32:
161:'s translation of the French was likewise close and has given the Russian language two proverbs. The first, "The stronger always blames the weaker" ("У сильного всегда бессильный виноват"), is taken from the poem's first line. The second idiomatic usage is provided by the wolf's final reply to the lamb's reasoning, "My need of food is guilt enough of yours" ("Ты виноват уж тем, что хочется мне кушать"), and is used ironically of someone casting around to find blame, no matter what justice demands.
193:
80:
399:, in which the wolf looks down threateningly at the diminutive lamb. Later the fable figured on two French stamps: first was a 1938 portrait of La Fontaine with the tale illustrated in a panel below it; there was also a six-stamp strip issued in 1995 to commemorate the third centenary of La Fontaine's death, in which the lamb is shown as startled by the wolf's reflection in the water. In 1977
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daughters. In both cases, the cock answers that humanity benefits by its activities. But the cat ends the argument by remarking that it is now her breakfast time and "Cats don't live on dialogues". Underlying both these fables is a Latin proverb, variously expressed, that "an empty belly has no ears" or, as the
Spanish equivalent has it,
109:
A wolf comes upon a lamb while both are drinking from a stream and, in order to justify taking its life, accuses it of various misdemeanours, all of which the lamb proves to be impossible. Losing patience, the wolf replies that the offences must have been committed by some other member of the lamb's
164:
A variant story attributed to Aesop exists in Greek sources. This is the fable of the cock and the cat, which is separately numbered 16 in the Perry Index. Seeking a reasonable pretext to kill the cock, the cat accuses it of waking people early in the morning and then of incest with its sisters and
213:
depict widespread social breakdown. The Lamb appeals to natural law, to
Scripture, and to statutory law, and is answered by the Wolf with perversions of all these. Then Henryson in his own person comments that there are three kinds of contemporary wolves who oppress the poor: dishonest lawyers;
179:
in which the protagonists are a panther and a goat. The goat has strayed into the presence of a panther and tries to avert its fate by greeting the predator politely. It is accused of treading on his tail and then of scaring off his prey, for which crime it is made to substitute. A similar story
184:'s Persian fables as "The Partridge and the Hawk". The unjust accusation there is that the partridge is taking up all the shade, leaving the hawk out in the hot sun. When the partridge points out that it is midnight, it is killed by the hawk for contradicting.
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157:(The strongest side always carries the argument). The line eventually became proverbial in French and was glossed with the alternative English proverb, "Might makes right", as its equivalent.
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used the
English proverb "'Tis an easy Matter to find a Staff to beat a Dog" to sum up the sentiment that any arbitrary excuse will suit the powerful. At a slightly earlier date,
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235:(see above) has suggested a similar political comment being made by the English embroiderers to express their dissent and horror at the 1066 Norman invasion of Britain.
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122:. The morals drawn there are that the tyrant can always find an excuse for his tyranny and that the unjust will not listen to the reasoning of the innocent.
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101:. There are several variant stories of tyrannical injustice in which a victim is falsely accused and killed despite a reasonable defence.
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family and that it does not propose to delay its meal by enquiring any further. There are versions of the fable in both the Greek of
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Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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Down the centuries, interpreters of the fable have applied it to injustices prevalent in their own times. The 15th-century
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cartoon published when
Britain and France were both thinking of extending their colonial influence into
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and were looking for excuses to do so. A wolf in French Army uniform eyes the Thai lamb across the
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landowners intent on extending their estates; and aristocrats who exploit their tenants.
