Star Trek II: The Wrath of Khan

713:, a genetically enhanced superhuman who had used his strength and intellect to briefly rule much of Earth in the 1990s. Montalbán said that he believed all good villains do villainous things, but think that they are acting for the "right" reasons; in this way, Khan uses his anger at the death of his wife to justify his pursuit of Kirk. Contrary to speculation that Montalbán used a prosthetic chest, no artificial devices were added to Montalbán's muscular physique. Montalbán enjoyed making the film, so much so that he played the role for much less than was offered him, and counted the role as a career highlight. His major complaint was that he was never face-to-face with Shatner for a scene. "I had to do my lines with the script girl, who, as you might imagine, sounded nothing like Bill ", he explained. Bennett noted that the film was close to getting the 1188:. He had the idea of making a list consisting of everything that the creative team had liked from the preceding drafts—"it could be a character, it could be a scene, it could be a plot, it could be a subplot, it could be a line of dialogue"—so that he could use that list as the basis of a new screenplay made from all the best aspects of the previous ones. To offset fan expectation that Spock would die, Meyer had the character "killed" in the Kobayashi Maru simulator in the opening scene. The effects company required a completed script in just 12 days. Meyer wrote the screenplay uncredited and for no pay before the deadline, surprising the actors and producers, and rapidly produced subsequent rewrites as necessary. One draft, for example, had a baby in Khan's group, who is killed with the others in the Genesis detonation. Meyer later said: 1325: 1477:

without Kelley's prior knowledge of what was going on. Shatner disagreed with having a clear glass separation between Spock and Kirk during the death scene; he instead wanted a translucent divider allowing viewers to see only Spock's silhouette, but his objection was overruled. During Spock's funeral sequence Meyer wanted the camera to track the torpedo that served as Spock's coffin as it was placed in a long trough and slid into the launcher. The camera crew thought the entire set would have to be rebuilt to accommodate the shot, but Sallin suggested putting a dolly into the trough and controlling it from above with an offset arm. Scott's rendition of "

959:. Serving on board as the navigator in Chekov's absence, she has a strong habit of questioning Kirk's eccentric heroic methods, preferring a more by-the-book approach. Constantly quoting rules and regulations to Kirk, she is actually vindicated during the battle with Khan, and her manner provides Spock with the idea for how to talk in code to Kirk down at the science lab. When Kirk and McCoy intend to beam down to the science lab, she insists on going with them on the pretext of protecting Kirk. The movie was Alley's first feature film role. Saavik cries during Spock's funeral. Meyer said that during filming someone asked him, 5643: 5616: 1385:

no technical infrastructure, so they had to cannibalize from the spaceship whatever they used or wore. Therefore, I tried to make it look as if they had dressed themselves out of pieces of upholstery and electrical equipment that composed the ship." Khan's costume was designed with an open chest to show Ricardo Montalbán's physique. Fletcher also designed smocks for the Regula I scientists, and civilian clothes for Kirk and McCoy that were designed to look practical and comfortable.

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took the form of a laboratory demonstration, where a rock would be placed in a chamber and turned into a flower. Veilleux suggested the sequence's scope be expanded to show the Genesis effect taking over a planet. While Paramount appreciated the more dramatic presentation, they wanted the simulation to be more impressive than traditional animation. Having seen research done by Lucasfilm's computer graphics group, Veilleux offered them the task. Introducing the novel technique of

1157: 1592: 1449:, meanwhile, was lighter and had less complex internal wiring. The spaceship miniatures were photographed against a blue screen, which in post production allowed them to be composited with background scenery which had itself been photographed independently of the foreground miniatures. Any reflection of blue on the ship's hull would appear as a hole on the film; the gaps had to be patched frame by frame for the final film. The 619:. Kirk, McCoy, and Saavik beam to the station and find Terrell and Chekov alive, along with the slaughtered members of Marcus' team. They soon find Carol and David hiding Genesis deep inside the nearby planetoid. Khan, having used Terrell and Chekov as spies, orders them to kill Kirk; Terrell resists the eel's influence and kills himself, while Chekov collapses as the eel leaves his body. Khan transports Genesis aboard the 5897: 996: 1646:. He tied a string to the eels to inch the models across the actors' faces before they entered the ear canal. The scene of a more mature eel leaving Chekov's ear was simulated by threading a microfilament through the floor of the set up to Koenig's ear. The scene was filmed with three variations, which Ralston described as "a dry shot, one with some blood, and the 1809:, and had heard my music for several other projects, and I think, so far as I've been told, they liked my versatility very much. I wanted the assignment, and I met with them, we all got along well, they were impressed with my music, and that's how it happened." Horner agreed with the producers' expectations and agreed to begin work in mid-January 1982. 703:. Kirk and Khan never confront each other face-to-face during the film; all of their interactions are over a viewscreen or through communicators, and their scenes were filmed four months apart. Meyer described Shatner as an actor who was naturally protective of his character and himself, and who performed better over multiple takes. 1037:. This was rejected by Paramount executives, who blamed the tepid reception and costs of the first film on its plodding pace and the constant rewrites Roddenberry demanded. As a consequence, Roddenberry was removed from the production and, according to Shatner, "kicked upstairs" to the ceremonial position of executive consultant. 1103:, involved the theft of the Federation's ultimate weapon, the "Omega system". Sowards was concerned that his weapon was too negative, and Bennett wanted something more uplifting "and as fundamental in the 23rd century as recombinant DNA is in our time", Minor recalled. Minor suggested to Bennett that the device be turned into a 437:'s musical score. Leonard Nimoy had not intended to have a role in the sequel, but was enticed back on the promise that his character would be given a dramatic death scene. Negative test audience reaction to Spock's death led to significant revisions of the ending over Meyer's objections. The production team used various 1788:, was likewise prohibitively expensive. Bennett and Meyer wanted the music for the film to go in a different direction, but had not decided on a composer by the time filming began. Meyer initially hoped to hire an associate named John Morgan, but Morgan lacked film experience, which would have troubled the studio. 1917:

hop, skip, and a jump to realize that it was going to be about old age and friendship," Meyer said. "I don't think that any of scripts were about old age, friendship, and death." In keeping with the theme of death and rebirth symbolized by Spock's sacrifice and the Genesis Device, Meyer wanted to call the film

1905:—during recording, as well as composing and performing electronic music for the Genesis Project video. While most of the film was "locked in" by the time Horner had begun composing music, he had to change musical cue orchestration after the integration of special effects caused changes in scene durations. 2358:

and the theatrical trailer. The expanded cut of the film was given a Hollywood premiere before the release of the DVD. Meyer stated that he didn't believe directors' cuts of films were necessarily better than the original but that the re-release gave him a chance to add elements that had been removed

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For Khan and his followers, Fletcher created a strong contrast with the highly organized Starfleet uniforms; his idea was that the exiles' costumes were made out of whatever they could find. Fletcher said, "My intention with Khan was to express the fact that they had been marooned on that planet with

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opened on June 4, 1982, in 1,621 theaters in the United States. It made $ 14,347,221 in its opening weekend, at the time the largest opening weekend gross in history. It went on to earn $ 78,912,963 in the US, becoming the sixth highest-grossing film of 1982. It made $ 97,000,000 worldwide. Although

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features several recurring themes, including death, resurrection, and growing old. Upon writing his script, Meyer hit upon a link between Spock's death and the age of the characters. "This was going to be a story in which Spock died, so it was going to be a story about death, and it was only a short

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lot, The Burbank Studios and continued until April 15. A pickup session was held on April 30 to record music for the Mutara nebula battle, while another session held on May 3 was used to cover the recently changed epilogue. Horner used synthesizers for ancillary effects; at the time, science fiction

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The battle in the nebula was a difficult sequence to accomplish without the aid of computer-generated models. The swirling nebula was created by injecting a latex rubber and ammonia mixture into a cloud tank filled with fresh and salt water. All the footage was shot at two frames per second to give

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s elevators moved between decks, corridor pieces were wheeled out of sight to change the hall configuration while the turbolift doors were closed. Background equipment such as computer terminals were rented when possible instead of purchased outright. Some designed props, such as a redesigned phaser

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in outer space", using nautical references and a swashbuckling atmosphere. (Hornblower was an inspiration to Roddenberry and Shatner when making the show, although Meyer was unaware of this.) Sallin was impressed with Meyer's vision for the film: "His ideas brought dimension that broadened the scope

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to improve the visual quality and production speed of special effects shots. Among the film's technical achievements was cinema's first entirely computer-generated sequence, ILM's animation for the demonstration of the effects of the Genesis Device on a barren planet. The first concept for the shot

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reactor, additional sand on Ceti Alpha V, and an updated transporter effect. Meyer and the production staff were adamant about not using freeze frames for the transporter, as had been done in the original television series. Scenes were shot so that conversations would continue while characters were

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Meyer added elements to reinforce the aging of the characters. Kirk's unhappiness about his birthday is compounded by McCoy's gift of reading glasses. The script stated that Kirk was 49, but Shatner was unsure about being specific about Kirk's age. Bennett remembers that Shatner was hesitant about

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In keeping with the nautical tone, Meyer wanted music evocative of seafaring and swashbuckling, and the director and composer worked together closely, becoming friends in the process. As a classical music fan, Meyer was able to describe the effects and sounds he wanted in the music. While Horner's

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s bridge, which he recalled "Everyone had a fit over I said, 'Why, have they stopped smoking in the future? They've been smoking for four hundred years, you think it's going to stop in the next two?'" The sign appeared in the first shot of the film, but was removed for all others appearing in the

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worldwide and setting a world record for its first-day box office gross. Critical reaction to the film was positive; reviewers highlighted Khan's character, Meyer's direction, improved performances, the film's pacing, and the character interactions as strong elements. Negative reactions focused on

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to Khan's dwelling. Khan liberally paraphrases Ahab, with "I'll chase him round the moons of Nibia and round the Antares maelstrom and round perdition's flames before I give him up!" Khan quotes Ahab's tirade at the end of the novel verbatim with his final lines: "To the last I grapple with thee;

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special effects sequences, effects supervisor Jim Veilleux, Meyer, Jennings, Sallin, and Minor worked to transform the written ideas for the script into concrete storyboards and visuals. The detailed sequences were essential to keep the film's effects from spiraling out of control and driving up

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advertisements urging Paramount to change the plot, and Nimoy even received death threats. Test audiences reacted badly to Spock's death and the film's ending's dark tone, so it was made more uplifting by Bennett. The scene of Spock's casket on the planet and Nimoy's closing monologue were added;

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s chief medical officer and a close friend of Kirk and Spock. Kelley was dissatisfied with an early version of the script to the point that he considered not taking part. Kelley noted his character spoke many of the film's lighter lines, and felt that this role was essential in bringing a lighter

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for the sixty-second sequence, the graphics team paid attention to detail such as ensuring that the stars visible in the background matched those visible from a real star light-years from Earth. The animators hoped it would serve as a "commercial" for the studio's talents. The studio would later

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Meyer objected, but did not stand in the way of the modifications. Nimoy did not know about the scene until he saw the film, but before it opened, the media reassured fans that "Spock will live" again. Due to time constraints, the casket scene was filmed in an overgrown corner of San Francisco's

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was painted and wrapped around the set, while massive industrial fans created a sandstorm. The filming was uncomfortable for actors and crew alike. The spandex environmental suits Koenig and Winfield wore were unventilated, and the actors had to signal by microphone when they needed air. Filming

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Spock's death was shot over three days, during which no visitors were allowed on set. Spock's death was to be irrevocable, but Nimoy had such a positive experience during filming that he asked if he could add a way for Spock to return in a later film. The mind meld sequence was initially filmed

1633:, the recipient of the phaser blast, acted out his response to being hit with the energy weapon. A phaser beam element was placed on top of the background plate, and Vargas' shots were optically dissolved into an airbrushed disintegration effect which matched Vargas' position in every frame. 1352:

and wanted them changed, but could not be discarded entirely because of the budget. Dye tests of the fabric showed that the old uniforms took three colors well: blue-gray, gold, and dark red. Fletcher decided to use the dark red due to the strong contrast it provided with the background. The

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on a budget of $ 12 million. The budget was initially lower at $ 8.5 million, but it rose when the producers were impressed by the first two weeks of footage. Meyer used camera and set tricks to spare the construction of large and expensive sets. For a scene taking place at

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was brought in to redesign existing costumes and create new ones. Fletcher decided on a scheme of "corrupt colors", using materials with colors slightly off from the pure color. "They're not colors you see today, so in a subtle way indicate another time." Meyer did not like the

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were rare, and Fletcher was only able to find one needle for the wardrobe department. The crew was so worried about losing or breaking the needle that one of the department's workers took it home with him as a security measure, leading Fletcher to think it had been stolen.

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gave the film three and a half stars out of four, calling it "a flat-out winner, full of appealing characters in engaging relationships in a futuristic film that has a delightfully old-fashioned sense of majesty about its characters and the predicaments they get into."

