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from
Austria to the Southern US, Wood said that the two locations were similar enough to make it easy. The most important part to him was to maintain the atmosphere of paranoia in a rural setting. Whether Carmilla is a vampire or not was designed to be a mystery until near the end of the film. Wood said that Troy, a religious man, is unable to accept that his wife and daughter are possibly lesbians, and he instead substitutes the fantasy of vampirism. Troy was originally designed to be more of an explicit villain, but Katt convinced Wood to make him more ambiguous. Wood drew from his own experiences of learning about himself after leaving home and said that the film is about "this process of self-discovery".
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becomes uncomfortable when Troy tries to kiss her, and he breaks down in tears as he says that she reminds him of her dead mother. Later, Troy explains that
Millarca and Karen, Laura's mother, were also friends. Troy did not approve of their friendship and, as a devout Christian, believed Millarca was a bad influence. Troy tells Carmilla that her mother was a thief and left without paying rent. He suggests that she leave soon, as he does not want Laura to become too attached to Carmilla if she will be leaving town.
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with a bow and arrow. Laura stops him before he can finish her off with a knife. As Laura calls the police, Troy retrieves his knife and kills
Carmilla. As she dies, Carmilla sees her mother through a kind of telepathic link between the two of them, implying that Carmilla actually is a dhampir (and that Troy was right about Millarca being a vampire). Laura flees the house and drives off into the night as the police arrive.
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where Troy's daughter, Laura, works. Curious, Laura presses for more details, and
Carmilla reveals that Millarca is her mother, whom she never knew. Carmilla eventually becomes annoyed with Laura's questions and leaves, but Laura stops her to explain that her father once rented out a trailer. Carmilla requests public records at the police station, but they tell her it will take two business days.
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still seeing
Carmilla and warns her that he will not allow Carmilla to hurt her. Exasperated, Laura insists that Carmilla has done nothing to her. However, Troy breaks into her bedroom and discovers extensive scars from Laura's self-injuring. Mistaking them as evidence of Carmilla's vampirism, Troy threatens to kill Carmilla as he did Millarca.
274:. He blamed Karen's mysterious ailment and eventual death on Millarca, whom he believes to have been a vampire who seduced Karen. Laura, who self-injures, excitedly tells Carmilla, who has not left town yet, that she now understands herself and her sexuality. The two begin a lesbian relationship that mirrors that of their mothers.
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Troy binds Laura to her bed and says that if
Carmilla returns to the house, it is proof she is a vampire. Laura desperately warns off Carmilla when she shows up, but Carmilla refuses to leave without Laura. As Laura tearfully tells Carmilla that Troy killed Millarca, Troy, a hunter, shoots Carmilla
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At Laura's urging, Troy lets
Carmilla stay at the trailer, which Troy reveals he once rented to Millarca. Laura invites Carmilla to hang out with her, and the two grow closer. Worried about Laura's increasing bond with Carmilla, Troy says Millarca was trouble and her daughter likely is, too. Laura
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Carmilla discovers Laura's scars and makes Laura promise to stop self-injuring. Carmilla further tells Laura she will not engage in blood fetishism any more, as it is a substitute for self-injury. Carmilla urges Laura to leave town with her, but Laura resists. Troy becomes suspicious that Laura is
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Before
Carmilla leaves, she checks the police station. There, she discovers the police were called to Troy's house. In Millarca's statement, she says she was having a lesbian affair with Karen. Separately, Troy corroborates this with Laura, who has demanded the full story. Troy beat both women
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when he thought about what would happen if the story were retold from a modern perspective without supernatural aspects. He says that whether vampires exist or not is immaterial to the story, as it derives its conflict from the idea of a person who does believe in them. In transposing the story
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Carmilla arrives in South
Carolina to investigate a woman named Millarca. The only information she has is an address, but Troy, the owner of the house, says nobody named Millarca has ever lived there. He offers to give Carmilla a ride into town, and she later coincidentally visits a restaurant
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rated it 4/5 stars and wrote, "It may not necessarily be scary or feature the staples that some fans crave, but Wood’s tale is entertaining; thanks to an effective cast, emotional emphasis and excellent finale." In comparing it to previous adaptations of the novel, Mark L. Miller of
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wrote, "Here, all forms of metaphor are shucked away and in its place is a good-old
Southern gothic-horror film about two lost souls coming together through adversity." Chris Coffel of
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setting. It stars Christen Orr in the title role, a woman who comes to a small town in the Southern US to investigate the mother she never knew. Along the way, she meets Laura (
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295:(seemingly), who is investigating the case of her missing mother she never got to learn to know. She first appears as vulnerable, but soon develops to come over as pretty badass.
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rated it 2/5 stars and wrote, "It's possible with a bit more fine tuning, and much better music, Wood could deliver a piece of work that is more comparable to the likes of
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rated it 3/5 stars and wrote, "The performances by the 3 main actors are solid in this film that vaguely resembles the 1871 gothic novel by Le Fanu."
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as Laura: A young woman and the daughter of Troy. Her mother died when she was a little girl. Feeling guilty because of that, she self-injures.
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isn't quite kinky or horrific enough to attract either the male or female gaze for much of its running time." Amy Longsdorf of the
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practices. Troy believed those things to be signs of vampirism in both of the women.
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when Laura was young. Troy, however, thinks that Millarca's vampirism was the cause.
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still manages to spring its share of surprises." Joe Friar of
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472:"'The Unwanted' is an erotic twist on classic vampire tale"
446:""The Unwanted" Interview with Bret Wood and Christen Orr"
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but was transposed from a Gothic tale set in Austria to a
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507:artsatl.com
150:Paul Mercer
81:Produced by
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40:Film poster
746:2014 films
740:Categories
697:2015-07-25
670:2015-07-25
643:2015-07-25
638:Diabolique
618:2015-07-25
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432:References
405:Diabolique
334:Production
286:Characters
188:97 minutes
167:2014-03-31
56:Written by
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221:Bret Wood
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130:Edited by
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344:Carmilla
312:leukemia
226:Carmilla
201:Language
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351:Release
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