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The Virtuoso (play)

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107:, Shadwell claimed that he had created four entirely new humours characters, by which he meant the titular virtuoso Sir Nicholas Gimcrack, Sir Formal Trifle (described in the cast list as "the Orator, a florid coxcomb"), Sir Samuel Hearty ("a brisk, amorous, adventurous, unfortunate coxcomb; one that by the help of humorous, nonsensical bywords takes himself to be a wit"), and Sir Nicholas's uncle Snarl ("an old, pettish fellow, a great admirer of the last age and a declaimer against the vices of this, and privately very vicious himself.") Though some critics believe that Sir Nicholas is an inconsistent character, of the four, his is the character with the most significant literary legacy. Scholars have discerned the influence of Sir Nicholas in the works of numerous subsequent playwrights, including 158:
scientific pursuits. He first turns to his wife for help, but she abandons him in favour of Hazard, taking her money with her, then to his uncle Snarl, but Snarl reveals that he has married Mrs. Figgup and Sir Nicholas's hopes of inheriting his money are dashed. Last, Sir Nicholas begs his nieces for their fortunes, but they reveal that they have settled guardianship of their estates with Bruce and Longvil. Hoping at least for continuing love from Mrs. Flirt, Sir Nicholas is once again disappointed, as she informs him that she "love(s) men but as far as their money goes."
463: 131:, Sir Nicholas Gimcrack. Bruce is in love with Clarinda and Longvil with Miranda. Unfortunately, Clarinda is in love with Longvil and Miranda with Bruce. Each lady also has a rival suitor. Clarinda is wooed by her uncle's best friend, the absurd orator Sir Formal Trifle, and Miranda by a gallant fool, Sir Samuel Hearty. 157:
Ultimately, Bruce and Longvil pragmatically conclude that Bruce should transfer his affections to Miranda (who loves him) and Longvil should transfer his to Clarinda (who loves him.) Meanwhile, Sir Nicholas receives the terrible news that his estates have been seized to pay off debts incurred in his
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While they attempt to pay court to Miranda and Clarinda, Bruce and Longvil are in turn courted by Sir Nicholas's promiscuous wife, Lady Gimcrack, who also keeps a lover, Hazard, on the side. Sir Nicholas similarly keeps a lover by the name of Mrs. Flirt, who in turn is having an affair with Hazard.
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While many critics interpret the play as a direct attack on the Royal Society, others argue that, far from satirising the Royal Society, Shadwell was actually focusing on specific follies that the Royal Society expressly rejected, or that, as members of the Royal Society at that time included both
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There follow various contrivances and convolutions, including the seduction of both Bruce and Longvil by Lady Gimcrack, the attempted rape of Sir Samuel (disguised as a woman) by Sir Formal, the discovery that Snarl has a fetish for being beaten with rods, and an uprising of
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To gain admittance to Sir Nicholas's house where they can see their beloveds, Bruce and Longvil feign an interest in Sir Nicholas's absurd experiments, which include learning to swim on dry land by imitating a frog,
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Wheatley, Christopher J. "'Who Vices Dare Explode': Thomas Shadwell, Thomas Durfey and Didactic Drama of the Restoration." A Companion to Restoration Drama. Ed. Susan J. Owen. Oxford, England: Blackwell, 2008.
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serious scientists and amateur virtuosos, Shadwell was striking a deathblow against the virtuosos specifically, but that the serious scientists were above attack and thus unharmed by Shadwell's satire.
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As Claude Lloyd has demonstrated, virtually all of the experiments that Sir Nicholas Gimcrack performs can be traced directly to a real scientific experiment of the day, most reported either in
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McBride, M. F. "Thomas Shadwell on Music and Dance in Restoration England." English Miscellany: A Symposium of History, Literature and the Arts 28. (1979): 197–206.
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Bruce and Longvil, two young men-about-town, described by Shadwell in the cast list as "Gentlemen of wit and sense," have fallen in love with the two nieces of the
337: 189:. Hooke himself actually attended a performance of the original production and, humiliated, identified himself as the specific target of Shadwell's satire. 49:. Well received in its original production, it was revived several times over the next thirty years and "always found Success." The original cast included 300:
Gilde, Joseph M. “Shadwell and the Royal Society: Satire in the Virtuoso.” SEL: Studies in English Literature 1500–1900 10.3 (Summer 1970): 469–490.
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Nicolson, Marjorie Hope and David Stuart Rodes. Introduction. The Virtuoso. By Thomas Shadwell. Lincoln: University of Nebraska Press, 1966. xi–xxvi.