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s chief engineer. Kelley felt that McCoy speaking his catchphrase "he's dead, Jim" during Spock's death scene would ruin the moment's seriousness, so Doohan instead says the line "he's dead already" to Kirk. Scott loses his young nephew following Khan's attacks on the

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The scene in which Terrell kills Jedda, a Regula scientist, by vaporizing him with a phaser was filmed in two takes. Winfield and the related actors first played out the scene; this footage became the background plate. A blue screen was wheeled onto the set and actor

1540:. Each special and optical effect, and the duration of the sequences, was listed. By the end of six weeks, the producers determined the basic look and construction of nearly all the effects; the resulting shots were combined with film footage five months later. 1141:", was invited to offer his own script. Peeples' draft replaced Khan with two new villains named Sojin and Moray; the alien beings are so powerful they almost destroy Earth by mistake. This script was considered inadequate; the aliens resembled too closely the 908:, the lead scientist working on Project Genesis, and the mother of Kirk's son. Meyer was looking for an actress who looked beautiful enough that it was plausible a womanizer such as Kirk would fall for her, yet who could also project a sense of intelligence. 981:, Khan's chief henchman. Scott took the role believing that it would be more prominent and requested top billing. When Paramount refused, Scott waived billing, believing that he would still appear in the end credits. Instead his performance went uncredited. 1118:

By April 1981, Sowards had produced a draft that moved Spock's death to later in the story, because of fan dissatisfaction of the event after the script was leaked. Spock had originally died in the first act, in a shocking demise that Bennett compared to

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120,000 copies. The successful experiment was credited with instigating more competitive VHS pricing, an increase in the adoption of increasingly cheaper VHS players, and an industry-wide move away from rentals to sales as the bulk of videotape revenue.

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The barren desert surface of Ceti Alpha V was simulated on stage 8, the largest sound stage at Paramount's studio. The set was elevated 25 feet off the ground and covered in wooden mats, over which tons of colored sand and powder were dumped. A

1072:", he decided that the character of Khan Noonien Singh was the perfect enemy for the new film. Bennett selected Robert Sallin, a director of television commercials and a college friend, to produce the film. Sallin's job would be to produce 1879:

The soundtrack was Horner's first major film score, and was written in four and a half weeks. The resulting 72 minutes of music was then performed by a 91-piece orchestra. Recording sessions for the score began on April 12, 1982, at the

562:; six months later, Ceti Alpha VI exploded, shifting the orbit of Ceti Alpha V and turning it into a desert wasteland. This killed several of Khan's people; many others, including his wife, were killed by the native parasitic Ceti eels. 441:

techniques to keep within budget, including using miniature models from past projects and reusing sets, effects footage, and costumes from the first film. The film was the first feature film to contain a sequence created entirely with

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s Gary Arnold stated Spock's death "feels like an unnecessary twist, and the filmmakers are obviously well-prepared to fudge in case the public demands another sequel". Negative reviews of the film focused on some of the acting, and

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fixes the error by having Chekov escort Khan to the surface of Ceti Alpha after the events of the television episode. The real cause of the error was a simple oversight by the filmmakers. Meyer defended the mistake by noting that

7656: 1872:. Horner also wrote a motif for Spock, to emphasize the character's depth: "By putting a theme over Spock, it warms him and he becomes three-dimensional rather than a collection of schticks." The difference in the short, 1063:

asked, "Can you make it for less than forty-five-fucking-million-dollars?" Bennett replied that "Where I come from, I can make five movies for that." Bennett realized he faced a serious challenge in developing the new

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in a space format. That was both its strength and, ultimately, its weakness. I tried through irreverence to make them more human and a little less wooden. I didn't insist that Captain Kirk go to the bathroom, but did

1091:, Kirk investigates a rebellion on a distant world and discovers that his son is the leader of the rebels. Khan is the mastermind behind the plot, and Kirk and son join forces to defeat the tyrant. Bennett then hired 2342:

where he signed copies of the DVD to commemorate its release. In August 2002, the film was re-released in a highly anticipated two-disc "Director's Edition" format. In addition to remastered picture quality and 5.1

1618:. Additional light effects such as auroras were created by the ILM animation department. The ships were combined with the nebula background plates via bluescreen mattes to complete the shot. The destruction of the 1400:

was more action-oriented than its predecessor, but less costly to make. The project was supervised by Paramount's television unit rather than its theatrical division. Bennett, a respected television veteran, made

4096:: But that the dread of something after death/The undiscovered country from whose bourn/No traveller returns, puzzles the will/And makes us rather bear those ills we have/Than fly to others that we know not of?" 1795:, feeling that his demo tapes stood out from generic film music. Horner was introduced to Bennett, Meyer and Sallin. Horner said that " did not want the kind of score they had gotten before. They did not want a 3618: 2403:. On April 24, 2016, Paramount Pictures announced the Director's Edition of the film would be released for Blu-ray Disc on June 7, 2016. On July 7, 2021, it was announced that the first four films in the 600:. Khan offers to spare Kirk's crew if they relinquish all material related to Genesis; Kirk instead stalls for time and, taking advantage of Khan's unfamiliarity with starship controls, remotely lowers 5517: 1504:

Special consideration was given during filming to allow for integration of the planned special effects. Television monitors standing in for computer displays were specially calibrated so that their

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film, partly due to his never having seen the television series. Watching episodes of the show convinced Bennett that what the first picture lacked was a real villain; after seeing the episode "

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s communications officer. Nichols helped convince Meyer and Bennet to marginally cut back their vision of a more militaristic depiction of Starfleet, which Gene Roddenberry also took issue with.

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crewmember. During filming, Kelley noted that Chekov never met Khan in "Space Seed" (Koenig had not yet joined the cast), and thus Khan's recognizing Chekov on Ceti Alpha did not make sense.

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did not result in banding on film. Due to a loss of resolution and quality resulting from rephotographing an element in an optical printer, live action sequences for effects were shot in

1129:. This draft had a twelve-page face-to-face confrontation between Kirk and Khan inside the Genesis cave. Sowards' draft introduced a male character named Saavik. As pre-production began, 7268: 6598: 1655:

Additional optical effects were provided by Visual Concept Engineering (VCE), a small effects company headed by Peter Kuran; Kuran had previously worked at ILM and left after finishing

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portraying a middle-aged version of himself, and believed that with proper makeup he could continue playing a younger Kirk. Bennett convinced Shatner that he could age gracefully like

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s captain other than Meyer's desire to direct him. Meyer thought in retrospect that the Ceti eel scenes might have been corny, but felt that Winfield's performance helped add gravity.

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succeeded brilliantly. For those who loved the series, it was a dream come true (to such an extent that many refuse to acknowledge the existence of the first film as part of the

1564:, but it was felt audiences would have difficulty distinguishing between two alike ships, especially during the battle scene in the Mutara Nebula. As the script called for the 2528: 1666:

in mid-transport, although much of the matte work VCE created was discarded when the production decided not to have as much action during transports. Computer graphics company

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No. 13 and commented that "By not taking itself so seriously – that is, realizing the film should be an action adventure with elements of pathos and philosophy gently added –

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reports that 86% of 73 critics have given the film a positive review, recording an average score of 8.1/10. After the lukewarm reaction to the first film, fan response to

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into the nearby Mutara Nebula, successfully taunting Khan into following him; conditions inside the nebula render shields useless and compromise targeting systems, making

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shot, with a lot of gore." Footage of a giant model of Koenig's ear was discarded from the theatrical release due to the visceral reaction it elicited in test audiences.

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as he dies. Though Kirk's crew detects the activation and attempts to move out of range, they will not be able to escape the nebula in time without the ship's inoperable

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to inflict significant damage on each other, ILM developed techniques to illustrate the damage without physically harming the models. Rather than move the models on a

1369:. The method creates a bas-relief effect to the material by stuffing the outlined areas with soft thread shot via air pressure through a hollow needle. By the time of 796:, had many of his lines cut from the original theatrical release, including a scene where it is explained he is Scott's relative. These scenes were reintroduced when 963:'Are you going to let her do that?' And I said, 'Yeah', and they said, 'But Vulcans don't cry', and I said, 'Well, that's what makes this such an interesting Vulcan. 918:, a Project Genesis scientist and Kirk's son. Meyer liked that Butrick's hair was blond like Besch's and curly like Shatner's, making him a plausible son of the two. 873:

timeline indicates that Chekov was a member of the crew at that time. Chekov's screaming while being infested by the Ceti eel caused Koenig to jokingly dub the film

7542: 7287: 5771: 5750: 2323: 4766: 650:. To restore warp power, Spock goes to the engine room, which is flooded with radiation. When McCoy tries to prevent Spock's entry, Spock incapacitates him with a 7692: 971:

heritage in the script, though no indication is given on film. Alley was so fond of her Vulcan ears that she would take them home with her at the end of each day.

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developed into a full script. Director Nicholas Meyer completed its final script in twelve days, without accepting a writing credit. Meyer's approach evoked the

4662: 1868:, this was the relationship between Kirk and Spock. The main theme serves as Kirk's theme, with a mellower section following that is the theme for the Starship 3873: 1363:(1996). The first versions of the uniforms had stiff black collars, but Sallin suggested changing it to a turtleneck, using a form of vertical quilting called 7558: 7261: 5509: 5084: 3381: 1501:, using smoke machines to add a primal atmosphere. The shoot lasted from midday to evening, as the team was well aware there would be no time for reshoots. 7553: 5785: 5209: 4789: 4539: 1803:. They wanted something different, more modern." When asked about how he landed the assignment, the composer replied that "the producers loved my work for 525:

visits Kirk on his birthday; seeing Kirk in low spirits due to his age, the doctor advises Kirk to get a new command instead of growing old behind a desk.

7782: 6865: 5548: 7757: 6435: 2432: 1851:. Many elements drew from Horner's previous work (a rhythm that accompanies Khan's theme during the surprise attack borrows from an attack theme from 4496: 3593: 3560: 3435: 2963: 2564: 1836:

was designed as a percussive texture that could be overlaid with other music and emphasized the character's insanity. The seven-note brass theme was

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equipment was wrapped in plastic to prevent mechanical troubles and everyone on set wore boots, masks, and coveralls as protection from flying sand.

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in 1982, for best actor (Shatner) and best direction (Meyer). The film was also nominated in the "best dramatic presentation" category for the 1983

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in spacedock. The original ship miniatures were used where possible, or modified to stand in as new constructions. The orbital office complex from

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than its predecessor. Strong character interaction was cited as a strong feature of the film, as was Montalbán's portrayal of Khan. In 2016,

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was created by placing scenery close to the camera to give the sense the set was larger than it really was. To present the illusion that the

5432: 5289: 3473: 1324: 7737: 7514: 6763: 2470: 1821:(The Motion Picture) scores," Horner was expressly told to not use any of Goldsmith's score. Instead Horner adapted the opening fanfare of 623:, intending to maroon Kirk on the lifeless planetoid, but is tricked by Kirk and Spock's coded arrangements for a rendezvous. Kirk directs 5570: 1437:

was refurbished for its space shots, with its shiny exterior dulled down and extra detail added to the frame. Compared to the newly built

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on September 7 of that year to commemorate the franchise's 55th anniversary, alongside individual remastered Blu-rays of the same films.

1876:-based cues for the villain and longer melodies for the heroes helped to differentiate characters and ships during the battle sequences. 7797: 7338: 5937: 5799: 5728: 5681: 4235: 4173: 2010: 1732: 400: 4204: 7732: 7521: 7098: 6552: 6184: 6171: 3118: 2520: 1861:). Musical moments from the original television series are also heard during investigation of the Regula space station and elsewhere. 1340: 3524: 2457: 551:

to evaluate a planet they mistakenly believe to be Ceti Alpha VI. Once there, they are captured by the genetically-engineered tyrant

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in that both characters waste away in the absence of their stimuli; new cases, in Holmes' case, and starship adventures in Kirk's.

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fan, to turn his outline into a filmable script. Sowards wrote an initial script before a writer's strike in 1981. Sowards' draft,

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s sequel, but was enticed back on the promise that his character would be given a dramatic death scene. Nimoy reasoned that since

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evenly matched. Spock notes that Khan's tactics indicate inexperience in three-dimensional combat, which Kirk exploits to disable

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Pegoraro, Rob (June 29, 2008). "Incredibles, Inc; The story of how computer programmers transformed the art of movie animation".

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Smith, Alvy Ray (October 1982). "Special Effects for 'Star Trek II': The Genesis Demo Instant Evolution with Computer Graphics".

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television show, such as bulkheads, railings, and sets, were cannibalized and reused. A major concern for the designers was that

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is on a mission to search for a lifeless planet to test the Genesis Device, a technology designed to reorganize dead matter into

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from the theatrical release by Paramount. The four hours of bonus content and expanded director's cut were favorably received.

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was hated by the effects artists and cameramen; it took eight people to mount the model, and a forklift truck to move it. The

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when it occurred to the producers that no one had asked Montalbán if he could take a break from filming the television series

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Khan implants Chekov and Terrell with eel larvae, rendering them susceptible to mind control; he uses the pair to capture

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formats to compensate. When the larger prints were reduced through an anamorphic lens on the printer, the result was a

967:" The character's emotional outbursts can be partly explained by the fact that Saavik was described as of mixed Vulcan- 854:, Chekov is "an ensign assigned to the night watch" during "Space Seed" and met Khan in an off-screen scene. The novel 555:, who explains that they are on Ceti Alpha V. Fifteen years prior, Kirk exiled Khan and his followers there after they 7636: 7476: 7193: 7007: 6692: 6479: 6474: 6469: 6144: 5490: 5009: 4652: 2389:

negative "was in terrible shape," which is why it needed extensive restoration. All six films in the set have new 7.1

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that had been left standing after filming was completed. Sixty-five percent of the film was shot on the same set; the

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on television in 1985, and in the director's edition, making Scott's grief at the crewman's death more understandable.

