Knowledge (XXG)

The Yellow Canary

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that his son may be killed. A second message arrives demanding $ 200,000 ransom, which Andy manages to raise, and the money is delivered to an isolated beach, but nobody comes to meet him. Hub takes Andy to a lonely inn and tortures a woman into giving them the address of a man who might have been in touch with the kidnappers. They find the man, but he is dead.
427:, Boone stated that the film was slated for a ridiculously short 12-day schedule. When they were wrapping the last day with several key scenes left to be filmed, Boone paid $ 20,000 out of his own pocket to buy one more day of shooting. He felt strongly about the film because it gave him the chance to play "a bad guy for a change." 434:
The film was a nice production, but didn’t really come off. It did nothing at the box office and the critics panned it. Serling, Boone, Forrest, and Eden were all play-or-pay contracts, so... preferred to play instead of paying off the commitments. (Probably should not have thrown good money after
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After Bake is found murdered, Andy receives further instructions by telephone from the kidnapper, and realizes that Hub is one of the few people who know their unlisted number. Andy and Lissa return to the inn and rescue their baby, and Andy shoots the mentally deranged Hub as police cars surround
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Boone whined about Fox's cheapness, but Zanuck was right. Serling's script isn’t very good with too much flowery dialogue. Because it's a thriller, the low budget didn’t necessarily have to hurt in the hands of an imaginative director. But Dexter was a second-rater. It is interesting to see Boone
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in Los Angeles. Hub and he arrive home to find a maid hysterical – his infant son Bobby has been kidnapped and the son's nurse murdered. The ransom note has the code word "canary" and they summon the police, led by Lt Bonner (Klugman). Andy does not tell the police about the code word out of fear
36: 393:'s company, Associated Producers Inc, who specialized in making lower-budget films for Fox. Zanuck gave Lippert $ 100,000 to finish the film and a shortened schedule. (Maury Dexter, who produced the film for Lipper, puts this figure at $ 250,000 in his memoirs.) 357:. The film was always envisioned as a vehicle for Pat Boone, who had made a number of movies for Fox; he had a three-picture deal with the studio at fee of $ 200,000 per movie, which would be credited to his production company, Cooga Mooga Productions. 400:
reported that Boone "fears that the 10-day shooting schedule will deny it the artistic and production values it might have had with the 10-week shooting schedule he expected" – he decided to proceed with the film anyway.
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Andy Paxton (Boone) is an arrogant, obnoxious pop idol who is about to be divorced by his wife Lissa (Eden) and constantly abuses his staff, including his bodyguard – ex-cop Hub, his manager Vecchio, and his valet, Bake.
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Zanuck was obliged to pay a fee to Boone and Serling. By this stage, the studio also had commitments to Barbara Eden and Steve Forrest (the latter at a fee of $ 25,000). Zanuck assigned the film to
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fame, was paid $ 125,000 to write the script. With a star and writer of that caliber, the film was originally estimated to have a budget between $ 1.5 and 2.0 million and be shot over 10 weeks.
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Filming began on 10 December 1962. Some shooting was done for the film on the Fox lot, which was otherwise closed. During production, the title was changed to
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play someone unpleasant who proves his manhood by shooting someone dead. This was a rare film where the actor used a gun. The movie flopped at the box office.
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Scheuer, Philip K. (24 Apr 1963). "Shooting at 20th Starts on Schedule: 'Take Her, She's Mine' Rolls; Axelrod to Walk 'Starpath'".
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took over the studio. Zanuck called a halt to all productions at the studio, literally shutting down the backlot on 26 July 1962.
