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The White Slave Trade

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339:. According to Olsen, the result was an unprecedented success. "The next day the cinema was packed and on the third day, it took twenty police officers to retain order since people were queuing around the block to get tickets." 103 copies were sold worldwide in comparison to a 1910 average of 40 copies per film. In the United States however, the film could not be released as it was forbidden by censorships boards. Apparently the censors, shocked by the brothel scenes, were not convinced by the argument that the film exalted the innocence of the heroin and that white slavery had the power of metaphor "to reduce the complex problem of prostitution to a simple story of villain and victim." 238: 29: 319:
inside a brothel, made it a resounding success. It was stressed at the time that the longer visual form did not inhibit comprehension, but aided it instead. A reviewer marveled that it was "The first artistic film. As a guide, the printed programme is unnecessary, the rapidly shifting but carefully linked episodes speak for themselves".
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then transported to the port to be sold to another country. When Georg and the detective, who have alerted Scotland Yard, arrive at the house, the maid tells them where she has been brought. Georg and the police manage to board the ship just before it leaves and after a brief but exciting fight Anna is finally freed and can return home.
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was his third film and it was a remake a film with the same title released in the Spring of 1910 by Nordisk Film's main competitor: Fotorama. That film was the first multi-reel film in Denmark and one of the first in the world, and its duration of 40 minutes as well as the fact that it showed life
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Fight". Georg travels to London and hires a detective. Together they track down the brothel where Anna is kept and arrange her evasion. Anna crawls out a window and they escape in horse-carriage, but after a wind-blowing car chase, they are overpowered by the slaveholders who get Anna back. She is
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When Nordisk, in line with it usual practice, decided to distribute the film outside of Denmark, notably in Germany, he faced initially the reluctance of German distributors to present a film with of such a long duration, the standard for films being at the time one reel of about 15 minutes. Ole
314:, who had established in 1910 Nordisk Films Kompagni, the oldest Danish film production, hired actor August Blom as its new Head of Production. Between 1910 and 1925, he directed more than 100 films and started a new genre, the erotic melodrama. The 322:
To bank on this success, Olsen asked Blom to watch carefully the Fotorama film and to make a scene-by-scene re-creation of it. This was done, except for a few roles that got a name change. Nordisk did not hide its
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was the company's first feature film and became a major sales success, 103 copies being sold world-wide. However the film could not be released in the United States of America because of
327:, boasting that the film was executed exactly in the same way as the Fotorama film, but performed by better artists. This was not illegal because the Danish law on 213:
hotel and is happy to get the job. Her childhood friend and now fiancé Georg is somewhat worried but Anna dismisses his distrust and travels to
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The brothel maid takes pity on poor Anna and smuggles out a letter to her parents, who seek help from the "Association for the
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Olsen threatened a Hamburg cinema owner to stop supplying any Nordisk production to him if he did not program
556: 421: 311: 193:. The film was a remake of an eponymous film by competing producer Fotorama, which is considered lost. 265: 70: 564: 520: 296: 52: 603: 272: 257: 205:. When her father finds in a newspaper an ad for a well-paid job as a company lady in a mansion in 77: 63: 280: 288: 496: 225: 90: 185:. It is the only August Blom movie from 1910 that has been preserved. The film produced by 165: 268: 73: 299: 388:
Film History, Vol. 13, No. 1, Nordic Cinema (2001), pp. 6-22. Indiana University Press
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A similar situation existed in the United States, see e.g. the case of the 1904 film
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The Great Northern Film Company: Nordisk Film in the American Motion Picture Market
275: 260: 100: 80: 66: 451:, Film History, Vol. 2, No. 1 (Winter, 1988), Indiana University Press, pp. 79-81 283: 544: 512: 252: 237: 182: 175: 151: 59: 42: 28: 291: 324: 210: 190: 328: 490: 218: 214: 202: 408:
Nordisk Films Kompagni 1906-1924, The Rise and Fall of the Polar Bear
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Given the success of the film, Nordisk produced two sequels,
