597:
seen beacons burning on the cliffs and is certain someone is warning ships of the danger. The villagers vow to find the traitor in their midst and destroy him. Mark, one of the younger fishermen, has been courting Avis, who is the daughter of the lighthouse keeper. His affections however, have now turned towards Thirza, the young wife of Pascoe. Unaware that Avis is spying on him, he serenades his new love while the other villagers are in the chapel, and to Avis's jealous fury it is clear that his amorous feelings for Thirza are fully returned. The villagers leave the chapel inspired by Pascoe's fiery sermon to commit further bloody acts of plunder. The preacher upbraids his wife for not attending the service, but Thirza retorts that she can no longer endure life in the village and the merciless ways of the wreckers. Pascoe is left alone with his thoughts. A storm is brewing and a ship is being drawn onto the rocks. Excitedly, the men of the village anticipate the rich pickings soon coming their way. To everyone's amazement Avis returns and denounces Pascoe as the traitor who has been warning the ships of danger. The men agree to keep a close watch on the preacher as they begin their preparations for the grim work ahead.
611:
fire they will see the flames and come to trap him. The lovers embrace. At first Mark is intent on lighting his beacon, but when Thirza declares her love for him he stops, realizing he is putting her in danger as well as himself. Mark begs her to leave Pascoe and run away with him. She is reluctant at first, but gradually yields to his pleading. Triumphantly together they seize the torch and ignite the bonfire. Pascoe arrives just in time to see the lovers making their escape. For a moment he sees his wife's face in the moonlight and in a state of anguish collapses on the beach. He is still unconscious when Avis and the men from the village arrive. Finding Pascoe near the beacon they are certain that he is the traitor.
40:
1426:
245:, had a successful opening night, receiving sixteen curtain calls and general critical approval. When Hagel still refused to restore the cut material Smyth "took the extraordinary step of marching into the orchestra pit, removing all the parts and the full score … making further performances in Leipzig impossible."
147:
were regarded as legitimate reward for the hardships endured in this isolated and barren part of
England. Therefore, when looking for a suitable theme for her third opera, it is little wonder that Smyth's thoughts should turn to this dramatic yet romantic subject. It was after a taking a walking tour
610:
Mark is collecting flotsam and driftwood. He is in fact the one responsible for the warning beacons. Just as he is about to set light to his bonfire using the flame of his torch he hears Thirza calling. She hurries to his side and warns him that other villagers are close by and that if he lights the
596:
On their way to chapel, villagers are drinking outside the tavern. Pascoe, the lay preacher, arrives and chastises them for taking alcohol on the
Sabbath. He declares that this is why the Lord has stopped sending them ships to plunder. Lawrence, the lighthouse keeper, has another explanation: he has
157:
Ever since those days I had been haunted by impressions of that strange world of more than a hundred years ago; the plundering of ships lured on to the rocks by the falsification or extinction of the coast lights; the relentless murder of their crews; and with it all the ingrained religiosity of the
628:
The evidence seems clear. The crowd howl for Pascoe's death, but at that moment Mark bursts into their midst and confesses that he was the one who betrayed them. Thirza also steps forward to acknowledge her share of the guilt. Avis tries to save Mark by claiming he spent the night with her, but the
632:
The verdict is inevitable. The lovers are to be left chained as the incoming tide gradually fills the cave. Once more Pascoe begs Thirza to repent, but she again rejects him, preferring to die with Mark. The villagers leave as the waters begin to rise and ecstatically the lovers face death in each
175:
performed. Charles Reid: "For five years Ethel Smyth, wearing mannish tweeds and an assertively cocked felt hat, had been striding about Europe, cigar in mouth, trying to sell her opera to timorous or stubborn impresarios." Eventually she secured a first performance, but in a German translation by
162:
Eventually she passed her notes on to Henry
Brewster, a personal friend and writer, so that he could write a libretto. American by birth, Brewster had been brought up in France, and it was agreed that the libretto should be in French, partly because Brewster was happier working in French but also
624:
An impromptu court has been convened and
Lawrence has appointed himself as prosecutor since he was one of the men who discovered Pascoe, apparently red-handed. Pascoe refuses to acknowledge the court and ignores their questions. Avis declares that he is the victim of witchcraft, as he is clearly
416:
and Smyth’s role in that victory. This critically acclaimed production was conducted by Justin
Lavender, who had sung the role of Mark in the Proms performance and recording, and was directed by Alison Marshall. The performance was in Smyth’s own English translation; Mark was sung by Brian Smith
236:
Smyth fell back on personal contacts in
Leipzig, where she had studied, to get the work performed. But it was in an inferior German translation and with severe cuts insisted upon by the conductor, Richard Hagel, particularly in the third act, which Smyth felt was turned into an "incomprehensible
294:, which would have been a very prestigious première for Smyth. Smyth said of Mahler, "He was far and away the finest conductor I ever knew, with the most all-embracing musical instinct, and it is one of the small tragedies of my life that just when he was considering
152:
in 1886 that the idea came to her, and for several years she visited places where the wrecking crimes were said to have been committed, interviewing anyone with evidence or memories of them. Fuller quotes from Smyth's memoirs about the pull of the subject matter:
353:
in 2006 to mark the opera's centenary and its first performance in
Cornwall in a reduced orchestration by Tony Burke. The production was conducted by Paul Drayton and directed by David Sulkin using a libretto adapted by Amanda Holden.
