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are greeted effusively by
Leontes. Florizel pretends to be on a diplomatic mission from his father, but his cover is blown when Polixenes and Camillo, too, arrive in Sicilia. The meeting and reconciliation of the kings and princes is reported by gentlemen of the Sicilian court: how the Old Shepherd raised Perdita, how Antigonus met his end, how Leontes was overjoyed at being reunited with his daughter, and how he begged Polixenes for forgiveness. The Old Shepherd and Young Shepherd, now made gentlemen by the kings, meet Autolycus, who asks them for their forgiveness for his roguery. Leontes, Polixenes, Camillo, Florizel and Perdita then go to Paulina's house in the country, where a statue of Hermione has been recently finished. The sight of his wife's form makes Leontes distraught, but then, to everyone's amazement, the statue shows signs of vitality: it is Hermione, miraculously restored to life—or simply having lived in seclusion with Paulina for the last sixteen years. As the play ends, Perdita and Florizel are engaged, and the whole company celebrates the miracle. Despite this happy ending typical of Shakespeare's comedies and romances, the impression of the unjust death of young prince Mamillius lingers to the end, which, combined with the years wasted in separation, brings an element of unredeemed tragedy to the play.
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308:"Time" enters and announces the passage of sixteen years. Camillo, now in the service of Polixenes, begs the Bohemian king to allow him to return to Sicily. Polixenes refuses and reports to Camillo that his son, Prince Florizel, has fallen in love with a lowly shepherd girl, Perdita. He suggests to Camillo that they disguise themselves and attend the sheep-shearing feast where Florizel and Perdita will be betrothed. At the feast, hosted by the Old Shepherd (who has prospered thanks to the gold in the fardel), the pedlar Autolycus picks the pocket of the Young Shepherd and, in various guises, entertains the guests with bawdy songs and the trinkets he sells. Polixenes and Camillo watch, disguised, as Florizel (under the guise of a shepherd named Doricles) and Perdita are betrothed. Polixenes tears off his disguise and intervenes, threatening the Old Shepherd and Perdita with torture and death and ordering his son never to see the shepherd's daughter again. Camillo, still longing for his native land, schemes to send Florizel and Perdita to Sicily, so that Polixenes will bring him along when he pursues them. The lovers take ship for Sicily, as do the two shepherds and Autolycus.
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re-animation of
Hermione does not derive from any magic. The Steward announces that the members of the court have gone to Paulina's dwelling to see the statue; Rogero offers this exposition: "I thought she had some great matter there in hand, for she hath privately twice or thrice a day, ever since the death of Hermione, visited that removed house" (5.2. 102–105). Further, Leontes is surprised that the statue is "so much wrinkled", unlike the Hermione he remembers. Paulina answers his concern by claiming that the age-progression attests to the "carver's excellence", which makes her look "as she lived now". Hermione later asserts that her desire to see her daughter allowed her to endure 16 years of separation: "thou shalt hear that I, / Knowing by Paulina that the oracle / Gave hope thou wast in being, have preserved / Myself to see the issue" (5.3.126–129).
293:. Cleomenes and Dion return from Delphos with word from the Oracle and find Hermione on trial, asserting her innocence. The Oracle states categorically that Hermione and Polixenes are innocent, that Camillo is an honest man, and that Leontes will have no heir until his lost daughter is found. Leontes refuses to believe the oracle, but soon learns that his son Mamillius has died of a wasting sickness brought on by the accusations against his mother. At this, Hermione falls in a swoon and is carried away by Paulina, who subsequently reports the queen's death to her heartbroken and repentant husband. Leontes vows to spend the rest of his days atoning for the loss of his son, his abandoned daughter, and his queen.
285:, and is enjoying catching up with his old friend. However, after nine months, Polixenes yearns to return to his own kingdom to tend to affairs and see his son. Leontes cannot persuade Polixenes to stay longer, so he decides to send his wife, Queen Hermione, to try to convince him. Hermione agrees and with three short speeches is successful. Leontes is surprised that Hermione could convince Polixenes so easily, so he begins to suspect that his pregnant wife has been having an affair with the other king. Leontes orders Camillo, a Sicilian lord, to poison Polixenes. Camillo instead warns Polixenes and they both flee to Bohemia.
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667:'s influential 19th-century production of the play, which featured a resplendent Bithynian court. At the time of the medieval Kingdom of Sicily, however, Bithynia was long extinct and its territories were controlled by the Byzantine Empire. On the other hand, the play alludes to Hellenistic antiquity (e.g. the Oracle of Delphos, the names of the kings), so that the "Kingdom of Sicily" may refer to Greek Sicily, not to the Kingdom of Sicily of later medieval times.
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death. After some discussion, Leontes demands to be led toward the bodies of his wife and son: "Prithee, bring me / To the dead bodies of my queen and son: / One grave shall be for both: upon them shall / The causes of their death appear, unto / Our shame perpetual" (3.2). Paulina seems convinced of
Hermione's death, and Leontes' order to visit both bodies and see them interred is never called into question by later events in the play.
