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appreciation for the artistry of movie making, the new executives were baffled by Renoir's film. A consumer preview was held, attended by high school and college students who were uninterested in the movie's dark themes. After the catastrophic preview, Renoir spent the next six months reediting the film, even reshooting several sections, causing him much distress. It was ultimately released in 1947 as
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metaphysical anxieties. A bond develops between the two, but the situation becomes tangled when Tod tries to befriend Scott. Tod's attitude toward Scott is ambivalent. The retired artist tests Peggy and Scott to gauge how far they could go in their relationship. Tod tells Peggy that he knows she could never leave him and that he finds Scott, a much younger man, virile but banal.
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Tod burns all his paintings along with the house he and Peggy live in. Peggy frantically tries to stop Tod and save the paintings. She fails, and Scott forces her out of the collapsing house. After they have moved safely away, Scott asks Tod why he did it. Tod says the paintings were a symbol of the
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Scott, a mounted Coast Guard officer, has recurring nightmares involving a maritime tragedy. He sees himself immersed in an eerie landscape surrounded by a shipwreck and walking over skeletons at the bottom of the sea, while a ghostly blonde woman beckons him from afar. He thinks he is going mad. He
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as producer, however Lewton left soon after shooting began, in effect leaving Renoir as his own producer. His freedom was productive; the shooting went so well that Renoir and the cast were even able to improvise on set. Soon after, Koerner died. Whereas he had balanced his business acumen with an
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While riding by the seaside on his horse Scott meets Peggy, the mysterious wife of Tod, who was a painter before going blind. He rides by her as she stands near a shipwreck protruding from the sand, like an eerie echo from his nightmares. After a conversation, they discover that they share similar
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liked the film and wrote, "Thesping is uniformly excellent with the cast from top to bottom responding to Renoir's controlling need for a surcharged atmosphere. In subtle counterpoint to the film's surface vagueness, the settings are notably realistic in their size and quality. Choice camerawork
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Scott is suspicious of Tod's motives and also suspects that Tod is not actually blind. Scott is increasingly interested in Peggy, and she returns his attentions. Scott sets up an outing to test Tod; he lures him near the edge of a cliff, thinking that he will be forced to see and therefore avoid
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Tod cannot come to terms with the fact that, because of his blindness, he can not paint anymore. He tells Scott that dead painters' works always appreciate in value. He expects the value of his own paintings to increase, considering he is now 'dead' as a painter.
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obsession he had with his previous, sighted life. He asks Peggy to take him to New York City, where they have happy memories of their earlier life together. He tells her that afterwards, she may "do as she pleases". Peggy embraces Tod, and Scott leaves them.
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Eve, because of Scott's infatuation with Peggy, becomes distant and asks Scott to delay their marriage plans. Scott attempts to drown both Tod and himself during a fishing trip. Peggy alerts the authorities, and Tod and Scott are rescued by the Coast Guard.
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falling. However, Tod falls. After this mishap, he eventually recovers. Soon after the mishap, Tod is abusive toward Peggy when he realizes that she has hidden his masterpiece, his nude portrait of her. Seeing this, Scott tries to protect Peggy.
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sustains the film's overall impact while sweeping through the entire production is a magnificent score by Hanns Eisler which heightens all of the film's pictorial values." In 1992,
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proposes to Eve Geddes, a young woman working at a local shipyard catering to the Coast Guard. She accepts. Eve has a strong resemblance to the ghostly blonde of his nightmares.
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was less complimentary, calling the film an "overheated melodrama" and noting it was "easy to see why this was Renoir's
American swan song."
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officer (Ryan), and his pursuit of Peggy, a married woman (Bennett). Peggy is married to Tod, a blind former artist (Bickford).
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483:, film listed as film noir #485 on page 196, 1984. Jefferson, N.C. & London: McFarland Publishing.
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the starring role in 1946, hoping to capitalize on her recent success with the films noir
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informational site and DVD review at DVD Beaver (includes images)
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Slow Fade to Black: The
Decline of RKO Radio Pictures
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Louis Lumière / conversation avec
Langlois et Renoir
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1103:Films about blind people in the United States
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397:. Bennett was allowed to choose as director
580:Leonard Maltin's Movie and Video Guide 1993
503:"Noir Alley: The Woman on the Beach (1947)"
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1108:Films about the United States Coast Guard
582:. New York: Penguin Books. p. 1407.
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422:The film recorded a loss of $ 610,000.
454:"The Woman on the Beach: Detail View"
7:
19:For the 2006 South Korean film, see
533:. University of California Press.