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Fifty Fables of La
Fontaine translated by Norman Shapiro, University of Illinois 1997
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334:(2006), a light-hearted interpretation for narrator and orchestra in the style of a
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began his very similar version of the story with the moral summary of its meaning,
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The Taill of how this forsaid Tod maid his
Confessioun to Freir Wolf Waitskaith
19:
This article is about Aesop's fable. For the
Biblical story (Isaiah 11:6), see
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368:(Op. 28, 1956). A ballet based upon the fable was choreographed in 2004 by
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A political application of the fable to international relations is an 1893
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231:. Much earlier, the fable's presence in the borders of the 11th-century
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387:, including one over the door in the Grand Cabinet du Dauphin in the
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issued a four-stamp block of fables where the designs are based on
250:(I.10) and was set to music by several French composers, including
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The fable also has
Eastern analogues. One of these is the Buddhist
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78:
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Alfred Yung (1836–1913), a setting for two equal voices (1862)
25:
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618:, Madrid 2005, proverb 672 (p. 62) and proverb 3161 (p. 236)
768:
The
Orchestre de la Suisse Romande conducted by the composer
340:
Sacha Chaban, a setting for orchestra and recitation (2012)
633:, edited by H.T. Francis and E.J. Thomas, Cambridge 1916
352:
for recitation with orchestral accompaniment. But it was
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383:
The fable was also the subject of several paintings by
344:
La
Fontaine's fable in Catalan translation is part of
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The Tortoise and the Geese and Other Fables of Bidpai
1551:
The Taill of the Uponlandis Mous and the Burges Mous
1569:
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1478:
1414:
1317:
952:
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Wolf und Lamm. Ein Dialog über eine äsopische Fabel
372:for the composite presentation of Annie Sellem,
155:La raison du plus fort est toujours la meilleure
675:What are on the Borders of the Bayeux Tapestry?
376:. This was interpreted to the Baroque music of
407:'s illustrations, of which this fable is one.
930:
8:
364:set for male choir and accompaniment in his
118:, and it was retold in Latin throughout the
1544:The Taill of Schir Chanticleir and the Foxe
322:Chansonettes : 5 Fables de La Fontaine
937:
923:
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391:(1747) and a canvas currently held in the
1523:The Morall Fabillis of Esope the Phrygian
661:A modernised version is available at the
324:for small mixed choir (Op. 72, Nº1 1995)
67:Learn how and when to remove this message
900:Enache, Balder, Gsöllpointner, Müller:
439:
243:The story was among those included in
7:
169:(a hungry wolf doesn't hang about).
145:In his 1692 retelling of the fable,
1447:Out of the frying pan into the fire
1337:(also known as The Mice in Council)
1149:The Goose that Laid the Golden Eggs
989:The Astrologer who Fell into a Well
288:Trois Fables de Jean de la Fontaine
1386:The miller, his son and the donkey
1004:The Bird-catcher and the Blackbird
167:"Lobo hambriento no tiene asiento"
14:
1361:The drowned woman and her husband
1264:The Travellers and the Plane Tree
1084:The Fisherman and the Little Fish
278:Six Fables de Jean de la Fontaine
257:at the start of the 18th century.
876:
332:Eh bien ! Dansez maintenant
30:
1164:The Horse that Lost its Liberty
180:involving birds is found among
1174:The Lion, the Bear and the Fox
133:'s fables on the 11th-century
1:
1743:Metaphors referring to wolves
1309:The Young Man and the Swallow
1029:The Cock, the Dog and the Fox
1009:The Bird in Borrowed Feathers