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627:) in giving Bohemia a coast, though he reversed the location of characters and events: "The part of Pandosto of Bohemia is taken by Leontes of Sicily, that of Egistus of Sicily by Polixenes of Bohemia". In support of Greene and Shakespeare, it has been pointed out that for a brief period in the 13th century, the territories ruled by
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However, the action of 3.2 calls into question the "rational" explanation that
Hermione was spirited away and sequestered for 16 years. Hermione swoons upon the news of Mamillius' death, and is rushed from the room. Paulina returns after a short monologue from Leontes, bearing the news of Hermione's
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found that "the language, style, and spirit of the play all point to a late date. The tangled speech, the packed sentences, speeches which begin and end in the middle of a line, and the high percentage of light and weak endings are all marks of
Shakespeare's writing at the end of his career. But of
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did stretch to the
Adriatic, even though Bohemia strictly speaking did not; so that if one takes "Bohemia" to mean all of the territories ruled by Ottokar II, it would have been possible to sail from Sicily to the "seacoast of Bohemia". Jonathan Bate offers the simple explanation that the court of
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While the language
Paulina uses in the final scene evokes the sense of a magical ritual through which Hermione is brought back to life, there are several passages which suggest a far likelier case – that Paulina hid Hermione at a remote location to protect her from Leontes' wrath and that the
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In Sicily, Leontes is still in mourning. Cleomenes and Dion plead with him to end his time of repentance because the kingdom needs an heir. Paulina, however, convinces the king to remain unmarried forever, since no woman can match the greatness of his lost
Hermione. Florizel and Perdita arrive and
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Furious at their escape, Leontes publicly accuses his wife of infidelity and declares that the child she is bearing must be
Polixenes' bastard. He throws her in prison, over the protests of his nobles, and sends two of his lords, Cleomenes and Dion, to the Oracle at Delphos for confirmation of his
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Antigonus, meanwhile, abandons the baby on the coast of
Bohemia, reporting that Hermione appeared to him in a dream and bade him name the girl Perdita. He leaves a fardel (a bundle) by the baby containing gold and other trinkets to suggest that the baby is of noble blood. A violent storm suddenly
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Verzella, Massimo, "Iconografia femminile in The Winter's Tale", Merope, XII, 31 (sett chism and anti-Petrarchism in The Winter's Tale" in Merope, numero speciale dedicato agli Studi di Shakespeare in Italia, a cura di Michael Hattaway e Clara Mucci, XVII, 46–47 (Set. 2005– Gen. 2006),
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on 22 May 1594, under the title "a Wynters nightes pastime", might have been Shakespeare's, though no copy of it is known. In 1933, Dr. Samuel A. Tannenbaum wrote that Malone subsequently "seems to have assigned it to 1604; later still, to 1613; and finally he settled on 1610–11.
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genre is not known for precise verisimilitude, and, like the assortment of mixed references to ancient religion and contemporary religious figures and customs, this possible inaccuracy may have been included to underscore the play's fantastical and chimeric quality. As
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is suggested in Shakespeare's chosen title of the play. A winter's tale is something associated with parents telling children stories of legends around a fireside: by using this title, it implies to the audience that these details should not be taken too seriously.
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suspicions. Meanwhile, the queen gives birth to a girl, and her loyal friend Paulina takes the baby to the king, hoping that the sight of the child will soften his heart. He grows angrier, however, and orders Paulina's husband, Lord Antigonus, to take the child and
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appears, wrecking the ship on which Antigonus arrived. He wishes to take pity on the child, but he is chased away in one of Shakespeare's most famous stage directions: "Exit, pursued by a bear." Perdita is rescued by a shepherd and his son, also known as "Clown".
788:, the rival playing company to the Lord Chamberlain's Men during the 1590s, are reported to have possessed "j beares skyne" among their stage properties in a surviving inventory dated March 1598. Perhaps a similar prop was later used by Shakespeare's company.
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It has been suggested that the use of a pastoral romance from the 1590s indicates that at the end of his career, Shakespeare felt a renewed interest in the dramatic contexts of his youth. Minor influences also suggest such an interest. As in
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dies after being accused of adultery, while Leontes' equivalent looks back upon his deeds (including an incestuous fondness for his daughter) and slays himself. The survival of Hermione, while presumably intended to create the last scene's
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1118:, in London. The Globe staged it again in 2023, in a production where the audience walked between the Sam Wanamaker Playhouse (where the Sicilian scenes were staged) and the main Globe Theatre (where the Bohemian scenes were staged).
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There are changes in names, places, and minor plot details, but the largest changes lie in the survival and reconciliation of Hermione and Leontes (Greene's Pandosto) at the end of the play. The character equivalent to Hermione in
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2004:421: in spite of other scholars' rejection of any parallels between Henry VIII and Leontes, asserts "the parallels are there", noting his article "Shakespeare and History: divergencies and agreements", in
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of 1623. In spite of tentative early datings (see below), most critics believe the play is one of Shakespeare's later works, possibly written in 1610 or 1611. A 1611 date is suggested by an apparent connection with
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but with a decidedly diverse cast. African American actors Tony White played Leontes, Deirdre Ann Johnson played Hermione, and Monica Jones in a dual role of Mamillius and Perdita. Angela Liao appeared as Paulina.
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includes a dance of twelve men costumed as satyrs, and the servant announcing their entry says "one three of them, by their own report, sir, hath danc'd before the King." (IV.iv.337–338).
450:, was beheaded as one of Anne's supposed lovers and refused to confess in order to save his life, claiming that everyone knew the Queen was innocent. If this theory is followed, then
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An ink drawing of Act II, Scene iii: Paulina imploring Leontes to have mercy on his daughter, Perdita. Illustration was designed for an edition of Lamb's Tales, copyrighted 1918.
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in Washington, DC staged a production directed by Tamilla Wodard that fall as the first play shown in the Theatre after its multi-year, multimillion-dollar renovation.
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was printed first, but the debate about the date of the play's composition makes it unclear which was the first scripted use of the word, which is much older.
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to advance the action in the manner of the naive dramatic tradition; the use of a bear in the scene on the Bohemian seashore is almost certainly indebted to
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In 2015, the Kenneth Branagh Production company staged the play at the Garrick Theatre, with simultaneous broadcast to cinemas. The production featured
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reference is made to the land of Seaboard Bohemia in the context of an obvious parody of Shakespeare's apparent liberties with geography in the play.