431:
conducted. The company afterwards gave a semi-staged performance in London as its annual contribution to the BBC Proms, and
Ticciati went on to conduct the opera again in Berlin still in the original language: the German premiere of
334:. This marked the 50th anniversary of the composer's death in 1944 and laid a foundation for subsequent performances, in particular a 2018 production by Arcadian Opera conducted by Lavender. The Prom was recorded live at the
188:, on 11 November 1906. Smyth persisted in her attempts to see it staged elsewhere, but it was not until Beecham's championing of the work that a complete staged performance was achieved, and then with funding from her friend
253:
She took the performance materials to Prague, where she hoped for a more sympathetic production, but "the under-rehearsed performances there were a disaster." Back in
England, with Beecham's support, the opera was given at
413:
143:
Tales of
Cornish villagers who on stormy nights lured passing sailing ships onto their rugged coast were commonplace in the nineteenth century. The
270:
as Avis. Smyth was upset at the way Beecham conducted the rehearsals themselves, which were crammed into 10 days and nights. Beecham also included
657:
322:
as Lawrence, Judith Howarth as Avis, Anthony Roden as Tallan, Brian Bannatyne-Scott as the Man, and Annemarie Sand as Jack, together with the
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1429:
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443:
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117:
villagers. Completed in 1904, it was premiered in 1906 in Leipzig in a German translation, with cuts, before being championed by
1483:
1478:
1468:
1448:
163:
because it was felt that there was a more realistic chance of the work being produced in France or Belgium than in England.
909:
377:
premiere. Bard Summerscape produced the opera in 2015 to critical acclaim. This was a full staging in English directed by
1473:
651:
828:
680:
370:
323:
132:
1276:
938:
750:
Fuller quoting Smyth on the American Symphony Orchestra website at the time of that orchestra's performance in 2007
647:
189:
224:, while the texture, orchestration, and even some of the music's dramatic density, show knowledge of the works of
1296:
1376:
1032:
255:
1368:
1360:
216:
in details such as the offstage church service set against the foreground confrontation in Act 1." However,
181:
89:
1412:
1148:
688:
409:
331:
217:
378:
338:
and released on the Conifer Classics label as a double CD, and re-released by Retrospect Opera in 2018.
306:
Rare stage performances have taken place in England since 1939. A pivotal one was a semi-staging at the
1458:
1289:
676:
319:
144:
975:
https://www.stowe.co.uk/whats-on/arts-at-stowe-autumn-2018/arcadian-opera-presents-the-wreckers-(2)
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489:
439:
259:
734:
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442:
mounted a production in a new English translation in 2022, with Patrick Summers conducting, and
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notes "Its greatest strength is in its dramatic strategy, strikingly prophetic of (Britten's)
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684:
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267:
207:
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recorded 2019 by BBC Symphony orchestra with Sakari Oramo conducting, on (Chandos records)
672:
315:
225:
951:
39:
428:
417:
Walters, Thirza by Jennifer Parker, Avis by April Frederick and Pascoe by Steven East.
118:
114:
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884:
696:
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509:
382:
374:
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212:
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was not performed in the language for which its music was composed until 2022, at
784:
679:, Judith Howarth, Anthony Roden, Brian Bannatyne-Scott, Annemarie Sand, with the
1312:
263:
110:
31:
1270:
932:
390:
220:
makes the point that, musically, Smyth is "no Wagnerite, she makes use of his
369:, conducted by Carlos Spierer. It also received a concert performance by the
307:
221:
121:
and given performances in 1909 in London, now in an English translation as
1018:
427:
in its original French, giving several performances and filming the work.
