Knowledge (XXG)

Then Now and Inbetween

Source ๐Ÿ“

2326: 31: 424:. In particular, he focuses on elements which were generally absent from the band's 1968 work, such as the heavier guitar production and the presence of a saxophone. He suggests the saxophone may have been overdubbed around May or June 327:. The group formally launched the campaign under the moniker "God Save the Kinks". Mendelsohn came up with the title, which referenced the refrain "God save the village green!" from the close of the song " 2173: 342:
and other assorted items, such as guide to the Kinks' recordings and a plastic bag with blades of grass from "Daviesland village green". The compilation album was also available to public via
1860: 1095: 430: 157: 1852: 323: 139: 1868: 864: 2302: 1956: 2360: 2157: 867:. Two days later, the Kinks refused to perform a concert in San Francisco after the promoter declined Ray's request that the band be paid in cash. 2370: 2365: 576: 328: 192: 2355: 1630: 1590: 1558: 1519: 1492: 1462: 1439: 1420: 1393: 1368: 248:
in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after
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50th anniversary release includes a replica of the 7" single, with notes printed on its sleeve stating it was originally released in July
2207: 1702: 2023: 374:- and Davies-produced recordings. All of the songs were recorded in the basement studios at Pye Records's London offices, except for " 1753: 1652: 2350: 2149: 583: 275: 1972: 321:
attended the meeting in an advisory role, having been hired after Reprise read his favourable review of the band's 1969 album
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The liner notes describe all songs as "an original Pye Records production", but every track was produced by either
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does not specify whether Ray or Hopkins contributed Mellotron on "Sitting by the Riverside" and "Berkeley Mews".
2093: 1996: 1876: 953: 951: 558: 475: 2272: 2263: 2109: 1695: 1385: 1336: 698: 496: 1924: 1768: 1748: 2245: 1622: 604: 389: 222: 42: 2101: 1828: 1568: 1454: 879: 509: 413: 302: 278:. The circumstances that led to the ban are unclear but likely stemmed from several incidents during 30: 2181: 2015: 1884: 1582: 859: 314: 1451:
The Kinks: All Day and All of the Night: Day-by-Day Concerts, Recordings and Broadcasts, 1961โ€“1996
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Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942-1968
544: 895:'s office played additional rhythm guitar, "likely Harry, possibly Bob or Vic, surname unknown". 334:
As part of the campaign, Reprise mailed press kits to journalists, radio program directors and
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1969, as do Doug Hinman and Jason Brabazon in their self-published band discography.
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later attributed it to a combination of "bad luck, bad management, bad behaviour".
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initiated a promotional campaign to reestablish the band's commercial standing. On
