686:." However, he praised the brilliant use of "Smokestack Lightning" in the film which he said, that "The whole effect is ghostly, haunting, and gets at what I would imagine was the primary reason for using blues music so prominently in the movie. Both thematically and formally, blues music is foundational much of blues music does have the sort of libidinous, desire-driven madness shared by Belfort. There’s a way to parse Scorsese’s use of blues music here as being in touch with something elemental, pulling up specters of Americana to further examine how the corruption of Belfort could be something endemic to the American identity." He mentioned the soundtrack to the film as "diverse as you might expect from Scorsese, but unfortunately, it feels more like a grab bag here than ingenuity" adding that "It’s as sprawling and freewheeling as the movie, sure, but it’s also mostly predictable."
682:‘s soundtrack is its focus on blues music. There are three Bo Diddley songs and two Howlin’ Wolf songs, with John Lee Hooker and Elmore James rounding it out, and that aforementioned 7Horse song basically being used as if it's one of them, too. There are some classics used here, no doubt, but they make little sense in the world of
29:
252:, another one of his usual collaborators, for a year, cutting the image and music seamlessly, Robertson said that "For Marty, the music and the picture–it’s the same thing It’s about cinematic power and finding something that goes beautifully counter point, and avoiding the obvious so the music works
271:
said that he received an email from the music clearance for the film, in last July, and added "It came out of the blue, and I still to this day don’t know how Martin
Scorsese or his people heard it, or who found it. I dug into it a bit and found out that Scorsese finds a lot of his own music for his
247:
for a movie that takes place in the ’80s and ’90s because it’s got nothing to do with anything except raw amazement This is music that gets under your skin immediately," which attributes that blues-powered numbers attribute to the character development in tune to the epic debauchery that progresses
219:
was used in the film's trailer for promotions, but was not included anywhere in the film as Poster went for a more "blues, early rock-and-roll motif" for the film. He said that "I think that the people that made the trailer, they were making it before we had a movie You try to find something that
655:
wrote "Martin
Scorsese delivers a film with a soundtrack that hits all the right notes without the use of a traditional score. It’s a tall order, but one Scorsese has proven time and time again that he is quite capable of dishing out. It is interesting that, unlike his other period films, in
660:, Scorsese draws on more songs that predate the historical setting of the film. It’s a stylistic choice that the film benefits from, as it derives from the need to strike the right tone, rather than the historical accuracy of radio hits."
650:
mentioned that the soundtrack "evokes the off-the-rails feeling of the film with its eclectic mish-mash of genres" and called it as "solid disc that offers many of the film's thrills without all fraud and greed." Paul Taylor of
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204:; however, only 16 of them made it onto the official soundtrack release. The film does not feature an original music score, but is underscored by Canadian musician and fellow regular Scorsese collaborator
176:
704:
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175:. The album features a roster of mid-century blues tracks from popular artists during the 1950s and 1960s. The music received critical acclaim and received a nomination for
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is impactful for the trailer, and I think felt very 'now.' I think that in spite of the movie's period setting, some of the substance of it is contemporary."
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Various
Artists - The Wolf of Wall Street [Music From the Motion Picture] Album Reviews, Songs & More | AllMusic
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705:"'The Wolf Of Wall Street' Soundtrack Features The Lemonheads, Billy Joel & More Plus 2 New TV Spots And Poster"
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movies. Randall Poster and Robbie
Robertson also worked on the music. Maybe they heard it on satellite radio."
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depicts. That is not an uncommon quality to the music here. In fact, perhaps the defining characteristic of
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28:
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892:"Martin Scorsese asked this band if he could use their song when Leonardo DiCaprio has sex on money"
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738:"All The Songs In 'The Wolf Of Wall Street' Including Devo, Cypress Hill, Foo Fighters & More"
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208:, who also helped Poster on selecting the songs as well as serving as executive music producer.
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in the film, despite time correctness. Scorsese supervised the film's editing with editor
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769:"Scorsese's Music Man on 'Wolf of Wall Street' Soundtrack Album: 'Marty is Fearless'"
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Robertson sent
Scorsese a few recordings of mid-century blues singles, that included
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106:
866:"How Robbie Robertson Put the Blues Howl In "The Wolf Of Wall Street" Soundtrack"
806:"'Wolf Of Wall Street' Music Producer Explains How Kanye Ended Up In The Trailer"
167:
released on
December 17, 2013, for digital download and through physical CDs and
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The film featured 60 tracks handpicked by
Scorsese's regular collaborator and
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918:""Goldfinger" Returns, Courtesy of Sharon Jones and Martin Scorsese"
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wrote "most of these songs are old and were already old in the era
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263:'s original song "Meth Lab Zoso Sticker" from their 2011 album
177:
Grammy Award for Best
Compilation Soundtrack for Visual Media
836:"Martin Scorsese used Howlin Wolf in 'Wolf of Wall Street'"
243:" (1956), as "nobody but Marty and me would have chosen
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The Wolf of Wall Street: Music from the Motion
Picture
22:
The Wolf of Wall Street: Music from the Motion
Picture
991:"The Wolf of Wall Street's Mixed Bag of a Soundtrack"
306:
295:
267:, was used by Scorsese in the film. The bandleader
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61:
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35:
21:
966:"Exploring Soundtracks: The Wolf of Wall Street"
8:
171:editions on January 7, 2014, distributed by
16:2013 soundtrack album by Various artists
284:" that was used in the film's soundtrack.
