333:. Fiona's character representation as a "career-centred contemporary woman" contradicts the conventional depictions of motherhood. Fiona's trip to India with Ben makes her question whether or not she is suitable to be a mother. Krishna, the couple's driver in India, challenges Fiona's suitability as a mother due to her and Ben not already having children. He believes that them having to adopt a child means Fiona is not ready for motherhood. Fiona's surroundings during the trip, through
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329:. Fiona has conflict over two different domains of her life regarding family and career - her new role as a mother and her career as a lawyer. She prioritises her career over motherhood. The film describes how this has negative consequences upon her marriage to Ben. In films and literature, motherhood is shown in a conventional and traditional style where it represents
341:, reinforce India's firm beliefs of what it means to be a mother, that is, women should have a strong desire for motherhood. Traditionally, the concept of motherhood has been related to a woman's core identity and represents her femininity as a woman. These traditional beliefs make Fiona engage with her role as a woman and how she should want to attain motherhood.
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whether or not
Lakshmi will be their adopted child or will she always belong to Mother India, the country that she is from. In international adoption, adopted children join families who have "different racial, cultural, and religious characteristics." Concerns are raised over whether or not they will lose the connection they have with their
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to meet their would-be daughter
Lakshmi, they discover that she is chronically ill and likely unable to survive a flight to Sydney. Fiona and Ben are devastated when Lakshmi dies a few days later. Having lost all that they meant to find in India, the lovers decide once again that they need each other
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took 32 days to shoot. There were 120 members on the Indian production team, originating from Mumbai and
Calcutta. In the Australian team, there were 10 production members and three cast members. Production design for the film was done by Pete Baxter, who has since worked on television shows such as
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shows international adoption, where Fiona and Ben adopt their daughter, Lakshmi, from India. McCarthy, the film's director, wanted to discuss the additional complexities of adoption. Throughout the film, Fiona and Ben are faced with questions from people in India, such as their driver
Krishna, about
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While Fiona stays in touch with her clients at home via the internet and deals with the legal red tape slowing down the adoption, Ben finds himself wandering the streets of
Calcutta and adjusting to the rhythms of the city. The stress of the waiting period seems to reinforce the differences between
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prompts fathers to be more aware of their patriarchal role in the family. Ben needs to adopt the traditional notions of fatherhood. This makes Ben consider his role as a parental figure within the family unit. By the end of the film, Fiona and Ben have changed themselves, in terms of their gender
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Fiona (Radha
Mitchell) and Ben (Joel Edgerton) are a couple from Australia—she is a successful, self-starting lawyer while he is a relaxed, easy-going musician. Fiona and Ben, who want to adopt a child, travel to India for what they imagine will be a quick and simple process. However, once they
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2.5 stars out of 5. She criticised the film's "uneven execution of pivotal moments" and how the events depicted were not genuine and did not have "poignancy." She criticised the film's representation of Fiona and Ben as "extremes" whose characters were opposite of each other, questioning how
357:. Fiona and Ben are represented as opposite character types which challenge traditional gender roles. Fiona is shown as a "career-centred contemporary woman" and Ben is described as her "male antithesis." The film creates a "battle of sexes" and strong power imbalance in their relationship.
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that are expected of their genders. Women have the responsibility of taking care of the children and men have the responsibility of financially supporting the family. The film shows how both characters need to align themselves with traditional gender dynamics to be able to have a family.
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Prior to filming, McCarthy and the film's director of photography, Denson Baker, went on research trips to India to observe the filming locations. Baker compiled over 6,000 photos during the pre-production phase. Baker has since worked on cinematography for television shows such as
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was nominated for 8 awards including Best
Cinematography, Best Actor - Male, Best Actor - Female, Best Film, Best Director, Best Screenplay, Best Music Score, and Best Editor. The film won the award for Best Cinematography for Denson Baker, beating films
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4 stars out of 5. He wrote that the film is "a beautifully crafted bitter-sweet exploration of a functional but near-broken relationship exposed by this perpetually functional but near-broken city." Simon
Miraudo, a critic from
443:, specifically production and marketing support. Screen Australia is a funding agency that assists with the production of low-budget Australian films. Additionally, the film received support from other agencies such as
237:, finds herself at odds with the Indian people who are driven by religious tradition. As her stay in India progresses, the various unfamiliar sights evoke spiritual feelings in her. When Ben and Fiona finally go to the
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realistic their relationship was. She praised McCarthy's willingness to create the film, saying it goes into many topics, such as relationships and adoption, that other contemporary films have not explored in detail.