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Scheuer, Philip K. (May 14, 1962). "Albright in 'Fix' With Gene Barry: Ransohoff Holding Garner; Dore Schaiy in Total Recall".
920: 559:"14 Films Planned This Year by Fox Studios: Multi-Million Dollar Productions Set for Release in 1963, Executives Announce". 1296: 1251: 1223: 880: 1116: 509:
MURRAY SCHUMACH (Nov 5, 1962). "LOW-BUDGET FILM PLANNED FOR FOX: Pat Boone, Its Star, Fears Effect of Hasty Shooting".
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bad.) I produced the show, and with due respect to all concerned, the production overshadowed the drama.
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Hopper, Hedda (11 Dec 1961). "Looking at Hollywood: Pat Boone to Star in Kidnap Film".
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SEIDENBAUM, ART (16 Mar 1963). "SUCCESS FORMULA: Lippert Combs Honey From B's".
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Freeman, Donald. (Apr 22, 1962). "Serling Tells Secrets of How Not to Write".
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Talk's Cheap, Action's Expensive: The Films of Robert L. Lippert
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Peter Levathes was fired in the wake of cost over-runs on
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was mentioned as a possibility for the female lead.
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The film was photographed by veteran 148:Twentieth Century Fox Film Corporation 1287:Films with screenplays by Rod Serling 504: 502: 500: 423:In a September 2012 interview at the 7: 1216:The Little Shepherd of Kingdom Come 652:Vagg, Stephen (10 September 2019). 534:, Bear Manor Media, 2014 p 271-272 14: 263:Andy begins an engagement at the 425:UCLA Film and Television Archive 897:Ziegfeld: The Man and His Women 1282:Films scored by Kenyon Hopkins 1272:Films based on American novels 1: 881:The Lindbergh Kidnapping Case 430:Maury Dexter later recalled: 1292:1960s English-language films 1262:Films directed by Buzz Kulik 1117:Raiders from Beneath the Sea 247:and scored by jazz composer 945:Around the World in 80 Days 265:Huntington Hartford Theater 1313: 1069:The Day Mars Invaded Earth 825:The Man Who Came to Dinner 563:. 1 Mar 1962. p. C15. 18: 833:Incident on a Dark Street 755: 641:. 3 Jan 1963. p. C7. 40:Theatrical release poster 33: 761:The Explosive Generation 1257:American thriller films 1181:A Bullet for Pretty Boy 374:Film becomes low-budget 138:Cooga Monga Productions 19:For the 1943 film, see 16:1963 film by Buzz Kulik 1267:20th Century Fox films 1013:The High Powered Rifle 455: 437: 162:May 15, 1963 905:From Here to Eternity 546:Chicago Daily Tribune 491:Chicago Daily Tribune 450: 432: 1297:1960s American films 1252:1960s thriller films 1141:Django the Condemned 595:Highway to Hollywood 311:Steve Harris as Bake 225:. It was adapted by 21:Yellow Canary (film) 1184:(1970) (uncredited) 1093:House of the Dammed 1061:Young Guns of Texas 658:Diabolique Magazine 530:Mark Thomas McGee, 209:is a 1963 American 1149:The Mini-Skirt Mob 1085:The Young Swingers 937:Too Young the Hero 889:Kill Me If You Can 865:Cage Without a Key 747:Films directed by 702:The New York Times 692:TCM Movie Database 416:The cast included 70:Evil Come, Evil Go 1234: 1233: 1224:The Yellow Canary 1165:The Young Animals 1133:The Naked Brigade 1125:Wild on the Beach 963: 962: 921:George Washington 769:The Yellow Canary 687:The Yellow Canary 676:The Yellow Canary 639:Los Angeles Times 637:"Title Changed". 624:Los Angeles Times 609:Los Angeles Times 576:Los Angeles Times 561:Los Angeles Times 472:The Yellow Canary 411:The Yellow Canary 391:Robert L. Lippert 355:Evil Come Evil Go 206:The Yellow Canary 202: 201: 94:Robert L. Lippert 29:The Yellow Canary 1304: 1029:The Purple Hills 990: 983: 976: 967: 741: 734: 727: 718: 662: 661: 649: 643: 642: 634: 628: 627: 619: 613: 612: 604: 598: 591: 580: 579: 571: 565: 564: 556: 550: 549: 541: 535: 528: 515: 514: 506: 495: 494: 486: 480: 468: 384:Darryl F. 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Index

Yellow Canary (film)

Buzz Kulik
Rod Serling
Whit Masterson
Maury Dexter
Robert L. Lippert
Pat Boone
Floyd Crosby
Kenyon Hopkins
Twentieth Century Fox Film Corporation
thriller film
Buzz Kulik
Pat Boone
Barbara Eden
Rod Serling
Whit Masterson
Orson Welles
Touch of Evil
Floyd Crosby
Kenyon Hopkins
Huntington Hartford Theater
Pat Boone
Barbara Eden
Steve Forrest
Jack Klugman
Jesse White
Milton Selzer
Jeff Corey
Harold Gould

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