27:
18:
668:Analysing the film's music, Ryan Leas of
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276:performed the cover version of the 1964
703:Jagernauth, Kevin (December 11, 2013).
695:
620:
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7:
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800:
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495:"Hey Leroy, Your Mama's Callin' You"
1027:Albums produced by Robbie Robertson
916:Harris, Aisha (December 26, 2013).
781:from the original on March 24, 2021
717:from the original on March 24, 2021
14:
767:Appelo, Tim (December 25, 2013).
419:Sharon Jones & The Dap-Kings
274:Sharon Jones & the Dap-Kings
964:Taylor, Paul (August 1, 2019).
864:Hart, Hugh (January 6, 2014).
296:
1:
1057:2010s film soundtrack albums
1037:Classical music soundtracks
457:Live at the Pershing Lounge
373:Movin' Out (Anthony's Song)
50:December 17, 2013
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1052:Virgin Records soundtracks
607:Cast Your Fate to the Wind
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147:is the soundtrack to the
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684:The Wolf of Wall Street
680:The Wolf of Wall Street
676:The Wolf of Wall Street
658:The Wolf of Wall Street
551:"Meth Lab Zoso Sticker"
1022:2013 soundtrack albums
774:The Hollywood Reporter
499:The Jimmy Castor Bunch
259:The independent band
179:, though lost to the
840:faroutmagazine.co.uk
816:on December 28, 2022
477:Smokestack Lightning
453:Moonlight in Vermont
245:Smokestack Lightning
241:Smokestack Lightning
890:Suebsaeng, Asawin.
736:Jagernauth, Kevin.
323:Cannonball Adderley
317:Mercy, Mercy, Mercy
644:Gregory Heaney of
265:Let The 7Horse Run
250:Thelma Schoonmaker
1032:Blues soundtracks
640:Critical response
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211:The 2013 single "
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1047:Rock soundtracks
1042:Jazz soundtracks
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812:. Archived from
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748:on April 8, 2015
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206:Robbie Robertson
199:music supervisor
165:of the same name
132:Robbie Robertson
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37:Soundtrack album
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842:. June 10, 2022
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613:Allen Toussaint
533:Never Say Never
519:Malcolm McLaren
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215:" performed by
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151:-directed 2013
149:Martin Scorsese
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41:Various artists
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922:Slate Magazine
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213:Black Skinhead
202:Randall Poster
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173:Virgin Records
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623:Total length:
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355:"Bang! Bang!"
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337:Dust My Broom
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288:Track listing
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235:" (1951) and
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233:Dust My Broom
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998:. Retrieved
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985:
973:. Retrieved
969:
959:
948:, retrieved
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937:
925:. Retrieved
921:
911:
899:. Retrieved
896:Mother Jones
895:
885:
873:. Retrieved
870:Fast Company
869:
844:. Retrieved
839:
830:
818:. Retrieved
814:the original
809:
783:. Retrieved
772:
762:
752:February 12,
750:. Retrieved
746:the original
731:
719:. Retrieved
708:
698:
683:
679:
675:
670:
667:
657:
652:
645:
643:
513:Double Dutch
483:Howlin' Wolf
433:Pretty Thing
393:C'est si bon
343:Elmore James
269:Phil Leavitt
264:
258:
253:
244:
237:Howlin' Wolf
225:Elmore James
222:
210:
196:
184:
159:black comedy
156:biographical
143:
142:
141:
995:Consequence
671:Consequence
569:Road Runner
463:Ahmad Jamal
399:Eartha Kitt
256:the idea."
227:' cover of
193:Development
1016:Categories
1000:January 7,
975:January 7,
950:January 7,
927:January 7,
901:January 7,
875:January 7,
846:January 7,
820:January 7,
690:References
574:Bo Diddley
539:Romeo Void
439:Bo Diddley
413:Goldfinger
379:Billy Joel
282:Goldfinger
217:Kanye West
181:soundtrack
162:crime film
54:2013-12-17
970:LemonWire
785:March 24,
742:Indiewire
721:March 24,
710:IndieWire
653:Lemonwire
635:Reception
304:Artist(s)
779:Archived
715:Archived
664:Analysis
647:AllMusic
359:Joe Cuba
280:single "
189:(2013).
119:Producer
47:Released
39: by
254:against
52: (
555:7horse
307:Length
261:7horse
186:Frozen
112:Virgin
90:Length
627:56:30
301:Title
169:vinyl
107:Label
71:Blues
63:Genre
1002:2023
977:2023
952:2023
929:2023
903:2023
877:2023
848:2023
822:2023
787:2021
754:2014
723:2021
617:3:19
597:3:44
577:2:46
559:3:42
543:5:54
523:3:56
503:2:26
487:3:07
467:3:10
443:2:49
423:2:30
403:2:58
383:3:29
363:4:06
347:2:53
327:5:11
239:'s "
231:'s "
153:epic
76:jazz
810:MTV
602:16.
582:15.
564:14.
548:13.
528:12.
508:11.
492:10.
455:" (
297:No.
183:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
