Knowledge (XXG)

The War You Don't See

Source πŸ“

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them no quarter" and that by juxtaposing "two strongly put points of view" those watching "could have made up" their own minds. According to Lloyd, Pilger "showed, in his demolition of propaganda – which is what he calls government statements or politicians’ arguments – the mastery of the propagandist arts".
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states that, "The force of his film is in its contention that the colossal scale of civilian casualties is, within the grammar of news, downgraded in importance so that it doesn't figure as news at all, but as all-but-invisible deep background to be ignored". "Pilger gives due respect to WikiLeaks,"
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that Pilger asserted the British and American media tried to advocate that "wars were noble, should be fought, and that death for one’s country was both sweet, and right". Lloyd thought that individuals disagreeing with Pilger's interpretation were "ruthlessly marshalled into a narrative that gave
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reviewer Tom Dawson describes the film as a, "timely, potent doc," with, "an impressive range of interviewees, including 'embedded' war correspondents and whistleblowers," but concludes that, "it's the leaked footage of a US chopper attack on unarmed Baghdad residents that proves the film’s most
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states that, "Pilger has never traded in anything other than black and white," and "Pilger's starting point is that all governments are shysters whose only interest is economic and all journalists are witless dupes," which, "had the feel of slight overkill," but "For all his lack of subtlety, he
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presents his case with passion and conviction." "What shone through," he concludes, "was that those we rely on to think clearly in times of war are often those most seduced by myopic machismo and that any sense of history gets instantly forgotten."
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he concludes, "although his praise for al-Jazeera's independence is ironic, given that WikiLeaks has just revealed the possibility that the Qatar government is manipulating the channel."
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conflicts. The film, which went on nationwide general release on 13 December 2010
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with Alan Lowery, which challenges the media for the role they played in the
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John Pilger: Why are wars not being reported honestly?
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The Secret Country: The First Australians Fight Back
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Secretary of Defence 689:Dawson, Tom (20 December 2010). 663:Lloyd, John (17 December 2010). 632:Crace, John (15 December 2010). 606:"The War You Don't See - Review" 437:Glasgow University Media Group 1: 274:on 14 December 2010 965:2010s English-language films 867:Palestine Is Still the Issue 386:– BBC Head of Newsgathering 354:– journalist & author, 991: 843:Inside Burma: Land of Fear 401:– historian & author, 290:on 10 April 2011 187:13 December 2010 940:British documentary films 805: 757:The War You Don't See 746:The War You Don't See 412:– Public Interest Lawyers 28: 835:Vietnam: The Last Battle 16:2010 film by John Pilger 945:Criticism of journalism 691:"The War You Don't See" 587:"The War You Don't See" 567:. SBS Television Online 538:"The War You Don't See" 935:2010 documentary films 426:British Foreign Office 899:The War You Don't See 875:Breaking the Silence 357:Beyond the Green Zone 231:The War You Don't See 24:The War You Don't See 891:The War on Democracy 851:Welcome to Australia 493:television reviewer 970:2010s British films 520:disturbing scoop." 