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for US$ 2 (equivalent to $ 17 in 2023). The album has since become a valued
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The Kinks' ban persisted until Davies negotiated its resolution in mid-April
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You Really Got Me: An Illustrated World Discography of the Kinks, 1964โ€“1993
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were informally blacklisted from performing in the United States by the
1988: 1820: 1675: 960:, pp. 31, 41, 56, 66, 70, 77, 84, 92, 99, 101, 104, 117, 121, 142. 770:(side one, "David Watts", "End of the Season" and "Death of a Clown") 397: 420:
additional parts for the song in anticipation of its inclusion on
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Waterloo Sunset: The Very Best of The Kinks & Ray Davies
1680: 655: – backing vocals, lead guitar; lead vocals 919: 917: 1151: 1149: 1016: 1014: 1012: 1010: 938: 936: 934: 932: 728:("Sitting by the Riverside, "Berkeley Mews" and "Days") 396:" a year before its first official release, as the UK 158:
Arthur (Or the Decline and Fall of the British Empire)
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The Kinks Are the Village Green Preservation Society
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The Kinks Are the Village Green Preservation Society
140:
The Kinks Are the Village Green Preservation Society
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American Federation of Television and Radio Artists
672:("You Really Got Me" and "Till the End of the Day") 174: 125: 113: 101: 85: 70: 62: 54: 37: 23: 1546: 1503: 1476: 1404: 1352: 792:additional parts to "Berkeley Mews" in May or June 244:1969 to journalists, radio program directors and 2303:Give the People What We Want: Songs of The Kinks 644:("Berkeley Mews" and "Sitting by the Riverside") 1000:: "Originally released on Reprise Records, July 1082:"Ray Davies: 'I'm not the godfather of Britpop 981: 404:". The Kinks recorded "Berkeley Mews" in early 1696: 664: – backing vocals, bass guitar 297:, the band's first there in over four years, 8: 1075: 1073: 875: 873: 463:"Early Chunky Medley" – 3:21 1703: 1689: 1681: 1381:The Kinks: A Thoroughly English Phenomenon 1259: 1235: 1191: 1167: 1032: 942: 623:According to band researcher Doug Hinman: 29: 20: 1407:The Story of the Kinks: You Really Got Me 1179: 1328:"The Village Green Preservation Society" 825:writes the single was released in August 788:Andy Miller hypothesises that the Kinks 1223: 1112: 913: 781: 753:Hy Fujita – album design 1434:. Rumford, Rhode Island: Doug Hinman. 1430:Hinman, Doug; Brabazon, Jason (1994). 