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of Hellenistic romance, in which the return of a lost prince or princess restores order and provides a sense of humour and closure that evokes
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The play has been intermittently popular, having been revived in productions and adaptations by some of the leading theatre practitioners in
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on a small island has been used as evidence of Shakespeare's limited education. However, Shakespeare again copied this locale directly from
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which uncharacteristically ends with a blank recto page, suggesting to Arden editor J.H.P. Pafford there was some hesitation as to where
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Act II, scene 3: Antigonus swears his loyalty to Leontes, in an attempt to save Leontes' young daughter's life. From a painting by
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puts it, Bohemia may have been given a seacoast "to flout geographical realism, and to underline the unreality of place in the play".
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A play called "The Winter's Tale" would immediately indicate to contemporary audiences that the work would present an "idle tale", an
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Shakespeare follows Greene in giving Bohemia a seacoast, an error that has provoked the discussion of critics from Ben Jonson on.
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in 1536. There are numerous parallels between the two stories – including the fact that one of Henry's closest friends,
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its most distinctive feature: the sixteen-year gap between the third and fourth acts. This distinctive feature violates the
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not intended to be realistic, and that it would offer the promise of a happy ending. The title may have been inspired by
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Also in 2023, Empty Space Productions and The University of New England staged a production in Armidale, Australia. The
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Following a brief introductory scene, the play begins with the appearance of two childhood friends: Leontes, King of
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The play is scheduled to be performed at Boston's "Shakespeare on the Common" festival in July and August, 2024.
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was often performed in its entirety, drawn largely from the First Folio text, with varying degrees of success.
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McDowell, W. Stuart. 1983. Director's note in the program for the Riverside Shakespeare Company production of
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Malone, Edmond. "An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare Were Written,"
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847:. The play was then performed in front of King James at Court on 5 November 1611. The play was also acted at
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of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of
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A depiction of Mrs. Mattocks as Hermione, from a 1779 performance at the Theatre Royal in Drury Lane
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One comic moment in the play deals with a servant not realising that poetry featuring references to
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Greene's 'Pandosto' or 'Dorastus and Fawnia': being the original of Shakespeare's 'Winter's tale'
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and ran for 39 performances in 1946. One of the best remembered modern productions was staged by
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ridiculed the presence in the play of a seacoast and a desert in Bohemia, since the landlocked
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in 2009. The play is in the repertory of the Stratford Festival of Canada and was seen at the
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of 1590, in which a storyteller tells "a merry winter's tale" of a missing daughter. Early in
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Clown – or Young Shepherd, the Old Shepherd's buffoonish son, and Perdita's adoptive brother.
1902:"Boise State University Department of Theatre Arts: The Winter's Tale by William Shakespeare"
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more importance than a verse test is the similarity of the last plays in spirit and themes."
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Tannenbaum, Dr. Samuel A. 1933. " Shakespearean Scraps", chapter: "The Forman Notes" (1933).
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was directed by Gordon Reinhart and starred Ira Amyx, James B. Fisk, Richard Klautsch and
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Jonson, Ben. "Conversations with Drummond of Hawthornden", in Herford and Simpson, ed.
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The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance
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Scene from 'The Winter's Tale' (Act IV, Scene 4) (from the play by William Shakespeare)
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Ben Jonson, 'Conversations with Drummond of Hawthornden', in Herford and Simpson, ed.
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took on the role of Leontes in 1906. The longest-running Broadway production starred
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Four previous productions in New York, the earliest that of 1795 are noted in the
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after escaping from Troy consulted the same Delian oracle regarding his future.
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In the late 18th century, Edmond Malone suggested that a "book" listed in the
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consulted the Oracle of Delos before the outbreak of the Trojan War and that
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in an 1856 production that was famous for its elaborate sets and costumes.
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starring Brian Murray supported by Jones' new company at BAM In 1983, the
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is vulgar, presumably from not knowing what the word means. This play and
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A theory explaining the existence of the seacoast in Bohemia offered by
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List of William Shakespeare screen adaptations § The Winter's Tale
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in 1756. Notable stagings in the 19th century included those featuring
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Third Series edition (2010) that the coast of Bohemia is intended as a
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2024:"Tara Fitzgerald To Make RSC Debut in Lucy Bailey's The Winter's Tale"
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The play contains the most famous of Shakespearean stage directions:
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An 1807 print of Act III, Scene iii: Exit Antigonus chased by a bear.
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involving the statue, creates a distinctive thematic divergence from
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2141:"Theatre for a New Audience's the Winter's Tale Begins Off-Broadway"
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Mobile Unit staged the play, directed by Lee Sunday Evans. In 2018,
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A mid-19th-century painting of the statue of Hermione coming to life
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Mamillius – The young prince of Sicily, Leontes and Hermione's son.
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Antigonus – Paulina's husband, and also a loyal friend of Hermione.
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A thorough (open source) concordance of all of Shakespeare's plays
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belonged at the time of printing the Folio. (J.H.P. Pafford, ed.
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becomes a dramatic representation of Anne's only daughter, Queen
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series, set in central Europe during the early 1900s era of the
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2752:
224:
Archidamus – A lord of Bohemia, visiting Sicily with his king.
1285:
production directed by Jennifer Sarah Dean at Central Park in
835:
The earliest recorded performance of the play was recorded by
304:
An engraving of Florizel and Perdita by Charles Robert Leslie.
30:
This article is about Shakespeare's play. For other uses, see
1239:
broadcast an audio production directed by David Hunter, with
1041:
of New Jersey presented a production as part of their annual
2249:"Folger Theatre embraces a new era with 'The Winter's Tale'"
1111:
with Kelley Curran as Hermione and Anatol Yusef as Leontes.
119:
2544:
Gurr, Andrew. 1983. "The Bear, the Statue, and Hysteria in
1281:
In 2021 Melbourne Shakespeare Company produced an abridged
1193:, based on the play. The ballet is a co-production between
2607:
Von Lippmann, Edmund O. 1891. "Shakespeare's Ignorance?",
1436:) in 1556: "olde wiues fables and winter tales". Cited in
1408:
The Plays and Poems of William Shakespeare in Ten Volumes
997:
inaugurated his transatlantic "Bridge Project" directing
208:
Autolycus – A roguish peddler, vagabond, and pickpocket.
