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1117:, who was a first-rate swordswoman and often went about disguised as a man. Originally, the story was to be about the historical La Maupin, who set fire to a convent for the love of another woman, but later retired to a convent herself, shortly before dying in her thirties. Gautier instead turned the plot into a simple love triangle between a man, d'Albert, and his mistress, Rosette, who both fall in love with Madelaine de Maupin, who is disguised as a man named Théodore. The message behind Gautier's version of the infamous legend is the fundamental pessimism about the human identity, and perhaps the entire Romantic age. The novel consists of seventeen chapters, most in the form of letters written by d'Albert or Madelaine. Most critics focus on the preface of the novel, which preached about
939:. In this work, Gautier focuses on the theme of death, which for Gautier is a terrifying, stifling and irreversible finality. Unlike many Romantics before him, Gautier's vision of death is solemn and portentous, proclaiming death as the definitive escape from life's torture. During the time he wrote the work, Gautier was frequenting many cemeteries, which were then expanding rapidly to accommodate the many deaths from epidemics that swept the country. Gautier translates death into a curiously heady, voluptuous, almost exhilarating experience which diverts him momentarily from the gruesome reality and conveys his urgent plea for light over darkness, life over death. Several of these poems have been set as melodies by composers such as Berlioz, Bizet, Fauré, and Duparc.
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957:("Enamels and Cameos", 1852), published when Gautier was touring the Middle East, is considered his supreme poetic achievement. The title reflects Gautier's abandonment of the romantic ambition to create a kind of "total" art involving the emotional participation of the reader, in favour of a more modern approach focusing on the poetic composition's form and a more objective engagement with content. Originally a collection of 18 poems in 1852, its final edition (1872) contains 48 poems. (Translated into English by Sunny Lou Publishing, ISBN 978-1-95539-232-7, 2022.)
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1169:(1863) This book was promised to the public in 1836 but was finally published in 1863. The novel represents a different era and is a project that Gautier had wanted to complete earlier in his youth. It is centered on a soldier named Fracasse whose adventures portray bouts of chivalry, courage and a sense of adventure. Gautier places the story in his favourite historical era, that of
2140:
689:, Gautier wrote both to inform the public and to influence its choices. His role at the newspaper was equivalent to the modern book or theatre reviewer. He also reviewed music, without technical terminology but with intelligence and insight, for instance into the work of his friend Berlioz, who set six of his poems (c. 1840) as
994:, many theatres were closed down and therefore plays were scarce. Most of the plays that dominated the mid-century were written by playwrights who insisted on conformity and conventional formulas and catered to cautious middle-class audiences. As a result, most of Gautier's plays were never published or reluctantly accepted.
947:(1845) is usually considered the transitional volume between the two phases of Gautier's poetic career. Inspired by the author's summer 1840 visit to Spain, the 43 miscellaneous poems in the collection cover topics including the Spanish language and aspects of Spanish culture and traditions such as music and dance.
460:
661:. He saw journalistic criticism as a means to a middle-class standard of living. The income was adequate and he had ample opportunities to travel. Gautier began contributing art criticism to obscure journals as early as 1831. It was not until 1836 that he experienced a jump in his career when he was hired by
859:
In many of
Gautier's works, the subject is less important than the pleasure of telling the story. He favoured a provocative yet refined style. This list links each year of publication with its corresponding " in poetry" article, for poetry, or " in literature" article for other works):
1038:, a type of drama popular in the 14th century. These plays were usually performed in churches because they were religious in nature. In Gautier's play, God cheats a bit to win a bet with Satan. The play is humorous and preaches both in favour and against human love.
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is a parody of
Romantic literature, especially of tales of the macabre and the supernatural. The poem tells the story of an ugly witch who magically transforms at midnight into an alluring young woman. Albertus, the hero, falls deeply in love and agrees to sell his
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He was tall and robust; his hair was a wayward flood; his eyes were blue and victorious. He was the image of Young France. His strength was proverbial; he outdid Dante; he swam from
Marseilles to the Chateau d’If, and then swam back. women fell in love with him at
520:, the most influential critic of the day, set the seal of approval on the poet by devoting no less than three major articles in 1863 to reviews of Gautier's entire published works. In 1865, Gautier was admitted into the prestigious salon of Princess
1044:(1845; "The Magic Hat") is a play set in the 17th century. The plot involves an old man named Géronte who wishes to marry a beautiful woman who is in love with another man. After much scheming, the old man is duped and the lovers are married.