1307: 1295: 1283: 1255: 1251: 1239: 1199: 1155: 1124: 1108: 1064: 1052: 1040: 1020: 985: 957: 923: 577:The Village Green Preservation Society 329:The Village Green Preservation Society 193:The Village Green Preservation Society 1271: 1211: 1195: 1140: 1136: 1036: 997: 969: 637:("Louie Louie" and "Waterloo Sunset") 7: 670: – drums; tambourine 416:hypothesises that the band may have 2208:A Hole in the Sock of (Dave Davies) 1506:Ray Davies: Not Like Everybody Else 748:Additional production and personnel 16:1969 promotional album by the Kinks 2361:Reprise Records compilation albums 1853:Village Green Preservation Society 1258:, p. 21: (basement studios); 1098:from the original on 26 July 2015. 572:, R. Davies) – 2:25 438:'s song "Mr. Reporter" received a 262:The Kinks' 1965 US tour ยง Ban 14: 1645:The Kinks: The Sound and the Fury 736: – rhythm guitar 2325: 2324: 2150:The Kinks Are Well Respected Men 695: – backing vocals 584:Last of the Steam-Powered Trains 392:" on a US LP. It also featured " 276:American Federation of Musicians 1615:Roberts, Michael James (2014). 1610:. No. 246. pp. 46โ€“49. 1479:God Save the Kinks: A Biography 891:Hinman writes a guitarist from 388:marked the first inclusion of " 362:range chronologically from July 1957:Give the People What They Want 1080:Simpson, Dave (16 July 2015). 442:overdub around the same time. 252:on performing in the country. 1: 2371:Albums produced by Shel Talmy 2366:Albums produced by Ray Davies 2201:Four More Respected Gentlemen 1600:Neill, Andy (February 2000). 1453:. San Francisco, California: 863:, Ray fought a member of the 517:Dedicated Follower of Fashion 428:1969 during the sessions for 408:1968 during the sessions for 2356:The Kinks compilation albums 1602:"The Great Lost Kinks Album" 1086:... more a concerned uncle'" 1004:1969, as US 7" single 0847." 2142:Come Dancing with The Kinks 768: – producer 688:("Till the End of the Day") 2392: 2134:The Great Lost Kinks Album 1647:. London: Elm Tree Books. 1621:. Durham, North Carolina: 1536:(Liner notes). The Kinks. 982:Hinman & Brabazon 1994 259: 2320: 1718: 1545:Mendelsohn, John (1985). 1502:Kitts, Thomas M. (2008). 719: – piano; 293:1969. In preparation for 210: 185: 170: 133: 28: 2094:The Kinks Greatest Hits! 1553:. New York City: Quill. 1386:Rowman & Littlefield 710: – piano 701: – drums 686: – drums 559:Sitting by the Riverside 295:a return tour of America 280:the band's first US tour 240:issued the album in July 2351:1969 compilation albums 2158:The Ultimate Collection 2048:BBC Sessions: 1964โ€“1977 1893:Everybody's in Show-Biz 1581:series. New York City: 1378:Fleiner, Carey (2017). 1310:, pp. 109, 110n35. 1286:, pp. 22, 75, 109. 614:" – 3:15 607:" – 2:50 600:" – 2:34 593:" – 2:12 586:" – 1:22 579:" – 2:45 561:" – 1:31 554:" – 2:05 547:" – 1:52 533:" – 3:33 526:" – 2:08 519:" – 2:59 512:" – 2:38 507: 497:Till the End of the Day 180:Then Now and Inbetween 2118:Then Now and Inbetween 1925:Schoolboys in Disgrace 1671:Then Now and Inbetween 1534:Then Now and Inbetween 1355:Kink: An Autobiography 454:, except where noted. 422:Then Now and Inbetween 412:, but band biographer 386:Then Now and Inbetween 370:1968 and are a mix of 360:Then Now and Inbetween 340:Then Now and Inbetween 256:Background and release 218:Then Now and Inbetween 149:Then Now and Inbetween 24:Then Now and Inbetween 1623:Duke University Press 1449:Hinman, Doug (2004). 