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He studied music in
Hamburg and in Paris, in the latter city from 1841 until 1843. Soon after his return to Germany he became known as a writer on musical topics, especially as a contributor to
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26:– 27 December 1871, New York City) was a writer on musical topics in Germany and the United States. He was a member of the local
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which was at the end of about six months consolidated with another journal under the title of
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in
Hamburg, Germany and took part in the publication and distribution of the
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This article incorporates text from a publication now in the
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Collected Works of Karl Marx and
Frederick Engels: Volume 38
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He came to New York in 1854, and assumed the editorship of
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Emigrants from the Free and
Hanseatic City of Hamburg
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Neue
Rheinische Zeitung Politisch-ökonomische Revue
198:This United States musical biography article is a
95:(International Publishers: New York, 1982) p. 655.
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143:Appletons' Cyclopædia of American Biography
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115:Grove's dictionary of music and musicians
109:Fuller-Maitland, John Alexander (1922).
52:. Also in Germany, he wrote two books,
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56:(Civilization and Music; 1845) and
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319:American music biography stubs
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69:The Musical Review and Gazette
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264:American writers about music
202:. You can help Knowledge by
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117:. Vol. 6. p. 24.
49:Neue Zeitschrift für Musik
289:American male journalists
146:. New York: D. Appleton.
60:(Musical Novels; 1848).
137:"Hagen, Theodore"
158:Theodor Hagen (1848).
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