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The Upturned Glass

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manor's second-story bedroom window. Upon hearing of the tragedy, Michael attends the coroner's inquest, where Ann and Emma's sister-in-law, Kate Howard, both testify. Emma's death is ruled accidental, but Michael suspects foul play. To gain information, he romances Kate, who is unaware that Michael was Emma's lover though she knew Emma was seeing someone. Eventually, Michael learns that Kate intended to blackmail Emma for financial gain. He considers the situation a misjustice and resolves to take matters into his own hands.
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toward the cliffs just over the sea, where he intends to dispose of Kate's body. On the way, however, he encounters a stranded doctor, a general practitioner, who begs a ride to the home of a patient, a 12-year-old girl whose survival of a head injury is doubtful. But when the doctor asks Michael for a second opinion, the latter examines the child and decides she might have a chance. And to the immense relief of the patient's family, Michael succeeds in saving her life.
471:. Kellino and Monaghan worked on the story together, and Monaghan appeared in a small role as an American military truck driver. In the original draft of the script, Mason was to play a detective and the film was to focus around a school mistress. However after Mason was unable to secure the services of the actors they wanted, 298:
One afternoon, Michael drives Kate to Emma's country house, where Michael maneuvers her into the same upper-story bedroom from which Emma fell. He then carries out his revenge, pushing Kate out the same window. Retrieving her corpse from the courtyard below and placing it in the car's back, he drives
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Resuming his trek toward the sea with Kate's body, Michael undergoes the realization that he is not "perfectly sane" and that perhaps his status as a "valuable member of society" is indeed questionable. He stands at the edge of the cliff and looks down toward the sea—and then, just as in the case of
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brain specialist, unhappily married and separated from his wife, falls in love with Emma Wright when she brings her young daughter Ann for consultation. Unfortunately, neither is free to marry, so the affair ends almost as soon as it begins. Later, however, Emma dies after a fall from her country
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wrote: "After a rather long-drawn-out beginning, where Mason fans will get much Mason, the story develops rapidly to a grand, exciting, fast-moving dénouement. Flawless crimes, the film argues, simply do not exist, and when paranoia intervenes there isn't a hope. Even the country doctor and the
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gave the film 3/5 stars, writing: "In his last British film before taking off for Hollywood, James Mason returned to the kind of brooding figure that female audiences had adored in
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Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 353. Income is in terms of producer's share.
479:, the script was rewritten. The new script had nothing to do with an upturned glass but they decided to keep the title because it had received considerable publicity. 810:
A SHIVERING LONDON LOOKS AT THE MOVIES: Cold Cuts Theatre Attendance and Slows Production, but Planning Still Goes On By C.A. LEJEUNE. New York Times 2 Mar 1947: 69.
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The project was announced in February 1946 with the co stars originally to be Kellino, Rosamund John and Robert Newton. It was to follow production of
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medical student make better diagnoses than the trained, experienced specialist, and as the student so aptly says, a paranoiac has to tell someone."
1375: 494:, Mason, who at the time had "enormous drawing power", received the equivalent of $ 240,000 in U.S. dollars, plus a percentage of the profits. 1380: 1345: 709: 1179: 1111: 986: 919: 890: 467:
The film was based on a story by American serviceman Jno. P. Monaghan, whom the Masons had befriended when touring the US for the
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FROM LONDON'S STUDIOS: Back-Seat Driving-British Style By C.A. LEJEUNE. New York Times 21 July 1946: X3.
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rated the film as "good", writing: "Psychological thriller with charismatic performance from the star."
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According to trade papers, the film was a "notable box office attraction" at British cinemas in 1947.
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In March 1947 J Arthur Rank sent editor Allan Obiston to the USA for Mason's thoughts on the cut.
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Mason and his then wife, Pamela Kellino (Mason), had originally planned to develop a film on the
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In the mid 1940s James Mason was the biggest star in British films, coming off successes like
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who murders a woman he believes to be responsible for the death of the woman he loved.
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The film earned producer's receipts of £156,000 in the UK and £85,800 overseas.
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Realism and Tinsel: Cinema and Society in Britain 1939-48
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both Emma and Kate, he falls downward to his own death.