682:, praised Mitchell and Edgerton's performances but criticised the "more melodramatic contrivances involving an Indian hotel employee who becomes the rather unlikely voice of Indian spiritualism..."
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The
Producer Offset, which provides funds to producers for the creation of Australian projects within films and television, contributed approximately 22 per cent of the film's budget.
663:, praised the film for its "intimate account of a couple's encounter with the subcontinent" and McCarthy's understanding of "the power Indian spiritualism can have on foreigners."
659:, gave the film 4 stars out of 5, writing that "much of the joy ... comes from the slow unraveling of the characters relationships..." Kirk Honeycutt, a film critic with
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looks at how initially, Fiona and Ben challenge the traditional gender roles. Fiona is dominating and Ben has a lack of masculinity, preventing him from becoming the
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in India in 2002. She volunteered at the Mother Teresa Center and from her volunteering experiences, she was able to develop content for her 2008 documentary film
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earned mixed reviews; critics praised the cinematography, script and relationships explored in the film, but criticised the representation of the characters. On
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in 2010, including Best
Cinematography, Best Editing, Best Actor, and Best Actress. The film won the Best Cinematography award for Denson Baker, beating films
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in the same year. The Busan International Film Festival screens both South Korean and international films to increase exposure for them in South Korea.
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is about an Australian couple who travels to India to adopt a child. During the trip, they also learn more about their marriage and relationship.
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Fiona and Ben, and tension begins to grow into anger and resentment; adding to Ben's dissatisfaction is his budding friendship with Scarlett (
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Harper, Kate (2011). "Re-balancing Roles in Kolkata: "The Waiting City"".
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y grossed $ 119,021 in Australia. In total, the film grossed $ 500,641.
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1437:"Conceiving and Investigating Motherhood: The Decade's Scholarship"
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Levy-Shiff, Rachel; Zoran, Naomi; Shulman, Shmuel (January 1997).
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in the Special Presentation category. It was also screened at the
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Radha Mitchell at the Toronto International Film Festival in 2009
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after meeting children in India who were waiting to be adopted.
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Separate casting directors were used for the cast of The
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Murray, Virginia; Johanson, Katya (2 January 2015).
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2004:"The Waiting City -- Film Review"
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1976:Naglazas, Mark (20 July 2010).
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852:Radha Mitchell
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735:South Solitary
711:Animal Kingdom
707:Veronika Jenet
687:
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529:Veronika Jenet
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462:The Luminaries
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451:Pre-production
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1277:Total length:
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1153:"Prem Diroho"
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1027:Track listing
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900:Joel Edgerton
898:
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888:Denson Baker
887:
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848:Best Actress
847:
846:
842:
840:
839:Joel Edgerton
837:
834:
833:
829:
827:
824:
822:Best Editing
821:
820:
816:
814:Denson Baker
813:
810:
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804:
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798:Denson Baker
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517:Total Control
515:in 2018, and
514:
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495:in 2014, and
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349:The topic of
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258:Joel Edgerton
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164:Joel Edgerton
161:
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84:Release dates
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63:Joel Edgerton
61:
57:
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39:
32:
27:
22:
16:
2141:
2131:
2123:Little Hands
2121:
2112:
2111:
2057:
2036:. Retrieved
2032:
2023:
2011:. Retrieved
2007:
1997:
1985:. Retrieved
1981:
1956:. Retrieved
1952:
1923:. Retrieved
1919:
1889:. Retrieved
1884:
1875:
1842:
1838:
1828:
1816:. Retrieved
1812:
1803:
1791:. Retrieved
1787:
1762:. Retrieved
1758:
1749:
1737:. Retrieved
1733:
1709:. Retrieved
1707:. 3 May 2010
1704:
1695:
1683:. Retrieved
1679:
1630:(1): 52–65.