1496:The Grasshopper and the Ants
1381:The Hawk and the Nightingale
1304:The Woodcutter and the Trees
1259:Town Mouse and Country Mouse
1224:The Old Woman and the Doctor
1139:The Frogs Who Desired a King
800:The opening is available on
649:, Boston and New York 1908,
475:, Christopher Smart (1753),
350:Siete Fabulas de La Fontaine
86:'s oil painting of the fable
1437:The labyrinth of Versailles
1376:The Gourd and the Palm-tree
1284:Washing the Ethiopian White
1249:The Snake in the Thorn Bush
1234:The Satyr and the Traveller
1179:The Man with Two Mistresses
964:The Ant and the Grasshopper
742:Included in a video of the
358:Fabel Vom Wolf und Lämmlein
97:and is numbered 155 in the
1764:
1341:The Blind Man and the Lame
1209:The North Wind and the Sun
1049:The Dog and Its Reflection
994:The Bear and the Travelers
984:The Ass in the Lion's Skin
697:There is a performance on
290:for voice and piano (1919)
280:for voice and piano (1900)
105:The fable and its variants
18:
1457:The milkmaid and her pail
1406:The Shepherd and the Lion
1401:The Scorpion and the Frog
1330:The Bear and the Gardener
1269:The Trees and the Bramble
1254:The Tortoise and the Hare
1229:The Rose and the Amaranth
1114:The Fox and the Sick Lion
999:The Belly and the Members
979:The Ass Carrying an Image
888:"The Wolf and the Lamb",
620:available on Google Books
330:, as the eighth piece in
255:Louis-Nicolas Clérambault
93:is a well-known fable of
1462:Wolf in sheep's clothing
1346:The Boy and the Filberts
1289:The Weasel and Aphrodite
1204:The Mouse and the Oyster
1159:The Horse and the Donkey
1089:The Fowler and the Snake
1074:The Farmer and the Viper
1069:The Farmer and the Stork
1044:The Deer without a Heart
1034:The Crow and the Pitcher
894:"The Cat and the Cock",
779:A performance on YouTube
533:Dictionary of Quotations
397:Le Mans botanical garden
374:Les Fables à La Fontaine
1396:The Priest and the Wolf
1351:Chanticleer and the Fox
1194:The Moon and her Mother
1129:The Fox and the Woodman
1079:The Fir and the Bramble
969:The Ass and his Masters
663:Glasgow University site
418:The Lamb and the Wolves
356:'s German translation,
346:Xavier Benguerel i Godó
298:6 Fables de La Fontaine
294:Marie-Madeleine Duruflé
39:Some of this article's
1391:The Monkey and the Cat
1325:An ass eating thistles
1294:The Wolf and the Crane
1244:The Snake and the Crab
1199:The Mountain in Labour
1189:The Miser and his Gold
1169:The Lion and the Mouse
1124:The Fox and the Weasel
1099:The Fox and the Grapes
1039:The Crow and the Snake
1024:The Cock and the Jewel
1014:The Boy Who Cried Wolf
804:and the hunt sequence
645:Maude Barrows Dutton,
488:The Aesop for Children
473:The Fables of Phaedrus
460:, John Davies (1860),
202:
142:
87:
1577:Demetrius of Phalerum
1530:The Cock and the Jasp
1452:Still waters run deep
1356:The Dog in the Manger
1299:The Wolf and the Lamb
1219:The Old Man and Death
1154:The Honest Woodcutter
1144:The Goat and the Vine
1119:The Fox and the Stork
1064:The Eagle and the Fox
883:The Wolf and the Lamb
817:Christies Old Masters
458:The Fables of Babrius
312:Les Fables enchantées
268:Fables de La Fontaine
239:Artistic applications
195:
139:The Wolf and the Lamb
128:
91:The Wolf and the Lamb
82:
1703:La Fontaine's Fables
1627:Laurentius Abstemius
1560:La Fontaine's Fables
1366:The Elm and the Vine
1214:The Oak and the Reed
1109:The Fox and the Mask
1104:The Fox and the Lion
1094:The Fox and the Crow
1059:The Dove and the Ant
1054:The Dog and the Wolf
1019:The Cat and the Mice
885:at Wikimedia Commons
863:Creighton University
852:Creighton University
841:Creighton University
790:Available on YouTube
732:Available on YouTube
721:Available on YouTube
389:Palace of Versailles
1733:Animals in Buddhism
1657:Jean de La Fontaine
1607:Adémar de Chabannes
1489:Aesop's Film Fables
1371:The Fox and the Cat
1184:The Mischievous Dog
1134:The Frog and the Ox
974:The Ass and the Pig
603:Latin via Proverbs
591:Roger L'Estrange's
519:Le loup et l'agneau
503:The Fables of Aesop
427:Fables and Parables
385:Jean-Baptiste Oudry
366:Die Fabeln des Äsop
151:Jean de la Fontaine
84:Jean-Baptiste Oudry
1597:Dositheus Magister
896:book illustrations
890:book illustrations
320:, the last of his
203:
188:Moral applications
143:
88:
1685:
1684:
881:Media related to
754:A performance on
673:Middle Ages org.