1344:
1056:
Kutsch et al., p. 5537. NB Nikisch is erroneously given as the conductor.
986:
484:
385:, and it was filmed. The role of Mark was sung by Neil Cooper, Thirza by
149:
565:
394:
358:
185:
113:
to a libretto by Henry Brewster, telling of the plundering of ships by
1211:, London: Longmans, Green & Co, 1923, Vol. 2., pp. 173–174,
228: ... but it also slips too readily into operatic convention."
547:
106:
27:
1166:
Kutsch, Karl-Josef; Riemens, Leo (2012) . Rost, Hansjörg (ed.).
1285:
1281:
1172:(in German) (4th ed.). Walter de Gruyter. p. 5537.
870:
Smyth, pp. 173–174, in Norman Lebrecht, "Ethel Smyth",
910:"Ethel Smyth's The Wreckers thrillingly staged in New York"
393:. A video is available on Bard's ipstreaming page and on
258:
on 22 June 1909 with Clementine de Vere Sapio as Thirza,
1110:, Vol. Four. London: Macmillan Publishers, Inc. 1998
1404:
1387:
1328:
629:lovers are determined to meet their fate together.
74:
66:
49:
21:
290:was considering the opera for a production at the
625:still under the spell of his young wife, Thirza.
361:, Germany, in May 2007 under a new German title,
764:Booklet accompanying Conifer Classics' recording
741:on americansymphony.org. Retrieved 1 March 2013
326:(chorus-master: Jonathan Grieves-Smith) and the
1297:
606:A desolate seashore at the base of the cliffs
8:
1242:Harewood, Earl of and Antony Pattie, (Eds.)
691:(CD: Conifer Classics, Recorded live at the
158:Celtic population of that barren promontory.
1134:(Revised ed.). OUP. pp. 23, 183.
1304:
1290:
1282:
1272:The Wreckers • Bard SummerScape Opera 2015
1190:, New York: E. P. Dutton & Co., 1962.
934:THE WRECKERS • Bard SummerScape Opera 2015
330:conducted by pioneering Smyth interpreter
38:
18:
592:A Cornish fishing village. Sunday evening
171:Smyth expended much energy trying to get
1188:Thomas Beecham: An Independent Biography
885:"Retrospect Opera - Smyth, The Wreckers"
861:, Vol. 73, No. 2, pp. 196–211, 1989
457:
357:The opera was given at the Stadttheater
721:
412:, in England, to mark the centenary of
298:at Vienna they drove him from office."
760:
758:
756:
658:British Symphony Orchestra discography
414:women's suffrage in the United Kingdom
262:as Mark, Arthur Winckworth as Pascoe,
874:, London: Faber and Faber 1987, p. 45
830:Opera in the British Isles, 1875-1918
729:
727:
725:
400:Three years later, in November 2018,
7:
404:was staged by Arcadian Opera at the
389:, Avis by Sky Ingram, and Pascoe by
373:in September that year, marking its
349:was performed by Duchy Opera at the
1019:"Badisches Staatstheater Karlsruhe"
1155:, New York: Penguin Putnam, 2001.
446:, Germany, has scheduled a run of
310:on 31 July 1994, in English, with
127:prepared by the composer herself.
14:
1108:The New Grove Dictionary of Opera
1086:Dame Ethel Smyth – Recorded Music
853:Kathleen Abromeit, "Ethel Smyth,
575:Chorus: villagers and fishermen
444:Badisches Staatstheater Karlsruhe
318:as Mark, Peter Sidhom as Pascoe,
1425:
1424:
1260:. London: Longmans, Green, 1959.
1131:A Dictionary of Opera Characters
950:College, Fisher Center at Bard.
785:"Dame Ethel Smyth, The Wreckers"
561:the lighthouse keeper's daughter
695:, 31 July 1994. Re-released by
650:with Smyth conducting, for the
450:in English for September 2024.
44:Ethel Smyth, no later than 1903
1169:Großes Sängerlexikon, Volume 4
952:"The Wreckers at Bard College"
176:John Bernhoff under the title
22:Les naufrageurs (The Wreckers)
1:
1225:, London: Cecil Woolf, 1997.
1106:", in Stanley Sadie, (Ed.),
652:Columbia Graphophone Company
620:The interior of a large cave
423:opened its 2022 season with
200:Describing the opera in the
1246:London: Ebury Press, 1997.