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1002:The Little Theatre of Jean Renoir
501:Muller, Eddie (7 November 2020).
978:The Doctor's Horrible Experiment
261:drama about Scott, a conflicted
1113:Films based on American novels
1093:American black-and-white films
1047:Aline Charigot Renoir (mother)
1042:Pierre-Auguste Renoir (father)
1:
1118:Films directed by Jean Renoir
1143:Films scored by Hanns Eisler
1133:1940s English-language films
665:at Film Noir of the Week by
647:AFI Catalog of Feature Films
459:AFI Catalog of Feature Films
373:, and had the working title
851:The Crime of Monsieur Lange
529:Jewell, Richard B. (2016).
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923:The Diary of a Chambermaid
18:
1032:Catherine Hessling (wife)
811:Boudu Saved from Drowning
365:was based upon the novel
40:Theatrical release poster
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481:Dark City: The Film Noir
16:1947 film by Jean Renoir
1052:Pierre Renoir (brother)
803:Night at the Crossroads
388:The Woman in the Window
938:The Woman on the Beach
674:The Woman on the Beach
662:The Woman on the Beach
654:The Woman on the Beach
641:The Woman on the Beach
630:The Woman on the Beach
619:The Woman on the Beach
608:The Woman on the Beach
556:The Woman on the Beach
412:The Woman on the Beach
363:The Woman on the Beach
230:The Woman on the Beach
185:June 7, 1947
29:The Woman on the Beach
891:The Rules of the Game
760:The Little Match Girl
736:The Whirlpool of Fate
667:Wheeler Winston Dixon
508:Turner Classic Movies
253:. It was released by
1138:1940s American films
1128:American drama films
994:The Elusive Corporal
685:Warner Bros. Archive
986:Picnic on the Grass
819:Chotard and Company
352:Jay Norris as Jimmy
233:is a 1947 American
1123:RKO Pictures films
1037:Alain Renoir (son)
931:Partie de campagne
867:La Grande Illusion
843:Life Belongs to Us
635:TCM Movie Database
371:Mitchell A. Wilson
255:RKO Radio Pictures
21:Woman on the Beach
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1062:Marguerite Renoir
970:Elena and Her Men
907:This Land Is Mine
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1088:1947 drama films
1057:Gabrielle Renard
954:The Golden Coach
859:The Lower Depths
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337:as Mrs. Wernecke
331:as Otto Wernecke
317:Charles Bickford
313:as Scott Burnett
263:U.S. Coast Guard
257:. The film is a
251:Charles Bickford
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564:. June 2, 1947.
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383:Joan Bennett
379:RKO Pictures
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329:Walter Sande
305:Joan Bennett
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243:Joan Bennett
237:directed by
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202:Running time
178:Release date
172:RKO Pictures
162:RKO Pictures
147:Hanns Eisler
137:Roland Gross
103:Joan Bennett
73:
899:Swamp Water
779:Sound films
721:Jean Renoir
514:22 November
399:Jean Renoir
341:Glen Vernon
311:Robert Ryan
247:Robert Ryan
239:Jean Renoir
193: (U.S.)
107:Robert Ryan
87:Produced by
62:Jean Renoir
59:Frank Davis
50:Jean Renoir
46:Directed by
1083:1947 films
1077:Categories
795:La Chienne
440:References
407:Val Lewton
358:Production
335:Irene Ryan
323:Nan Leslie
206:71 minutes
189:1947-06-07
154:Production
134:Lyle Boyer
94:Will Price
77:1945 novel
1098:Film noir
946:The River
752:Marquitta
558:review".
465:April 30,
418:Reception
235:film noir
131:Edited by
121:Leo Tover
933:" (1946)
624:AllMovie
381:offered
219:Language
143:Music by
99:Starring
70:Based on
1013:Related
768:Le Bled
681:YouTube
644:at the
633:at the
561:Variety
428:Variety
349:as Lars
343:as Kirk
222:English
211:Country
187: (
156:company
1005:(1970)
997:(1962)
989:(1959)
981:(1959)
973:(1956)
965:(1955)
957:(1952)
949:(1951)
941:(1947)
926:(1946)
918:(1945)
910:(1943)
902:(1941)
894:(1939)
886:(1938)
878:(1938)
870:(1937)
862:(1936)
854:(1936)
846:(1936)
838:(1935)
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822:(1933)
814:(1932)
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747:(1926)
739:(1925)
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249:, and
683:from
835:Toni
744:Nana
613:IMDb
584:ISBN
535:ISBN
516:2023
485:ISBN
467:2014
391:and
298:Cast
269:Plot
679:on
622:at
611:at
369:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