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who relinquishes command to Kirk after Starfleet sends the ship to Regula I. Nimoy had not intended to have a role in

5510:"TrekMovie: CBS & Paramount Announce First Star Trek Blu-ray sets – TOS S1 & All TOS movies coming April/May" 1614:

the illusion of faster movement. The vibrant abstract colors of the nebula were simulated by lighting the tank using

1580:

was cosmetic, and simulated with pieces of aluminum that were colored or peeled off. Phaser damage was created using

1541: 3881: 688:

s cast includes all the major characters from the original television series, as well as new actors and characters.

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television theme. "The fanfare draws you in immediately — you know you're going to get a good movie," Horner said.

1693: 1678:. The models of the ships were composited atop the star fields. The Evans & Sutherland team also produced the 1453: 5297: 7627: 7571: 7225: 7122: 7082: 6859: 6854: 6846: 6829: 6679: 6464: 6410: 5080: 4799: 4414: 4030: 3373: 1333: 1218:

of the material as we were working on it." Gene Roddenberry disagreed with the script's naval texture and Khan's

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was highly positive. The film's success was credited with renewing interest in the franchise. Mark Bernardin of

7603: 6665: 6614: 6491: 6385: 6362: 6199: 5985: 3717: 3669: 3643: 2587:"Nicholas Meyer Gives Update on 'Star Trek: Khan – Ceti Alpha V' and Why Making It an Audio Drama is "Perfect"" 1576:

during shooting, the VistaVision camera was panned and tracked to give the illusion of movement. Damage to the

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to emphasize the character's ruminations about the past while on Ceti Alpha V, but does not play fully until

1625:

engine nacelle was created by superimposing shots of the engine blowing apart and explosions over the model.

7505: 7468: 7315: 7185: 6961: 6655: 6505: 6496: 6430: 6420: 6372: 6024: 5992: 5906: 5718: 5674: 3175: 2424: 2290: 1719: 1657: 548: 343: 31: 5540: 3525:"His props starred in hundreds of Hollywood movies and TV shows. Now he's exiting the stage after 42 years" 7458: 7138: 7031: 6878: 6425: 6328: 6156: 5859: 5845: 5339: 5167: 3239:

Anderson, Kay (1982). "'Star Trek II: The Wrath of Khan': How the TV series became a hit movie, at last".

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in 1983. The studio sold the VHS for $ 39.95, $ 40 below contemporary movie cassette prices and it sold a

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tool instead. At the story conference the next day, Bennett hugged Minor and declared that he had saved

5609: 4606:

Arnold, Gary (June 4, 1982). "Cashing in on the Spock market; 'Star Trek II' shows little enterprise".

2338:

in 2000; no special features were included on the disc. Montalbán drew hundreds of fans of the film to

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complained about what were seen as tepid battle sequences and perceived melodrama. While Ebert and

2109: 1949: 1926: 1591: 1305: 1243: 1142: 1030: 978: 968: 608: 37: 5648: 5032: 4378: 1864:

To Horner, the "stuff underneath" the main story was what needed to be addressed by the score; in

56: 7426: 7396: 7209: 6941: 6660: 6587: 6562: 6515: 6459: 6350: 6345: 6288: 5999: 5896: 5866: 5792: 5667: 5424: 5301: 4794: 4629: 4584: 4270: 4157: 4136: 3840: 3465: 2901: 2796: 2735: 2475: 2344: 2169: 2127: 2103: 2034: 1723: 1642: 1411: 1345: 1214: 1125: 1111:. In recognition of the Biblical power of the weapon, Sowards renamed the "Omega system" to the " 1048: 862: 710: 655: 651: 552: 453: 443: 430: 379: 241: 1785: 3732: 1317:. The ship's design was flipped after Bennett accidentally opened and approved the preliminary 7578: 7154: 6486: 6293: 6224: 5852: 5627: 5317: 5064: 4893: 4698: 4358: 4050: 3911: 3774: 3414: 3406: 3343: 3318: 3266: 3258: 3130: 3089: 3053: 3045: 2999: 2995: 2989: 2925: 2855: 2665: 2559: 2189: 2163: 2151: 2006: 1822: 1407: 1365: 1262: 1156: 1130: 851: 522: 1257:

To save money on set design, production designer Joseph Jennings used existing elements from

1059:, which Bennett confessed he found "really boring". When Bennett replied in the affirmative, 7376: 7047: 6557: 6276: 6132: 6031: 4465: 4212: 4118: 3832: 3641:

Ralston, Ken (October 1982). "Special Effects for 'Star Trek II': Mama eel and the nebula".

2639: 2351: 2262: 1791:

Paramount's vice-president of music Joel Sill took a liking to a 28-year-old composer named

1727: 1498: 1457: 1060: 1022: 999: 884: 777: 752:

film, having Spock "go out in a blaze of glory" seemed like a good way to end the character.

514: 414: 170: 119: 3667:

Veilleux, Jim (October 1982). "Special Effects for 'Star Trek II': Warp Speed and Beyond".

1303:

was inverted and retouched to become the Regula I space station. Elements of the cancelled

6914: 6735: 6380: 6281: 6271: 6189: 6137: 5713: 5456: 5273: 4922: 4565: 4383: 4326: 4294: 4208: 4143: 3622: 3500: 3085: 2812: 2206: 2062: 1983: 1972: 1813:

style was described as "echoing both the bombastic and elegiac elements of John Williams'

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and communicator, were vetoed by Paramount executives in favor of existing materials from

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Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration

2113:

as being much swifter than its predecessor and closer to that of the television series.

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Sharkey, Betsy (December 17, 1984). "Billion-Dollar VCR Boom Stuffs Agency Stockings".

4860: 2727: 2347: 2271: 2089: 2029: 2021: 1239: 1169: 1084: 1052: 934: 719: 505: 438: 333: 73: 2028:

crafted a full series of action figures to mark the film's 25th anniversary. In 2009,

995: 7676: 7499: 7401: 7386: 7023: 6922: 6355: 6298: 4321: 4122: 4109:

Hinds, Jane (1997). "The Wrath of Ahab; or, Herman Melville Meets Gene Roddenberry".

3758: 2496: 2311: 2279: 1962: 1922: 1805: 1796: 1478: 1427: 1077: 1040: 948: 925: 921: 825: 793: 759: 726: 696: 482: 418: 364: 208: 190: 185: 160: 145: 96: 2393:

audio. The disc also features a new commentary track by director Nicholas Meyer and

1184:, could help resolve the screenplay issues. Meyer had also never seen an episode of 850:

books have attempted to rationalize this discrepancy; in the film's novelization by

386:). When Khan escapes from a 15-year exile to exact revenge on Kirk, the crew of the 7381: 7146: 6887: 6841: 6308: 6234: 5654: 4624: 4075: 3953: 3770: 3126: 2390: 2363: 2275: 2267: 2251: 2234: 2225: 2114: 2084: 1997:

from Hell's heart I stab at thee; for hate's sake, I spit my last breath at thee."

1971:(1961), and was fond of the actor. Meyer made sure to emphasize Kirk's parallel to 1902: 1898: 1881: 1857: 1792: 1505: 1482: 1246:, and more blinking lights and signage. Meyer had a "No Smoking" sign added to the 1104: 974: 829: 807: 773: 671: 666:, Spock urges Kirk not to grieve, as his decision to sacrifice himself to save the 545: 533: 473:

series, and is often credited with renewing substantial interest in the franchise.

434: 426: 391: 226: 165: 155: 4979: 4949: 3844: 7246: 4268:

Harmetz, Aljean (June 8, 1982). "'Star Trek II' Sets Mark for Sales at Opening".

3495: 3078: 3021:"The Star Trek Actor Who Negotiated Himself Out of Getting Credited For His Role" 1935:, but the title was changed during editing without his knowledge. Meyer disliked 1295:

s budget by reusing models and footage from the first film, including footage of

662:

jumps to warp, escaping the explosion, which forms a new planet. Before dying of

611:, enabling a counter-attack. Khan is forced to retreat and effect repairs, while 17: 7453: 7443: 7411: 6906: 6778: 6530: 6440: 5578: 5391: 5355: 5257: 5138:"J.J. Abrams Admits 'Star Trek Into Darkness' Had Too Many 'Wrath of Khan' Nods" 4689: 4560: 3993: 3976: 3762: 3314: 2630:

Roth, Lane (June 1987). "Death and Rebirth in Star Trek II: The Wrath of Khan".

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to match the nautical atmosphere he envisioned while staying within budget. The

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Sterritt, David (August 17, 1982). "Films: zing go the strings of a polymoog".

3374:"Inside Secrets of the Making of Star Trek II: Wrath of Khan and "Space Seed"!" 2643: 6836: 6750: 6711: 6520: 6447: 6229: 2400: 2355: 2229: 2025: 1707: 1636:

The Ceti eel shots used several models, overseen by visual effects supervisor

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travel back in time to set right a corrupted time line after Klingons use the

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Mortally wounded, Khan activates Genesis, quoting Captain Ahab from the novel

556: 360: 175: 5081:"Interview – Roberto Orci On Why He Is A Trekkie & Making Trek Big Again" 588:

after the ship, deployed on a training cruise, receives a distress call from

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would later rate Spock's death the tenth greatest scene in science fiction.

1988: 1944: 1833: 1743: 1615: 1469: 1219: 643: 518: 395: 6685: 5571:"Celebrate the 55th Anniversary with These New Star Trek Releases and More" 5001: 4563:(June 4, 1982). "Second 'Star Trek' film is light years beyond the first". 3950:

Star Trek II: The Wrath of Khan Expanded Original Motion Picture Soundtrack

3616:

Leonard Nimoy riffs on William Shatner, George Lucas and ... Jimi Hendrix?"

2407:

franchise (including both the theatrical cut and the Director's Edition of

6953: 3836: 3816:"Particle Systems—A Technique for Modeling a Class of Fuzzy Objects" 3173:

Robinson, Ben, ed. (September 2002). "Special 'The Wrath of Khan' Issue".

2083:

as we know it"; it is now considered one of the best films in the series.

6395: 6340: 6209: 6161: 5638: 4827: 4726:"Revenge of the Movie: 15 Sequels That Are Way Better Than The Originals" 4582:

Maslin, Janet (June 4, 1982). "New 'Star Trek' full of gadgets and fun".

4174:"The Collective: TRU Exclusive Figure Revealed + Timeless Geordi Arrives" 3974:

Larson, Randall (Fall 1982). "Interview: James Horner and Star Trek II".

2949: 2175: 1837: 1671: 1648: 1201: 494: 413:

After the lackluster critical response to the first film, series creator

62: 5632: 5621: 4978:. Academy of Science Fiction, Fantasy & Horror Films. Archived from 4948:. Academy of Science Fiction, Fantasy & Horror Films. Archived from 3991:

Larson, Randall (Fall–Winter 1982). "A Conversation with James Horner".

2793:

Star Trek II: The Wrath of Khan, The Directors Edition: Special Features

2732:

Star Trek II: The Wrath of Khan, The Directors Edition: Audio commentary

2370:

feature, along with the other five films featuring the original crew in

1992:. To make the parallels clear to viewers, Meyer added a visible copy of 1978:

Khan's pursuit of Kirk is central to the film's theme of vengeance, and

1897:

were eschewing the synthesizer in favor of more traditional orchestras.

1160:

Director Nicholas Meyer (pictured in 2008) had never seen an episode of

1047:

film. According to Bennett, he was called in front of a group including

674:

for Spock, whose photon torpedo casket lands on the new Genesis planet.

30:"Star Trek 2" redirects here. For the 2013 sequel to the 2009 film, see 6824: 6335: 6303: 6261: 6239: 6214: 5471:

Staff (November 30, 2002). "Essentials: Top five sci-fi films on DVD".

4730: 4236:"FSM Releasing Complete Soundtrack For Star Trek II: The Wrath of Khan" 4071: 2319: 2141: 1489: 510: 5168:"J.J. Abrams: Star Trek Into Darkness Had Too Many Wrath of Khan Nods" 2125:

and stated the sequel was everything the first film should have been.

1588:, so larger versions of the ship's model were created to be blown up. 1043:, a new Paramount television producer, was made producer for the next 938:

and thought highly of him; there was no reason for casting him as the

7492: 7485: 7421: 5233: 3686:"Jeri in the Sky with Diamonds: Jeri Panek's lifetime of achievement" 1931: 952: 490: 356: 4011:

Harrington, Richard (July 25, 1982). "Sounds Of the Summer Screen".

1544:(ILM) produced many of the effects, and created the new models; the 5392:"Star Trek II: The Wrath of Khan – The Director's Edition (page 2)" 5248:

Salmans, Sandra (December 12, 1983). "Hollywood Gambles on Video".

