595:, Chris Smith gave it an A+ rating and wrote "Fahey excels at conjuring up a painstakingly developed sense of time and place in his playing, and if its predecessor at times accurately mapped out the restive confines of the dark night of the soul, this record no less vividly represents a (mildly acid-fried) return to the front porch and the prairie." Calling "On the Sunny Side of the Ocean" the "undeniable highlight of the album", he refers to the rest of the songs generally as "...unpredictable, complex, and evocative as any of Fahey’s previous, more aggressively daring work." Likewise, a 5 out of 5-star rating from
320:, Fahey's friend and some-time producer and contributor, stated: "We didn't have the budget for a legit studio for that one. So I found someone who had a real nice home recorder and a quiet room. I pretty much set John up and let him play. He was all by himself for most of it. I wasn't even around for many of the takes... He sat there with a dog at his feet. There's one track where the dog barks in the middle of the music—it was my decision to leave that false start in."
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228:. As with all of Fahey's independently released early albums, it had little critical recognition upon release. The album has grown in stature since its reissue on CD in 1997 and is now highly regarded critically. It was Fahey's fourth album to see release, though after his fifth album,
29:
641:
ranked it at No. 74 on their list of "The 200 Best Albums of the 1960s", writing: "There’s a raw edge to the recording—strings buzz, notes echo, even a dog barks—that fits Fahey’s mission to get to the core of things. His playing is precise, to be sure, but
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1996:
1877:
1903:
632:. Nothing is what it purports to be directly, but everything is "in a certain sense" — people make statements like characters in B-grade horror films, the trivial becomes significant, the meaningful, nothing."
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reviewer Steven McDonald conceded the album "has a lot of rough edges in terms of the recording but a tremendous amount of power when it comes to the music. Fahey was at the top of his game..."
1956:
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continued to treat the imaginary guitarist as a real person, including booklets with their LPs containing biographical information about him and that he had taught Fahey to play.
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305:"A disgusting, degenerate, insipid young folklorist from the Croat & Isaiah Nettles Foundation for Ethnological Research meandered mesmerically midst marble mansions in
1507:
141:
309:. It was an unsavory, vapid day in the summer of 2010 as the jejune air from Back Bay transubstantiated itself autologically and gradually into an ozone-like atmosphere."
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said it "...balance whimsy and dignity, melody and dissonance, in a wholly original and very bent manner..." and music critic Jeff
Lindholm, writing for the
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224:. Originally issued in a hand-lettered edition of 50, it was Fahey's first album to be released by a label other than his own
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After its reissue in 1997, "The
Transfiguration of Blind Joe Death" received highly laudatory reviews. In his review for
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The title refers to a fictional bluesman named Blind Joe Death, first introduced by Fahey on his debut album
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The original 1965 liner notes came in a separate booklet, were lengthy and were written by John's roommate
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1983:
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944:"The Fahey Files - John Fahey - Notes on the Songs - The Transfiguration of Blind Joe Death"
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All songs by John Fahey unless otherwise noted. Song times are from the original release.
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on the
Riverboat album sleeves. It was the first Fahey album to be released in the UK, on
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1001:"The Fahey Files - John Fahey - Liner Notes - Holloway's Notes to the Transfiguration"
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was partly recorded on the East coast, but more tracks were needed to make the album.
2012:
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was issued by
Riverboat Records, initially in a hand-lettered edition of 50, before
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was reissued on CD by Takoma
Records in 1997 with notes by pianist and guitarist
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called the liner notes "...a paranoid vision of reality unrivalled since
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278:), but was later reissued by Takoma. Once reissued by Takoma, it became
1427:
868:"Original Liner Notes: Death Chants, Breakdowns, and Military Waltzes"
1748:
Georgia Stomps, Atlanta Struts and Other
Contemporary Dance Favorites
1878:
Sea
Changes & Coelacanths: A Young Person's Guide to John Fahey
1164:
The great folk discography. Volume 1, Pioneers & early legends
213:
42:
759:"Bicycle Built for Two" – 1:10 (arrangement of the 1892 song, "
1997:
Screamin' and
Hollerin' the Blues: The Worlds of Charley Patton
1904:
Your Past Comes Back To Haunt You: The
Fonotone Years 1958–1965
1442:
1522:
The Great San
Bernardino Birthday Party & Other Excursions
231:
The Great San Bernardino Birthday Party & Other Excursions
160:
The Great San Bernardino Birthday Party & Other Excursions
1438:
1950:
The Revenge of Blind Joe Death: The John Fahey Tribute Album
301:
though attributed to one Charles Holloway, Esq. They begin:
1957:
The Great Koonaklaster Speaks: A John Fahey Celebration
1892:
Twilight on Prince Georges Avenue: Essential Recordings
682:
was reissued on LP by Takoma Records in 1967 and 1973.