1403:Hasted, Nick (2011). 853:, while backstage of 738:("You Really Got Me") 712:("You Really Got Me") 703:("You Really Got Me") 450:All songs written by 400:to the 1970 single " 378:", which was done at 311:Warner's headquarters 260:Further information: 2102:Well Respected Kinks 1869:Lola Versus Powerman 1829:The Kink Kontroversy 1384:. Lanham, Maryland: 678:Additional musicians 510:A Well Respected Man 338:. The kits included 303:Warner Bros. Records 2193:Unreleased projects 2182:The Essential Kinks 2016:Live at Kelvin Hall 1885:Muswell Hillbillies 1778:Gordon John Edwards 1583:Bloomsbury Academic 1549:The Kinks Kronikles 1238:: (track listing); 1115:, pp. 188โ€“189. 860:Where the Action Is 724:("Sunny Afternoon") 315:Burbank, California 250:their four-year ban 2376:Promotional albums 2278:The Kast Off Kinks 2256:Session performers 2126:The Kink Kronikles 1965:State of Confusion 1909:Preservation Act 2 1901:Preservation Act 1 1262:: (track listing). 759: – 2338: 2337: 1632:978-0-8223-7883-9 1592:978-0-8264-1498-4 1560:978-0-688-02983-8 1521:978-0-415-97768-5 1510:. New York City: 1494:978-1-84513-671-0 1464:978-0-87930-765-3 1441:978-0-9641005-1-0 1422:978-1-84938-660-9 1395:978-1-4422-3542-7 1370:978-0-7868-6149-1 1359:. New York City: 1067:, pp. 58โ€“60. 926:, p. 110n35. 742:("Berkeley Mews") 734:session musicians 708:Arthur Greenslade 552:End of the Season 483:You Really Got Me 376:You Really Got Me 226:compilation album 214: 213: 166: 165: 39:Compilation album 2383: 2328: 2327: 2239:Related articles 2067:Kinksize Session 2024:One for the Road 1705: 1698: 1691: 1682: 1658: 1636: 1611: 1607:Record Collector 1596: 1564: 1552: 1541: 1530:Mendelsohn, John 1525: 1509: 1498: 1482: 1468: 1445: 1426: 1410: 1399: 1374: 1358: 1344: 1311: 1305: 1299: 1293: 1287: 1281: 1275: 1269: 1263: 1249: 1243: 1233: 1227: 1221: 1215: 1209: 1203: 1189: 1183: 1177: 1171: 1165: 1159: 1153: 1144: 1134: 1128: 1122: 1116: 1106: 1100: 1099: 1085: 1077: 1068: 1062: 1056: 1050: 1044: 1030: 1024: 1018: 1005: 1003: 995: 989: 979: 973: 967: 961: 955: 946: 940: 927: 921: 896: 889: 883: 877: 868: 852: 847: 841: 839: 835: 828: 820: 814: 803: 797: 795: 786: 771: 743: 739: 729: 725: 713: 704: 689: 673: 658: 649: 645: 638: 566:Death of a Clown 427: 407: 369: 365: 348:collector's item 308: 292: 269: 243: 203: 201: 196: 135: 134: 97: 96: 92: 33: 21: 2391: 2390: 2386: 2385: 2384: 2382: 2381: 2380: 2341: 2340: 2339: 2334: 2316: 2310:Sunny Afternoon 2234: 2213: 2188: 2110:Sunny Afternoon 2081: 2054: 2003: 1824:(1965; US-only) 1808:(1965; US-only) 1784: 1714: 1709: 1666: 1661: 1655: 1639: 1633: 1614: 1599: 1593: 1567: 1561: 1544: 1528: 1522: 1501: 1495: 1471: 1465: 1448: 1442: 1429: 1423: 1402: 1396: 1377: 1371: 1347: 1343:. BMGAA09BOX10. 1331:(Liner notes). 