139:(resulting in a sheep's tail growing out of the man's anus), and bottling air from various parts of the country to be stored in his cellar like wine. 447: 1142: 146:
The cast is rounded out by Sir Nicholas's curmudgeonly uncle Snarl, whose money Sir Nicholas hopes to inherit, and Snarl's whore Mrs. Figgup.
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Houghton, Walter R. Jr. “The English Virtuoso in the Seventeenth Century: Part I.” Journal of the History of Ideas 3.1 (Jan. 1942): 51–73.
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Chico, Tita. “Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy.” Comparative Drama 42.1 (Spring 2008): 29–49.
997: 1002: 1147: 330: 422: 103:'s style of humour comedy, in which each humorous character displays one unique and excessive folly. In his dedication to 22: 561: 489: 481: 1137: 323: 801: 412: 402: 1066: 1043: 1132: 462: 407: 270:
Borgman, Albert S. Thomas Shadwell: His Life and Comedies. New York City: The New York University Press, 1928.
165:, and Bruce and Longvil are happy in their hopes of eventual marriages to Miranda and Clarinda, respectively. 1079: 921: 721: 705: 593: 577: 66: 1094: 1018: 951: 913: 729: 641: 513: 162: 154:-weavers, upset because they fear Sir Nicholas has invented a machine that will put them out of business. 1089: 1038: 967: 817: 809: 793: 737: 625: 537: 42: 46: 905: 881: 841: 545: 521: 1127: 992: 873: 753: 665: 505: 497: 136: 529: 346: 258:. Ed. Marjorie Hope Nicolson and David Stuart Rodes. Lincoln: University of Nebraska Press, 1966. 85: 34: 1028: 889: 865: 761: 673: 657: 452: 387: 367: 112: 108: 1058: 933: 825: 785: 769: 713: 569: 432: 377: 74: 58: 982: 897: 857: 689: 601: 585: 427: 397: 392: 38: 972: 777: 633: 617: 472: 437: 78: 54: 1121: 1033: 977: 833: 442: 372: 186: 93: 70: 50: 1048: 681: 649: 417: 178: 174: 62: 1074: 1023: 849: 697: 609: 553: 382: 354: 92:
lies primarily in its highly relevant satire on contemporary science and on the
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Lloyd, Claude. "Shadwell and the Virtuosi.” PMLA 44.2 (Jun. 1929): 472–494.
745: 96:, which, founded in 1660, was of great interest to Restoration audiences. 1053: 128: 1084: 315: 151: 161:
Sir Nicholas is left a ruined man, yet still hoping to discover the
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Short View of the Immorality and Profaneness of the English Stage
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Shadwell was also known as the Restoration's leading advocate of
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Alssid, Michael W. Thomas Shadwell. New York: Twayne, 1967.
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Shadwell is acknowledged as the most topical of the major
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uses, see 874:The Constant Couple 754:The Fortune Hunters 730:A Fool's Preferment 666:The London Cuckolds 506:The Mulberry-Garden 498:The Comical Revenge 163:philosopher's stone 1138:Restoration comedy 562:Marriage à la mode 530:Sir Solomon Single 347:Restoration comedy 254:Shadwell, Thomas. 73:as Lady Gimcrack, 47:The Duke's Company 35:Restoration comedy 1115: 1114: 1029:Comedy of manners 890:Sir Harry Wildair 866:Love and a Bottle 842:Love's Last Shift 762:The English Friar 674:Sir Barnaby Whigg 658:The Woman Captain 522:An Evening's Love 453:William Wycherley 368:Susanna Centlivre 169:Scientific satire 113:Susanna Centlivre 1155: 1024:Chocolate houses 1012:Related articles 993:James II and VII 826:The Married Beau 786:The Wives Excuse 770:Sir Anthony Love 714:Sir Courtly Nice 594:The Plain-Dealer 578:Love in the Dark 570:The Country Wife 465: 433:Thomas Southerne 378:William Congreve 340: 333: 326: 317: 310: 307: 301: 298: 292: 289: 283: 280: 271: 268: 259: 252: 246: 242: 236: 233: 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471:Notable 245:340–354. 129:virtuoso 988:Molière 185:of the 1070:(film) 1062:(1994) 1019:Bedlam 925:(1707) 917:(1706) 909:(1704) 901:(1703) 893:(1701) 885:(1700) 877:(1699) 869:(1698) 861:(1698) 853:(1696) 845:(1696) 837:(1695) 829:(1694) 821:(1694) 813:(1692) 805:(1692) 797:(1691) 789:(1691) 781:(1691) 773:(1690) 765:(1690) 757:(1689) 749:(1689) 741:(1688) 733:(1688) 725:(1687) 717:(1685) 709:(1685) 701:(1683) 693:(1683) 685:(1682) 677:(1681) 669:(1681) 661:(1679) 653:(1678) 645:(1678) 637:(1678) 629:(1678) 621:(1677) 613:(1676) 605:(1676) 597:(1676) 589:(1676) 581:(1675) 573:(1675) 565:(1672) 557:(1672) 549:(1671) 541:(1671) 533:(1670) 525:(1668) 517:(1668) 509:(1668) 501:(1664) 493:(1663) 485:(1661) 152:ribbon 1034:Court 947:Spark 473:plays 33:is a 1085:Mode 952:Rake 1107:Wit 942:Fop 181:or 177:’s 37:by 1124:: 275:^ 263:^ 219:^ 205:^ 115:, 339:e 332:t 325:v 25:.

Index

The Virtuoso
Restoration comedy
Thomas Shadwell
Dorset Garden Theatre
The Duke's Company
Anthony Leigh
Cave Underhill
Thomas Betterton
Thomas Jevon
Thomas Percival
Anne Shadwell
Elizabeth Currer
Mary Betterton
Restoration
Royal Society
Ben Jonson
Thomas d'Urfey
Susanna Centlivre
Aphra Behn
virtuoso
transfusing the blood of a sheep into a man
ribbon
philosopher's stone
Robert Hooke
Micrographia
Philosophical Transactions
Royal Society


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