5108:"Exclusive: Lindelof Talks Trek Essentials + Lost/Trek Connections" 955:, Spock's protege and a Starfleet commander-in-training aboard the 869:

stories. Although they did not appear in the episode together, the

7448: 7431: 7416: 6415: 6256: 4415:"Review; Star Trek II: The Wrath of Khan – The Director's Edition" 2898:

Star Trek II: The Wrath of Khan, The Directors Edition: Commentary

2379: 2242:

has influenced later movies: Meyer's rejected title for the film,

1965:; the producer did not know that Shatner had worked with Tracy on 1703: 1590: 1488:

Spock's death in the film was widely reported during production. "

1323: 1155: 994: 888: 730: 573:, where the device is being developed by Kirk's former lover, Dr. 486: 3411:

Star Trek: "Where No Man Has Gone Before" — A History in Pictures

3263:

Star Trek: "Where No Man Has Gone Before" — A History in Pictures

3050:

Star Trek: "Where No Man Has Gone Before" — A History in Pictures

6251: 6219: 2053:, it was more profitable due to its much lower production cost. 1552:-class Federation starship seen in the series. Originally, the 394:

device named Genesis. The film is the beginning of a three-film

7250: 6957: 5663: 1674:

planetarium system to generate the fields of stars, based on a

658:, telling him to "remember". Spock repairs the warp drive, and 5396: 5360: 5337:

McKay, John (December 7, 2001). "DVDs soaring in popularity".

4155:

Staff (July 25, 1982). "Paperback Best Sellers: Mass Market".

3692:. Immersive Media Entertainment, Research, Science, and Arts. 2335: 2315: 417:

was forced out of the sequel's production. Executive producer

2922:

Textual Poachers: Television Fans & Participatory Culture

2810:

Spelling, Ian (August 7, 1994). "From Deep Space to Heaven".

569:. Learning of the Genesis Device, Khan attacks space station 429:

atmosphere of the original series, referring to the film as "

5659: 2385:

from the original negative. Nicholas Meyer stated that the

5488:

Frank, Alan (January 4, 2002). "Alan Frank's Video View".

5356:"Star Trek II: The Wrath of Khan – The Director's Edition" 4920:

John, Christopher (Winter 1983). "Film & Television".

3436:"New 'Star Trek' Plan Reflects Symbiosis of TV and Movies" 2956:"False facts about Star Trek you always thought were true" 2852:

From Sawdust to Stardust: The biography of DeForest Kelley

2521:"New 'Star Trek' plan reflects symbiosis of TV and movies" 2024:

created Khan and Saavik figures in the 1990s, and in 2007

1396:

began on November 9, 1981, and ended on January 29, 1982.

1164:

when approached to direct the film and rewrite the script.

4045:

Kraemer, Ross; Cassidy, William; Schwartz, Susan (2003).

3969: 3967: 3965: 3963: 1376:

s production, the machines and needles needed to produce

1222:

undertones, but was mostly ignored by the creative team.

1055:

and asked if he thought he could make a better film than

503:

on a rescue mission to save the crew of the damaged ship

2197:

tunics" as elements of the film that had not aged well.

1730:'s rivals. The sequence would be reused in two sequels, 3874:"Dragon's Lair and the Laser Game Craze - Daring Discs" 2282:, the creative team behind the franchise relaunch film 2179:

felt that Spock's death was dramatic and well-handled,

1284:

was redressed as the Regula I transporter room and the

1269:

and the "bridge simulator" from the opening scene were

5062:

Staff (July 2006). "Can J.J. Abrams save Star Trek?".

4357:. New York: Carol Publishing Group. pp. 229–231. 3948:

Bond, Jeff; Kendall, Lukas; Kaplan, Alexander (2009).

2288:. Abrams' second entry in the relaunched film series, 4446:

Takis, John (2003). "Where no note has gone before".

2016:

for more than three weeks. Unlike the previous film,

1002:

was removed from a direct role in the development of

513:

cruisers and critically damaged. The simulation is a

378:

facing off against the genetically engineered tyrant

2514: 2512: 1080:

as art director to shape the direction of the film.

7649: 7620: 7595: 7467: 7369: 7314: 7286: 7177: 7074: 6999: 6992: 6802: 6728: 6703: 6646: 6607: 6545: 6371: 6198: 6170: 6113: 6071: 6064: 6042: 6010: 5969: 5914: 5905: 5824: 5736: 5727: 5271:Kirkland, Bruce (July 1, 2000). "Trekking to DVD". 4501:

Offers Proof a Franchise Can Live Long and Prosper"