1850:
The Return of the Repressed: The John Fahey Anthology
746:"101 Is a Hard Road to Travel" (Fahey, Macon) – 2:17
332:
is briefly focused on in a shot of a record store in
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The Dance of Death & Other Plantation Favorites
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The Transfiguration of Blind Joe Death (Remastered)
1259:(2004). Brackett, Nathan; Hoard, Christian (eds.).
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The Dance of Death & Other Plantation Favorites
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21:
1368:Lindholm, Jeff (August–September 1997). "Review:
646:is much more about revelation than refinement."
1501:Death Chants, Breakdowns & Military Waltzes
1936:I Am the Resurrection: A Tribute to John Fahey
1082:"The Boston Phoenix 1981-10-27: Vol 10 Iss 43"
830:David Omar White – cover design, illustrations
535:
33:Cover of the Riverboat Records release of the
1454:
8:
968:Photo of back cover of Riverboat release of
662:by Riverboat Records in 1967, 1970 and 1972.
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416:
378:
1667:Old Girlfriends and Other Horrible Memories
1390:"The 200 Best Albums of the 1960s - Page 7"
1027:"Dr. Demento gets serious about John Fahey"
983:David, Rebecca."Blind Owl Blues". Page 65.
743:"My Station Will Be Changed Awhile" – 2:02
1633:Popular Songs For Christmas and New Year's
1461:
1447:
1439:
766:"The Death of the Clayton Peacock" – 2:52
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186:
27:
18:
1871:The Best of John Fahey, Vol. 2: 1964–1983
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624:In a review for the 1967 Takoma reissue,
1990:Anthology of American Folk Music, Vol. 4
1585:Fare Forward Voyagers (Soldier's Choice)
733:"On the Sunny Side of the Ocean" – 3:00
1813:Leo Kottke, John Fahey & Peter Lang
858:
342:. The jacket design and drawing are by
272:The Great San Bernardino Birthday Party
1515:The Transfiguration of Blind Joe Death
1370:The Transfiguration of Blind Joe Death
1349:The Transfiguration of Blind Joe Death
1297:The Transfiguration of Blind Joe Death
1055:The Transfiguration of Blind Joe Death
970:The Transfiguration of Blind Joe Death
892:Best Music Writing 2009: Unknown Bards
736:"Tell Her to Come Back Home" (Fahey,
696:The Transfiguration of Blind Joe Death
686:The Transfiguration of Blind Joe Death
680:The Transfiguration of Blind Joe Death
666:The Transfiguration of Blind Joe Death
656:The Transfiguration of Blind Joe Death
644:The Transfiguration of Blind Joe Death
330:The Transfiguration of Blind Joe Death
314:The Transfiguration of Blind Joe Death
268:The Transfiguration of Blind Joe Death
240:The Transfiguration of Blind Joe Death
209:The Transfiguration of Blind Joe Death
151:The Transfiguration of Blind Joe Death
22:The Transfiguration of Blind Joe Death
1639:Rain Forests, Oceans and Other Themes
359:
7:
1046:
1044:
720:"Beautiful Linda Getchell" (Fahey,
922:. Simon and Schuster. p. 128.
537:
16:1965 studio album by John Fahey
1084:. Boston Phoenix. 27 October 1981.
797:"Saint Patrick's Hymn" (based on "
14:
1755:The Great Santa Barbara Oil Slick
1606:John Fahey Visits Washington D.C.
1599:Christmas with John Fahey Vol. II
1262:The New Rolling Stone Album Guide
833:John Fahey – original liner notes
756:"How Green Was My Valley" – 2:15
451:
418:
380:
1843:The Best of John Fahey 1959–1977
1434:Blind Joe Death official website
889:Sullivan, John Jeremiah (2009).
824:Barry Hansen – engineer, editing
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1161:Strong, Martin Charles (2010).
772:"Old Southern Medley" (Fahey,
1864:The Best of the Vanguard Years
1660:The John Fahey Christmas Album
1430:(streamed copy where licensed)
1293:Meyer, Bill (September 2003).
730:"I Am the Resurrection" – 3:00
1:
1857:The Legend of Blind Joe Death
1101:Encyclopedia of Popular Music
530:The Rolling Stone Album Guide
444:Encyclopedia of Popular Music
2024:John Fahey (musician) albums
1785:The Epiphany of Glenn Jones
848:Phil DeLancie – remastering
799:Saint Patrick's Breastplate
2040:
1646:I Remember Blind Joe Death
1134:The Great Rock Discography
895:. Seal Press. p. 29.