410:, which also gave him the opportunity for foreign travel and for meeting many influential contacts in high society and the world of the arts. Throughout his life, Gautier was well-travelled, taking trips to Spain, Italy, Russia, Egypt and
296:
département (southwestern France). His father was Jean-Pierre
Gautier, a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient
356:, Gautier's family experienced hardship and was forced to move to the outskirts of Paris. Deciding to experiment with his own independence and freedom, Gautier chose to stay with friends in the Doyenné district of Paris.
882:. Another edition in 1845 included revisions of some of the poems. The poems are written in a wide variety of verse forms and show that Gautier attempts to imitate other, more established Romantic poets such as
965:(1872) is a collection of poems that range from earlier pieces to unfinished fragments composed shortly before Gautier's death. This collection is dominated by numerous sonnets dedicated to many of his friends.
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Despite his attraction to "mystery, legend, tradition, the picturesque and the imaginative," and the occasional "excursion into the realms of the beyond," Gautier did not practice any established religion.
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is the superior genre, Gautier was later willing to accept comedy as the equal of tragedy. Taking it a step further, he suggested that the nature of the theatrical effect should be in favour of creating
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828:, considered by some to be the most significant writer about dance in the 20th century, claimed Gautier to be a great dance writer. Through his authorship of the scenario of the ballet
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by 1907. An absurdist, decadent, and
Orientalist fantasy story that takes place in Paris and revolves around the mysterious man Fortunio, raised in India, and his French love Musidora.
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770:, he made a clear distinction between prose and poetry, stating that prose should never be considered the equal of poetry. The bulk of Gautier's criticism, however, was journalistic.
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presented a reconstruction of the work as close to its narrative and choreographic sources as possible, based on archival materials dating back to 1842, the year after its premiere.
471:, he celebrated the advent of the new republic and the onward march of individual liberty. Gautier experienced a prominent time in his life when the original romantics such as Hugo,
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is considered by many as being some of the best from the nineteenth century; often written in a personal style, it provides a window into
Gautier's own tastes in art and culture.
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738:'s idea that the critic should have the ability to describe the art such that the reader might "see" the art through his description. In 1862 he was elected chairman of the
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The majority of
Gautier's career was spent writing a weekly column of theatrical criticism. He suggested that the normal five acts of a play could be reduced to three: an
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on 1 March. As with many other
Gautier plays, the drama was not performed in his lifetime. It takes place in the 18th century, before the social misery that preceded the
566:, Gautier made his way back to Paris upon hearing of the Prussian advance on the capital. He remained with his family throughout the invasion and the aftermath of the
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Gautier did not consider himself to be a dramatist but more of a poet and storyteller. His plays were limited because of the time in which he lived; during the
832:, one of the foundation works of the dance repertoire, his influence remains as great among choreographers and dancers as among critics and devotees of ballet.
43:
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2026:
447:, was the great love of his life. When Carlotta rebuffed him, he began a long-term relationship and had two daughters with her sister Ernestina, a singer.
499:, finding the burden of regular journalism quite unbearable and "humiliating". Nevertheless, Gautier acquired the editorship of the influential review
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Absorbed by the 1848 Revolution, Gautier wrote almost one hundred articles, equivalent to four large books, within nine months in 1848. In his essay
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in Paris, which he attended for three months before being brought home due to illness. Although he completed the remainder of his education at
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1034:(1839) ("The Devil's Tear") was written shortly after Gautier's trip to Belgium in 1836. The work is considered an imitation of a medieval
874:, published in 1830, is a collection of 42 poems that Gautier composed at the age of 18. However, as the publication took place during the
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878:, no copies were sold and it was eventually withdrawn. In 1832, the collection was reissued with 20 additional poems under the name
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Gautier began writing poetry as early as 1826, but the majority of his life was spent as a contributor to various journals, mainly
532:. The Princess offered Gautier a sinecure as her librarian in 1868, a position that gave him access to the court of Napoleon III.
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437:(one who yields or abandons himself to something) of the Romantic Ballet, writing several scenarios, the most famous of which is
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Two poems from "Émaux et camées"—"Sur les lagunes" and the second of two titled "Études de Mains"—are featured in Oscar Wilde's
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915:("The Jeunes-France: Tales Told with Tongue in Cheek"), published in 1833, was a satire of Romanticism. In 1831, the newspaper
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The young
Gautier's appearance was "flamboyant…defying conventionality by his flowing hair and far-famed scarlet waistcoat."
