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Lambert's lively work was significantly different from the "prevalent brown tonalist portraiture" in vogue with other
Australian portrait painters at the time. In a letter to his wife Amy, Lambert described the painting as a "wild dashing portrait".
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Miss
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in 1922, at the time the highest price paid by a public gallery for a portrait by an
Australian artist. The work remains part of its collection.
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106.0 cm × 78.0 cm (41.7 in × 30.7 in)
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Lambert posed the subject in a manner suggestive of
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489:Collection of the Art Gallery of New South Wales
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133:Portrait of Ena Wertheimer: a vele gonfie
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233:Sayers, Andrew (1 September 2007).
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212:George W Lambert: A retrospective
264:- Art Gallery of New South Wales
145:Art Gallery of New South Wales,
123:Sarah Siddons as the Tragic Muse
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479:Portraits by Australian artists
214:. National Gallery of Australia
160:Art Gallery of New South Wales
78:Art Gallery of New South Wales
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369:A Sergeant of the Light Horse
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314:Across the Black Soil Plains
401:Self-portrait with gladioli
237:. National Portrait Gallery
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299:George Washington Lambert
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338:Pan Is Dead (Still Life)
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409:The Squatter's Daughter
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484:20th-century portraits
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239:. Retrieved
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322:The Sonnet
185:References
66:Dimensions
306:Paintings
166:See also
143:—
74:Location
428:Related
241:18 June
218:17 June
158:by the
156:guineas
88:Website
420:(1927)
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82:Sydney
58:Medium
38:Artist
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103:is a
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105:1921
52:1921
48:Year
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