1627:
1623:
1613:
1601:. Retrieved
1597:
1571:. Retrieved
1567:
1558:
1546:. Retrieved
1542:
1488:
1484:
1444:
1440:
1412:
1368:
1356:. Retrieved
1352:
1324:. Retrieved
1314:
993:
975:Best Editor
725:
719:
690:
689:
677:
671:
665:
651:
644:Giles Hardie
642:
633:
632:
622:
620:
611:Saint Tropez
600:
587:
586:
572:
571:
549:The Daughter
547:in 2011 and
540:
526:
513:On the Ropes
509:Safe Harbour
503:
501:
484:
482:
473:Waiting City
472:
470:
460:in 2017 and
454:
436:
434:
429:
425:
417:
415:
395:
391:
386:
365:role in the
358:
354:
351:gender roles
348:
345:Gender roles
326:
321:
306:Palomi Ghosh
282:Barun Chanda
270:Isabel Lucas
232:
228:Isabel Lucas
224:
208:
188:
183:
176:Isabel Lucas
154:
153:
152:
119:Running time
15:
1705:Inside Film
1543:Inside Film
1142:Traditional
1128:Julia Stone
1099:Julia Stone
1095:"This Love"
1016:Julia Stone
835:Best Actor
759:Recipients
715:Bright Star
699:Bright Star
412:Development
371:stereotypes
367:family unit
363:patriarchal
272:as Scarlett
41:Directed by
35:Film poster
2167:2009 films
2161:Categories
1953:SBS Movies
1306:References
990:Soundtrack
983:Nominated
970:Nominated
957:Nominated
944:Nominated
931:Nominated
922:Best Film
917:Nominated
904:Nominated
856:Nominated
843:Nominated
801:Nominated
783:Nominated
617:Box office
479:Production
445:Screen NSW
407:Production
331:femininity
323:Motherhood
318:Motherhood
266:as Krishna
233:Fiona, an
210:arrive in
144:Box office
106:2010-07-15
95:2009-09-16
51:Written by
1867:143606423
1859:2158-1665
1680:Quickflix
1652:191565501
1644:1750-3175
1513:145253992
1505:0165-0254
1461:0022-2445
1111:"Cricket"
1040:Writer(s)
1004:Newcastle
756:Category
753:Ceremony
657:Quickflix
551:in 2015.
537:The Piano
519:in 2019.
511:in 2018,
499:in 2015.
497:Backtrack
491:in 2011,
468:in 2018.
239:orphanage
201:in 2010.
147:$ 500,641
131:Australia
2038:13 April
2013:13 April
1987:13 April
1958:13 April
1925:13 April
1818:13 April
1793:13 April
1603:30 March
1548:30 March
1358:13 April
1289:See also
1065:"Mukti "
545:Snowtown
539:. Since
458:Victoria
401:identity
388:Adoption
383:Adoption
335:religion
296:as Uncle
288:Dana Roy
212:Calcutta
205:Synopsis
136:Language
73:Music by
59:Starring
2133:Ophelia
1885:Ruby TV
1788:Variety
1326:22 June
762:Result
745:Awards
720:At the
670:, gave
650:, gave
568:Release
466:Ophelia
426:Sisters
339:culture
308:as Urmi
235:atheist
216:Kolkata
139:English
128:Country
104: (
93: (
2146:(2021)
2136:(2018)
2126:(2011)
2116:(2009)
1891:25 May
1865:
1857:
1764:31 May
1739:31 May
1711:30 May
1685:30 May
1650:
1642:
1573:30 May
1511:
1503:
1459:
1209:"Love"
1079:"Puja"
1043:Length
737:, and
313:Themes
123:1h 48m
1863:S2CID
1648:S2CID
1509:S2CID
1281:37:59
1271:03:57
1257:02:56
1243:01:29
1229:01:53
1215:01:26
1201:01:53
1187:01:05
1173:02:51
1159:06:22
1145:02:27
1131:02:51
1117:00:46
1103:03:30
1087:00:49
1071:03:04
1057:00:40
1037:Title
877:2011
767:2010
750:Year
220:India
214:(now
2063:IMDb
2040:2021
2015:2021
1989:2021
1960:2021
1927:2021
1893:2022
1855:ISSN
1820:2021
1795:2021
1766:2021
1741:2021
1713:2021
1687:2021
1640:ISSN
1605:2021
1575:2021
1550:2021
1501:ISSN
1457:ISSN
1360:2021
1328:2020
1002:and
891:Won
872:Won
830:Won
817:Won
713:and
701:and
337:and
246:Cast
65:and
2061:at
1847:doi
1632:doi
1493:doi
1449:doi
1262:16.
1248:15.
1234:14.
1220:13.
1206:12.
1192:11.
1178:10.
1033:No.
668:SBS
609:in
182:.
2163::
2031:.
2006:.
1980:.
1968:^
1951:.
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1918:.
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1883:.
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1351:.
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1991:.
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1634::
1628:9
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1451::
1362:.
1330:.
108:)
97:)
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