494:The Great Folk Discography
482:The Great Rock Discography
282:, but was already labeled
1974:American primitive guitar
1796:John Fahey Trio, Vol. One
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328:The distinctive cover of
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192:Cover of the 1997 reissue
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1943:Friends of Fahey Tribute
1911:Proofs & Refutations
1836:The Essential John Fahey
1323:"Grade List: john fahey"
1265:(4th ed.). London:
1231:(1st ed.). London:
1197:(1st ed.). London:
787:"Come Back Baby" – 2:15
769:"Brenda's Blues" – 1:45
1929:A Tribute to John Fahey
1653:God, Time and Causality
1536:The Voice of the Turtle
1029:. Perfect Sound Forever
916:Gordon, Robert (2001).
827:Brian Hansen – engineer
307:Mattapan, Massachusetts
1571:Of Rivers and Religion
814:L. Mayne Smith – banjo
727:"Orinda-Moraga" – 3:55
688:was reissued on LP by
260:. For years Fahey and
1712:The Fonotone Sessions
1327:Tom Hull - on the web
845:– reissue liner notes
839:– reissue liner notes
782:Daniel Decatur Emmett
674:Transatlantic Records
288:Transatlantic Records
218:fingerstyle guitarist
1885:Vanguard Visionaries
1791:John Fahey Trio KBOO
919:It Came From Memphis
790:"Poor Boy" (Fahey,
355:Professional ratings
244:John Fahey, Volume 5
1613:Yes! Jesus Loves Me
1557:The New Possibility
1550:The Yellow Princess
811:John Fahey – guitar
356:
1830:The Early Sessions
1592:Old Fashioned Love
1357:: 90. August 1997.
1051:McDonald, Steven.
411:The Boston Phoenix
354:
339:A Clockwork Orange
2006:
2005:
1529:Days Have Gone By
1242:978-0-8256-7252-1
1233:Visible Ink Press
1208:978-0-7876-1037-1
1199:Visible Ink Press
1147:978-0-86241-827-4
929:978-0-7434-1045-8
902:978-0-306-81782-3
819:Production notes:
690:Chrysalis Records
587:
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205:
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177:Alternative Cover
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123:Riverboat Records
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1984:Revenant Records
1967:Related articles
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1057:> Review"
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76:Berkeley, CA
43:Studio album
2019:1965 albums
1733:Live albums
1705:78s and EPs
1479:Discography
1424:Adobe Flash
1375:Dirty Linen
792:Bukka White
618:Dirty Linen
613:world music
299:Canned Heat
295:Alan Wilson
2013:Categories
1470:John Fahey
1228:MusicHound
1223:Gary Graff
1194:MusicHound
1189:Gary Graff
874:January 5,
853:References
761:Daisy Bell
222:John Fahey
212:is a 1965
131:chronology
129:John Fahey
107:(original)
48:John Fahey
1717:Double 78
1695:Red Cross
1347:"Review:
1295:"Review:
1066:March 15,
806:Personnel
801:") – 0:55
638:Pitchfork
635:In 2017,
626:ED Denson
615:magazine
350:Reception
112:(reissue)
1681:Womblife
1620:Railroad
1399:13 March
1354:Musician
1319:Tom Hull
1132:(1998).
1098:(2007).
1061:Allmusic
1033:March 5,
1010:13 March
953:13 March
794:) – 2:25
784:) – 6:08
751:Side two
740:) – 2:45
724:) – 1:50
715:Side one
692:in 1980.
676:in 1968.
650:Reissues
604:Musician
597:Allmusic
579:Tom Hull
374:Allmusic
336:'s film
284:Volume 5
280:Volume 5
66:1965 at
63:Recorded
55:Released
45: by
1564:America
1428:Myspace
250:History
164:(1966)
155:(1965)
146:(1964)
1762:On Air
1688:Hitomi
1627:Let Go
1543:Requia
1273:
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926:
899:
592:Stylus
368:Rating
365:Source
110:38:40
94:Length
1426:) at
630:Kafka
511:4.5/5
324:Cover
214:album
119:Label
83:Genre
1401:2019
1334:2020
1271:ISBN
1237:ISBN
1203:ISBN
1169:ISBN
1142:ISBN
1110:ISBN
1068:2009
1035:2009
1012:2019
985:ISBN
955:2019
924:ISBN
897:ISBN
876:2010
611:and
609:folk
499:8/10
487:7/10
88:Folk
74:and
58:1965
1372:".
1351:".
672:by
573:A+
523:4/5
297:of
68:MIT
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