2018:
2016:
1679:"Swiss Navy Joke Vanishing As This All-Fools' Day Dawns"
726:
Likewise, Shakespeare's apparent mistake of placing the
103:
was revived again in the 19th century, when the fourth "
973:
adaptation, which then was successfully brought to the
144:
Hermione – The virtuous and beautiful Queen of Sicily.
76:" because the first three acts are filled with intense
72:. Some critics consider it to be one of Shakespeare's "
1961:"The Stage review of [Theatre Delicatessen]'s
80:
drama, while the last two acts are comic and supply a
1533:, P. G. Thomas, editor. Oxford University Press, 1907
1162:
production was televised in 1981. It was produced by
1053:
In 2013, the RSC staged a new production directed by
655:'s 1744 argument that Bohemia is a printed error for
619:(corresponding to the western part of the modern-day
214:
Dorcas – A shepherdess, in love with Young Shepherd.
1647:
Andrew Gurr, 'The Bear, the Statue, and Hysteria in
1612:
Edmund O. von Lippmann, 'Shakespeare's Ignorance?',
1142:
There have been numerous film versions, including a
647:
pointed out that "Bohemia" was also a rare name for
413:, a chivalric romance revived at court around 1610.
211:
Mopsa – A shepherdess, in love with Young Shepherd.
4061:
4019:
3978:
3941:
3768:
3711:
3640:
3497:
3468:
3297:
3288:
3235:
3156:
3128:
3019:
2929:
2795:
2786:
2488:online, 28 February 2017, retrieved 15 March 2017.
4122:Adaptations of works by Robert Greene (dramatist)
2744:Motley Collection of Theatre & Costume Design
945:, chose to launch his new theatre company at the
137:, and the childhood friend of Polixenes, King of
99:(first performed in 1753 and published in 1756).
2534:Oxford, Clarendon press, 1908; pp. 103–126.
1588:(2008). "Shakespeare and Jacobean Geopolitics".
2375:"The Winter's Tale review – 'a ballet to keep'"
993:In 2009, four separate productions were staged.
202:Shepherd – An old and honourable sheep-tender.
171:Mariner – His ship takes Antigonus to Bohemia.
1263:as the Shepherd and Faye Castelow as Perdita.
1065:as Hermione. This production premiered at the
941:, a former associate artistic director of the
165:Emilia – One of Hermione's ladies-in-waiting.
3914:
2764:
1347:, Oxford, Clarendon Press, 1908; pp. 103–126.
890:, were acted at Covent Garden in 1754 and at
230:Shepherds, shepherdesses, servants in Bohemia
227:Lords, servants, gentlemen, ladies in Sicilia
8:
2702:Scans of the First Folio version of the play
969:won a Globe Award for Best Director for his
168:Gaoler – Charged with imprisoning Hermione.
2653:has original text related to this article:
2587:Kalem, T. E. 1980. "Brooklyn Bets on Rep",
3921:
3907:
3899:
3708:
3294:
2792:
2771:
2757:
2749:
2026:. Royal Shakespear Company. Archived from
1321:(Arden Shakespeare) 3rd ed. 1933:xv–xvii.)
1274:, based on the play, was premiered at the
1107:staged the play Off-Broadway, directed by
2571:The New York Shakespeare Society Bulletin
2569:Isenberg, Seymour. 1983. "Sunny Winter",
863:, unlike many other Shakespearean plays.
1668:, The Warwick Shakespeare edition, p.xv.
1114:In 2018, the play was also performed at
651:in southern Italy. More influential was
299:
38:
2049:Billington, Michael (8 November 2015).
1779:, which cites Jonson's 1610 edition of
1737:The main bear-garden in London was the
1334:, New York, Macmillan, 1931; pp. 9–13 .
1297:
147:Camillo – An honest Sicilian nobleman.
2559:Baltimore, Penguin, 1964; p. 532.
2475:The Winter’s Tale, ENO, London, review
1865:has not played on Broadway since 1946.
830:
3523:Complete Works of William Shakespeare
1874:"Brooklyn Bets on Rep", T. E. Kalem,
1813:or the Merie Ballad of Nash his Dildo
1697:from the original on 23 December 2021
1432:John Olde (one of the translators of
1390:Pafford, J.H.P., ed. "Introduction",
478:The play was not published until the
474:, printed in the Second Folio of 1632
7:
2621:Pafford, John Henry Pyle. 1962, ed.
2573:, (Dr. Bernard Beckerman, chairman;
2455:from the original on 14 October 2018
2328:from the original on 8 February 2017
2292:from the original on 9 February 2017
2228:from the original on 22 October 2023
2117:. The Public Theatre. Archived from
2095:from the original on 24 October 2017
1991:"Hudson Shakespeare Company Returns"
1914:from the original on 17 October 2023
1564:. London: John Murray. p. 258.
1496:. New York: Macmillan. p. 147.
831:Shakespeare's day to the Restoration
636:was politically allied with that of
3883:
2381:. Guardian News and Media Limited.
2001:from the original on 19 August 2014
1959:Francesca Whiting (23 April 2009).
1037:, Central Park, in 2010. Last, the
3989:The Countess of Pembroke's Arcadia
3698:Shakespeare's influence on Tolkien
2625:, Arden Edition, 1962, p. 66.
2618:, New York City, 25 February 1983.
2557:A Shakespeare Companion 1564–1964,
2429:from the original on 5 August 2016
2247:Floyd, Thomas (14 November 2023).
2147:from the original on 23 March 2018
1887:"Critics Notebook", Ben Brantley,
1462:. London: Macmillan. p. 698.
1379:A Shakespeare Companion 1564–1964,
1146:, a 1961 television film starring
977:in 1994. In 1997, a production at
957:mounted a production based on the
910:played Leontes memorably in 1887.
