the Cold Gun"
2694:Concert tours of France
2674:Concert tours of Sweden
2664:Concert tours of Europe
2659:Kate Bush concert tours
1552:. London. 21 March 2014
1155:Congress Center Hamburg
656:(contains elements of "
2069:Awards and nominations
1261:Mannheimer Rosengarten
1115:Stockholm Konserthuset
827:Costuming – Lisa Hayes
607:(not performed at the
406:novel of the same name
2569:The Hair of the Hound
1890:. BBC. 30 August 2016
1855:" (31 August 1979) .
952:Birmingham Hippodrome
2458:Deeper Understanding
2444:King of the Mountain
2332:Running Up That Hill
2325:Night of the Swallow
780:– piano, keyboards,
641:"Coffee Homeground"
624:(not performed live)
570:"The Saxophone Song"
505:Kate Bush in Concert
2416:Moments of Pleasure
2304:There Goes a Tenner
726:, background vocals
615:"Strange Phenomena"
573:"Room for the Life"
503:audiences entitled
23:
2654:1979 concert tours
2501:Compilation albums
2311:Suspended in Gaffa
1864:BBC Genome Project
1613:Dillard, Brian J.
1002:Bristol Hippodrome
972:New Theatre Oxford
602:"In the Warm Room"
599:"The Kick Inside"*
476:Kate Bush: On Tour
412:Critical reception
398:Catherine Earnshaw
323:Hammersmith Apollo
207:Kate Bush: On Tour
126:concert chronology
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2381:This Woman's Work
2374:The Sensual World
2255:Strange Phenomena
2220:Them Heavy People
2206:Wuthering Heights
2149:50 Words for Snow
2121:The Sensual World
1524:978-0-349-41125-5
1424:978-1-78323-392-2
1417:. Omnibus Press.
1307:
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1292:Hammersmith Odeon
1017:Manchester Apollo
922:Poole Arts Centre
835:Anthony Van Laast
724:acoustic mandolin
685:Wuthering Heights
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609:Hammersmith Odeon
578:Them Heavy People
531:Hammersmith Odeon
394:Wuthering Heights
355:Strange Phenomena
343:Them Heavy People
319:concert residency
247:Anthony Van Laast
158:
157:
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90:(warm up concert)
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2621:Related articles
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2248:Symphony in Blue
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1682:The Irish Times
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714:acoustic guitar
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315:Before the Dawn
297:benefit concert
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2100:Never for Ever
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451:
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361:recording of "
330:
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310:Never for Ever
239:supporting act
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186:Never for Ever
165:Kate Bush Tour
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2409:Eat the Music
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2367:Experiment IV
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2360:Don't Give Up
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2188:Eat the Music
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2078:Studio albums
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1346:Peter Gabriel
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1175:Carré Theatre
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718:Brian Bath –
717:
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708:Ben Barson –
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621:
620:Hammer Horror
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516:extended play
514:released the
513:
508:
506:
502:
498:
497:Hammer Horror
494:
490:
486:
481:
477:
473:
472:
467:
461:
460:On Stage (EP)
457:
449:
447:
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443:The Telegraph
439:
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363:Hammer Horror
360:
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306:
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301:Peter Gabriel
298:
293:
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268:
262:
260:
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248:
244:
243:Fleetwood Mac
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88:2 April 1979
87:
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50:
43:
38:
34:
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2489:
2482:
2339:Cloudbusting
2297:The Dreaming
2186:
2179:
2172:
2165:
2147:
2140:
2133:
2126:
2119:
2112:
2107:The Dreaming
2105:
2098:
2091:
2084:
2011:. Retrieved
2006:The Guardian
2004:
1968:
1965:
1956:
1944:. Retrieved
1940:The Guardian
1939:
1929:
1917:. Retrieved
1904:
1892:. Retrieved
1885:
1876:
1860:(Issue 2911)
1857:
1846:
1834:. Retrieved
1827:
1817:
1804:Melody Maker
1802:
1796:
1784:. Retrieved
1780:The Guardian
1779:
1754:. Retrieved
1748:
1723:. Retrieved
1716:
1687:. Retrieved
1680:
1671:
1659:. Retrieved
1653:
1628:. Retrieved
1618:
1585:. Retrieved
1579:
1554:. Retrieved
1550:The Guardian
1549:
1514:
1483:. Retrieved
1478:The Guardian
1476:
1414:
1383:. Retrieved
1379:The Guardian
1378:
1368:
1350:Steve Harley
1341:
1336:
1327:
1318:
1208:Circus Krone
1150:West Germany
893:
862:
861:
841:Audiovisuals
840:
839:
809:
808:
778:Kevin McAlea
702:
701:
698:
690:
658:Gymnopédie 1
605:"Fullhouse"
545:
540:directed by
535:
519:
509:
504:
475:
469:
463:
441:
438:Melody Maker
437:
432:Melody Maker
430:
427:The Guardian
426:
424:
419:The Guardian
417:
415:
402:Emily Brontë
386:
378:Gymnopédie 1
367:
351:
332:
321:at London's
308:
305:Steve Harley
281:
263:
236:
227:
222:
216:
210:
206:
199:
191:
184:
178:
172:
164:
160:
159:
139:
73:
66:
18:
2475:Live albums
2353:The Big Sky
2064:Discography
2013:30 December
1946:31 December
1894:31 December
1858:Radio Times
1836:30 December
1786:30 December
1756:31 December
1725:31 December
1689:31 December
1661:31 December
1587:31 December
1556:31 December
1485:30 December
1385:31 December
1170:Netherlands
982:Southampton
892:Date (1979)
801:bass guitar
791:Alan Murphy
757:Simon Drake
710:synthesizer
512:EMI Records
493:music video
272:Simon Drake
99:13 May 1979
2648:Categories
2395:Rocket Man
1962:Bush, Kate
1807:. London:
1360:References
1125:Copenhagen
1057:Usher Hall
1032:Sunderland
1012:Manchester
947:Birmingham
885:Tour dates
810:Production
797:Del Palmer
747:Paddy Bush
703:Performers
668:"Feel It"
662:Erik Satie
538:home video
471:Nationwide
382:Erik Satie
335:whale song
277:coathanger
85:Start date
2516:Kate Bush
2269:Babooshka
2262:Breathing
2174:Kate Bush
2093:Lionheart
2053:Kate Bush
1976:cite book
1919:1 January
1809:IPC Media
1630:1 January
1625:RhythmOne
1271:Frankfurt
1185:Stuttgart
1165:Amsterdam
1161:29 April
1141:28 April
1121:26 April
1105:Stockholm
1101:24 April
1096:20 April
1091:19 April
1086:18 April
1081:17 April
1075:Palladium
1063:16 April
1047:Edinburgh
1043:13 April
1028:12 April
1023:11 April
1008:10 April
932:Liverpool
782:saxophone
742:keyboards
730:Kate Bush
695:Personnel
489:Liverpool
474:, titled
284:Liverpool
255:Greenwich
251:The Place
189:(1980).
180:Lionheart
169:Kate Bush
124:Kate Bush
75:Lionheart
33:Kate Bush
2600:Concerts
2465:Wild Man
2167:On Stage
2009:. London
1942:. London
1887:BBC Arts
1782:. London
1721:. London
1620:Allmovie
1481:. London
1381:. London
1288:England
1253:Mannheim
1071:England
1052:Scotland
993:9 April
978:7 April
963:6 April
958:5 April
943:4 April
928:3 April
908:2 April
900:Country
761:magician
751:mandolin
596:"Violin"
558:Set list
521:On Stage
359:playback
221:(1981).
212:On Stage
194:wireless
115:of shows
96:End date
52:Location
2198:Singles
1303:14 May
1298:13 May
1285:London
1282:12 May
1267:10 May
1218:Cologne
1145:Hamburg
1130:Denmark
997:Bristol
917:England
590:"Egypt"
552:box set
544:titled
286:at the
2547:Videos
2227:Moving
2135:Aerial
1521:
1421:
1249:8 May
1238:France
1229:6 May
1214:4 May
1203:Munich
1199:3 May
1181:2 May
1110:Sweden
1067:London
967:Oxford
903:Venue
734:vocals
674:"Kite"
565:Moving
501:German
389:bomber
339:Moving
152:(2014)
143:(1979)
55:Europe
1750:Dazed
1310:Notes
1233:Paris
912:Poole
897:City
738:piano
660:" by
518:(EP)
400:from
380:" by
292:Poole
2451:Lyra
2015:2018
1982:link
1948:2018
1921:2019
1896:2018
1838:2018
1788:2018
1758:2018
1727:2018
1691:2018
1663:2018
1632:2019
1589:2018
1558:2018
1519:ISBN
1487:2018
1419:ISBN
1387:2018
1348:and
480:BBC1
464:The
458:and
317:, a
303:and
267:rock
241:for
177:and
104:Legs
28:Tour
2241:Wow
1868:BBC
1718:BBC
687:"**
636:Wow
466:BBC
404:'s
370:Wow
203:BBC
113:No.
30:by
2650::
2003:.
1978:}}
1974:{{
1938:.
1912:.
1884:.
1866:,
1826:.
1778:.
1766:^
1747:.
1735:^
1715:.
1699:^
1679:.
1652:.
1640:^
1623:.
1617:.
1597:^
1578:.
1566:^
1548:.
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1513:.
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1377:.
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799:–
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722:,
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325:.
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2467:"
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2428:"
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2017:.
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1970:.
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1665:.
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683:"
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650:"
638:"
634:"
618:"
587:"
583:"
580:"
576:"
567:"
563:"
392:"
353:"
107:1
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