3792: 3790: 2362:The film's original theatrical cut was released on 2250:, which retained the nautical influences. Director 1661:. VCE provided effects including phaser beams, the 1168:Karen Moore, a Paramount executive, suggested that 1025:wrote his own sequel. In his plot, the crew of the 1006:due to concerns that he was the main reason behind 670:was a logical one. Kirk and the ship's crew host a 313: 305: 297: 289: 279: 256: 248: 232: 222: 214: 204: 133: 125: 108: 89: 79: 69: 49: 3077: 2061:Critical response was positive. Review aggregator 1584:. The script called for large-scale damage to the 1353:resulting naval-inspired designs would be used in 932:. Meyer had seen Winfield's work in films such as 699:, a Starfleet admiral and former commander of the 452:was released in North America on June 4, 1982, by 5385: 5383: 5202:""Space Seed," Khan Forever Changed VHS Releases" 4263: 4261: 3367: 3365: 3363: 3361: 3359: 3113: 3111: 3109: 3107: 3105: 2246:, was finally put to use when Meyer directed the 2147:15 Sequels That Are Way Better Than The Originals 857:To Reign in Hell: The Exile of Khan Noonien Singh 469:is considered by many to be the best film in the 7803:English-language science fiction adventure films 5008:. World Science Fiction Society. July 26, 2007. 2662:Adaptations: From Text to Screen, Screen to Text 1832:In comparison to the flowing main theme, Khan's 1598:(left) maneuvers away from the severely damaged 5425:"Meyer, Montalban Unveil "Khan" Director's Cut" 3739:. Fabbri Publishing. September 2002. p. 21 3636: 3634: 3592:. Associated Press. June 3, 1982. pp. 1D. 1780:given the reduced budget; Meyer's composer for 1190: 877:, in reference to a similar screaming scene in 818:. Takei had not wanted to reprise his role for 5288:Staff; Stone, Sandy (photos) (July 12, 2000). 4601: 4599: 4597: 4595: 3311:The Greatest Science Fiction Movies Never Made 2101:The film's pacing was praised by reviewers in 1855:, in turn influenced by Goldsmith's score for 1692:was one of the first films to extensively use 1602:in the Mutara Nebula. The sparks coming from 1426:. Additional communicator props were built by 27:1982 US science fiction film by Nicholas Meyer 7688:Films based on Star Trek: The Original Series 7262: 6969: 5675: 4856:"Star Trek: The Wrath of Khan Capsule review" 4577: 4575: 4104: 4102: 4006: 4004: 3586:"Spock dies — but wait! He'll be back!" 3580: 3578: 3401: 3399: 3076:Shatner, William & Kreski, Chris (2005). 2372:Star Trek: Original Motion Picture Collection 2121:credited the film with a stronger story than 2032:released a comic adaptation of the film, and 465:weak special effects and some of the acting. 8: 5454:Staff (May 17, 2002). "Trek II out on DVD". 5322:: CS1 maint: multiple names: authors list ( 4684: 4682: 4680: 3234: 3232: 3230: 3228: 3226: 3224: 3222: 3220: 3218: 3216: 3214: 3212: 3210: 3168: 3166: 2983: 2981: 1640:, who had just finished creature design for 5541:"Khan Director's Edition Coming To Blu-Ray" 3662: 3660: 3658: 3656: 3654: 3466:"Spotlight: Meyer Speaks Proudly of "Khan"" 3208: 3206: 3204: 3202: 3200: 3198: 3196: 3194: 3192: 3190: 3164: 3162: 3160: 3158: 3156: 3154: 3152: 3150: 3148: 3146: 2145:ranked the film number four on its list of 2020:was not promoted with a toy line, although 1609:nacelle were hand-animated, frame by frame. 489:'s trainees. In the simulation, Lieutenant 7269: 7255: 7247: 7234:Sherlock Holmes and the Telegram from Hell 6996: 6976: 6962: 6954: 6068: 5911: 5733: 5682: 5668: 5660: 5641: 5614: 4408: 4406: 3737:Star Trek the Magazine Collector's Edition 3071: 3069: 2991:Beyond Uhura: Star Trek and Other Memories 2915: 2913: 2911: 2555:"Lower Costs Energize 'Trek' Film Profits" 2266:. The film is also a favorite of director 1939:, but it was chosen because the preferred 55: 46: 7778:Films with screenplays by Jack B. Sowards 4694:"Review: Star Trek II: The Wrath of Khan" 3304: 3302: 2891: 2845: 2843: 2722: 2720: 2718: 2716: 2714: 2712: 2710: 2664:. New York: Routledge. pp. 179–181. 2433:List of films featuring extraterrestrials 1492:" wrote letters to protest, one paid for 1087:in November 1980. In his version, titled 421:wrote the film's original outline, which 7773:Films with screenplays by Nicholas Meyer 7698:American science fiction adventure films 5195: 5193: 4823:"Star Trek II: The Wrath of Khan Review" 4790:"Star Trek II: The Wrath of Khan (1982)" 4653:"Star Trek II: The Wrath Of Kahn (1982)" 4379:"Star Trek II: The Wrath of Khan (1982)" 3901: 3899: 2889: 2887: 2885: 2883: 2881: 2879: 2877: 2875: 2873: 2871: 2841: 2839: 2837: 2835: 2833: 2831: 2829: 2827: 2825: 2823: 2783: 2781: 2779: 2777: 2775: 2773: 2771: 2769: 2767: 2765: 2708: 2706: 2704: 2702: 2700: 2698: 2696: 2694: 2692: 2690: 2079:"the film that, by most accounts, saved 1765:Music of Star Trek II: The Wrath of Khan 1288:s torpedo bay. The filmmakers stretched 485:oversees a simulator session of Captain 390:must stop him from acquiring a powerful 7768:Films with screenplays by Harve Bennett 7218:The Adventure of the Peculiar Protocols 5368:from the original on September 27, 2008 4759:"The 50 Best Moments in Sci-Fi History" 4706:from the original on September 16, 2008 4427:from the original on September 29, 2008 4205:"Andy Schmidt: IDW's Star Trek Captain" 3943: 3941: 3939: 3937: 3935: 3933: 3931: 3929: 3927: 3733:"Behind the Scenes ILM: Visual Effects" 3372:Anders, Charlie Jane (March 20, 2013). 3294:Includes detailed synopsis of the duel. 3288:Science fiction filmmaking in the 1980s 2994:. New York: GP Putnam's Sons. pp. 2854:. New York: Pocket Books. p. 362. 2763: 2761: 2759: 2757: 2755: 2753: 2751: 2749: 2747: 2745: 2548: 2546: 2449: 2193:singled out the "dodgy coiffures" and " 456:. It was a box office success, earning 7056:Star Trek VI: The Undiscovered Country 5508:Pascale, Anthony (February 16, 2009). 5503: 5501: 5315: 5106:Pascale, Anthony (February 28, 2008). 5043:from the original on February 15, 2009 4901:from the original on December 20, 2011 4322:"All Time Domestic Box Office Results" 4302:from the original on February 12, 2009 4184:from the original on December 19, 2008 3854:from the original on December 15, 2017 3446:from the original on February 12, 2015 2966:from the original on December 25, 2019 2567:from the original on November 18, 2020 2531:from the original on November 12, 2017 2438:List of films featuring space stations 2093:called the film "wonderful dumb fun." 1901:performed his invented instrument—the 1313:should be easily distinguishable from 1230:Meyer attempted to change the look of 822:, but Shatner persuaded him to return. 7693:1980s science fiction adventure films 6758:How William Shatner Changed the World 5551:from the original on December 5, 2020 5520:from the original on October 21, 2011 5435:from the original on October 14, 2008 5012:from the original on January 13, 2009 4835:from the original on January 23, 2009 4769:from the original on January 23, 2021 4391:from the original on October 23, 2021 4334:from the original on December 5, 2008 4082:from the original on October 11, 2008 3696:from the original on October 31, 2019 3559:. Copley News Service. pp. 14E. 3476:from the original on February 4, 2009 3342:. United States: Signet. p. 68. 3084:. New York: Harper Collins. pp. 2378:was the only one to be remastered in 2366:in May 2009 to coincide with the new 2135:was closer to the original spirit of 1348:from either the television series or 7: 5118:from the original on October 7, 2008 5079:Pascale, Anthony (October 4, 2007). 4972:"Past Saturn Awards: Best Direction" 4246:from the original on August 20, 2009 3434:Harmetz, Aljean (November 2, 1986). 2553:Eller, Claudia (December 11, 1998). 2519:Harmetz, Aljean (November 2, 1986). 2471:British Board of Film Classification 2005:The film's novelization, written by 1192:The chief contribution I brought to 363:" (1967). The plot features Admiral 5404:from the original on April 12, 2009 4542:from the original on March 13, 2022 4511:from the original on August 7, 2020 4413:Bernardin, Mark (August 13, 2002). 4203:Dallas, Keith (December 15, 2008). 3596:from the original on March 13, 2022 3563:from the original on March 13, 2022 3384:from the original on March 23, 2013 3119:Reeves-Stevens, Judith and Garfield 2954:Steele, Brian (February 20, 2017). 1733:Star Trek III: The Search for Spock 1528:With a short timeframe to complete 1076:quickly and cheaply. Bennett hired 404:(1984) and concludes with the film 401:Star Trek III: The Search for Spock 336:and based on the television series 5178:from the original on April 3, 2017 4868:from the original on July 23, 2008 4665:from the original on April 5, 2005 4625:"Star Trek II – The Wrath of Khan" 4172:Tenuto, John (December 17, 2008). 3553:"Trekkies wrath worse than Khan's" 2254:cited the film as an influence on 1982:deliberately borrows heavily from 1702:branch off from Lucasfilm to form 1280:s bridge. The Klingon bridge from 875:Star Trek II: Chekov Screams Again 517:designed to test the character of 36:. For the proposed TV series, see 25: 7783:Sequel films to television series 5585:from the original on July 8, 2021 5290:"Dispatch: The Autograph of Khan" 5212:from the original on July 4, 2019 5148:from the original on May 28, 2017 5087:from the original on July 1, 2016 5033:"Interview: Bryan Singer On Trek" 5031:Pascale, Anthony (May 12, 2007). 4651:Cramp, Nick (September 3, 2001). 4470:"Star Trek II: The Wrath of Khan" 3910:. Lone Eagle Publishing Company. 3523:Perman, Stacy (January 3, 2020). 2896:Okuda, Michael (August 6, 2002). 1670:used the computer graphics-based 1560:-class starship identical to the 433:in space", a theme reinforced by 61:Theatrical release poster art by 7758:Films directed by Nicholas Meyer 6866:The Last Voyage of the Starship 5895: 5390:Conrad, Jeremy (July 26, 2002). 5354:Conrad, Jeremy (July 26, 2002). 4942:"Past Saturn Awards: Best Actor" 4734:. March 15, 2016. Archived from 4495:Wilonsky, Robert (May 7, 2009). 4123:10.1111/j.1542-734X.1997.00043.x 3551:Anderson, Nancy (July 4, 1982). 3504:. Vol. 12. 1982. p. 60 2791:cast and crew (August 6, 2002). 2460:Star Trek II — The Wrath of Khan 1035:assassination of John F. Kennedy 7763:Films produced by Harve Bennett 7091:The Night That Panicked America 7016:Star Trek II: The Wrath of Khan 5650:Star Trek II: The Wrath of Khan 5634:Star Trek II: The Wrath of Khan 5623:Star Trek II: The Wrath of Khan 4854:Kehr, David (January 1, 1982). 4355:The Great Science Fiction Films 4288:Star Trek II: The Wrath of Khan 4111:The Journal of American Culture 3684:Judith Rubin (April 15, 2014). 2948:", with Chekov, has an earlier 2498:Star Trek II: The Wrath of Khan 2474:. June 16, 1982. Archived from 2202:Star Trek II: The Wrath of Khan 1213:Meyer described his script as " 865:made similar oversights in his 450:Star Trek II: The Wrath of Khan 371:) and the crew of the starship 342:. It is the second film in the 325:Star Trek II: The Wrath of Khan 50:Star Trek II: The Wrath of Khan 7718:Films set on fictional planets 7708:American space adventure films 7279:Star Trek: The Original Series 4889:"Empire Reviews: Star Trek II" 4234:Tenuto, John (July 20, 2009). 3019:Cronin, Brian (July 8, 2022). 2601:"'Wrath of Khan' Plot summary" 1742:, as well as in the unrelated 1682:tactical displays seen on the 1149:Star Trek: The Original Series 1: 7728:Films set in the 23rd century 7107:Star Trek IV: The Voyage Home 5200:Tenuto, John and Maria Jose. 4757:Orf, Darren (April 9, 2018). 2374:. Of all six original films, 1739:Star Trek IV: The Voyage Home 1196:was a healthy disrespect ... 