857:Frederick V, Elector Palatine
150:Paulina – A noblewoman of Sicily.
25:
2385:from the original on 16 June 2022
2354:from the original on 9 March 2010
2069:from the original on 10 July 2017
1971:from the original on 12 June 2011
1381:Baltimore, Penguin, 1964; p. 532.
1358:The Life and Death of Anne Boleyn
851:during the festivities preceding
784:or an actor in bear costume. The
568:Anthony Frederick Augustus Sandys
193:– Polixenes's only son and heir.
187:, and Leontes's childhood friend.
89:Shakespearean performance history
4142:British plays adapted into films
3969:
3882:
3873:
3872:
3226:
2714:
2643:
2373:Jennings, Luke (12 April 2014).
2115:"Mobile Unit: The Winter's Tale"
1419:Tannenbaum, "The Forman Notes",
1397:2nd. series (1963, 1999), xxiii.
611:Shakespeare's fellow playwright
3942:
2738:for the 1948 production at the
2509:from the original on 5 May 2021
2449:"Drama on 3, the Winter's Tale"
2194:Ryan, Anya (23 February 2023).
1592:. London: Viking. p. 305.
3703:Works titled after Shakespeare
2598:Shakespeare's Problem Comedies
2348:"The Winter's Tale (1981, TV)"
1819:dilldo, senceless counterfet."
1332:Shakespeare's Problem Comedies
933:in London in 1951 and starred
291:abandon it in a desolate place
159:Cleomenes – A Lord of Sicily.
32:Winter's Tale (disambiguation)
1:
3863:Shakespeare and other authors
2711:– HTML version of this title.
2666:
2577:) March 1983, pp. 25–26.
2166:Akbar, Arifa (28 June 2018).
1717:Shakespeare's Isle of Delphos
1492:Wylie, Laura J., ed. (1912).
1088:staged the play, directed by
1035:New York Shakespeare Festival
955:Riverside Shakespeare Company
663:; this theory was adopted in
442:on the orders of her husband
277:, and Polixenes, the King of
3979:
3745:Shakespeare Birthplace Trust
2530:Brooke, C. F. Tucker. 1908.
2196:"'The Winter's Tale' review"
1936:. Rsc.org.uk. Archived from
1550:, Arden Edition, 1962, p. 66
1084:as Hermione. The same year,
520:assigned it to about 1605."
281:. Polixenes is visiting the
64:originally published in the
4182:Shakespearean problem plays
4177:Shakespeare's late romances
3551:English Renaissance theatre
3394:The Second Maiden's Tragedy
3373:The Merry Devil of Edmonton
2905:The Two Gentlemen of Verona
2724:public domain audiobook at
2658:Winter's Tale (Shakespeare)
2596:Lawrence, William W. 1931.
1852:Internet Broasdway Database
1798:The first reference in the
1228:, another modern adaption.
1029:also staged productions of
385:. Greene follows the usual
70:Shakespeare's late romances
49:Boydell Shakespeare Gallery
4198:
4137:Plays adapted into ballets
3719:Folger Shakespeare Library
3265:The Phoenix and the Turtle
2855:The Merry Wives of Windsor
2566:(Oxford, 1743–44), vol. 2.
2532:The Shakespeare Apocrypha,
1728:Virgil, Aeneid, In. 73–101
1638:(Oxford, 1743–44), vol. 2.
1458:; Rasmussen, Eric (2007).
1158:as Leontes. An "orthodox"
1135:
1105:Theatre for a New Audience
1039:Hudson Shakespeare Company
629:Ottokar II of Bohemia
607:showing Bohemia's seacoast
29:
4147:English Renaissance plays
4132:Plays adapted into operas
3967:
3857:
3738:Royal Shakespeare Theatre
3733:Royal Shakespeare Company
3224:
2862:A Midsummer Night's Dream
2806:All's Well That Ends Well
2740:Royal Shakespeare Theatre
2541:2nd ed.(Routledge, 2000).
2419:"EXIT, PURSUED BY A BEAR"
1801:Oxford English Dictionary
1745:, near the Globe Theatre.
1441:Oxford English Dictionary
1345:The Shakespeare Apocrypha
1216:, a modern adaptation of
1199:National Ballet of Canada
1067:Royal Shakespeare Theatre
1023:Royal Shakespeare Company
975:Brooklyn Academy of Music
971:Royal Shakespeare Company
947:Brooklyn Academy of Music
943:Royal Shakespeare Company
908:Johnston Forbes-Robertson
874:was performed in 1741 at
701:, akin to jokes about a "
645:Edmund Oscar von Lippmann
183:Polixenes – The King of
156:Dion – A Lord of Sicily.
95:premiered his adaptation
51:for printing and display.
4009:Oberon, the Faery Prince
2876:Pericles, Prince of Tyre
2564:The Works of Shakespeare
2550:Shakespeare Quarterly 34
1811:The Choise of Valentines
1765:(2nd ed.). Oxford:
1653:Shakespeare Quarterly 34
1636:The Works of Shakespeare
1560:Fermor, Patrick (1977).
1043:Shakespeare in the Parks
876:Goodman's Fields Theatre
2884:The Taming of the Shrew
2600:, Macmillan, New York.
1857:23 October 2012 at the
1767:Oxford University Press
1226:Exit, Pursued by a Bear
1047:Austro-Hungarian Empire
778:Exit, pursued by a bear
659:, an ancient nation in
603:A fanciful 1896 map by
595:The seacoast of Bohemia
4157:Shakespearean comedies
3566:Lord Chamberlain's Men
3477:The Passionate Pilgrim
3250:comparison to Petrarch
2869:Much Ado About Nothing
2848:The Merchant of Venice
2584:, vol. 1, p. 139.
2562:Hanmer, Thomas. 1743.
2555:Halliday, F. E. 1964.
2503:Australian Arts Review
1907:Boise State University
1841:Halliday, pp. 532–533.
1664:See C.H. Herford, ed.