214: 206: 198: 190: 180: 157: 144: 130: 120: 110: 100: 78: 62: 50: 40: 23: 512:Filming began at Riverside Studio in June 1946. 908:British Sound Films: The Studio Years 1928–1959 867:(157): 78. 1 January 1947 – via ProQuest. 574:British Sound Films: The Studio Years 1928–1959 515:Mason made it just before leaving for the US. 987: 8: 994: 980: 972: 964: 454:, written by Pamela and starring James as 252:. The screenplay concerns a leading brain 29: 20: 689: 687: 635:British Film Institute Collections Search 843:. Vol. 32, no. 3. p. 258. 537:It earned a reported profit of £45,800. 16:1947 British film by Lawrence Huntington 616: 614: 612: 588: 482:James Mason co-produced the film with 1361:Films directed by Lawrence Huntington 751: 749: 596: 594: 592: 412:Richard Afton as lorry driver 's Mate 361:Sheila Huntington as 1st girl student 7: 406:Hélène Burls as farm labourer's wife 379:Judith Carol as Joan Scott-Trotter 218:£211,300 (by Dec 1949) or £241,000 14: 784:"Star British Team At Work Again" 1391:Films scored by Bernard Stevens 1371:Films shot at Riverside Studios 704:: Greenwood Press. p. 15. 697:James Mason: A Bio-Bibliography 656:"Story Written By U.S. Soldier" 605:Manchester Uni Press 2006 p 210 382:Jno. P. Monaghan as U.S. driver 409:Howard Douglas as lorry driver 1: 1376:British black-and-white films 672:. 9 December 1949. p. 16 670:National Library of Australia 415:Lyn Evans as county policeman 282:, then head of Gainsborough. 1381:1940s English-language films 267:, with sets designed by the 1346:British films about revenge 1300:Death Drums Along the River 1407: 1032:The Bank Messenger Mystery 879:Radio Times Guide to Films 1188:Mr. Perrin and Mr. Traill 1010: 881:(18th ed.). London: 860:The Monthly Film Bulletin 547:The Monthly Film Bulletin 149:General Film Distributors 35:Theatrical release poster 28: 403:as injured girl's mother 1366:Islington Studios films 906:Quinlan, David (1984). 883:Immediate Media Company 694:Sweeney, Kevin (1999). 391:Janet Burnell as Sylvia 376:Nuna Davey as Mrs. Deva 1351:Films set in hospitals 1212:There Was a Young Lady 276:independent production 234:psychological thriller 166:17 June 1947 1180:When the Bough Breaks 1112:This Man Is Dangerous 885:. 2017. p. 982. 702:Westport, Connecticut 261:Gainsborough Pictures 1204:The Franchise Affair 1156:Night Boat to Dublin 1117:The Patient Vanishes 855:"The Upturned Glass" 766:"James Mason Signed" 631:"The Upturned Glass" 274:. It was made as an 1386:1940s British films 1356:Films set in London 1341:British drama films 1140:Women Aren't Angels 1072:Passenger to London 1004:Lawrence Huntington 772:. 13 February 1946. 388:as mobile policeman 367:as 2nd girl student 238:Lawrence Huntington 45:Lawrence Huntington 1172:The Upturned Glass 1002:Films directed by 957:The Upturned Glass 940:The Upturned Glass 912:B.T. Batsford Ltd. 800:– via Trove. 742:– via Trove. 664:(Daily ed.). 