Knowledge (XXG)

The Winter's Tale (opera)

Source 📝

579: 233:
has fallen in love with her. To escape the wrath of Polixenes at his son's attachment to a lowly shepherdess they flee at the suggestion of Camillo to Sicily. In Act III, set in Sicily, the repentant Leontes is overjoyed to rediscover his daughter. He appeases the pursuing Polixenes, and at the
217:
declares her to be innocent. The death of Mamillius, the son of Leontes and Hermione, during the trial causes Hermione to collapse, and to give birth. Hermione is assumed dead. The distraught Leontes orders Antigonus to abandon the newborn child, whom Antigonus names
282:, hailed it as "the major event of ENO’s current season", rated Kinnear's production highly, found the score "accomplished" and praised the individual performances, whilst noting that overall "the play has once again eluded the operatic medium." Cara Chanteau in 212:
is hosting his old friend Polixenes on a long visit; Leontes's wife Hermione is heavily pregnant. Leontes becomes obsessed with the notion that Polixenes is the father of the unborn child. He puts his wife on trial, even though the oracle of
295:
claimed "I cannot remember enjoying a new opera so much" whilst extolling how the music "emphasizes the action in an impressive and remarkable way, particularly considering they fact that this is the young British composer's first opera."
288:
gave the production four stars out of five, found Sophie Bevan "radiant" as Hermione, but conceded that Wigglesworth's score was "just a tad too respectful to blaze as incandescently as it might." William Hartston in the
200:
The opera follows the main story of the play, reduced to three acts, and dropping the character Autolycus, and some other well-known features of the play such as Antigonus's stage direction "Exit, pursued by a bear".
744: 343: 729: 500: 528: 411: 759: 248:
that the opera "represents a remarkable achievement for Wigglesworth. Perhaps its most striking feature is the complete self-assurance of its restraint."
393: 596: 276:
called the score "fluid and sensuous, building on the tradition of Britten and Tippett but with plenty of individuality." George Hall, in
521: 461: 734: 643: 635: 659: 568: 749: 563: 219: 739: 693: 514: 244: 578: 651: 616: 443: 506: 369: 234:
suggestion of Paulina they go to view a statue of Hermione. The statue comes to life and forgives Leontes.
494: 49: 488: 724: 587: 550: 541: 37: 266:" had "reduc the play’s ambiguities and resonances to something charmless, turgid and unmoving." In 537: 249: 41: 419: 29: 677: 754: 284: 263: 254: 157: 229:, some sixteen years later. Perdita has grown up adopted by a shepherd. Polixenes's son 273: 718: 291: 165: 109: 84: 79: 268: 99: 45: 258:, found that the composer, using an idiom which was "a sugar-coated mélange of 259: 423: 278: 608: 230: 133: 33: 501:
The Winter's Tale: Introduction, with Rory Kinnear and Ryan Wigglesworth
242:
The opera received a mixed reception from critics. Guy Dammann wrote in
685: 558: 444:
The Winter’s Tale review at Coliseum, London – ‘an intelligent staging’
226: 209: 94: 214: 205: 146: 25: 510: 48:, and conducted by the composer, was premiered at the 745:
Opera world premieres at the English National Opera
669: 627: 586: 549: 462:"Review: The Winter's Tale, English National Opera" 412:"The Winter's Tale; Pelléas et Mélisande – review" 350:online, 28 February 2017, retrieved 15 March 2017. 450:online 28 February 2017, retrieved 15 March 2017. 394:The Winter's Tale, English National Opera, review 400:online 28 February 2017, retrieved 15 March 2017 522: 8: 730:Operas based on works by William Shakespeare 529: 515: 507: 338: 336: 44:. The opera, in a production directed by 59: 323: 344:The Winter’s Tale, ENO, London, review 503:, ENO Website, accessed 18 March 2017 497:, ENO Website, accessed 18 March 2017 495:The Winter's Tale: Production Gallery 491:, ENO Website, accessed 18 March 2017 7: 489:The Winter's Tale: Official Trailer 597:The Countess of Pembroke's Arcadia 14: 760:Works based on The Winter's Tale 577: 460:Hartston, William (2017-03-01). 71:(Conductor: Ryan Wigglesworth) 69:Premiere cast, 27 February 2017 410:Maddocks, Fiona (2017-03-05). 1: 312:The Winter's Tale: Programme. 245:The Times Literary Supplement 36:is by the composer, based on 183:Camillo, aide to Polixenes 130:Polixenes, King of Bohemia 776: 575: 76:Leontes, King of Sicilia 38:the play of the same name 617:Oberon, the Faery Prince 106:Perdita, their daughter 735:English-language operas 370:"Power chords – TheTLS" 172:Antigonus, her husband 392:Christiansen, Rupert. 50:English National Opera 750:Operas set in Bohemia 538:William Shakespeare's 272:, on the other hand, 222:, in a distant land. 119:Mamillius, their son 52:on 27 February 2017. 740:Operas set in Sicily 156:Paulina, Hermione's 91:Hermione, his wife 250:Rupert Christiansen 42:William Shakespeare 143:Florizel, his son 712: 711: 702:The Winter's Tale 694:The Winter's Tale 660:The Winter's Tale 652:The Winter's Tale 644:The Winter's Tale 636:The Winter's Tale 542:The Winter's Tale 374:www.the-tls.co.uk 359:ENO (2017), p. 6. 342:Chanteau, Clara. 225:Act II is set in 193: 192: 189:Timothy Robinson 30:Ryan Wigglesworth 28:in three acts by 21:The Winter's Tale 767: 581: 531: 524: 517: 508: 476: 475: 473: 472: 457: 451: 440: 434: 433: 431: 430: 407: 401: 390: 384: 383: 381: 380: 366: 360: 357: 351: 340: 331: 330:ENO (2017), p. 4 328: 204:Act I is set in 151:Anthony Gregory 60: 775: 774: 770: 769: 768: 766: 765: 764: 715: 714: 713: 708: 665: 623: 582: 573: 545: 535: 485: 480: 479: 470: 468: 459: 458: 454: 441: 437: 428: 426: 409: 408: 404: 398:Daily Telegraph 391: 387: 378: 376: 368: 367: 363: 358: 354: 348:The Independent 341: 334: 329: 325: 302: 285:The Independent 255:Daily Telegraph 240: 198: 158:lady-in-waiting 114:Samantha Price 70: 58: 17: 16:Opera, UK, 2017 12: 11: 5: 773: 771: 763: 762: 757: 752: 747: 742: 737: 732: 727: 717: 716: 710: 709: 707: 706: 698: 690: 682: 673: 671: 667: 666: 664: 663: 656: 648: 640: 631: 629: 625: 624: 622: 621: 613: 605: 592: 590: 584: 583: 576: 574: 572: 571: 566: 561: 555: 553: 547: 546: 536: 534: 533: 526: 519: 511: 505: 504: 498: 492: 484: 483:External links 481: 478: 477: 452: 442:Hall, George. 