1307:comes last, following
1276:English National Opera
1001:with a cast featuring
979:Boise State University
965:in Manhattan. In 1993
963:The Shakespeare Center
882:. Adaptations, titled
827:
773:
716:Robert Louis Stevenson
608:
578:
570:
524:Analysis and criticism
475:
428:
333:
305:
270:
262:
260:Thomas Charles Wageman
52:
3930:William Shakespeare's
3756:Shakespeare Institute
3725:Shakespeare Quarterly
3244:Shakespeare's sonnets
2912:The Two Noble Kinsmen
2677:The Winter's Tale
1444:(2nd ed.). 1989.
1434:Udall's New Testament
1343:C. F. Tucker Brooke,
1330:William W. Lawrence,
1278:on 27 February 2017.
937:as Leontes. In 1980,
919:Herbert Beerbohm Tree
867:18th and 19th century
825:
771:
602:
576:
562:
469:
419:
331:Charles Robert Leslie
323:
303:
268:
250:
42:
4127:Plays about adultery
3612:Spelling of his name
3452:Vortigern and Rowena
3430:Thomas Lord Cromwell
3010:Troilus and Cressida
2940:Antony and Cleopatra
2834:Love's Labour's Lost
2820:The Comedy of Errors
2552:(1983), p. 422.
2480:1 March 2018 at the
1995:The Connecticut Post
1940:on 28 September 2008
1620:8 April 2023 at the
1421:Shakespearean Scraps
1368:(1985:19–35), p 24f.
1183:Christopher Wheeldon
1069:on 24 January 2013.
1027:Theatre Delicatessen
888:Florizal and Perdita
853:Princess Elizabeth's
512:Stationers' Register
434:, the biographer of
425:Augustus Leopold Egg
97:Florizel and Perdita
47:commissioned by the
4152:Plays set in Sicily
3836:Richard Shakespeare
3818:Gilbert Shakespeare
3750:Shakespeare's Globe
3655:Authorship question
3650:Attribution studies
3617:Stratford-upon-Avon
3459:A Yorkshire Tragedy
3437:Thomas of Woodstock
3423:The Spanish Tragedy
3364:Love's Labour's Won
3356:The London Prodigal
3313:The Birth of Merlin
3272:The Rape of Lucrece
3258:A Lover's Complaint
3138:Quarto publications
2841:Measure for Measure
2780:William Shakespeare
2668:Shakespeare's Plays
2575:Columbia University
2499:"The Winter's Tale"
2425:. 8 December 2015.
2222:"The Winter's Tale"
2089:"The Winter's Tale"
1754:See, for instance,
1212:published the book
1205:in London in 2014.
1201:, and premiered in
1116:Shakespeare's Globe
1003:Simon Russell Beale
927:Jessie Royce Landis
818:Performance history
722:The Isle of Delphos
544:The Old Wives' Tale
62:William Shakespeare
27:Play by Shakespeare
4162:Bohemia in fiction
3830:Edmund Shakespeare
3788:Hamnet Shakespeare
3685:Screen adaptations
3408:Sir John Oldcastle
3306:Arden of Faversham
2611:4 (1891), 250–254.
2278:|The Winter's Tale
1967:. Thestage.co.uk.
1889:The New York Times
1683:The New York Times
1625:4 (1891), 250–254.
1363:Shakespeare Survey
1220:. In 2016, author
1210:Jeanette Winterson
1187:full-length ballet
1101:The Public Theatre
1025:mounted the show.
896:John Philip Kemble
884:The Sheep-Shearing
828:
774:
617:Kingdom of Bohemia
609:
579:
571:
476:
470:The first page of
429:
334:
306:
271:
263:
53:
4167:Tragicomedy plays
4104:
4103:
4094:The Winter's Tale
4086:The Winter's Tale
4052:The Winter's Tale
4044:The Winter's Tale
4036:The Winter's Tale
4028:The Winter's Tale
3934:The Winter's Tale
3896:
3895:
3800:Elizabeth Barnard
3764:
3763:
3493:
3492:
3222:
3221:
2920:The Winter's Tale
2721:The Winter's Tale
2696:Project Gutenberg
2632:pp. 161–179.
2623:The Winter's Tale
2616:The Winter's Tale
2546:The Winter's Tale
2473:Chanteau, Clara.
2405:"The Gap of Time"
2314:The Winter's Tale
2143:. 13 March 2018.
1963:The Winter's Tale
1863:The Winter's Tale
1787:The Winter's Tale
1715:Terence Spencer,
1666:The Winter's Tale
1649:The Winter's Tale
1599:978-0-670-91482-1
1548:The Winter's Tale
1521:, vol. 1, p. 139.
1494:The Winter's Tale
1469:978-0-230-00350-7
1395:Arden Shakespeare
1392:The Winter's Tale
1319:The Winter's Tale
1272:Ryan Wigglesworth
1218:The Winter's Tale
1203:Royal Opera House
1174:as Polixenes and
1031:The Winter's Tale
999:The Winter's Tale
951:The Winter's Tale
872:The Winter's Tale
841:The Winter's Tale
695:Arden Shakespeare
549:The Winter's Tale
529:Title of the play
499:Arden Shakespeare
495:The Winter's Tale
472:The VVinters Tale
448:Sir Henry Norreys
362:Classical Unities
358:The Winter's Tale
338:The Winter's Tale
336:The main plot of
283:kingdom of Sicily
256:The Winter's Tale
239:
238:
109:The Winter's Tale
101:The Winter's Tale
57:The Winter's Tale
18:The Winter’s Tale
16:(Redirected from
4189:
3973:
3923:
3916:
3909:
3900:
3886:
3885:
3876:
3875:
3824:Joan Shakespeare
3806:John Shakespeare
3709:
3690:Shakespeare and
3401:Sejanus His Fall
3368:
3328:Double Falsehood
3295:
3279:Venus and Adonis
3230:
3003:Titus Andronicus
2989:Romeo and Juliet
2793:
2773:
2766:
2759:
2750:
2718:
2717:
2708:The Winters Tale
2698:
2647:
2537:Chaney, Edward,
2519:
2518:
2516:
2514:
2505:. 1 March 2021.
