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The Uncle (2022 film)

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surreal, with Uncle using the rifle to threaten the family. The Mother keeps pestering him about the whereabouts of Seka, a relative whom the Uncle is keeping captive in an unknown location. In return for Seka, he is demanding that the family throw a "perfect Christmas party", like the one he remembers from his earlier years, which ended in a family feud and murder. On one occasion, he brings Seka, whom he had been keeping in his car trunk, but only allows her to interact with the family on his own terms. The passing days, marked by violence and increasingly bizarre happenings, finally culminate in a perfect Christmas. The morning of the next day, the joyous family is waving their pleased Uncle goodbye, when he suddenly takes the rifle and shoots Seka, whom the family had forgotten about, and then himself, to the family's dismay. Without a word, they enter his car and drive off, listening to the radio.
256:. The family is initially delighted with Uncle's arrival, but their relationship with him appears to be strained. He brings the entire family gifts — Father gets a box of cigarettes, Mother gets a perfume and their Son gets a hunting rifle. They sit down to eat dinner, which is suddenly interrupted by the ringing of a mobile phone, implying a different time period than initially assumed. They spend their evening decorating the Christmas tree, dancing, watching TV and eating biscuits, all of which go wrong in different ways. Finally, the family and Uncle go to bed late at night. 332:, due to its undertones of social commentary and a tense and unnerving atmosphere. It has been described as absurdist and as holding "not just the family, but the audience as well", with the constant repetition of psychological violence enacted against the family, as if part of a never-ending loop. Thematically, comparisons have been made between the state of the family and the trauma of their life with Uncle to the history and 259:
As soon as the lights go out, Uncle gets out of bed, gets into his car and drives off. After his car disappears into the distance, the family starts to plan the same activities for tomorrow. Over the next few days, Christmas Eve seems to repeat indefinitely, becoming progressively more disturbing and
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Discussing how they came to the original idea for the film, Kapac and Mardešić said: "We realized that we both envied our friends over one thing, which is that during childhood neither of us had an uncle, or a godfather, who lived outside the country and who'd come every holiday and bring gifts, and
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When talking about the intended tone and style of the film, the directors noted: "Our film can be all in one, because the beauty and the point of an auteur film is that, as part of the auteur's expression, different poetics, aesthetics, different genres, genre reconstructions and film language
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our friends did. This was the initial idea. When we saw that the film was going to be serious, we remembered all our family situations and realized that the holidays are actually very stressful, even though it is instilled that they must be happy."
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The roles of the three family members were written with their respective actors in mind, while the role of Uncle was initially envisioned with a younger actor in mind before it was offered to Manojlović.
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family, Father, Mother and their adolescent Son, hastily preparing for a Christmas Eve dinner where they'll be joined by their Uncle, who is coming to visit from
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reconstructions are incorporated, which is the case with us, because we were inspired by various auteurs, various directions."
585: 449: 143: 225: 333: 282: 94: 233: 48: 345: 294: 551:"Hrvatsko-srpski film "Stric" nagrađen na festivalu u Karlovim Varima - Društvo - Dnevni list Danas" 606: 288: 98: 357: 229: 44: 270: 86: 580: 217: 398: 329: 419: 591: 28: 371: 325: 600: 496: 276: 90: 450:"Miki Manojlović: Mladi su prezent, nisu budućnost - Kultura - Dnevni list Danas" 354:(2022) — Proxima Competition Special Jury Mention (David Kapac, Andrija Mardešić) 528: 472:"Kritika filma "Stric": Poligon za maltretiranje jedne porodice, ali i publike" 348:(2023) — Noves Visions Award for Best Director (David Kapac, Andrija Mardešić) 374:(2023) — Next Wave Award for Best Directors (David Kapac, Andrija Mardešić) 574: 377: 253: 249: 324:
The film draws inspiration from and has been compared to the works of