1324: 1320: 1315: 1314: 1306: 1302: 1294: 1290: 1282: 1278: 1270: 1266: 1260:Mendelsohn 1969 1250: 1246: 1236:Mendelsohn 1969 1234: 1230: 1222: 1218: 1210: 1206: 1198:, p. 146; 1194:, p. 101; 1192:Mendelsohn 1985 1190: 1186: 1178: 1174: 1168:Mendelsohn 1985 1166: 1162: 1154: 1147: 1135: 1131: 1123: 1119: 1107: 1103: 1083: 1079: 1078: 1071: 1063: 1059: 1051: 1047: 1039:, p. 146; 1035:, p. 101; 1033:Mendelsohn 1985 1031: 1027: 1019: 1008: 1001: 996: 992: 980: 976: 968: 964: 956: 949: 943:Mendelsohn 1969 941: 930: 922: 915: 910: 905: 900: 899: 890: 886: 878: 871: 850: 848: 844: 837: 833: 826: 821: 817: 804: 800: 793: 787: 783: 778: 769: 757:John Mendelsohn 741: 737: 727: 723: 711: 702: 687: 671: 657:("David Watts") 656: 647: 643: 636: 621: 612:Waterloo Sunset 531:Sunny Afternoon 448: 425: 405: 367: 366:1964 to October 363: 356: 319:John Mendelsohn 306: 299:Reprise Records 290: 267: 264: 258: 241: 238:Reprise Records 228:by the English 206: 199: 197: 190: 189: 161: 152: 143: 94: 90: 89: 50: 17: 12: 11: 5: 2389: 2387: 2379: 2378: 2373: 2368: 2363: 2358: 2353: 2343: 2342: 2336: 2335: 2333: 2332: 2321: 2318: 2317: 2315: 2314: 2306: 2299: 2292: 2285: 2280: 2275: 2270: 2253: 2248: 2242: 2240: 2236: 2235: 2233: 2232: 2227: 2221: 2219: 2215: 2214: 2212: 2211: 2204: 2196: 2194: 2190: 2189: 2187: 2186: 2178: 2170: 2162: 2154: 2146: 2138: 2130: 2122: 2114: 2106: 2098: 2089: 2087: 2083: 2082: 2080: 2079: 2071: 2062: 2060: 2056: 2055: 2053: 2052: 2044: 2036: 2032:Live: The Road 2028: 2020: 2011: 2009: 2005: 2004: 2002: 2001: 1993: 1985: 1977: 1969: 1961: 1953: 1945: 1937: 1929: 1921: 1913: 1905: 1897: 1889: 1881: 1873: 1865: 1857: 1849: 1845:Something Else 1841: 1833: 1825: 1817: 1809: 1801: 1792: 1790: 1786: 1785: 1783: 1782: 1779: 1776: 1771: 1766: 1761: 1756: 1751: 1746: 1741: 1735: 1734: 1727: 1719: 1716: 1715: 1710: 1708: 1707: 1700: 1693: 1685: 1679: 1678: 1665: 1664:External links 1662: 1660: 1659: 1653: 1637: 1631: 1612: 1597: 1591: 1565: 1559: 1542: 1526: 1520: 1499: 1493: 1473:Jovanovic, Rob 1469: 1463: 1455:Backbeat Books 1446: 1440: 1427: 1421: 1400: 1394: 1375: 1369: 1345: 1325:Anon. (2018). 1321: 1319: 1316: 1313: 1312: 1300: 1288: 1276: 1264: 1244: 1228: 1216: 1214:, p. 209. 1204: 1202:, p. 130. 1184: 1182:, p. 149. 1180:Jovanovic 2013 1172: 1170:, p. 101. 1160: 1158:, p. 147. 1145: 1143:, p. 146. 1139:, p. 99; 1129: 1127:, p. 128. 1117: 1111:, p. 60; 1101: 1069: 1057: 1045: 1043:, p. 130. 1025: 1023:, p. 130. 1006: 990: 988:, p. 273. 974: 972:, p. 197. 962: 947: 928: 912: 911: 909: 906: 904: 901: 898: 897: 893:Edward Kassner 884: 869: 842: 815: 798: 780: 779: 777: 774: 773: 772: 763: 754: 745: 744: 730: 714: 705: 696: 690: 675: 674: 665: 659: 650: 620: 617: 616: 615: 608: 601: 594: 587: 580: 573: 562: 555: 548: 535: 534: 527: 520: 513: 506: 503: 502: 501: 500: 493: 486: 479: 465: 464: 447: 444: 434:(1969), since 355: 352: 257: 254: 212: 211: 208: 207: 205: 204: 198:Released: July 186: 183: 182: 172: 171: 168: 167: 164: 163: 154: 145: 131: 130: 123: 122: 117: 111: 110: 105: 99: 98: 87: 83: 82: 72: 68: 67: 64: 60: 59: 56: 52: 51: 46: 35: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 2388: 2377: 2374: 2372: 2369: 2367: 2364: 2362: 2359: 2357: 2354: 2352: 2349: 2348: 2346: 2331: 2323: 2322: 2319: 2313: 2311: 2307: 2305: 2304: 2300: 