435: 402: 385: 361: 352: 332: 322: 321: 320: 319: 315: 314: 307: 306: 301: 298: 274:Fiona Maddocks 239: 236: 197: 194: 191: 190: 187: 184: 180: 179: 176: 175:bass-baritone 173: 169: 168: 163: 162:mezzo-soprano 160: 153: 152: 149: 144: 140: 139: 138:Leigh Melrose 136: 131: 127: 126: 123: 122:(silent role) 120: 116: 115: 112: 107: 103: 102: 97: 92: 88: 87: 82: 77: 73: 72: 67: 64: 57: 54: 15: 13: 10: 9: 6: 4: 3: 2: 772: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 722: 720: 704: 703: 699: 697:(2014 ballet) 696: 695: 691: 688: 687: 683: 680: 679: 675: 674: 672: 668: 661: 657: 654: 653: 649: 646: 645: 641: 638: 637: 633: 632: 630: 626: 619: 618: 614: 611: 610: 606: 603: 599: 598: 594: 593: 591: 589: 585: 580: 570: 567: 565: 562: 560: 557: 556: 554: 552: 548: 544: 543: 539: 532: 527: 525: 520: 518: 513: 512: 509: 502: 499: 496: 493: 490: 487: 486: 482: 467: 466:Express.co.uk 463: 456: 453: 449: 445: 439: 436: 425: 421: 417: 413: 406: 403: 399: 395: 389: 386: 375: 371: 365: 362: 356: 353: 349: 345: 339: 337: 333: 327: 324: 317: 316: 313: 309: 308: 304: 303: 299: 297: 294: 293: 287: 286: 281: 280: 275: 271: 270: 265: 261: 257: 256: 251: 247: 246: 237: 235: 232: 228: 223: 221: 216: 211: 207: 202: 195: 188: 185: 182: 181: 177: 174: 171: 170: 167: 166:Susan Bickley 164: 161: 159: 155: 154: 150: 148: 145: 142: 141: 137: 135: 132: 129: 128: 125:Zach Roberts 124: 121: 118: 117: 113: 111: 110:mezzo-soprano 108: 105: 104: 101: 98: 96: 93: 90: 89: 86: 85:Iain Paterson 83: 81: 80:bass-baritone 78: 75: 74: 68: 65: 62: 61: 55: 53: 51: 47: 43: 39: 35: 31: 27: 23: 22: 705:(2017 opera) 701: 700: 692: 689:(1897 opera) 684: 681:(1872 opera) 676: 650: 642: 634: 615: 607: 601: 595: 540: 469:. Retrieved 465: 455: 447: 438: 427:. Retrieved 416:The Guardian 415: 405: 397: 388: 377:. Retrieved 373: 364: 355: 347: 326: 311: 310:ENO (2017). 290: 283: 277: 269:The Observer 267: 253: 243: 241: 224: 203: 199: 178:Neil Davies 100:Sophie Bevan 46:Rory Kinnear 20: 19: 18: 725:2017 operas 670:Stage works 628:Adaptations 66:Voice type 719:Categories 551:Characters 471:2017-03-21 429:2017-03-21 379:2017-03-21 300:References 448:The Stage 424:0261-3077 279:The Stage 252:, in the 238:Reception 678:Hermione 662:" (1994) 609:Pandosto 569:Florizel 231:Florizel 196:Synopsis 134:baritone 34:libretto 686:Perdita 588:Sources 564:Perdita 559:Leontes 305:Sources 292:Express 264:Tippett 227:Bohemia 220:Perdita 210:Leontes 95:soprano 755:Operas 655:(1981) 647:(1967) 639:(1910) 620:(1611) 612:(1588) 422:  215:Apollo 206:Sicily 186:tenor 32:. The 24:is an 604:1580) 318:Notes 147:tenor 63:Role 56:Roles 26:opera 420:ISSN 262:and 260:Berg 40:by 721:: 602:c. 464:. 446:, 418:. 414:. 396:, 372:. 346:, 335:^ 208:. 658:" 600:( 530:e 523:t 516:v 474:. 432:. 382:.

Index

opera
Ryan Wigglesworth
libretto
the play of the same name
William Shakespeare
Rory Kinnear
English National Opera
bass-baritone
Iain Paterson
soprano
Sophie Bevan
mezzo-soprano
baritone
tenor
lady-in-waiting
Susan Bickley
Sicily
Leontes
Apollo
Perdita
Bohemia
Florizel
The Times Literary Supplement
Rupert Christiansen
Daily Telegraph
Berg
Tippett
The Observer
Fiona Maddocks
The Stage

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.