407:Star Trek IV: The Voyage Home 398:that continues with the film 352:Star Trek: The Motion Picture 7788:1980s English-language films 7753:Films scored by James Horner 7713:American films about revenge 7360:VI: The Undiscovered Country 6896:Where No Fan Has Gone Before 6581:Where no man has gone before 6314:United Federation of Planets 4472:. FilmCritic. Archived from 3824:ACM Transactions on Graphics 3413:. Pocket Books. p. 96. 3265:. Pocket Books. p. 77. 3052:. Pocket Books. p. 71. 2504:AFI Catalog of Feature Films 2260:and his abandoned sequel to 2038:released an expanded score. 1776:, but was not an option for 1542:Industrial Light & Magic 1536:costs, as had occurred with 1139:Where No Man Has Gone Before 596:is ambushed and crippled by 544:and first officer Commander 7738:Films shot in San Francisco 7194:The Seven-Per-Cent Solution 7099:The Seven-Per-Cent Solution 2660:; Whelehan, Imelda (1999). 1925:'s description of death in 1772:had composed the music for 1238:, for example, was given a 1175:The Seven-Per-Cent Solution 839:s first officer and former 770:side to the onscreen drama. 359:to the television episode " 7819: 7798:1982 science fiction films 6599:Accolades (film franchise) 4142:November 29, 2016, at the 4072:"Hamlet: Act III, Scene I" 3472:. Viacom. August 6, 2002. 3291:. McFarland, 1995. 197–8. 2988:Nichols, Nichelle (1994). 2644:10.3828/extr.1987.28.2.159 2340:Universal City, California 2294:, drew significantly from 2200:Christopher John reviewed 2014:paperback bestsellers list 1888:E.T. the Extra-Terrestrial 1762: 1686:and the simulator bridge. 1464:and other ship exteriors. 1089:The War of the Generations 814:, the helm officer of the 29: 7733:Films shot in Los Angeles 7515:The Kobayashi Alternative 7339:III: The Search for Spock 7226:The Return of the Pharaoh 7083:Invasion of the Bee Girls 6936: 6765:Beyond the Final Frontier 6680:A Klingon Christmas Carol 5893: 5699: 4623:Staff (January 1, 1982). 4031:Christian Science Monitor 2850:Rioux, Terry Lee (2005). 1817:and Goldsmith's original 1456:was used for filming the 1334:Star Trek: The Experience 1209:have to be so sanctified? 54: 7748:Paramount Pictures films 6910:(2017 television series) 6011:Reboot (Kelvin Timeline) 5960:The Undiscovered Country 5539:Staff (April 24, 2016). 5423:Staff (August 1, 2002). 4353:Meyers, Richard (1990). 4161:. p. 24, section 7. 3814:Reeves, William (1983). 3718:American Cinematographer 3670:American Cinematographer 3644:American Cinematographer 3080:Star Trek Movie Memories 2607:. Viacom. Archived from 2244:The Undiscovered Country 1919:The Undiscovered Country 1083:Bennett wrote his first 584:Kirk assumes command of 528:Meanwhile, the starship 7723:Films set in the future 7522:The Promethean Prophecy 5002:"The Hugo Awards: 1983" 4532:"Reviews; Star Trek II" 4049:. Perseus Books Group. 3997:(11–12 (Double Issue)). 3183:(5). Fabbri Publishing. 3176:Star Trek: The Magazine 2920:Jenkins, Henry (1992). 2411:) would be released on 2350:, the DVD set included 2291:Star Trek Into Darkness 1720:The Walt Disney Company 1658:The Empire Strikes Back 792:. The cadet, played by 557:attempted to take over 33:Star Trek Into Darkness 7657:Awards and nominations 5516:. SciFanatic Network. 5114:. SciFanatic Network. 5039:. SciFanatic Network. 4530:Kael, Pauline (2005). 4242:. SciFanatic Network. 4180:. SciFanatic Network. 4070:Shakespeare, William. 4047:Religions of Star Trek 3908:The Music of Star Trek 3880:. 2013. Archived from 3621:June 14, 2010, at the 3338:Irwin, Walter (1983). 3309:Hughes, David (2008). 3285:Goldberg, Lee, et al. 2075:went further, calling 2049:was less than that of 1746:-based stand-up video 1676:database of real stars 1668:Evans & Sutherland 1610: 1481:" on the bagpipes was 1336: 1211: 1165: 1143:villains on a typical 1014: 265:June 4, 1982 7703:American sequel films 7586:Secret of Vulcan Fury 7543:V: The Final Frontier 7353:V: The Final Frontier 7332:II: The Wrath of Khan 6812:Kirk and Uhura's kiss 6786:For the Love of Spock 5547:. CBS Entertainment. 5208:. CBS Entertainment. 5174:. November 24, 2015. 5144:. November 23, 2015. 3956:. Retrograde Records. 3837:10.1145/357318.357320 3590:Eugene Register-Guard 3557:Newburgh Evening News 3530:The Los Angeles Times 2396:Star Trek: Enterprise 1968:Judgment at Nuremberg 1957:late in production). 1594: 1458:miniature photography 1454:motion control system 1394:Principal photography 1328:Uniform example from 1327: 1321:designs upside-down. 1159: 1021:, executive producer 1017:After the release of 998: 928:, the captain of the 733:, the captain of the 509:, but is attacked by 218:William Paul Dornisch 7793:1980s American films 7743:Midlife crisis films 7611:Planet of the Titans 6623:Planet of the Titans 6245:Rules of Acquisition 5939:The Search for Spock 4420:Entertainment Weekly 4215:on December 17, 2008 3884:on November 30, 2016 3129:. pp. 203–205. 3123:The Art of Star Trek 2072:Entertainment Weekly 1718:, which is owned by 1716:Disney Entertainment 330:science fiction film 7596:Unrealized projects 7346:IV: The Voyage Home 7202:The West End Horror 7131:The Prince of Egypt 6793:What We Left Behind 6568:Composers and music 5971:The Next Generation 5916:The Original Series 5766:The Next Generation 5759:The Animated Series 5745:The Original Series 4982:on February 7, 2008 4952:on February 7, 2008 4802:on February 2, 2009 4692:(January 1, 1982). 4609:The Washington Post 4014:The Washington Post 3906:Bond, Jeff (1999). 3800:The Washington Post 2952:than "Space Seed". 2413:4K Ultra HD Blu-ray 2354:, cast interviews, 2352:director commentary 2330:Paramount released 2306:Paramount released 2181:The Washington Post 2167:and Derek Adams of 2110:The Washington Post 2045:the total gross of 1950:Revenge of the Jedi 1927:William Shakespeare 1712:Walt Disney Studios 1556:was conceived as a 1306:Star Trek: Phase II 1031:Guardian of Forever 1013:lukewarm reception. 748:would be the final 664:radiation poisoning 328:is a 1982 American 39:Star Trek: Phase II 7536:The Rebel Universe 7397:Khan Noonien Singh 7325:The Motion Picture 7210:The Canary Trainer 6804:Cultural influence 6588:Beam me up, Scotty 6563:Norway Corporation 5953:The Final Frontier 5925:The Motion Picture 5875:Strange New Worlds 5304:on August 15, 2003 5250:The New York Times 4585:The New York Times 4569:. Section 3, p. 3. 4448:Film Score Monthly 4271:The New York Times 4158:The New York Times 3440:The New York Times 3340:The Best of Trek 6 2902:Paramount Pictures 2797:Paramount Pictures 2736:Paramount Pictures 2730:(August 6, 2002). 2525:The New York Times 2123:The Motion Picture 2119:The New York Times 2104:The New York Times 2051:The Motion Picture 2035:Film Score Monthly 1955:Return of the Jedi 1921:, in reference to 1774:The Motion Picture 1724:Paramount Pictures 1643:Return of the Jedi 1611: 1548:was the first non- 1538:The Motion Picture 1424:The Motion Picture 1412:forced perspective 1350:The Motion Picture 1346:Starfleet uniforms 1337: 1301:The Motion Picture 1282:The Motion Picture 1259:The Motion Picture 1166: 1123:'s early death in 1101:The Omega Syndrome 1057:The Motion Picture 1049:Jeffrey Katzenberg 1019:The Motion Picture 1015: 1008:The Motion Picture 879:The Motion Picture 863:Arthur Conan Doyle 739:The Motion Picture 711:Khan Noonien Singh 652:Vulcan nerve pinch 553:Khan Noonien Singh 454:Paramount Pictures 431:Horatio Hornblower 380:Khan Noonien Singh 252:Paramount Pictures 242:Paramount Pictures 7670: 7669: 7244: 7243: 7173: 7172: 7155:The Hessen Affair 6951: 6950: 6541: 6540: 6487:Klingon starships 6391:Deflector shields 6185:Galactic quadrant 6060: 6059: 5932:The Wrath of Khan 5891: 5890: 5882:Starfleet Academy 5729:Television series 5006:TheHugoAwards.org 4763:Popular Mechanics 4699:Chicago Sun-Times 4466:Null, Christopher 3765:(July 24, 2009). 3626:Los Angeles Times 3614:Boucher, Geoff. " 3496:"Cinefantastique" 3324:978-1-84576-755-6 2900:(DVD; Disc 1/2). 2795:(DVD; Disc 2/2). 2734:(DVD; Disc 1/2). 2658:Cartmell, Deborah 2611:on March 14, 2010 2560:Los Angeles Times 2478:on April 19, 2013 2409:The Wrath of Khan 2332:The Wrath of Khan 2308:The Wrath of Khan 2240:The Wrath of Khan 2222:The Wrath of Khan 2212:The Wrath of Khan 2164:Chicago Sun-Times 2152:Popular Mechanics 2133:The Wrath of Khan 2077:The Wrath of Khan 2067:The Wrath of Khan 2047:The Wrath of Khan 2042:The Wrath of Khan 2007:Vonda N. McIntyre 1980:The Wrath of Khan 1941:Vengeance of Khan 1914:The Wrath of Khan 1866:The Wrath of Khan 1823:Alexander Courage 1778:The Wrath of Khan 1694:computer graphics 1690:The Wrath of Khan 1530:The Wrath of Khan 1430:of Modern Props. 1408:Starfleet Academy 1403:The Wrath of Khan 1398:The Wrath of Khan 1371:The Wrath of Khan 1330:The Wrath of Khan 1290:The Wrath of Khan 1131:Samuel A. Peeples 1004:The Wrath of Khan 852:Vonda N. McIntyre 820:The Wrath of Khan 802:The Wrath of Khan 746:The Wrath of Khan 707:Ricardo Montalbán 683:The Wrath of Khan 577:, and their son, 523:Dr. Leonard McCoy 521:officers. Later, 481:In 2285, Admiral 467:The Wrath of Khan 444:computer graphics 384:Ricardo Montalbán 355:(1979), and is a 321: 320: 317:$ 97 million 309:$ 12 million 196:Ricardo Montalbán 18:The Wrath of Khan 16:(Redirected from 7810: 7549:25th Anniversary 7427:Montgomery Scott 7407:Christopher Pike 7377:Christine Chapel 7271: 7264: 7257: 7248: 7048:Company Business 6997: 6978: 6971: 6964: 6955: 6847:Shakespeare and 6694:Very Short Treks 6648:Spin-off fiction 6558:Gene Roddenberry 6069: 5912: 5899: 5734: 5684: 5677: 5670: 5661: 5645: 5618: 5613: 5612: 5610:Official website 5595: 5594: 5592: 5590: 5581:. 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Sowards 1033:to prevent the 1010: 993: 988: 964: 960: 942: 912:Merritt Butrick 895: 867:Sherlock Holmes 836: 784: 766: 756:DeForest Kelley 741: 693:William Shatner 685: 680: 654:and performs a 604: 515:no-win scenario 479: 459: 457: 423:Jack B. Sowards 369:William Shatner 282: 275: 268: 266: 259: 244: 237: 235: 200: 181:Merritt Butrick 151:DeForest Kelley 141:William Shatner 117: 104: 101:Jack B. Sowards 84:Jack B. Sowards 65: 43: 28: 23: 22: 15: 12: 11: 5: 7816: 7814: 7806: 7805: 7800: 7795: 7790: 7785: 7780: 7775: 7770: 7765: 7760: 7755: 7750: 7745: 7740: 7735: 7730: 7725: 7720: 7715: 7710: 7705: 7700: 7695: 7690: 7685: 7675: 7674: 7668: 7667: 7665: 7664: 7659: 7653: 7651: 7650:Related topics 7647: 7646: 7644: 7643: 7634: 7624: 7622: 7618: 7617: 7615: 7614: 7607: 7599: 7597: 7593: 7592: 7590: 7589: 7582: 7575: 7572:Judgment Rites 7568: 7567: 7566: 7561: 7556: 7546: 7539: 7532: 7525: 7518: 7511: 7503: 7496: 7489: 7482: 7473: 7471: 7465: 7464: 7462: 7461: 7456: 7451: 7446: 7441: 7440: 7439: 7429: 7424: 7419: 7414: 7409: 7404: 7399: 7394: 7389: 7384: 7379: 7373: 7371: 7367: 7366: 7364: 7363: 7356: 7349: 7342: 7335: 7328: 7320: 7318: 7312: 7311: 7309: 7308: 7303: 7298: 7292: 7290: 7284: 7283: 7276: 7274: 7273: 7266: 7259: 7251: 7242: 7241: 7239: 7238: 7230: 7222: 7214: 7206: 7198: 7190: 7181: 7179: 7175: 7174: 7171: 7170: 7168: 7167: 7159: 7151: 7143: 7135: 7127: 7119: 7111: 7103: 7095: 7087: 7078: 7076: 7072: 7071: 7069: 7068: 7060: 7052: 7044: 7036: 7028: 7020: 7012: 7003: 7001: 6994: 6990: 6989: 6986:Nicholas Meyer 6983: 6981: 6980: 6973: 6966: 6958: 6949: 6948: 6946: 6945: 6937: 6934: 6933: 6931: 6930: 6919: 6911: 6903: 6892: 6884: 6876: 6862: 6860:The Experience 6857: 6855:The Exhibition 6852: 6844: 6839: 6834: 6833: 6832: 6822: 6817:Comparison to 6814: 6808: 6806: 6800: 6799: 6797: 6796: 6789: 6782: 6775: 6768: 6761: 6754: 6747: 6740: 6732: 6730: 6726: 6725: 6723: 6722: 6719:The Ready Room 6715: 6707: 6705: 6701: 6700: 6698: 6697: 6690: 6689: 6688: 6683: 6673: 6668: 6663: 6658: 6652: 6650: 6644: 6643: 6641: 6640: 6633: 6626: 6619: 6611: 6609: 6605: 6604: 6602: 6601: 6596: 6591: 6584: 6577: 6576: 6575: 6565: 6560: 6555: 6549: 6547: 6543: 6542: 6539: 6538: 6536: 6535: 6534: 6533: 6523: 6518: 6513: 6508: 6503: 6502: 6501: 6494: 6489: 6484: 6483: 6482: 6477: 6472: 6467: 6462: 6450: 6445: 6438: 6428: 6423: 6418: 6413: 6411:Jefferies tube 6408: 6403: 6398: 6393: 6388: 6383: 6377: 6375: 6369: 6368: 6366: 6365: 6360: 6359: 6358: 6353: 6343: 6338: 6333: 6332: 6331: 6326: 6321: 6311: 6306: 6301: 6296: 6291: 6286: 6285: 6284: 6279: 6274: 6269: 6259: 6254: 6249: 6248: 6247: 6237: 6232: 6227: 6222: 6217: 6212: 6206: 6204: 6196: 6195: 6193: 6192: 6187: 6182: 6180:Class M planet 6176: 6174: 6168: 6167: 6165: 6164: 6159: 6154: 6153: 6152: 6142: 6141: 6140: 6130: 6127:Kobayashi Maru 6123: 6117: 6115: 6111: 6110: 6108: 6107: 6102: 6101: 6100: 6095: 6090: 6085: 6077: 6075: 6066: 6062: 6061: 6058: 6057: 6055: 6054: 6046: 6044: 6040: 6039: 6037: 6036: 6029: 6022: 6014: 6012: 6008: 6007: 6005: 6004: 5997: 5990: 5983: 5975: 5973: 5967: 5966: 5964: 5963: 5956: 5949: 5942: 5935: 5928: 5920: 5918: 5909: 5903: 5902: 5894: 5892: 5889: 5888: 5886: 5885: 5878: 5871: 5864: 5857: 5850: 5843: 5842: 5841: 5828: 5826: 5822: 5821: 5819: 5818: 5817: 5816: 5804: 5803: 5802: 5790: 5789: 5788: 5776: 5775: 5774: 5762: 5755: 5754: 5753: 5740: 5738: 5731: 5725: 5724: 5722: 5721: 5716: 5711: 5706: 5700: 5697: 5696: 5689: 5687: 5686: 5679: 5672: 5664: 5658: 5657: 5646: 5630: 5619: 5603: 5602:External links 5600: 5597: 5596: 5562: 5531: 5497: 5480: 5463: 5446: 5415: 5379: 5346: 5329: 5280: 5263: 5240: 5223: 5189: 5159: 5129: 5098: 5071: 5054: 5023: 4993: 4963: 4933: 4912: 4879: 4861:Chicago Reader 4846: 4813: 4788:Adams, Derek. 