492:The Upturned Glass 490:. For his work on 469:American Red Cross 452:The Upturned Glass 229:is a 1947 British 226:The Upturned Glass 24:The Upturned Glass 1318: 1317: 1252:Destination Milan 1164:Wanted for Murder 1048:Two on a Doorstep 1024:Romance in Rhythm 428:They Were Sisters 290:Michael Joyce, a 265:Islington Studios 222: 221: 1398: 1336:1947 drama films 1268:Contraband Spain 1132:Suspected Person 1064:Full Speed Ahead 1016:After Many Years 996: 989: 982: 973: 968: 926: 925: 903: 897: 896: 875: 869: 868: 851: 845: 844: 832: 826: 817: 811: 808: 802: 801: 799: 797: 780: 774: 773: 762: 756: 753: 744: 743: 741: 739: 722: 716: 715: 691: 682: 681: 679: 677: 666:Burnie, Tasmania 652: 646: 645: 643: 641: 627: 621: 618: 607: 598: 563:The Seventh Veil 488:The Seventh Veil 434:The Seventh Veil 395:Margaret Withers 316:as Michael Joyce 173: 171: 105:Reginald H. Wyer 58:Jno. P. Monaghan 33: 21: 1406: 1405: 1401: 1400: 1399: 1397: 1396: 1395: 1321: 1320: 1319: 1314: 1263:(TV film, 1954) 1260:Eight Witnesses 1236:Thought to Kill 1124:Tower of Terror 1006: 1000: 962:Rotten Tomatoes 935: 930: 929: 922: 905: 904: 900: 893: 877: 876: 872: 853: 852: 848: 835:Thumim, Janet. 834: 833: 829: 820:Robert Murphy, 818: 814: 809: 805: 795: 793: 782: 781: 777: 764: 763: 759: 754: 747: 737: 735: 724: 723: 719: 712: 693: 692: 685: 675: 673: 654: 653: 649: 639: 637: 629: 628: 624: 619: 610: 601:Andrew Spicer, 599: 590: 585: 543: 529: 524: 477:Phyllis Calvert 456:Branwell Brontë 440:The Wicked Lady 423: 418: 401:Beatrice Varley 373:as male student 309: 288: 259:It was made at 183: 176: 169: 167: 160: 153:Universal (USA) 152: 140: 135: 133: 125:Bernard Stevens 93: 89: 85: 73: 69: 57: 36: 17: 12: 11: 5: 1404: 1402: 1394: 1393: 1388: 1383: 1378: 1373: 1368: 1363: 1358: 1353: 1348: 1343: 1338: 1333: 1323: 1322: 1316: 1315: 1313: 1312: 1304: 1296: 1288: 1284:The Fur Collar 1280: 1272: 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London: 640:28 January 603:Sydney Box 583:References 527:Box office 484:Sydney Box 421:Production 365:Susan Shaw 352:as coroner 280:Sydney Box 215:Box office 186:90 minutes 170:1947-06-17 132:Production 71:Sydney Box 51:Written by 1228:The Genie 824:2003 p209 522:Reception 450:entitled 231:film noir 111:Edited by 1096:Dial 999 541:Critical 509:(1947). 461:Devotion 443:(1945). 431:(1945), 210:£196,000 199:Language 121:Music by 79:Starring 1104:Bad Boy 796:25 June 789:The Sun 770:Variety 738:25 June 340:as Clay 254:surgeon 202:English 191:Country 168: ( 134:company 1311:(1967) 1303:(1963) 1295:(1963) 1287:(1962) 1279:(1959) 1271:(1955) 1255:(1954) 1247:(1954) 1239:(1954) 1231:(1953) 1223:(1953) 1215:(1953) 1207:(1951) 1199:(1949) 1191:(1948) 1183:(1947) 1175:(1947) 1167:(1946) 1159:(1946) 1151:(1943) 1143:(1943) 1135:(1942) 1127:(1941) 1119:(1941) 1107:(1938) 1099:(1938) 1091:(1937) 1075:(1937) 1067:(1936) 1059:(1936) 1051:(1936) 1043:(1936) 1035:(1936) 1027:(1934) 1019:(1930) 918:  889:  841:Screen 708:  207:Budget 1115:aka 945:IMDb 916:ISBN 887:ISBN 798:2020 740:2020 706:ISBN 678:2015 642:2024 565:and 555:The 475:and 307:Cast 286:Plot 248:and 151:(UK) 960:at 943:at 572:In 1327:: 865:14 863:. 857:. 839:. 786:. 768:. 748:^ 728:. 700:. 686:^ 668:: 658:. 633:. 611:^ 591:^ 263:' 244:, 995:e 988:t 981:v 924:. 895:. 714:. 680:. 644:. 172:)

Index


Lawrence Huntington
Pamela Kellino
Betty E. Box
Sydney Box
James Mason
Rosamund John
Pamela Kellino
Ann Stephens
Reginald H. Wyer
Alan Osbiston
Bernard Stevens
General Film Distributors
film noir
psychological thriller
Lawrence Huntington
James Mason
Rosamund John
Pamela Kellino
surgeon
Gainsborough Pictures
Islington Studios
art director
Andrew Mazzei
independent production
Sydney Box
Harley Street
James Mason
Rosamund John
Pamela Kellino

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