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339:, by then already a leading dramatist. Hugo became a major influence on Gautier. It was at the legendary premiere of Hugo's
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228:, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as
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1113:(1835) In September 1833, Gautier was solicited to write a historical romance based on the life of French opera star
570:, eventually dying at the age of 61 on 23 October 1872 due to a long-standing cardiac disease. He is interred at the
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were no longer actively participating in the literary world. His prestige was confirmed by his role as director of
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898:, written in 1831 and published in 1832, is a long narrative poem of 122 stanzas, each consisting of 12 lines of
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1934:
Henry, Freeman G. (1994). "A Case of
Questionable Motives: Théophile Gautier and 'La Gazette des Femmes',"
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1173:. It is best described as a typical cloak-and-dagger fairy tale where everyone lives happily ever after.
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was key to the revival of attention to his work. Gautier was the first critic to recognize the work of
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1188:(1836) Classic tale of the supernatural in which a priest receives nocturnal visitations from a female
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1082:, popular in France since the 16th century. It involves a typical triangle and ends happily ever after.
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and expresses Gautier's opinion that a woman must be a source of pleasure for man or frozen into art.
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1993:
Nelson, Hilda (1972). "Théophile Gautier: The Invisible and Impalpable World: A Demi-Conviction,"
890:, and Hugo, before Gautier eventually found his own way by becoming a critic of Romantic excesses.
363:
Gautier with Ernestina Grisi and their daughters Estelle and Judith. Photograph taken around 1857.
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featured a number of works by the young generation of Romantic artists and published them in the
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1270:, the main character Peter Whiffle cites Gautier as a great influence and writer, among others.
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1662:"Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr
720:(outcast poet) to characterize his outsider poetics. Baudelaire dedicated his collected poems,
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1050:(1846) ("The False Conversion") is a satirical play written in prose. It was published in the
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Gautier started as a painter and later turned to art criticism. He was strongly committed to
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1962:. London: Quartet Books; reprinted by the New York Review of Books, "NYRB Classics" (2008).
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The 1860s were years of assured literary fame for Gautier. Although he was rejected by the
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and the two became lifelong friends. It is through Nerval that Gautier was introduced to
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1965:
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902:(12-syllable) verse, except for the last line of each stanza, which is octosyllabic.
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633:. From a subsequent relationship with the singer Ernesta Grisi (sister of the dancer
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Between the years 1839 and 1850, Gautier wrote all or part of nine different plays:
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Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
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1981:
Theophile Gautier, Orator to the Artists. Art Journalism in the Second Republic.
1941:
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708:, some of whom were also his friends. His essay on 15th-century French poet
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Egyptomania: Our Three Thousand Year Obsession with the Land of the Pharaohs
1635:
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Six Drawings Illustrating Théophile Gautier's Romance Mademoiselle de Maupin
298:
241:
1245:. Dorian reads them out of the book shortly after Basil Hallward's murder.
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1823:
Gautier, Théophile; F.C. de Sumichrast, trans., ed., introduction (1912),
799:
rather than portraying reality because realistic theatre was undesirable.
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2034:
Schick, Joseph S. (1933). "William Cullen Bryant and Théophile Gautier,"
2019:
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1204:(1882) Collection of six of his short stories in English translation by
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Spink, Gerald W. (1960). "Théophile Gautier's Architectural Tastes,"
1927:
Hartman, Elwood (1973). "Théophile Gautier on Progress in the Arts,"
371:(The Little Upper Room), a group of artists who met in the studio of
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1841:, Volume VIII, New York: Dodd, Mead and Company, pp. 161–162.
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414:. Gautier's many travels inspired many of his writings including
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1854:
Saltus, Edgar Everett (1887). "Introduction" (pp. 9–30) to
1429:(complete) | first performance of comedy "Le Tricorne Enchanté".
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Towards the end of 1830, Gautier began to frequent meetings of
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1857:
Tales Before Supper from Théophile Gautier and Prosper Mérimée
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In 1873, A. Lemerre published a collection of memorial poems,
345:
that Gautier is remembered for wearing his anachronistic red
2061:
Spencer, Michael (1968). "Théophile Gautier, Music Critic,"
1533:
Histoire de l’Art Dramatique en France depuis Vingt-cinq Ans
742:(National Society of Fine Arts) with a board which included
653:
Gautier spent the majority of his career as a journalist at
609:
Portrait of Théophile Gautier, by Auguste de Châtillon, 1839
403:
soon gained a reputation for extravagance and eccentricity.