2298: 2297: 2293: 2291: 2290: 2286: 2284: 2281: 2279: 2276: 2274: 2271: 2269: 2268:Nicky Hopkins 2265: 2261: 2257: 2254: 2252: 2249: 2247: 2244: 2243: 2241: 2237: 2231: 2228: 2226: 2223: 2222: 2220: 2218:Concert tours 2216: 2210: 2209: 2205: 2203: 2202: 2198: 2197: 2195: 2191: 2184: 2183: 2179: 2176: 2175: 2171: 2168: 2167: 2163: 2160: 2159: 2155: 2152: 2151: 2147: 2144: 2143: 2139: 2136: 2135: 2131: 2128: 2127: 2123: 2120: 2119: 2115: 2112: 2111: 2107: 2104: 2103: 2099: 2096: 2095: 2091: 2090: 2088: 2084: 2077: 2076: 2072: 2069: 2068: 2064: 2063: 2061: 2057: 2050: 2049: 2045: 2042: 2041: 2037: 2034: 2033: 2029: 2026: 2025: 2021: 2018: 2017: 2013: 2012: 2010: 2006: 1999: 1998: 1994: 1991: 1990: 1986: 1983: 1982: 1978: 1975: 1974: 1973:Word of Mouth 1970: 1967: 1966: 1962: 1959: 1958: 1954: 1951: 1950: 1946: 1943: 1942: 1938: 1935: 1934: 1930: 1927: 1926: 1922: 1919: 1918: 1914: 1911: 1910: 1906: 1903: 1902: 1898: 1895: 1894: 1890: 1887: 1886: 1882: 1879: 1878: 1874: 1871: 1870: 1866: 1863: 1862: 1858: 1855: 1854: 1850: 1847: 1846: 1842: 1839: 1838: 1834: 1831: 1830: 1826: 1823: 1822: 1818: 1815: 1814: 1810: 1807: 1806: 1802: 1799: 1798: 1794: 1793: 1791: 1789:Studio albums 1787: 1780: 1777: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1745: 1742: 1740: 1737: 1736: 1733: 1732: 1728: 1726: 1725: 1721: 1720: 1717: 1713: 1706: 1701: 1699: 1694: 1692: 1687: 1686: 1683: 1677: 1673: 1672: 1668: 1667: 1663: 1656: 1654:0-241-11308-3 1650: 1646: 1642: 1641:Rogan, Johnny 1638: 1634: 1628: 1624: 1620: 1619: 1613: 1609: 1608: 1603: 1598: 1594: 1588: 1584: 1580: 1576: 1575: 1570: 1566: 1562: 1556: 1551: 1550: 1543: 1539: 1535: 1531: 1527: 1523: 1517: 1513: 1508: 1507: 1500: 1496: 1490: 1486: 1481: 1480: 1474: 1470: 1466: 1460: 1456: 1452: 1447: 1443: 1437: 1433: 1428: 1424: 1418: 1414: 1413:Omnibus Press 1409: 1408: 1401: 1397: 1391: 1387: 1383: 1382: 1376: 1372: 1366: 1362: 1357: 1356: 1350: 1346: 1342: 1338: 1334: 1330: 1327: 1323: 1322: 1317: 1309: 1304: 1301: 1298:, p. 29. 1297: 1292: 1289: 1285: 1280: 1277: 1274:, p. 47. 1273: 1268: 1265: 1261: 1257: 1253: 1248: 1245: 1241: 1237: 1232: 1229: 1225: 1220: 1217: 1213: 1208: 1205: 1201: 1197: 1193: 1188: 1185: 1181: 1176: 1173: 1169: 1164: 1161: 1157: 1152: 1150: 1146: 1142: 1138: 1133: 1130: 1126: 1121: 1118: 1114: 1110: 1105: 1102: 1097: 1093: 1092: 1087: 1076: 1074: 1070: 1066: 1061: 1058: 1055:, p. 60. 1054: 1049: 1046: 1042: 1038: 1034: 1029: 1026: 1022: 1017: 1015: 1013: 1011: 1007: 999: 994: 991: 987: 983: 978: 975: 971: 966: 963: 959: 954: 952: 948: 944: 939: 937: 935: 933: 929: 925: 920: 918: 914: 907: 902: 894: 888: 885: 881: 876: 874: 870: 866: 862: 861: 856: 846: 843: 832: 831:Village Green 824: 819: 816: 812: 808: 802: 799: 791: 785: 782: 775: 767: 764: 762: 758: 755: 752: 751: 750: 749: 735: 731: 722: 718: 717:Nicky Hopkins 715: 709: 706: 700: 697: 694: 691: 685: 682: 681: 680: 679: 669: 666: 663: 660: 654: 651: 642: 634: 631: 630: 629: 628: 624: 618: 613: 609: 606: 602: 599: 598:Berkeley Mews 595: 592: 588: 585: 581: 578: 574: 571: 567: 