4780: 4749: 4717: 4676: 4643: 4615: 4591: 4588:. p. C12. 4571: 4553: 4536:The New Yorker 4522: 4497:"J.J. Abrams' 4487: 4457: 4438: 4402: 4370: 4363: 4345: 4313: 4277: 4274:. p. C11. 4257: 4226: 4195: 4164: 4147: 4128: 4098: 4062: 4055: 4037: 4020: 4000: 3983: 3959: 3923: 3916: 3895: 3865: 3806: 3786: 3779: 3773:. p. 20. 3750: 3724: 3707: 3676: 3650: 3630: 3607: 3574: 3543: 3515: 3487: 3457: 3442:. p. 31. 3426: 3419: 3395: 3355: 3348: 3330: 3323: 3317:. p. 29. 3298: 3296: 3295: 3278: 3271: 3250: 3186: 3142: 3135: 3101: 3094: 3065: 3058: 3037: 3011: 3004: 2977: 2937: 2930: 2907: 2867: 2860: 2819: 2816:. p. TV6. 2802: 2741: 2686: 2677: 2670: 2649: 2622: 2592: 2578: 2542: 2508: 2506: 2489: 2448: 2447: 2445: 2442: 2441: 2440: 2435: 2430: 2420: 2417: 2348:surround sound 2303: 2300: 2274:, and writers 2272:Damon Lindelof 2232:, but lost to 2090:The New Yorker 2058: 2055: 2030:IDW Publishing 2022:Playmates Toys 2012:New York Times 2002: 1999: 1910: 1907: 1885:films such as 1763:Main article: 1760: 1757: 1525: 1522: 1390: 1387: 1332:on display at 1227: 1224: 1170:Nicholas Meyer 1085:film treatment 1053:Michael Eisner 992: 989: 987: 984: 983: 982: 972: 946: 919: 909: 899: 882: 823: 805: 771: 753: 724: 720:Fantasy Island 704: 679: 676: 506:Kobayashi Maru 478: 475: 334:Nicholas Meyer 319: 318: 315: 311: 310: 307: 303: 302: 299: 295: 294: 291: 287: 286: 283: 280: 277: 276: 274: 273: 262: 260: 257: 254: 253: 250: 249:Distributed by 246: 245: 240: 238: 233: 230: 229: 224: 220: 219: 216: 212: 211: 206: 205:Cinematography 202: 201: 199: 198: 193: 188: 183: 178: 173: 168: 163: 158: 153: 148: 143: 137: 135: 131: 130: 127: 123: 122: 110: 106: 105: 103: 102: 99: 93: 91: 87: 86: 81: 77: 76: 74:Nicholas Meyer 71: 67: 66: 60: 52: 51: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7815: 7804: 7801: 7799: 7796: 7794: 7791: 7789: 7786: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7754: 7751: 7749: 7746: 7744: 7741: 7739: 7736: 7734: 7731: 7729: 7726: 7724: 7721: 7719: 7716: 7714: 7711: 7709: 7706: 7704: 7701: 7699: 7696: 7694: 7691: 7689: 7686: 7684: 7681: 7680: 7678: 7663: 7660: 7658: 7655: 7654: 7652: 7648: 7642: 7640: 7635: 7633: 7631: 7626: 7625: 7623: 7619: 7613: 7612: 7608: 7606: 7605: 7604:The God Thing 7601: 7600: 7598: 7594: 7588: 7587: 7583: 7581: 7580: 7576: 7574: 7573: 7569: 7565: 7562: 7560: 7557: 7555: 7552: 7551: 7550: 7547: 7545: 7544: 7540: 7538: 7537: 7533: 7531: 7530: 7529:First Contact 7526: 7524: 7523: 7519: 7517: 7516: 7512: 7510: 7508: 7504: 7502: 7501: 7500:Video Trek 88 7497: 7495: 7494: 7490: 7488: 7487: 7483: 7481: 7479: 7475: 7474: 7472: 7470: 7466: 7460: 7457: 7455: 7452: 7450: 7447: 7445: 7442: 7438: 7435: 7434: 7433: 7430: 7428: 7425: 7423: 7420: 7418: 7415: 7413: 7410: 7408: 7405: 7403: 7402:Leonard McCoy 7400: 7398: 7395: 7393: 7390: 7388: 7387:James T. Kirk 7385: 7383: 7380: 7378: 7375: 7374: 7372: 7368: 7362: 7361: 7357: 7355: 7354: 7350: 7348: 7347: 7343: 7341: 7340: 7336: 7334: 7333: 7329: 7327: 7326: 7322: 7321: 7319: 7317: 7313: 7307: 7304: 7302: 7299: 7297: 7294: 7293: 7291: 7289: 7285: 7281: 7280: 7272: 7267: 7265: 7260: 7258: 7253: 7252: 7249: 7236: 7235: 7231: 7228: 7227: 7223: 7220: 7219: 7215: 7212: 7211: 7207: 7204: 7203: 7199: 7196: 7195: 7191: 7188: 7187: 7183: 7182: 7180: 7176: 7165: 7164: 7160: 7157: 7156: 7152: 7149: 7148: 7144: 7141: 7140: 7136: 7133: 7132: 7128: 7125: 7124: 7123:The Informant 7120: 7117: 7116: 7112: 7109: 7108: 7104: 7101: 7100: 7096: 7093: 7092: 7088: 7085: 7084: 7080: 7079: 7077: 7073: 7066: 7065: 7061: 7058: 7057: 7053: 7050: 7049: 7045: 7042: 7041: 7040:The Deceivers 7037: 7034: 7033: 7029: 7026: 7025: 7024:The Day After 7021: 7018: 7017: 7013: 7010: 7009: 7005: 7004: 7002: 6998: 6995: 6991: 6987: 6979: 6974: 6972: 6967: 6965: 6960: 6959: 6956: 6944: 6943: 6939: 6938: 6935: 6928: 6924: 6923:USS Callister 6920: 6917: 6916: 6912: 6909: 6908: 6904: 6901: 6897: 6893: 6890: 6889: 6885: 6882: 6881: 6877: 6874: 6870: 6869: 6863: 6861: 6858: 6856: 6853: 6851: 6850: 6845: 6843: 6840: 6838: 6835: 6831: 6828: 6827: 6826: 6823: 6821: 6820: 6815: 6813: 6810: 6809: 6807: 6805: 6801: 6795: 6794: 6790: 6788: 6787: 6783: 6781: 6780: 6776: 6774: 6773: 6769: 6767: 6766: 6762: 6760: 6759: 6755: 6753: 6752: 6748: 6746: 6745: 6741: 6739: 6738: 6734: 6733: 6731: 6729:Documentaries 6727: 6721: 6720: 6716: 6714: 6713: 6709: 6708: 6706: 6702: 6696: 6695: 6691: 6687: 6686:Klingon opera 6684: 6682: 6681: 6677: 6676: 6674: 6672: 6669: 6667: 6664: 6662: 6659: 6657: 6654: 6653: 6651: 6649: 6645: 6639: 6638: 6634: 6632: 6631: 6627: 6625: 6624: 6620: 6618: 6617: 6616:The God Thing 6613: 6612: 6610: 6606: 6600: 6597: 6595: 6592: 6589: 6585: 6582: 6578: 6574: 6573:musical theme 6571: 6570: 6569: 6566: 6564: 6561: 6559: 6556: 6554: 6553:List of staff 6551: 6550: 6548: 6544: 6532: 6529: 6528: 6527: 6524: 6522: 6519: 6517: 6514: 6512: 6509: 6507: 6504: 6500: 6499: 6495: 6493: 6490: 6488: 6485: 6481: 6478: 6476: 6473: 6471: 6468: 6466: 6463: 6461: 6458: 6457: 6456: 6455: 6451: 6449: 6446: 6444: 6443: 6439: 6437: 6434: 6433: 6432: 6429: 6427: 6424: 6422: 6419: 6417: 6414: 6412: 6409: 6407: 6406:Impulse drive 6404: 6402: 6399: 6397: 6394: 6392: 6389: 6387: 6384: 6382: 6379: 6378: 6376: 6374: 6370: 6364: 6361: 6357: 6354: 6352: 6349: 6348: 6347: 6344: 6342: 6339: 6337: 6334: 6330: 6327: 6325: 6322: 6320: 6317: 6316: 6315: 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6283: 6280: 6278: 6275: 6273: 6270: 6268: 6265: 6264: 6263: 6260: 6258: 6255: 6253: 6250: 6246: 6243: 6242: 6241: 6238: 6236: 6233: 6231: 6228: 6226: 6223: 6221: 6218: 6216: 6213: 6211: 6208: 6207: 6205: 6203: 6197: 6191: 6188: 6186: 6183: 6181: 6178: 6177: 6175: 6173: 6169: 6163: 6160: 6158: 6155: 6151: 6148: 6147: 6146: 6143: 6139: 6136: 6135: 6134: 6131: 6129: 6128: 6124: 6122: 6119: 6118: 6116: 6112: 6106: 6103: 6099: 6096: 6094: 6091: 6089: 6086: 6084: 6081: 6080: 6079: 6078: 6076: 6074: 6070: 6067: 6063: 6053: 6052: 6048: 6047: 6045: 6041: 6035: 6034: 6030: 6028: 6027: 6026:Into Darkness 6023: 6021: 6020: 6016: 6015: 6013: 6009: 6003: 6002: 5998: 5996: 5995: 5991: 5989: 5988: 5987:First Contact 5984: 5982: 5981: 5977: 5976: 5974: 5972: 5968: 5962: 5961: 5957: 5955: 5954: 5950: 5948: 5947: 5943: 5941: 5940: 5936: 5934: 5933: 5929: 5927: 5926: 5922: 5921: 5919: 5917: 5913: 5910: 5908: 5904: 5898: 5884: 5883: 5879: 5877: 5876: 5872: 5870: 5869: 5865: 5863: 5862: 5858: 5856: 5855: 5851: 5849: 5848: 5844: 5840: 5837: 5836: 5835: 5834: 5830: 5829: 5827: 5823: 5815: 5812: 5811: 5810: 5809: 5805: 5801: 5798: 5797: 5796: 5795: 5791: 5787: 5784: 5783: 5782: 5781: 5777: 5773: 5770: 5769: 5768: 5767: 5763: 5761: 5760: 5756: 5752: 5749: 5748: 5747: 5746: 5742: 5741: 5739: 5735: 5732: 5730: 5726: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5701: 5698: 5694: 5693: 5685: 5680: 5678: 5673: 5671: 5666: 5665: 5662: 5656: 5652: 5651: 5647: 5644: 5640: 5636: 5635: 5631: 5629: 5625: 5624: 5620: 5617: 5611: 5606: 5605: 5601: 5584: 5580: 5576: 5572: 5566: 5563: 5550: 5546: 5542: 5535: 5532: 5519: 5515: 5511: 5504: 5502: 5498: 5494:. p. 33. 5493: 5492: 5484: 5481: 5476: 5475: 5467: 5464: 5460:. p. 86. 5459: 5458: 5450: 5447: 5434: 5430: 5426: 5419: 5416: 5408:September 14, 5403: 5399: 5398: 5393: 5386: 5384: 5380: 5372:September 14, 5367: 5363: 5362: 5357: 5350: 5347: 5343:. p. F4. 5342: 5341: 5333: 5330: 5325: 5319: 5303: 5299: 5295: 5291: 5284: 5281: 5277:. p. 36. 5276: 5275: 5267: 5264: 5259: 5255: 5252:. p. 1. 5251: 5244: 5241: 5236: 5235: 5227: 5224: 5211: 5207: 5203: 5196: 5194: 5190: 5182:September 17, 5177: 5173: 5169: 5163: 5160: 5152:September 17, 5147: 5143: 5139: 5133: 5130: 5117: 5113: 5109: 5102: 5099: 5086: 5083:. TrekMovie. 5082: 5075: 5072: 5067: 5066: 5058: 5055: 5042: 5038: 5034: 5027: 5024: 5011: 5007: 5003: 4997: 4994: 4981: 4977: 4973: 4967: 4964: 4951: 4947: 4943: 4937: 4934: 4929: 4925: 4924: 4923:Ares Magazine 4916: 4913: 4900: 4896: 4895: 4890: 4883: 4880: 4867: 4863: 4862: 4857: 4850: 4847: 4834: 4830: 4829: 4824: 4817: 4814: 4806:September 12, 4801: 4797: 4796: 4791: 4784: 4781: 4768: 4764: 4760: 4753: 4750: 4737: 4733: 4732: 4727: 4721: 4718: 4710:September 13, 4705: 4701: 4700: 4695: 4691: 4685: 4683: 4681: 4677: 4669:September 12, 4664: 4660: 4659: 4654: 4647: 4644: 4636:September 12, 4632: 4631: 4626: 4619: 4616: 4612:. p. D1. 4611: 4610: 4602: 4600: 4598: 4596: 4592: 4587: 4586: 4578: 4576: 4572: 4568: 4567: 4562: 4557: 4554: 4541: 4537: 4533: 4526: 4523: 4510: 4506: 4502: 4500: 4491: 4488: 4475: 4471: 4467: 4461: 4458: 4453: 4449: 4442: 4439: 4426: 4422: 4421: 4416: 4409: 4407: 4403: 4390: 4386: 4385: 4380: 4374: 4371: 4366: 4364:0-8065-1084-6 4360: 4356: 4349: 4346: 4333: 4329: 4328: 4323: 4317: 4314: 4301: 4297: 4296: 4291: 4289: 4281: 4278: 4273: 4272: 4264: 4262: 4258: 4245: 4241: 4237: 4230: 4227: 4214: 4210: 4206: 4199: 4196: 4183: 4179: 4175: 4168: 4165: 4160: 4159: 4151: 4148: 4145: 4141: 4138: 4132: 4129: 4124: 4120: 4116: 4112: 4105: 4103: 4099: 4095: 4081: 4077: 4073: 4066: 4063: 4058: 4056:0-8133-4115-9 4052: 4048: 4041: 4038: 4033: 4032: 4024: 4021: 4017:. p. 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Routledge. 2923: 2916: 2914: 2912: 2908: 2903: 2899: 2892: 2890: 2888: 2886: 2884: 2882: 2880: 2878: 2876: 2874: 2872: 2868: 2863: 2861:0-7434-5762-5 2857: 2853: 2846: 2844: 2842: 2840: 2838: 2836: 2834: 2832: 2830: 2828: 2826: 2824: 2820: 2815: 2814: 2806: 2803: 2798: 2794: 2790: 2784: 2782: 2780: 2778: 2776: 2774: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2754: 2752: 2750: 2748: 2746: 2742: 2737: 2733: 2729: 2723: 2721: 2719: 2717: 2715: 2713: 2711: 2709: 2707: 2705: 2703: 2701: 2699: 2697: 2695: 2693: 2691: 2687: 2681: 2678: 2673: 2671:0-415-16738-8 2667: 2663: 2659: 2653: 2650: 2645: 2641: 2638:(2): 159–66. 