188:
176:
1569:| Gautier preferred to keep that satirical work anonymous.
673:, however, Gautier also contributed nearly 70 articles to
539:, he was surrounded by a committee of important painters:
1986:
Nebel, Cecile (1997). "Théophile Gautier and the Wilis,"
185:
173:
1016:(1847) — written less by Gautier than his collaborators.
620:, Gautier was dashing, athletic, amorous, and mercurial:
375:. The group was a more irresponsible version of Hugo's
324:, Gautier's most significant instruction, including in
2280:
One of Cleopatra's Nights and Other Fantastic Romances
1860:, translated by Myndart Verelst, New York: Brentano's.
1201:
One of Cleopatra's Nights and Other Fantastic Romances
503:
in 1856. It is in this review that Gautier publicized
1435:: first performance of the comedy "Pierrot Posthume".
197:
1976:
New York: Charles Scribner's Sons, pp. 264–272.
1135:
in 1837; published as a book in 1838. Translated as
1121:
through its dictum that "everything useful is ugly".
456:
Théophile Gautier and Marie Favart in Roman costumes
244:. He was widely esteemed by writers as disparate as
182:
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109:
95:
78:
56:
34:
935:), published in 1838, is a period piece much like
491:from 1851 to 1856. During this time, Gautier left
2030:. Vol. 11 (11th ed.). pp. 536–537.
1912:Pretexts: Reflections on Literature and Morality.
316:Gautier's education commenced at the prestigious
1920:(1987). "Théophile Gautier on Spanish Dancing,"
696:Later in life, he wrote extensive monographs on
629:From an affair with Eugénie Fort, he had a son,
2053:"The Brief-Narrative Art of Théophile Gautier,"
217:, dramatist, novelist, journalist, and art and
27:French poet, dramatist and novelist (1811–1872)
4938:Writers of historical fiction set in antiquity
4918:Writers from Occitania (administrative region)
4888:19th-century French dramatists and playwrights
1756:(English ed.). Little, Brown, and Company
1543:Trésors d’Art de la Russie Ancienne et Moderne
2420:
2180:
2011:London: Percival & Co., pp. 225–262.
1219:The travels of Théophile Gautier – 4 Volumes.
8:
1952:London: Macmillan & Co., pp. 39–71.
1808:Gautier, Théophile; Ivor Guest, ed. (2008).
1641:Random House Webster's Unabridged Dictionary
571:
99:
1323:: published articles which will later form
1095:The fictional Mademoiselle de Maupin, from
1022:(1847) — Gautier's authorship is uncertain.
3630:
2763:
2427:
2413:
2405:
2187:
2173:
2165:
1914:New York: Meridan Books, pp. 251–254.
213:; 30 August 1811 – 23 October 1872) was a
42:
31:
458:, 1861, a study for Boulanger's painting
443:, whose first interpreter, the ballerina
2161:, with 304 library catalogue records
2103:Works by Pierre Jules Théophile Gauthier
1958:(ed./trans.); Théophile Gautier (1976).
1887:"Laurence Sterne and Théophile Gautier,"
1732:. New York, St. Martin's Press, 2013.
1628:
1225:The travels of Théophile Gautier Vol 4
1830:, Boston: Little, Brown & Company.
1675:The Art Criticism of Theophile Gautier
288:Gautier was born on 30 August 1811 in
4774:Romanticism and the French Revolution
2150:Internet Speculative Fiction Database
1849:Théophile Gautier: His Life and Times
854:Category:Ballets by Théophile Gautier
379:. Among its members were the artists
208:
7:
1833:Gilman, Daniel Coit, editor (1902).
1797:. Boston, Mass.: Twayne Publishers.
1782:. New Haven: Yale University Press.
1656:
1654:
1652:
1650:
1315:Les Jeunes France, Romans Goguenards
665:as an art and theatre columnist for
331:While at school, Gautier befriended
2113:Works by or about Théophile Gautier
1938:Vol. 22, No. 3/4, pp. 431–438.
1295:Le Mercure de France au XIXe siècle
535:Elected in 1862 as chairman of the
509:doctrines through many editorials.
2058:Vol. 14, No. 11, pp. 647–664.
1936:Nineteenth-Century French Studies,
1673:Spencer, Michael Clifford (1969).
1597:Tableaux de Siège: Paris 1870–1871
48:Théophile Gautier photographed by
25:
2072:Vol. 55, No. 3, pp. 345–350.