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2489:
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2180:
2163:
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2130:
2128:
2126:
2121:on 26 April 2018
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1997:. 26 June 2009.
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1891:, 22 April 1994.
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1685:. 1 April 1927.
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1377:F. E. Halliday,
1375:
1369:
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1348:
1341:
1335:
1328:
1322:
1302:
1208:In 2015, author
1195:The Royal Ballet
1189:, with music by
1144:1910 silent film
1092:and designed by
1090:Declan Donnellan
1080:as Paulina, and
1059:Jo Stone-Fewings
782:London bear-pits
728:Oracle of Delphi
490:Masque of Oberon
456:Elizabeth I
254:as Autolycus in
219:Other Characters
120:
21:
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3927:
3897:
3892:
3853:
3802:(granddaughter)
3760:
3707:
3636:
3602:Religious views
3580:Curtain Theatre
3501:
3489:
3464:
3415:Sir Thomas More
3361:
3335:Edmund Ironside
3284:
3231:
3218:
3192:Ghost character
3152:
3124:
3015:
2996:Timon of Athens
2925:
2782:
2777:
2715:
2688:
2682:Standard Ebooks
2672:
2671:
2670:
2664:
2663:
2662:
2648:
2639:
2593:, 3 March 1980.
2527:
2522:
2512:
2510:
2497:
2496:
2492:
2486:The Independent
2482:Wayback Machine
2472:
2468:
2458:
2456:
2451:. BBC Radio 3.
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2254:Washington Post
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1655:(1983), p. 422.
1646:
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1634:Thomas Hanmer,
1633:
1629:
1622:Wayback Machine
1611:
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1590:Soul of the Age
1584:
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1562:A Time of Gifts
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1342:
1338:
1329:
1325:
1303:
1299:
1295:
1231:On 1 May 2016,
1214:The Gap of Time
1172:Robert Stephens
1164:Jonathan Miller
1156:Laurence Harvey
1140:
1134:
1074:Kenneth Branagh
1063:Tara Fitzgerald
1061:as Leontes and
1021:(Perdita). The
1019:Morven Christie
1017:(Paulina), and
991:
916:
878:and in 1742 at
869:
845:Globe playhouse
833:
820:
794:
766:
724:
691:John A. Pitcher
597:
584:
557:
535:old wives' tale
531:
526:
464:
444:Henry VIII
379:coup de théâtre
318:
245:
240:
133:– The King of
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35:
28:
23:
22:
15:
12:
11:
5:
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3541:Collaborations
3538:
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3130:Early editions
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2813:As You Like It
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2637:External links
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2423:Kirkus Reviews
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2213:
2186:
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2132:
2106:
2080:
2041:
2030:on 20 May 2014
2012:
1982:
1951:
1925:
1893:
1880:
1878:, 3 March 1980
1867:
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1586:Bate, Jonathan
1577:
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1535:
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1510:
1484:
1475:
1468:
1460:Complete Works
1456:Bate, Jonathan
1447:
1438:"winter, 5a".
1425:
1412:
1399:
1383:
1370:
1349:
1336:
1323:
1296:
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1291:
1251:as Polixenes,
1222:E. K. Johnston
1181:Choreographer
1166:, directed by
1136:Main article:
1133:
1130:
1123:Folger Theatre
1082:Miranda Raison
990:
987:
985:as Polixenes.
915:
912:
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865:
832:
829:
819:
816:
793:
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762:
723:
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693:argues in the
621:Czech Republic
605:Gelett Burgess
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503:J.H.P. Pafford
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4089:(2014 ballet)
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3848:Thomas Quiney
3846:
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3838:(grandfather)
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3794:Judith Quiney
3792:
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3776:Anne Hathaway
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3556:Globe Theatre
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3170:
3169:Late romances
3167:
3165:
3164:Problem plays
3162:
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3159:
3155:
3149:
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3144:
3141:
3139:
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2898:Twelfth Night
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2019:
2017:
2013:
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1996:
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1983:
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1934:"RSC listing"
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1782:The Alchemist
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1544:J. H. Pafford
1539:
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1520:
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1507:
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1499:
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1482:Act 2 scene 1
1479:
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1310:Twelfth Night
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1257:Susan Jameson
1254:
1250:
1247:as Hermione,
1246:
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1086:Cheek by Jowl
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1020:
1016:
1015:Sinéad Cusack
1013:(Autolycus),
1012:
1008:
1004:
1000:
996:
988:
986:
984:
983:Randy Davison
980:
976:
972:
968:
964:
960:
956:
952:
948:
944:
940:
936:
932:
928:
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923:Henry Daniell