380:(2022) — Young Talents Award (David Kapac, Andrija Mardešić) 201: 191: 181: 158: 150: 128: 120: 112: 104: 82: 64: 54: 40: 21: 248:during the late 1980s, the film opens with a 8: 27: 18: 352:Karlovy Vary International Film Festival 497:"STRIC: A KAKO VI SLAVITE BOŽIĆ? - FCS" 390: 420:"STRIC (manjinska koprodukcija) - FCS" 7: 523: 521: 519: 517: 444: 442: 440: 364:(David Kapac, Andrija Mardešić) and 14: 637:2022 psychological thriller films 362:Golden Arena for Best Screenplay 642:2020s psychological drama films 1: 622:2020s Croatian-language films 228:film written and directed by 647:2022 directorial debut films 632:Psychological thriller films 530:Stric (2022) - Awards - IMDb 141:Croatian Audiovisual Centre 663: 549:Colic, Nina (2022-07-10). 167:1 December 2022 35: 26: 612:Croatian-language albums 503:(in Serbian). 2022-12-08 452:(in Serbian). 2022-12-01 617:Croatian thriller films 627:Serbian thriller films 470:Nova.rs (2022-08-06). 226:psychological thriller 221: 334:breakup of Yugoslavia 346:Sitges Film Festival 400:Stric (2022) - IMDb 366:Best Costume Design 116:Tomislav Stojanović 358:Pula Film Festival 154:Bendita Film Sales 16:2022 Croatian film 368:(Ana Savić Gecan) 209: 208: 654: 562: 561: 559: 558: 546: 540: 539: 538: 537: 525: 512: 511: 509: 508: 493: 487: 486: 484: 483: 467: 461: 460: 458: 457: 446: 435: 434: 432: 431: 416: 410: 409: 408: 407: 395: 330:Yorgos Lanthimos 316:Style and themes 234:Andrija Mardešić 174: 172: 139:Sense Production 72:Milan Stojanović 60:Andrija Mardešić 49:Andrija Mardešić 31: 19: 662: 661: 657: 656: 655: 653: 652: 651: 597: 596: 592:Rotten Tomatoes 571: 566: 565: 556: 554: 548: 547: 543: 535: 533: 527: 526: 515: 506: 504: 495: 494: 490: 481: 479: 469: 468: 464: 455: 453: 448: 447: 438: 429: 427: 418: 417: 413: 405: 403: 397: 396: 392: 387: 342: 318: 305: 300: 295:Kaja Šišmanović 271:Miki Manojlović 266: 242: 196: 184: 177: 170: 168: 161: 146: 142: 140: 138: 133: 131: 124:Miro Manojlović 108:Miloš Jaćimović 97: 93: 89: 87:Miki Manojlović 77: 75: 73: 71: 69: 59: 47: 17: 12: 11: 5: 660: 658: 650: 649: 644: 639: 634: 629: 624: 619: 614: 609: 599: 598: 595: 594: 583: 570: 569:External links 567: 564: 563: 541: 513: 488: 462: 436: 411: 389: 388: 386: 383: 382: 381: 375: 372:Fantastic Fest 369: 355: 349: 341: 338: 326:Michael Haneke 317: 314: 304: 301: 299: 298: 292: 286: 280: 274: 267: 265: 262: 241: 238: 207: 206: 203: 199: 198: 193: 189: 188: 185: 182: 179: 178: 176: 175: 164: 162: 159: 156: 155: 152: 151:Distributed by 148: 147: 136: 134: 129: 126: 125: 122: 118: 117: 114: 110: 109: 106: 105:Cinematography 102: 101: 84: 80: 79: 78:Tomislav Vujić 66: 62: 61: 56: 52: 51: 42: 38: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 659: 648: 645: 643: 640: 638: 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 604: 602: 593: 589: 588: 584: 582: 578: 577: 573: 572: 568: 552: 545: 542: 532: 531: 524: 522: 520: 518: 514: 502: 498: 492: 489: 477: 473: 466: 463: 451: 445: 443: 441: 437: 425: 421: 415: 412: 402: 401: 394: 391: 384: 379: 376: 373: 370: 367: 363: 359: 356: 353: 350: 347: 344: 343: 339: 337: 335: 331: 327: 322: 315: 313: 309: 302: 296: 293: 290: 289:Roko Sikavica 287: 284: 281: 278: 275: 272: 269: 268: 263: 261: 257: 255: 251: 247: 239: 237: 235: 231: 227: 223: 219: 215: 214: 204: 200: 194: 190: 186: 180: 166: 165: 163: 157: 153: 149: 145: 135: 127: 123: 119: 115: 111: 107: 103: 100: 99:Roko Sikavica 96: 92: 88: 85: 81: 74:Bojan Tišljar 67: 63: 57: 53: 50: 46: 43: 39: 34: 30: 25: 20: 586: 575: 555:. Retrieved 553:(in Serbian) 544: 534:, retrieved 529: 505:. Retrieved 500: 491: 480:. Retrieved 478:(in Serbian) 475: 465: 454:. Retrieved 428:. Retrieved 426:(in Serbian) 423: 414: 404:, retrieved 399: 393: 323: 319: 310: 306: 283:Ivana Roščić 277:Goran Bogdan 258: 243: 224:) is a 2022 212: 211: 210: 183:Running time 160:Release date 95:Ivana Roščić 91:Goran Bogdan 76:Tina Tišljar 476:NOVA portal 230:David Kapac 187:104 minutes 68:Ivan Kelava 65:Produced by 58:David Kapac 45:David Kapac 41:Directed by 607:2022 films 601:Categories 557:2024-02-08 536:2024-02-09 507:2024-02-08 501:www.fcs.rs 482:2024-02-08 456:2024-02-08 430:2024-02-08 424:www.fcs.rs 406:2024-02-08 385:References 303:Production 246:Yugoslavia 171:2022-12-01 130:Production 70:Rea Rajčić 55:Written by 587:The Uncle 576:The Uncle 360:(2022) — 285:as Mother 279:as Father 213:The Uncle 192:Countries 137:Eclectica 132:companies 113:Edited by 22:The Uncle 273:as Uncle 250:Croatian 218:Croatian 205:Croatian 202:Language 121:Music by 83:Starring 378:CinEast 297:as Seka 254:Germany 244:Set in 195:Croatia 169: ( 340:Awards 291:as Son 197:Serbia 222:Stric 36:Stric 581:IMDb 328:and 264:Cast 240:Plot 232:and 590:at 579:at 144:HRT 603:: 516:^ 499:. 474:. 439:^ 422:. 336:. 236:. 220:: 560:. 510:. 485:. 459:. 433:. 216:( 173:)

Index


David Kapac
Andrija Mardešić
Miki Manojlović
Goran Bogdan
Ivana Roščić
Roko Sikavica
HRT
Croatian
psychological thriller
David Kapac
Andrija Mardešić
Yugoslavia
Croatian
Germany
Miki Manojlović
Goran Bogdan
Ivana Roščić
Roko Sikavica
Kaja Šišmanović
Michael Haneke
Yorgos Lanthimos
breakup of Yugoslavia
Sitges Film Festival
Karlovy Vary International Film Festival
Pula Film Festival
Golden Arena for Best Screenplay
Best Costume Design
Fantastic Fest
CinEast

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