563: 560: 556: 553: 549: 546: 542: 541: 540: 539: 532: 528: 525: 521: 518: 514: 511: 505: 504: 498: 494: 491: 487: 484: 480: 477: 476:Richard Berry 473: 469: 468: 467: 466: 462: 461: 460: 459: 455: 453: 446:Track listing 445: 443: 441: 437: 433: 432: 423: 419: 415: 411: 410:Village Green 403: 399: 395: 394:Berkeley Mews 391: 387: 383: 381: 377: 373: 361: 358:The songs on 353: 351: 349: 345: 341: 337: 332: 330: 326: 325: 320: 316: 312: 304: 300: 296: 287: 285: 282:; bandleader 281: 277: 273: 263: 255: 253: 251: 247: 239: 235: 231: 227: 224: 220: 219: 209: 194: 188: 187: 184: 181: 177: 173: 169: 160: 159: 155: 151: 150: 146: 142: 141: 137: 136: 132: 129:US chronology 128: 124: 121: 118: 116: 112: 109: 106: 104: 100: 88: 84: 80: 76: 73: 69: 65: 61: 57: 53: 49: 44: 40: 36: 32: 27: 22: 19: 2309: 2301: 2294: 2287: 2264:Bobby Graham 2260:Clem Cattini 2251:Band members 2230:1965 US tour 2225:1965 UK tour 2206: 2199: 2180: 2172: 2166:Picture Book 2164: 2156: 2148: 2140: 2132: 2124: 2117: 2116: 2108: 2100: 2092: 2086:Compilations 2073: 2065: 2046: 2038: 2030: 2022: 2014: 1995: 1987: 1981:Think Visual 1979: 1971: 1963: 1955: 1947: 1939: 1931: 1923: 1915: 1907: 1899: 1891: 1883: 1875: 1867: 1859: 1851: 1843: 1837:Face to Face 1835: 1827: 1819: 1811: 1803: 1795: 1754:John Gosling 1729: 1722: 1669: 1644: 1617: 1605: 1573: 1569:Miller, Andy 1548: 1533: 1505: 1478: 1450: 1431: 1406: 1380: 1354: 1349:Davies, Dave 1329: 1326: 1303: 1291: 1279: 1267: 1247: 1231: 1224:Fleiner 2017 1219: 1207: 1187: 1175: 1163: 1132: 1120: 1113:Roberts 2014 1104: 1091:The Guardian 1089: 1060: 1048: 1028: 993: 984:, quoted in 977: 965: 887: 858: 845: 830: 823:Johnny Rogan 818: 801: 784: 747: 746: 740:, saxophone 726:; Mellotron 699:Bobby Graham 684:Clem Cattini 677: 676: 626: 625: 622: 537: 536: 457: 456: 449: 429: 421: 409: 385: 384: 359: 357: 339: 336:disc jockeys 333: 322: 288: 265: 246:disc jockeys 217: 216: 215: 179: 156: 148: 147: 138: 18: 2296:Do It Again 2246:Discography 2075:Kwyet Kinks 2043:(1994/1996) 2040:To the Bone 2008:Live albums 1933:Sleepwalker 1813:Kinda Kinks 1769:Ian Gibbons 1764:Jim Rodford 1749:John Dalton 1744:Pete Quaife 1731:Dave Davies 1485:Aurum Press 1341:Pye Records 1308:Miller 2003 1296:Hinman 2004 1284:Miller 2003 1256:Miller 2003 1252:Hinman 2004 1240:Hinman 2004 1200:Hinman 2004 1156:Hasted 2011 1125:Hinman 2004 1109:Hinman 2004 1065:Hinman 2004 1053:Hinman 2004 1041:Hinman 2004 1021:Hinman 2004 986:Davies 1996 958:Hinman 2004 924:Miller 2003 880:Andy Miller 851:2 July 1965 761:liner notes 693:Rasa Davies 662:Pete Quaife 653:Dave Davies 646:; producer 570:Dave Davies 545:David Watts 472:Louie Louie 436:Dave Davies 414:Andy Miller 382:in London. 380:IBC Studios 317:. Musician 307:3 July 1969 223:promotional 43:promotional 2345:Categories 1949:Low Budget 1917:Soap Opera 1805:Kinks-Size 1781:Mark Haley 1774:Bob Henrit 1739:Mick Avory 1724:Ray Davies 1540:. PRO 328. 1483:. London: 1411:. London: 1272:Neill 2000 1226:, chap. 8. 