920:
913:
911:
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905:
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900:Samuel Phelps
897:
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880:Covent Garden
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858:
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824:
817:
815:
813:
812:The Alchemist
809:
808:
807:The Alchemist
803:
799:
791:
789:
787:
786:Admiral's Men
783:
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751:
747:
746:
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733:
729:
721:
719:
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708:In the novel
706:
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692:
688:
685:
684:C. H. Herford
680:
678:
673:
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662:
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653:Thomas Hanmer
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3536:Coat of arms
3529:Translations
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3517:Bibliography
3484:To the Queen
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1243:as Leontes,
1241:Danny Sapani
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1170:and starred
1152:1967 version
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1094:Nick Ormerod
1076:as Leontes,
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1007:Rebecca Hall
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989:21st century
967:Adrian Noble
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914:20th century
904:Charles Kean
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4062:Stage works
4020:Adaptations
3888:WikiProject
3575:The Theatre
3561:Handwriting
3387:The Puritan
3178:Characters
3143:First Folio
3111:Richard III
2891:The Tempest
1701:16 February
1261:Paul Copley
1233:BBC Radio 3
1191:Joby Talbot
1176:Jeremy Kemp
1168:Jane Howell
1148:Robert Shaw
1132:Adaptations
1057:, starring
1055:Lucy Bailey
1011:Ethan Hawke
1005:(Leontes),
959:First Folio
949:(BAM) with
939:David Jones
931:Peter Brook
861:Restoration
752:wrote that
748:, in which
711:Prince Otto
677:Andrew Gurr
480:First Folio
436:Anne Boleyn
66:First Folio
4117:1611 plays
4111:Categories
3943:Characters
3812:Mary Arden
3796:(daughter)
3784:(daughter)
3660:Bardolatry
3570:King's Men
3512:Birthplace
3199:Chronology
3118:Henry VIII
3045:Richard II
3037:Edward III
2947:Coriolanus
2736:Set Design
2651:Wikisource
2609:New Review
2582:Ben Jonson
2358:22 January
2232:24 October
2099:24 October
1828:All dates
1762:OED Online
1615:New Review
1571:0719566959
1519:Ben Jonson
1293:References
1237:Drama on 3
1224:published
1185:created a
1109:Arin Arbus
1078:Judi Dench
995:Sam Mendes
892:Drury Lane
802:Ben Jonson
738:island of
703:Swiss Navy
661:Asia Minor
634:King James
613:Ben Jonson
582:The statue
485:Ben Jonson
391:Providence
329:(1836) by
258:(1828) by
115:Characters
3842:John Hall
3832:(brother)
3820:(brother)
3752:(replica)
3692:Star Trek
3680:Memorials
3675:Influence
3665:Festivals
3607:Sexuality
3597:Portraits
3592:New Place
3444:Ur-Hamlet
3380:Mucedorus
3290:Apocrypha
3030:King John
3021:Histories
2968:King Lear
2931:Tragedies
2827:Cymbeline
2604:459490669
2063:0261-3077
2005:18 August
1975:5 January
1944:5 January
1830:new style
1743:Southwark
1691:0362-4331
1287:Melbourne
1154:starring
1099:In 2017,
898:in 1811,
849:Whitehall
643:In 1891,
638:Rudolf II
432:Eric Ives
410:Mucedorus
366:Aristotle
326:Autolycus
45:John Opie
4070:Hermione
4054:" (1994)
4001:Pandosto
3961:Florizel
3878:Category
3826:(sister)
3814:(mother)
3808:(father)
3320:Cardenio
3209:Settings
3157:See also
3080:Henry VI
3051:Henry IV
2797:Comedies
2726:LibriVox
2507:Archived
2478:Archived
2459:27 April
2453:Archived
2427:Archived
2383:Archived
2352:Archived
2350:. IMDB.
2326:Archived
2290:Archived
2226:Archived
2202:. London
2151:23 March
2145:Archived
2125:25 April
2093:Archived
2067:Archived
1999:Archived
1969:Archived
1912:Archived
1910:. 1997.
1855:Archived
1773:21 April
1695:Archived
1618:Archived
1245:Eve Best
1150:, and a
961:text at
804:'s play
764:The bear
736:Cycladic
732:Pandosto
672:pastoral
657:Bithynia
625:Pandosto
541:'s play
440:adultery
400:Pericles
383:Pandosto
374:Pandosto
353:Pandosto
346:pastoral
243:Synopsis
191:Florizel
105:pastoral
4078:Perdita
3980:Sources
3956:Perdita
3951:Leontes
3670:Gardens
3546:Editors
3349:Locrine
3342:Fair Em
3174:Henriad
3073:Henry V
2982:Othello
2975:Macbeth
2525:Sources
2332:29 June
2316:(1968)"
2296:29 June
2280:(1910)"
2200:TimeOut
1757:"dildo"
1502:2365500
1283:musical
843:at the
564:Perdita
555:Debates
501:editor
452:Perdita
349:romance
316:Sources
279:Bohemia
197:Perdita
185:Bohemia
178:Bohemia
139:Bohemia
131:Leontes
125:Sicilia
4172:Dildos
4047:(1981)
4039:(1967)
4031:(1910)
4012:(1611)
4004:(1588)
3867:† Lost
3778:(wife)
3769:Family
3642:Legacy
3214:Scenes
2954:Hamlet
2433:5 July
2389:3 June
2260:13 May
2206:13 May
2179:13 May
2073:1 July
2061:
2034:20 May
1817:Eunuke
1769:. 1989
1689:
1596:
1568:
1546:, ed.
1500:
1466:
1423:, 1933
1356:Ives,
798:dildos
792:Dildos
758:Aeneas
750:Virgil
745:Aeneid
649:Apulia
518:Hunter
427:(1845)
405:chorus
275:Sicily
234:
135:Sicily
3996:1580)
3790:(son)
3632:Grave
3622:Style
3587:Music
3504:works
3469:Poems
3298:Plays
3236:Poems
2788:Plays
2513:5 May
1268:opera
754:Priam
740:Delos
387:ethos
3627:Will
3502:and
3499:Life
2602:OCLC
2515:2021
2461:2018
2435:2016
2391:2014
2360:2010
2334:2018
2321:IMDb
2298:2018
2285:IMDb
2262:2024
2234:2023
2208:2024
2181:2024
2153:2018
2127:2018
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2075:2017
2059:ISSN
2036:2014
2007:2014
1977:2012
1946:2012
1920:2023
1876:Time
1775:2009
1703:2023
1687:ISSN
1594:ISBN
1566:ISBN
1542:See
1498:OCLC
1464:ISBN
1197:and
925:and
886:and
699:joke
670:The
3187:L–Z
3182:A–K
2694:at
2680:at
2548:",
1808:'s
1804:is
1741:at
1270:by
1266:An
1235:'s
1160:BBC
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3323:✻†
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