1153:The New Penguin Opera Guide
857:, and Sir Thomas Beecham",
789:American Symphony Orchestra
681:Huddersfield Choral Society
371:American Symphony Orchestra
324:Huddersfield Choral Society
1500:
1244:The New Kobbe's Opera Book
1089:. Retrieved 28 April 2019.
833:. Routledge. p. 306.
648:British Symphony Orchestra
646:, recorded in 1930 by the
109:in three acts composed by
79:11 November 1906
1422:
1319:
1209:Impressions That Remained
654:(78rpm: Columbia DX 287)
574:
473:conductor: Richard Hagel
463:(orig. French / English)
37:
26:
1258:Ethel Smyth: a Biography
1005:"Texas Classical Review"
1454:English-language operas
1484:German-language operas
1479:French-language operas
1413:The March of the Women
1256:St John, Christopher,
1128:Bourne, Joyce (2008).
689:Odaline de la Martinez
410:Stowe, Buckinghamshire
332:Odaline de la Martinez
237:jumble". Nevertheless
145:cargoes they plundered
1469:Operas set in England
1449:Operas by Ethel Smyth
956:fishercenter.bard.edu
859:The Musical Quarterly
827:Paul Rodmell (2016).
530:the lighthouse keeper
379:Thaddeus Strassberger
282:Mahler disappointment
256:His Majesty's Theatre
105:is a French-language
92:, Leipzig (in German)
59:Henry Bennet Brewster
1361:The Boatswain's Mate
1322:List of compositions
1102:Banfield, Stephen, "
677:David Wilson-Johnson
528:Laurent / Lawrence,
320:David Wilson-Johnson
203:New Grove Dictionary
16:Opera by Ethel Smyth
1474:Cornwall in fiction
440:Houston Grand Opera
232:Performance history
480:the local preacher
421:Glyndebourne Opera
387:Katharine Goeldner
292:Vienna State Opera
119:Sir Thomas Beecham
1436:
1435:
872:Mahler Remembered
808:Banfield, p. 1181
693:Royal Albert Hall
579:
578:
570:Luise Fladnitzer
543:a young fisherman
503:Thurza / Thirza,
471:11 November 1906,
381:and conducted by
351:Hall for Cornwall
336:Royal Albert Hall
278:season in 1910.
266:as Lawrence, and
222:motivic technique
98:
97:
1491:
1428:
1427:
1377:Entente Cordiale
1306:
1299:
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1221:Anderson, Gwen,
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1083:Orchard, Lewis.
1081:
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1037:Oxford Reference
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889:Retrospect Opera
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851:
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783:Fuller, Sophie.
780:
774:
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762:
751:
748:
742:
731:
697:Retrospect Opera
685:BBC Philharmonic
675:, Peter Sidhom,
669:Anne-Marie Owens
523:
498:
478:Pasko / Pascoe,
458:
406:Roxburgh Theatre
328:BBC Philharmonic
312:Anne-Marie Owens
268:Elizabeth Amsden
208:Stephen Banfield
135:and in Berlin.
111:Dame Ethel Smyth
86:
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42:
19:
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733:Sophie Fuller,
732:
723:
713:
687:, conducted by
673:Justin Lavender
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434:Les naufrageurs
425:Les naufrageurs
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316:Justin Lavender
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226:Richard Strauss
198:
173:Les naufrageurs
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129:Les naufrageurs
102:Les naufrageurs
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1231:1-897967-90-X
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1313:Ethel Smyth
1223:Ethyl Smyth
1042:14 February
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466:Voice type
314:as Thirza,
264:Lewis James
260:John Coates
239:Strandrecht
178:Strandrecht
56:Ethel Smyth
32:Ethel Smyth
1443:Categories
987:"Festival"
961:2020-09-30
919:2020-09-30
711:References
637:Recordings
391:Louis Otey
190:Mary Dodge
139:Background
83:1906-11-11
50:Librettist
1395:Mass in D
656:See also
534:baritone
308:BBC Proms
302:BBC Proms
243:Beach Law
196:Reception
1430:Category
1415:" (1910)
1345:Der Wald
1337:Fantasio
1033:"Pascoe"
894:16 March
794:17 March
699:, 2018).
683:and the
582:Synopsis
505:his wife
485:baritone
286:In 1907
167:Premiere
150:Cornwall
75:Premiere
67:Language
1277:YouTube
1151:(Ed.),
939:YouTube
739:(1904)"
566:soprano
395:YouTube
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186:Leipzig
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587:Act 1
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