548:French Wiktionary
308:Isabelle Aboulker
209:by Scottish poet
114:and the Latin of
77:
76:
69:
21:The lamb and lion
1755:
1713:Fictional wolves
1667:Nicolas Trigault
1642:Hieronymus Osius
1632:Roger L'Estrange
1602:Alexander Neckam
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1652:Robert Henryson
1647:Marie de France
1637:Gabriele Faerno
1622:Kawanabe Kyōsai
1612:Odo of Cheriton
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1335:Belling the Cat
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1279:The Walnut Tree
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462:p. 78, Fable 89
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422:Ignacy Krasicki
413:
393:Museums of Metz
370:Béatrice Massin
296:(1921–1999) in
241:
233:Bayeux Tapestry
211:Robert Henryson
190:
135:Bayeux Tapestry
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1698:Aesop's Fables
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1468:Aesop's Fables
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871:External links
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245:La Fontaine's
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582:
581:Aesopica site
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447:Aesopica site
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318:Claude Ballif
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270:(Op. 72 1875)
269:
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28:
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22:
16:Aesop's fable
1738:Big Bad Wolf
1728:Sheep in art
1708:Jataka tales
1617:John Lydgate
1558:
1521:
1514:
1494:
1487:
1466:
1442:Lion's share
1427:Panchatantra
1422:Jataka tales
1298:
1274:The Two Pots
906:
901:
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847:
835:
823:
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631:Jataka Tales
630:
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605:example 2092
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531:James Wood,
527:
522:, Fable 1.10
518:
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405:Gustave Doré
382:
378:Marin Marais
373:
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331:
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304:choir (1960)
297:
287:
284:André Caplet
277:
267:
266:, among his
246:
242:
229:Mekong River
219:
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207:Moral Fables
206:
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90:
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63:
57:October 2021
54:
43:
1748:ATU 100-149
1677:Zhou Zuoren
1672:Robert Thom
1662:Ivan Krylov
1570:Translators
1508:adaptations
1481:adaptations
1432:Perry Index
907:RursuSpicae
635:pp. 289–291
570:Academic.ru
300:for female
159:Ivan Krylov
120:Middle Ages
99:Perry Index
44:may not be
1692:Categories
1318:Apocryphal
766:You Tube,
744:whole work
559:Wikisource
435:References
362:Hans Poser
302:a cappella
477:Fable 1.1
336:pasodoble
141:at bottom
129:Three of
1582:Phaedrus
535:, 1893,
411:See also
225:Thailand
116:Phaedrus
46:reliable
1592:Avianus
1587:Babrius
1471:(album)
1415:Related
954:Aesop's
827:Photos
756:YouTube
699:YouTube
593:wording
507:Fable 2
401:Burundi
137:, with
112:Babrius
1516:Ysopet
1479:Screen
956:Fables
904:, in:
829:online
537:p. 223
430:(1779)
420:", in
314:(1979)
247:Fables
182:Bidpai
176:Jataka
1506:Print
946:Aesop
802:Vimeo
687:p. 13
651:p. 56
492:p. 42
360:that
220:Punch
198:Punch
174:Dipi
131:Aesop
95:Aesop
909:2018
806:here
348:'s
310:in
286:in
276:in
1694::
505:,
424:,
380:.
1553:"
1549:"
1546:"
1542:"
1539:"
1535:"
1532:"
1528:"
938:e
931:t
924:v
416:"
70:)
64:(
59:)
55:(
49:.
23:.
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