1212:Rogan 1984 1196:Kitts 2008 1141:Kitts 2008 1137:Rogan 1984 1037:Kitts 2008 998:Anon. 2018 970:Rogan 1984 903:References 855:Dick Clark 811:Ray Davies 807:Shel Talmy 790:overdubbed 766:Shel Talmy 668:Mick Avory 633:Ray Davies 490:I Need You 452:Ray Davies 418:overdubbed 372:Shel Talmy 344:mail order 284:Ray Davies 2312:(musical) 1759:Andy Pyle 1712:The Kinks 1512:Routledge 1333:The Kinks 908:Citations 641:Mellotron 627:The Kinks 619:Personnel 272:the Kinks 234:the Kinks 127:The Kinks 66:1964โ€“1968 58:July 1969 48:the Kinks 45:) by 2330:Category 1643:(1984). 1571:(2003). 1532:(1969). 1475:(2013). 1361:Hyperion 1351:(1996). 1096:Archived 857:'s show 732:Unknown 721:melodica 538:Side two 458:Side one 115:Producer 81:, London 63:Recorded 55:Released 1989:UK Jive 1941:Misfits 1821:Kinkdom 1676:Discogs 1538:Reprise 1318:Sources 591:Big Sky 266:In July 176:Singles 162:(1969) 153:(1969) 144:(1969) 108:Reprise 2283:Argent 2185:(2014) 2177:(2012) 2169:(2008) 2161:(2002) 2153:(1987) 2145:(1986) 2137:(1973) 2129:(1972) 2121:(1969) 2113:(1967) 2105:(1966) 2097:(1966) 2078:(1965) 2070:(1964) 2051:(2001) 2035:(1988) 2027:(1980) 2019:(1968) 2000:(1993) 1997:Phobia 1992:(1989) 1984:(1986) 1976:(1984) 1968:(1983) 1960:(1981) 1952:(1979) 1944:(1978) 1936:(1977) 1928:(1975) 1920:(1975) 1912:(1974) 1904:(1973) 1896:(1972) 1888:(1971) 1880:(1971) 1872:(1970) 1864:(1969) 1861:Arthur 1856:(1968) 1848:(1967) 1840:(1966) 1832:(1965) 1816:(1965) 1800:(1964) 1651:  1629:  1589:  1557:  1518:  1491:  1461:  1438:  1419:  1392:  1367:  1084:  1002:  838:  834:'s 827:  794:  431:Arthur 426:  406:  398:B-side 368:  364:  291:  270:1965, 268:  242:  200:  86:Length 71:Studio 41: ( 2289:X-Ray 1877:Percy 1797:Kinks 840:1969. 796:1969. 776:Notes 524:Dandy 440:brass 354:Music 232:band 221:is a 178:from 103:Label 2273:Konk 1649:ISBN 1627:ISBN 1587:ISBN 1555:ISBN 1516:ISBN 1489:ISBN 1459:ISBN 1436:ISBN 1417:ISBN 1390:ISBN 1365:ISBN 605:Days 402:Lola 390:Days 301:and 230:rock 202:1969 77:and 2059:EPs 1674:at 1579:33โ…“ 1337:BMG 849:On 809:or 568:" ( 474:" ( 331:". 313:in 120:Pye 79:IBC 75:Pye 2347:: 2266:, 2262:, 2258:: 1625:. 1604:. 1585:. 1577:. 1514:. 1487:. 1457:. 1415:. 1388:. 1363:. 1339:, 1335:. 1148:^ 1094:. 1088:. 1072:^ 1009:^ 950:^ 931:^ 916:^ 872:^ 639:; 350:. 236:. 95:30 91:37 1704:e 1697:t 1690:v 1657:. 1635:. 1595:. 1563:. 1524:. 1497:. 1467:. 1444:. 1425:. 1398:. 1373:. 945:. 813:. 610:" 603:" 596:" 589:" 582:" 575:" 564:" 557:" 550:" 543:" 529:" 522:" 515:" 508:" 499:" 495:" 492:" 488:" 485:" 481:" 478:) 470:" 195:" 191:" 93::

Index


Compilation album
promotional
the Kinks
Pye
IBC
Label
Reprise
Producer
Pye
The Kinks
The Kinks Are the Village Green Preservation Society
Arthur (Or the Decline and Fall of the British Empire)
Singles
The Village Green Preservation Society
promotional
compilation album
rock
the Kinks
Reprise Records
disc jockeys
their four-year ban
The Kinks' 1965 US tour ยง Ban
the Kinks
American Federation of Musicians
the band's first US tour
Ray Davies
a return tour of America
Reprise Records
Warner Bros. Records

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