Knowledge (XXG)

The Visitor (Jim O'Rourke album)

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453: 448: 405: 400: 367: 362: 297: 553:, and the ilk mean it's little more than a symbol. And O'Rourke's request that you listen out loud, loudly, means that you give it your attention, that you let it fill the room with sound. After all, this is soft music—and graceful and complicated and rich, too. While it might sound polite, though, it's not to be heard passively during your morning walk to work. 489: 443: 438: 433: 395: 390: 385: 357: 352: 347: 292: 287: 282: 277: 484: 479: 474: 469: 535:
runs the risk of being labeled boring and bland. Given its use of common instruments and techniques (a cymbal scraped with a drumstick constitutes the album's most "out" sound), it runs a high risk of being labeled pedestrian, too, as if O'Rourke has taken all of his experimental tendencies and
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in 2009 on CD and LP, but not digitally by O'Rourke's request. O'Rourke played every instrument on the album, and it was all recorded in his home in Tokyo. It marks his first proper studio album in eight years since
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as a digital download, for instance, rebels against our need for instant gratification. You have to work a bit to hear it. Symbolically, it's a potent act for such an anticipated release, even if bit torrents,
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finally reduced them into an adult-contemporary instrumental. Ultimately, that's about as silly as it sounds:
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gave the album a very positive review, stating, "Given its patient development and refusal to climax,
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score of 73, based on 5 reviews, which indicates "generally favorable reviews".
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is a defiant record in both sound and spirit. The reluctance of O'Rourke and
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rating out of 100 to reviews from mainstream critics, the album received an
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received very positive reviews from contemporary music critics. At
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December 17, 2009. p. 2 635: 1: 912:"Jim O'Rourke - The Visitor" 885:"Jim O'Rourke - The Visitor" 859:"Jim O'Rourke – The Visitor" 833:"Jim O'Rourke - The Visitor" 803:"The Visitor - Jim O'Rourke" 773:"The Visitor - Jim O'Rourke" 620: 617: 606: 603: 594: 591: 582: 579: 194:is an instrumental album by 956:"The Top 50 Albums of 2009" 713:"Jim O'Rourke: The Visitor" 680:"Jim O'Rourke: The Visitor" 1208: 945:. Retrieved July 23, 2016. 937:"Jim O'Rourke The Visitor" 647: 639: 263: 260: 240: 237: 150: 26: 1124:Halfway to a Threeway 202:. It was released on 157:Halfway to a Threeway 863:Consequence of Sound 745:Consequence of Sound 576:Consequence of Sound 316:Consequence of Sound 228:Professional ratings 1009:. Album of the Year 229: 517:, which assigns a 227: 223:Critical reception 1169: 1168: 658: 657: 624: 623: 557:Year-end rankings 508: 507: 187: 186: 183: 182: 52:September 8, 2009 1199: 1049: 1042: 1035: 1026: 1019: 1018: 1016: 1014: 1003: 997: 996: 994: 992: 978: 972: 971: 969: 967: 952: 946: 933: 927: 926: 924: 922: 908: 902: 901: 899: 897: 880: 874: 873: 871: 869: 854: 848: 847: 845: 843: 837:Beats per Minute 828: 822: 821: 819: 817: 811:Rovi Corporation 798: 792: 791: 789: 787: 769: 756: 755: 753: 751: 737: 728: 727: 725: 723: 708: 697: 696: 694: 692: 675: 637: 632: 561: 492: 491: 490: 486: 485: 481: 480: 476: 475: 471: 470: 456: 455: 454: 450: 449: 445: 444: 440: 439: 435: 434: 408: 407: 406: 402: 401: 397: 396: 392: 391: 387: 386: 370: 369: 368: 364: 363: 359: 358: 354: 353: 349: 348: 306:Beats per Minute 300: 299: 298: 294: 