2637: 2633: 2632:Extrapolation 2626: 2623: 2615:September 14, 2610: 2606: 2602: 2596: 2593: 2588: 2582: 2579: 2566: 2562: 2561: 2556: 2549: 2547: 2543: 2530: 2526: 2522: 2515: 2513: 2509: 2505: 2502: 2500: 2499: 2493: 2490: 2477: 2473: 2472: 2467: 2465: 2461: 2453: 2450: 2443: 2439: 2436: 2434: 2431: 2429: 2427: 2423: 2422: 2418: 2416: 2414: 2410: 2406: 2402: 2398: 2397: 2392: 2388: 2387:Wrath of Khan 2384: 2381: 2377: 2376:Wrath of Khan 2373: 2369: 2365: 2360: 2357: 2353: 2349: 2346: 2341: 2337: 2333: 2328: 2325: 2321: 2317: 2313: 2312:CED Videodisc 2309: 2301: 2299: 2297: 2296:Wrath of Khan 2293: 2292: 2287: 2286: 2281: 2280:Alex Kurtzman 2277: 2273: 2269: 2265: 2264: 2259: 2258: 2253: 2249: 2245: 2241: 2237: 2236: 2231: 2227: 2226:Saturn Awards 2223: 2219: 2217: 2213: 2209: 2208: 2207:Ares Magazine 2203: 2198: 2196: 2192: 2191: 2182: 2178: 2177: 2172: 2171: 2166: 2165: 2160: 2156: 2154: 2153: 2148: 2144: 2143: 2138: 2134: 2130: 2129: 2124: 2120: 2116: 2112: 2111: 2106: 2105: 2099: 2096: 2092: 2091: 2086: 2082: 2078: 2074: 2073: 2068: 2064: 2056: 2054: 2052: 2048: 2043: 2039: 2037: 2036: 2031: 2027: 2023: 2019: 2018:Wrath of Khan 2015: 2013: 2008: 2000: 1998: 1995: 1991: 1990: 1985: 1981: 1976: 1974: 1970: 1969: 1964: 1963:Spencer Tracy 1958: 1956: 1952: 1951: 1946: 1942: 1938: 1937:Wrath of Khan 1934: 1933: 1928: 1924: 1923:Prince Hamlet 1920: 1915: 1908: 1906: 1904: 1900: 1896: 1895: 1890: 1889: 1883: 1877: 1875: 1871: 1867: 1862: 1860: 1859: 1854: 1850: 1843: 1839: 1835: 1830: 1828: 1824: 1820: 1816: 1810: 1808: 1807: 1802: 1798: 1797:John Williams 1794: 1789: 1787: 1783: 1779: 1775: 1771: 1766: 1758: 1756: 1754: 1753: 1749: 1745: 1741: 1740: 1735: 1734: 1729: 1725: 1721: 1717: 1713: 1709: 1705: 1700: 1695: 1691: 1687: 1685: 1681: 1677: 1673: 1669: 1664: 1660: 1659: 1653: 1651: 1650: 1645: 1644: 1639: 1634: 1632: 1626: 1621: 1617: 1605: 1601: 1597: 1593: 1589: 1587: 1583: 1579: 1575: 1571: 1567: 1563: 1559: 1555: 1551: 1547: 1543: 1539: 1531: 1523: 1521: 1519: 1515: 1511: 1507: 1502: 1500: 1495: 1491: 1486: 1484: 1480: 1479:Amazing Grace 1474: 1471: 1465: 1463: 1460:shots of the 1459: 1455: 1452: 1448: 1444: 1440: 1436: 1431: 1429: 1428:John Zabrucky 1425: 1417: 1413: 1409: 1404: 1399: 1395: 1388: 1386: 1382: 1379: 1372: 1368: 1367: 1362: 1361: 1360:First Contact 1356: 1351: 1347: 1342: 1335: 1331: 1326: 1322: 1320: 1316: 1312: 1308: 1307: 1302: 1298: 1291: 1287: 1283: 1276: 1272: 1268: 1264: 1260: 1255: 1249: 1245: 1241: 1237: 1233: 1225: 1223: 1221: 1216: 1210: 1208: 1203: 1199: 1195: 1189: 1187: 1183: 1182: 1177: 1176: 1171: 1163: 1158: 1154: 1152: 1150: 1146: 1140: 1136: 1132: 1128: 1127: 1122: 1116: 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1086: 1081: 1079: 1078:Michael Minor 1075: 1071: 1067: 1062: 1058: 1054: 1050: 1046: 1042: 1041:Harve Bennett 1038: 1036: 1032: 1028: 1024: 1020: 1009: 1005: 1001: 997: 990: 985: 980: 976: 973: 970: 958: 954: 950: 949:Kirstie Alley 947: 941: 937: 936: 931: 927: 926:Clark Terrell 923: 922:Paul Winfield 920: 917: 913: 910: 907: 903: 900: 894: 890: 886: 883: 880: 876: 872: 868: 864: 859: 858: 853: 849: 846: 842: 835: 831: 827: 826:Walter Koenig 824: 821: 817: 813: 809: 806: 803: 799: 795: 794:Ike Eisenmann 791: 783: 779: 775: 772: 765: 761: 760:Leonard McCoy 757: 754: 751: 747: 740: 736: 732: 728: 727:Leonard Nimoy 725: 723:to take part. 722: 721: 716: 712: 708: 705: 702: 698: 697:James T. Kirk 694: 691: 690: 689: 684: 677: 675: 673: 669: 665: 661: 657: 653: 649: 645: 640: 638: 634: 630: 626: 622: 618: 614: 610: 603: 599: 595: 591: 587: 582: 580: 576: 572: 568: 563: 561: 560: 554: 550: 547: 543: 542:Clark Terrell 539: 535: 531: 526: 524: 520: 516: 512: 508: 507: 502: 501: 496: 493:commands the 492: 488: 484: 483:James T. Kirk 476: 474: 472: 468: 455: 451: 447: 445: 440: 436: 432: 428: 427:swashbuckling 424: 420: 419:Harve Bennett 416: 411: 409: 408: 403: 402: 397: 393: 389: 385: 381: 377: 376: 370: 366: 365:James T. Kirk 362: 358: 354: 353: 348: 346: 341: 340: 335: 331: 327: 326: 316: 312: 308: 304: 300: 296: 293:United States 292: 288: 284: 278: 264: 263: 261: 255: 251: 247: 243: 239: 231: 228: 225: 221: 217: 213: 210: 209:Gayne Rescher 207: 203: 197: 194: 192: 191:Kirstie Alley 189: 187: 186:Paul Winfield 184: 182: 179: 177: 174: 172: 169: 167: 164: 162: 161:Walter Koenig 159: 157: 154: 152: 149: 147: 146:Leonard Nimoy 144: 142: 139: 138: 136: 132: 129:Robert Sallin 128: 124: 121: 116: 115: 111: 107: 100: 98: 97:Harve Bennett 95: 94: 92: 88: 85: 82: 80:Screenplay by 78: 75: 72: 68: 64: 58: 53: 48: 45: 41: 40: 35: 34: 19: 7641:(NCC-1701-A) 7638: 7629: 7609: 7602: 7584: 7577: 7570: 7548: 7541: 7534: 7527: 7520: 7513: 7506: 7498: 7491: 7484: 7477: 7382:Pavel Chekov 7358: 7351: 7344: 7337: 7331: 7330: 7323: 7277: 7232: 7224: 7216: 7208: 7200: 7192: 7184: 7161: 7153: 7145: 7137: 7129: 7121: 7113: 7105: 7097: 7089: 7081: 7062: 7054: 7046: 7038: 7030: 7022: 7015: 7014: 7006: 6940: 6927:Black Mirror 6926: 6913: 6905: 6899: 6888:Galaxy Quest 6886: 6879: 6872: 6867: 6848: 6842:Memory Alpha 6818: 6792: 6784: 6777: 6772:The Captains 6771: 6764: 6756: 6749: 6742: 6736: 6717: 6710: 6693: 6678: 6636: 6629: 6622: 6615: 6497: 6492:Shuttlecraft 6453: 6441: 6386:Communicator 6309:Species 8472 6267:High Council 6125: 6050: 6032: 6025: 6018: 6000: 5994:Insurrection 5993: 5986: 5979: 5970: 5959: 5952: 5945: 5938: 5931: 5930: 5924: 5915: 5881: 5874: 5867: 5860: 5853: 5846: 5832: 5807: 5793: 5779: 5765: 5758: 5744: 5690: 5655:Memory Alpha 5649: 5633: 5622: 5587:. 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Abrams 2261: 2255: 2252:Bryan Singer 2243: 2239: 2235:Blade Runner 2233: 2221: 2220: 2215: 2211: 2205: 2201: 2199: 2188: 2180: 2174: 2168: 2162: 2157: 2150: 2146: 2140: 2136: 2132: 2131:agreed that 2126: 2122: 2118: 2115:Janet Maslin 2108: 2102: 2100: 2088: 2085:Pauline Kael 2080: 2076: 2070: 2066: 2060: 2050: 2046: 2041: 2040: 2033: 2017: 2011: 2004: 1993: 1987: 1979: 1977: 1966: 1959: 1954: 1948: 1940: 1936: 1930: 1918: 1913: 1912: 1903:Blaster Beam 1899:Craig Huxley 1892: 1886: 1882:Warner Bros. 1878: 1869: 1865: 1863: 1856: 1852: 1848: 1841: 1831: 1826: 1818: 1814: 1811: 1804: 1800: 1793:James Horner 1790: 1786:Miklós Rózsa 1781: 1777: 1773: 1768: 1750: 1737: 1731: 1689: 1688: 1683: 1662: 1656: 1654: 1647: 1641: 1635: 1627: 1619: 1616:colored gels 1612: 1603: 1599: 1595: 1585: 1577: 1569: 1565: 1561: 1558:Constitution 1557: 1553: 1550:Constitution 1549: 1545: 1537: 1529: 1527: 1506:refresh rate 1503: 1487: 1483:James Doohan 1475: 1466: 1461: 1446: 1442: 1438: 1434: 1432: 1423: 1415: 1402: 1397: 1392: 1383: 1377: 1370: 1364: 1358: 1357:films until 1354: 1349: 1338: 1329: 1318: 1314: 1310: 1304: 1300: 1296: 1289: 1285: 1281: 1274: 1266: 1258: 1256: 1247: 1235: 1231: 1229: 1220:Captain Ahab 1215:'Hornblower' 1212: 1206: 1197: 1194:Star Trek II 1193: 1191: 1185: 1179: 1173: 1172:, writer of 1167: 1161: 1148: 1144: 1134: 1124: 1117: 1108: 1105:terraforming 1100: 1096: 1088: 1082: 1074:Star Trek II 1073: 1065: 1056: 1044: 1039: 1026: 1018: 1016: 1007: 1003: 975:Judson Scott 956: 939: 933: 929: 916:David Marcus 906:Carol Marcus 892: 878: 874: 870: 855: 847: 840: 833: 830:Pavel Chekov 819: 815: 808:George Takei 801: 789: 781: 774:James Doohan 763: 749: 745: 738: 734: 718: 700: 682: 681: 672:space burial 667: 659: 641: 636: 632: 628: 624: 620: 616: 612: 601: 597: 593: 592:. En route, 589: 585: 583: 575:Carol Marcus 570: 566: 564: 558: 546:Pavel Chekov 537: 529: 527: 504: 499: 480: 470: 466: 449: 448: 439:cost-cutting 435:James Horner 412: 405: 399: 392:terraforming 387: 374: 350: 344: 337: 332:directed by 324: 323: 322: 281:Running time 258:Release date 227:James Horner 166:George Takei 156:James Doohan 112: 44: 38: 32: 7621:Enterprises 7469:Video games 7454:Nyota Uhura 7444:Hikaru Sulu 7437:development 7412:Janice Rand 7075:Writer only 6918:(2017 film) 6907:The Orville 6891:(1999 film) 6883:(1999 film) 6830:productions 6779:Trek Nation 6637:Star Trek 4 6506:Transporter 6351:nerve pinch 6202:and species 5980:Generations 5861:Lower Decks 5847:Short Treks 5579:CBS Studios 5340:The Gazette 5308:October 13, 5172:Screen Rant 4546:October 15, 4515:October 15, 4454:(1): 26–27. 3994:CinemaScore 3977:CinemaScore 3759:Catmull, Ed 3743:October 30, 3700:October 30, 3536:February 9, 3508:February 8, 3315:Titan Books 2970:January 21, 2428:film series 2399:showrunner 2356:storyboards 2270:, producer 2230:Hugo Awards 2195:Santa Claus 2159:Roger Ebert 2095:Gene Siskel 1874:French horn 1752:Astron Belt 1748:arcade game 1638:Ken Ralston 1631:John Vargas 1582:stop motion 1520:composite. 1514:VistaVision 1494:trade press 1451:Dykstraflex 1286:Enterprise' 1254:final cut. 1240:ship's bell 1121:Janet Leigh 991:Development 812:Hikaru Sulu 715:green light 347:film series 285:113 minutes 126:Produced by 70:Directed by 7683:1982 films 7677:Categories 7662:Theme song 7639:Enterprise 7632:(NCC-1701) 7630:Enterprise 7459:Number One 7370:Characters 7032:Volunteers 6868:Enterprise 6837:Kirk/Spock 6751:Trekkies 2 6712:After Trek 6704:Aftershows 6546:Production 6521:Warp drive 6454:Enterprise 6431:Spacecraft 6426:Replicator 6373:Technology 6329:Section 31 6230:Cardassian 6105:Crossovers 6073:Characters 6051:Section 31 6043:Television 5808:Enterprise 5491:Daily Star 5439:October 6, 5431:. Viacom. 5122:October 3, 5091:October 3, 5047:October 3, 4872:October 1, 4306:October 5, 4086:October 3, 3480:January 2, 2444:References 2401:Manny Coto 2302:Home media 2248:sixth film 2026:Art Asylum 1870:Enterprise 1849:Enterprise 1838:echoplexed 1708:subsidiary 1684:Enterprise 1663:Enterprise 1596:Enterprise 1578:Enterprise 1574:bluescreen 1570:Enterprise 1562:Enterprise 1518:Panavision 1462:Enterprise 1443:Enterprise 1435:Enterprise 1416:Enterprise 1315:Enterprise 1297:Enterprise 1275:Enterprise 1248:Enterprise 1236:Enterprise 1200:was human 1095:, an avid 1070:Space Seed 1027:Enterprise 986:Production 957:Enterprise 902:Bibi Besch 893:Enterprise 841:Enterprise 816:Enterprise 790:Enterprise 782:Enterprise 764:Enterprise 735:Enterprise 701:Enterprise 668:Enterprise 660:Enterprise 648:warp drive 629:Enterprise 625:Enterprise 613:Enterprise 594:Enterprise 586:Enterprise 559:Enterprise 540:s Captain 500:Enterprise 388:Enterprise 375:Enterprise 361:Space Seed 349:following 314:Box office 269:1982-06-04 234:Production 176:Bibi Besch 7507:Star Trek 7478:Star Trek 7115:Sommersby 6984:Works by 6849:Star Trek 6819:Star Wars 6744:Mind Meld 6511:Tricorder 6401:Hypospray 6319:Starfleet 6172:Locations 6157:Sexuality 6150:Dilithium 6145:Materials 6019:Star Trek 5833:Discovery 5825:Streaming 5737:Broadcast 5692:Star Trek 5555:April 24, 5514:TrekMovie 5474:The Times 5258:424852643 5112:TrekMovie 5037:TrekMovie 4928:TSR, Inc. 4658:bbc.co.uk 4499:Star Trek 4480:April 10, 4431:August 5, 4240:TrekMovie 4178:TrekMovie 3388:March 20, 2789:Star Trek 2535:March 16, 2426:Star Trek 2405:Star Trek 2368:Star Trek 2285:Star Trek 2216:Star Trek 2137:Star Trek 2081:Star Trek 2057:Reception 1994:Moby-Dick 1989:Moby-Dick 1953:(renamed 1945:Lucasfilm 1894:The Thing 1834:leitmotif 1827:Star Trek 1819:Star Trek 1815:Star Wars 1744:LaserDisc 1722:, one of 1485:'s idea. 1470:cyclorama 1355:Star Trek 1339:Designer 1271:redresses 1232:Star Trek 1207:Star Trek 1198:Star Trek 1186:Star Trek 1162:Star Trek 1151:) episode 1137:episode " 1135:Star Trek 1115:Device". 1109:Star Trek 1097:Star Trek 1066:Star Trek 1045:Star Trek 871:Star Trek 848:Star Trek 845:Non-canon 750:Star Trek 656:mind meld 644:Moby Dick 615:limps to 549:beam down 519:Starfleet 498:USS 471:Star Trek 396:story arc 345:Star Trek 339:Star Trek 215:Edited by 114:Star Trek 7564:Game Boy 7554:Computer 7296:Season 1 7288:Episodes 7064:Vendetta 7000:Director 6942:Category 6929:episode) 6925:" (2017 6902:episode) 6900:Futurama 6898:" (2002 6871:" (1976 6737:Trekkies 6630:Phase II 6594:Redshirt 6531:Bat'leth 6516:Uniforms 6465:NCC-1701 6421:Medicine 6396:Holodeck 6341:Vidiians 6277:language 6235:Dominion 6210:Andorian 6200:Cultures 6162:Stardate 6114:Concepts 5839:episodes 5814:episodes 5800:episodes 5786:episodes 5772:episodes 5751:episodes 5709:Timeline 5639:AllMovie 5583:Archived 5549:Archived 5518:Archived 5433:Archived 5402:Archived 5366:Archived 5318:cite web 5254:ProQuest 5210:Archived 5176:Archived 5146:Archived 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Star Trek II: The Wrath of Khan

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