453:– Editor in Chief, 392:– Editor in Chief, 741:(23 December 2010) 729:(10 December 2010) 723:by John Pilger in 282:and later through 234:is a 2010 British 917: 916: 883:Stealing a Nation 827:Death of a Nation 797:Documentaries of 467:review aggregator 311:– media historian 227: 226: 35:Theatrical poster 982: 859:Paying the Price 791: 784: 777: 768: 708: 707: 705: 703: 686: 680: 679: 677: 675: 660: 651: 650: 648: 646: 629: 623: 622: 620: 618: 601: 595: 594: 583: 577: 576: 574: 572: 561: 555: 554: 552: 550: 534: 446:US Congresswoman 442:Cynthia McKinney 330:CBS Evening News 297: 295: 281: 279: 265: 263: 236:documentary film 194: 192: 117:Cynthia McKinney 33: 21: 990: 989: 985: 984: 983: 981: 980: 979: 920: 919: 918: 913: 801: 795: 717: 712: 711: 701: 699: 688: 687: 683: 673: 671: 669:Financial Times 662: 661: 654: 644: 642: 631: 630: 626: 616: 614: 603: 602: 598: 591:Rotten Tomatoes 585: 584: 580: 570: 568: 563: 562: 558: 548: 546: 543:Dartmouth Films 536: 535: 531: 526: 507:Financial Times 470:Rotten Tomatoes 463: 304: 293: 291: 277: 275: 261: 259: 204: 197: 190: 188: 181: 174: 172:Dartmouth Films 167: 165: 126: 82: 57: 36: 17: 12: 11: 5: 988: 986: 978: 977: 972: 967: 962: 957: 952: 947: 942: 937: 932: 922: 921: 915: 914: 912: 911: 903: 895: 887: 879: 871: 863: 855: 847: 839: 831: 823: 815: 806: 803: 802: 796: 794: 793: 786: 779: 771: 765: 764: 753: 742: 730: 716: 715:External links 713: 710: 709: 681: 652: 624: 596: 578: 556: 528: 527: 525: 522: 482:Peter Bradshaw 480:film reviewer 462: 459: 458: 457: 451:Julian Assange 448: 439: 429: 419: 413: 407: 396: 387: 381: 372: 360: 349: 339: 333: 323: 316:Melvin Goodman 312: 303: 300: 225: 224: 221: 217: 216: 215:United Kingdom 213: 209: 208: 205: 202: 199: 198: 196: 195: 184: 182: 179: 176: 175: 170: 168: 163: 160: 159: 156: 152: 151: 148: 144: 143: 142:Rupert Binsley 140: 139:Cinematography 136: 135: 132: 128: 127: 125: 124: 122:Julian Assange 119: 114: 109: 104: 99: 94: 90: 88: 84: 83: 81: 80: 77: 73: 71: 67: 66: 63: 59: 58: 56: 55: 50: 44: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 987: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 927: 925: 909: 908: 904: 901: 900: 896: 893: 892: 888: 885: 884: 880: 877: 876: 872: 869: 868: 864: 861: 860: 856: 853: 852: 848: 845: 844: 840: 837: 836: 832: 829: 828: 824: 821: 820: 816: 813: 812: 808: 807: 804: 800: 792: 787: 785: 780: 778: 773: 772: 769: 763: 759: 758: 754: 752: 748: 747: 743: 740: 739: 734: 731: 728: 727: 722: 719: 718: 714: 698: 697: 692: 685: 682: 670: 666: 659: 657: 653: 641: 640: 635: 628: 625: 613: 612: 607: 600: 597: 592: 588: 582: 579: 566: 560: 557: 545: 544: 539: 533: 530: 523: 521: 518: 517: 512: 509: 508: 504:wrote in the 503: 499: 496: 492: 491: 486: 483: 479: 478: 473: 471: 468: 460: 456: 452: 449: 447: 443: 440: 438: 434: 430: 427: 423: 420: 417: 414: 411: 408: 406: 405: 404:Web of Deceit 400: 397: 395: 391: 388: 385: 384:Fran Unsworth 382: 380: 376: 375:Steve Rendall 373: 370: 369: 364: 361: 359: 358: 353: 350: 347: 343: 340: 337: 336:Bryan Whitman 334: 331: 327: 324: 321: 317: 313: 310: 306: 305: 301: 299: 289: 285: 273: 269: 257: 253: 249: 245: 241: 237: 233: 232: 222: 218: 214: 210: 206: 200: 186: 185: 183: 177: 173: 169: 161: 158:Sacha Puttnam 157: 153: 149: 145: 141: 137: 133: 129: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 98: 95: 92: 91: 89: 85: 78: 75: 74: 72: 68: 64: 60: 54: 51: 49: 46: 45: 43: 39: 32: 27: 22: 19: 905: 898: 897: 889: 881: 873: 865: 857: 849: 841: 833: 825: 817: 809: 756: 745: 736: 726:The Guardian 724: 700:. 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Index

Poster featuring a blindfolded man
Alan Lowery
John Pilger
Rageh Omaar
Dan Rather
Mark Curtis
Carne Ross
Cynthia McKinney
Julian Assange
Dartmouth Films
documentary film
John Pilger
Iraq
Afghanistan
Israel
Palestine
Britain
ITV1
Australia
SBS One
Stuart Ewen
Melvin Goodman
CIA
Dan Rather
CBS Evening News
Bryan Whitman
Rageh Omaar
BBC
Dahr Jamail
Beyond the Green Zone

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