293: 289: 288: 284: 283: 279: 278: 233:Aggregate scores 230: 152: 151: 114: 113: 109: 95:progressive rock 31: 19: 1207: 1206: 1202: 1201: 1200: 1198: 1197: 1196: 1172: 1171: 1170: 1165: 1129: 1111: 1058: 1053: 1023: 1022: 1012: 1010: 1005: 1004: 1000: 990: 988: 980: 979: 975: 965: 963: 960:Pitchfork Media 954: 953: 949: 934: 930: 920: 918: 910: 909: 905: 895: 893: 882: 881: 877: 867: 865: 856: 855: 851: 841: 839: 830: 829: 825: 815: 813: 800: 799: 795: 785: 783: 781:CBS Interactive 771: 770: 759: 749: 747: 739: 738: 731: 721: 719: 717:Pitchfork Media 710: 709: 700: 690: 688: 677: 676: 669: 664: 659: 629: 559: 529:Pitchfork Media 488: 483: 478: 473: 452: 447: 442: 437: 404: 399: 394: 389: 366: 361: 356: 351: 296: 291: 286: 281: 225: 178: 169: 160: 111: 107: 106: 44: 17: 12: 11: 5: 1205: 1203: 1195: 1194: 1189: 1184: 1174: 1173: 1167: 1166: 1164: 1163: 1158: 1153: 1148: 1143: 1137: 1135: 1131: 1130: 1128: 1127: 1119: 1117: 1113: 1112: 1110: 1109: 1102: 1095: 1088: 1085:Insignificance 1081: 1074: 1066: 1064: 1060: 1059: 1054: 1052: 1051: 1044: 1037: 1029: 1021: 1020: 998: 986:Tiny Mix Tapes 973: 947: 928: 916:Tiny Mix Tapes 903: 875: 849: 823: 793: 757: 729: 698: 666: 665: 663: 660: 656: 655: 652: 649: 645: 644: 641: 638: 630: 628: 625: 622: 621: 619: 616: 608: 607: 605: 602: 600:Tiny Mix Tapes 596: 595: 593: 590: 584: 583: 581: 578: 572: 571: 568: 565: 558: 555: 506: 505: 502: 494: 493: 464: 462:Tiny Mix Tapes 458: 457: 428: 420: 419: 416: 410: 409: 380: 372: 371: 342: 334: 333: 330: 322: 321: 318: 312: 311: 308: 302: 301: 272: 266: 265: 262: 258: 257: 253: 252: 249: 243: 242: 239: 235: 234: 224: 221: 209:Insignificance 185: 184: 181: 180: 171: 162: 148: 147: 140: 139: 134: 128: 127: 122: 116: 115: 104: 100: 99: 98: 97: 92: 90:orchestral pop 87: 80: 74: 73: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1204: 1193: 1190: 1188: 1185: 1183: 1180: 1179: 1177: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1146:Gastr del Sol 1144: 1142: 1139: 1138: 1136: 1134:Related bands 1132: 1126: 1125: 1121: 1120: 1118: 1114: 1108: 1107: 1103: 1101: 1100: 1096: 1094: 1093: 1089: 1087: 1086: 1082: 1080: 1079: 1075: 1073: 1072: 1068: 1067: 1065: 1063:Studio albums 1061: 1057: 1050: 1045: 1043: 1038: 1036: 1031: 1030: 1027: 1008: 1002: 999: 987: 983: 977: 974: 961: 957: 951: 948: 944: 943: 938: 932: 929: 917: 913: 907: 904: 892: 891: 886: 879: 876: 864: 860: 853: 850: 838: 834: 827: 824: 812: 808: 804: 801:Jurek, Thom. 797: 794: 782: 778: 774: 768: 766: 764: 762: 758: 746: 742: 736: 734: 730: 718: 714: 707: 705: 703: 699: 687: 686: 681: 674: 672: 668: 661: 653: 651:"The Visitor" 650: 646: 633: 627:Track listing 626: 615: 614: 610: 609: 601: 598: 597: 589: 586: 585: 577: 574: 573: 569: 566: 563: 562: 556: 554: 552: 547: 543: 539: 534: 530: 526: 524: 520: 516: 512: 503: 501: 500: 496: 495: 465: 463: 460: 459: 429: 427: 426: 422: 421: 417: 415: 412: 411: 381: 379: 378: 374: 373: 343: 341: 340: 336: 335: 331: 329: 328: 324: 323: 319: 317: 314: 313: 309: 307: 304: 303: 273: 271: 268: 267: 259: 256:Review scores 254: 250: 248: 245: 244: 236: 231: 222: 220: 218: 214: 210: 205: 201: 197: 193: 192: 177: 176: 172: 168: 167: 163: 159: 158: 154: 153: 149: 145: 141: 138: 135: 133: 129: 126: 123: 121: 117: 105: 101: 96: 93: 91: 88: 86: 83: 82: 81: 79: 75: 71: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1122: 1106:Simple Songs 1104: 1098: 1097: 1090: 1083: 1076: 1069: 1056:Jim O'Rourke 1011:. 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Index


Studio album
Jim O'Rourke
Tokyo
Genre
Folk
orchestral pop
progressive rock
Label
Drag City
Producer
Jim O'Rourke
Jim O'Rourke
Halfway to a Threeway
Simple Songs
American
Jim O'Rourke
Drag City
Insignificance
Eureka
Bad Timing
Metacritic
AllMusic
Beats per Minute
Consequence of Sound
Fact
The List
Mojo
Pitchfork
Q

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