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The Violence of Gender

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reviewed the exhibition. She stated that "Tai Kwun should be applauded for putting up a show on the timely topic" and that publicly discussing the subject brings progress on the matter. Cheung argued that the protagonist of the animation
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from 16 February to 28 April 2019. The artist panel was held on 7 March 2019. It discussed how the themes of gender and violence intersect.
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There were 11 artists from around the world featured in the exhibit. Ten are female and one is male.
313:"Hong Kong exhibition taps into the effects of violence and gender using fantasy, humour and pain" 35: 368: 206: 244: 452: 252: 494: 54: 257: 124: 418:"Gender, Sexuality, and Body – Addressed in "Performing Society: The Violence of Gender"" 363: 201: 537: 131: 482: 466: 233: 490: 193: 145: 44: 138:
yìshù bù yèguǎn: xìngbié de bàolì (Cóng Xiānggǎng jiǎodù tàntǎo) zuò tànhuì
24: 189: 152: 448:"Society's veiled gender violence laid bare in Hong Kong exhibition" 212:(立場新聞) quoted two artworks from the show to discuss what's violent. 18: 157: 498: 394:"Performing Society: The Violence of Gender | Tai Kwun" 49: 39: 136: 151: 144: 130: 123: 118: 100: 86: 77: 518: 106: 92: 8: 177:"Performing Society: The Violence of Gender" 525: 511: 115: 306: 304: 302: 300: 298: 339:""The Violence of Gender" Artist Panel" 294: 74: 7: 479: 477: 188:) was an art exhibition, hosted in 497:. You can help Knowledge (XXG) by 14: 359:"大館新展《表演社會:性別的暴力》 部分展品限18歲以上人士參觀" 481: 23: 158: 185: 137: 107: 93: 1: 311:Cheung, Rachel (2019-02-19). 463:"It runs deeper than #MeToo" 446:Dawson, Aimee (2019-03-25). 570: 476: 461:Lo, Rebecca (2019-03-22). 199:The published article in 169: 114: 82: 544:Art exhibitions in China 318:South China Morning Post 277:South China Morning Post 88:Traditional Chinese 16:Hong Kong art exhibition 186:藝術不夜館:性別的暴力(從香港角度探討)座談會 108:艺术不夜馆:性别的暴力(从香港角度探讨)座探会 102:Simplified Chinese 94:藝術不夜館:性別的暴力(從香港角度探討)座談會 38:, as no other articles 493:–related article is a 223:Participating artists 78:The Violence of Gender 274:Rachel Cheung of the 57:for suggestions. 47:to this page from 549:2019 in Hong Kong 506: 505: 453:The Art Newspaper 253:Pamela Rosenkranz 173: 172: 165: 164: 125:Standard Mandarin 71: 70: 561: 527: 520: 513: 485: 478: 470: 457: 433: 432: 430: 429: 414: 408: 407: 405: 404: 390: 384: 383: 381: 380: 372: 355: 349: 348: 346: 345: 335: 329: 328: 326: 325: 308: 258:Marianna Simnett 210: 187: 161: 160: 140: 139: 116: 110: 109: 96: 95: 75: 66: 63: 52: 50:related articles 27: 19: 569: 568: 564: 563: 562: 560: 559: 558: 554:Hong Kong stubs 534: 533: 532: 531: 474: 460: 445: 442: 437: 436: 427: 425: 416: 415: 411: 402: 400: 392: 391: 387: 378: 376: 366: 357: 356: 352: 343: 341: 337: 336: 332: 323: 321: 310: 309: 296: 291: 283:Who’s the Daddy 272: 218: 204: 67: 61: 58: 48: 45:introduce links 28: 17: 12: 11: 5: 567: 565: 557: 556: 551: 546: 536: 535: 530: 529: 522: 515: 507: 504: 503: 486: 472: 471: 458: 441: 440:External links 438: 435: 434: 409: 398:www.taikwun.hk 385: 364:The Stand News 350: 330: 293: 292: 290: 287: 271: 268: 267: 266: 263: 262:Raphaela Vogel 260: 255: 250: 249:Julia Phillips 247: 242: 239: 236: 231: 228: 217: 214: 202:The Stand News 171: 170: 167: 166: 163: 162: 155: 149: 148: 146:Yue: Cantonese 142: 141: 134: 128: 127: 121: 120: 119:Transcriptions 112: 111: 104: 98: 97: 90: 84: 83: 80: 79: 69: 68: 55:Find link tool 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 566: 555: 552: 550: 547: 545: 542: 541: 539: 528: 523: 521: 516: 514: 509: 508: 502: 500: 496: 492: 487: 484: 480: 475: 468: 464: 459: 455: 454: 449: 444: 443: 439: 423: 419: 413: 410: 399: 395: 389: 386: 374: 370: 365: 360: 354: 351: 340: 334: 331: 320: 319: 314: 307: 305: 303: 301: 299: 295: 288: 286: 284: 279: 278: 269: 264: 261: 259: 256: 254: 251: 248: 246: 243: 240: 237: 235: 232: 229: 226: 225: 224: 221: 215: 213: 211: 208: 203: 197: 195: 191: 183: 179: 178: 168: 156: 154: 150: 147: 143: 135: 133: 129: 126: 122: 117: 113: 105: 103: 99: 91: 89: 85: 81: 76: 73: 65: 56: 51: 46: 42: 41: 37: 32:This article 30: 26: 21: 20: 499:expanding it 488: 473: 451: 426:. Retrieved 424:. 2019-03-04 421: 412: 401:. Retrieved 397: 388: 377:. Retrieved 375:. 2019-02-15 362: 353: 342:. Retrieved 333: 322:. Retrieved 316: 282: 275: 273: 238:Oliver Laric 227:Dong Jinling 222: 219: 200: 198: 176: 175: 174: 132:Hanyu Pinyin 72: 62:October 2019 59: 33: 467:China Daily 422:COBO Social 367: [ 205: [ 538:Categories 469:Hong Kong. 428:2019-03-10 403:2019-03-10 379:2019-03-09 344:2019-03-09 324:2019-03-09 289:References 234:Anne Imhof 230:Jana Euler 53:; try the 40:link to it 491:Hong Kong 270:Reception 265:Wong Ping 245:Ma Qiusha 194:Hong Kong 43:. Please 241:Liu Yefu 190:Tai Kwun 153:Jyutping 216:Artists 182:Chinese 373:(立場新聞) 184:: 36:orphan 34:is an 489:This 371:] 209:] 495:stub 540:: 465:. 450:. 420:. 396:. 369:zh 361:. 315:. 297:^ 207:zh 192:, 526:e 519:t 512:v 501:. 456:. 431:. 406:. 382:. 347:. 327:. 180:( 64:) 60:(

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"Hong Kong exhibition taps into the effects of violence and gender using fantasy, humour and pain"
South China Morning Post
""The Violence of Gender" Artist Panel"

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