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Marked Women: Prostitutes and Prostitution in the Cinema
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Anna is a young girl from a poor but honorable home in
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Den hvide slavehandel III (The White Slave Trade III)
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Den hvide slavehandel II (In the Hands of Impostors)
147: 139: 129: 106: 96: 86: 48: 38: 21: 503:Den hvide slavehandel (1910) The White Slave Trade 477:, The University of Wisconsin Press, 2006, p.15 462:White Slavery: Myth, Ideology and American Law 528: 366:Review, synopsis and link to watch the film: 8: 535: 521: 513: 27: 18: 359: 438:, Jespersen og Pios, 1940, pp. 85-88. 7: 397:Arhus Stiftstidende, 12 April 1910. 410:, Indiana University Press, p. 77. 14: 464:, Garland, New-York, 1990, p. 97. 331:did not cover films at the time. 209:, she goes to the interview in a 245:Ellen Diedrich (as Ellen Rindom) 91:Axel Graatkjær as Axel Sørensen 255:as the customer at the brothel 1: 624:Films directed by August Blom 629:Danish black-and-white films 436:Filmens eventyr og mit eget 286:as the madam of the brothel 650: 551: 26: 306:Production and reception 33:E. Diedrich and S. Bille 557:A Victim of the Mormons 422:Meet Me at the Fountain 115:2 August 1910 460:Frederik K. Grittner, 241: 169: 492:The White Slave Trade 337:The White Slave Trade 240: 171:Den hvide slavehandel 161:The White Slave Trade 22:The White Slave Trade 573:The End of the World 619:Danish silent films 581:The Vicar of Vejlby 310:In 1910, filmmaker 174:) is a 1910 Danish 634:Silent drama films 614:Danish drama films 543:Films directed by 473:Russell Campbell, 369:"A Cinema History" 316:White Slave Handle 242: 591: 590: 302:as Anna's mother 226:White Slave Trade 181:film directed by 157: 156: 641: 609:1910 drama films 537: 530: 523: 514: 508:A Cinema History 478: 471: 465: 458: 452: 445: 439: 432: 426: 417: 411: 404: 398: 395: 389: 386: 380: 379: 377: 375: 364: 278:as The Detective 266:Einar Zangenberg 122: 120: 71:Einar Zangenberg 31: 19: 16:1910 Danish film 649: 648: 644: 643: 642: 640: 639: 638: 594: 593: 592: 587: 547: 541: 487: 482: 481: 472: 468: 459: 455: 446: 442: 433: 429: 418: 414: 405: 401: 396: 392: 387: 383: 373: 371: 367: 365: 361: 356: 308: 297:Julie Henriksen 295: 287: 279: 271: 264: 256: 251: 235: 199: 132: 125: 118: 116: 109: 76: 69: 62: 58: 34: 17: 12: 11: 5: 647: 645: 637: 636: 631: 626: 621: 616: 611: 606: 596: 595: 589: 588: 586: 585: 577: 569: 561: 552: 549: 548: 542: 540: 539: 532: 525: 517: 511: 510: 499: 486: 485:External links 483: 480: 479: 466: 453: 440: 427: 412: 406:Isak Thorsen, 399: 390: 381: 358: 357: 355: 352: 307: 304: 234: 231: 198: 195: 155: 154: 149: 145: 144: 141: 137: 136: 133: 130: 127: 126: 124: 123: 112: 110: 107: 104: 103: 98: 97:Distributed by 94: 93: 88: 87:Cinematography 84: 83: 53:Ellen Diedrich 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 646: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 601: 599: 583: 582: 578: 575: 574: 570: 567: 566: 562: 559: 558: 554: 553: 550: 546: 538: 533: 531: 526: 524: 519: 518: 515: 509: 505: 504: 500: 498: 494: 493: 489: 488: 484: 476: 470: 467: 463: 457: 454: 450: 447:Ron Mottram, 444: 441: 437: 431: 428: 424: 423: 416: 413: 409: 403: 400: 394: 391: 385: 382: 370: 363: 360: 353: 351: 349: 345: 340: 338: 332: 330: 326: 320: 317: 313: 305: 303: 301: 298: 294:Anna's father 293: 290: 285: 282: 277: 274: 273:Victor Fabian 270: 267: 262: 259: 258:Lauritz Olsen 254: 249: 246: 239: 232: 230: 227: 222: 220: 216: 212: 208: 204: 196: 194: 192: 188: 187:Nordisk Films 184: 180: 177: 173: 172: 167: 163: 162: 153: 150: 146: 142: 138: 134: 128: 114: 113: 111: 105: 102: 99: 95: 92: 89: 85: 82: 79: 78:Victor Fabian 75: 72: 68: 65: 64:Lauritz Olsen 61: 57: 54: 51: 47: 44: 41: 37: 30: 25: 20: 579: 571: 563: 555: 502: 491: 474: 469: 461: 456: 448: 443: 435: 430: 420: 415: 407: 402: 393: 384: 372:. Retrieved 362: 347: 346:in 1911 and 343: 341: 336: 333: 321: 315: 309: 281:Ella la Cour 243: 223: 200: 170: 160: 159: 158: 131:Running time 108:Release date 101:Nordisk Film 545:August Blom 434:Ole Olsen, 289:Otto Lagoni 253:Svend Bille 183:August Blom 152:silent film 60:Svend Bille 43:August Blom 39:Directed by 604:1910 films 598:Categories 354:References 325:plagiarism 211:Copenhagen 191:censorship 135:45 minutes 119:1910-08-02 350:in 1912. 329:copyright 312:Ole Olsen 565:Atlantis 263:as Georg 148:Language 49:Starring 250:as Anna 219:brothel 215:England 203:Denmark 143:Denmark 140:Country 117: ( 584:(1922) 576:(1916) 568:(1913) 560:(1911) 374:26 May 292:(dk)as 207:London 176:silent 166:Danish 179:drama 497:IMDb 376:2020 300:(dk) 284:(dk) 276:(dk) 269:(dk) 261:(dk) 248:(dk) 233:Cast 197:Plot 81:(dk) 74:(dk) 67:(dk) 56:(dk) 506:at 495:at 600:: 168:: 536:e 529:t 522:v 425:. 378:. 164:( 121:)

Index


August Blom
Ellen Diedrich
(dk)
Svend Bille
Lauritz Olsen
(dk)
Einar Zangenberg
(dk)
Victor Fabian
(dk)
Axel Graatkjær as Axel Sørensen
Nordisk Film
silent film
Danish
silent
drama
August Blom
Nordisk Films
censorship
Denmark
London
Copenhagen
England
brothel
White Slave Trade

Ellen Diedrich (as Ellen Rindom)
(dk)
Svend Bille

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