2048:Vol. 20, No. 2, pp. 167–174.
2038:Vol. 17, No. 4, pp. 260–267.
1997:Vol. 45, No. 4, pp. 819–830.
1931:Vol. 12, No. 2, pp. 530–550.
1910:(1959). "Théophile Gautier." In:
1892:Vol. 16, No. 4, pp. 205–212.
1826:The Romances of Théophile Gautier
790:. Having abandoned the idea that
308:Portrait of Théophile Gautier by
4933:19th-century French male writers
4827:
4826:
2391:
2390:
2138:
1863:Tennant, Phillip Ernest (1975).
1692:, Paris : A. Lemerre, 1873.
971:
740:Société Nationale des Beaux-Arts
685:, the official newspaper of the
537:Société Nationale des Beaux-Arts
516:three times (1867, 1868, 1869),
169:
148:
4923:19th-century French journalists
1924:Vol. 10, No. 1, pp. 1–104.
1689:Le Tombeau de Théophile Gautier
583:Le Tombeau de Théophile Gautier
4948:Burials at Montmartre Cemetery
2065:Vol. 49, No. 1, pp. 4–17.
1839:New International Encyclopedia
1347:" under the title "El Dorado".
1192:. Reprinted by Valde Books as
553:Albert-Ernest Carrier-Belleuse
473:François-René de Chateaubriand
159:Pierre Jules Théophile Gautier
1:
4878:19th-century French novelists
4797:Wanderer above the Sea of Fog
2041:Shanks, Lewis Piaget (1912).
1867:. London: the Athlone Press.
1677:. Librairie Droz. p. 44.
1255:are based on Gautier's novel
518:Charles-Augustin Sainte-Beuve
2075:Theophile Gautier's book on
2036:The Modern Language Journal,
1014:Regardez mais ne touchez pas
495:and became a journalist for
224:While an ardent defender of
210:[pjɛʁʒylteɔfilɡotje]
4943:Lycée Louis-le-Grand alumni
4898:French historical novelists
2137:(public domain audiobooks)
2070:The Modern Language Review,
2009:Essays on French Novelists.
1990:Vol. 39/40, pp. 89–99.
1950:French Poets and Novelists.
616:In his youth, according to
4969:
4714:Coleridge's theory of life
2131:Works by Théophile Gautier
2122:Works by Théophile Gautier
2094:Works by Théophile Gautier
2051:Smith, Horatio E. (1917).
2021:"Gautier, Théophile"
1750:Gautier, Theodore (1912).
1485:: premiere of the ballet,
1441:: premiere of the ballet,
1397:: premiere of the ballet,
1242:The Picture of Dorian Gray
1072:(1847) is a brief comedic
1026:L’Amour souffle où il veut
851:
420:Trésors d’Art de la Russie
4908:19th-century French poets
4883:French ballet librettists
4806:
4769:Romanticism and economics
2784:Manuel Antônio de Almeida
2388:
2271:One of Cleopatra's Nights
1988:Dalhousie French Studies,
1970:"Gautier the Journalist."
1780:Dance Writings and Poetry
756:Pierre Puvis de Chavannes
637:), he had two daughters,
545:Pierre Puvis de Chavannes
469:La République de l'avenir
433:Gautier was a celebrated
147:
41:
2549:German historical school
1904:London: T. Fisher Unwin.
1851:. London: Max Reinhardt.
1567:De Profundis Morpionibus
1499:Les Beaux-Arts en Europe
1076:inspired by the Italian
837:Pacific Northwest Ballet
352:In the aftermath of the
328:, came from his father.
4928:French male journalists
4903:French literary critics
3196:Józef Ignacy Kraszewski
2352:Théophile Gautier, fils
2027:Encyclopædia Britannica
1974:The Pathos of Distance.
1929:Studies in Romanticism,
1812:. London: Dance Books.
1793:Grant, Richard (1975).
1228:Travels in Russia Vol 1
1008:La Juive de Constantine
631:Théophile Gautier, fils
574:Cimetière de Montmartre
113:Writer, poet, painter,
102:Cimetière de Montmartre
60:Jules Théophile Gautier
4913:French theatre critics
4893:French fantasy writers
4779:Romanticism in science
4734:Middle Ages in history
4729:List of Romantic poets
3441:Josiah Gilbert Holland
2089:Gautier's Love of Cats
1979:Kearns, James (2007).
1615:Histoire du Romantisme
1413:| premiere of ballet,
1335:Mademoiselle de Maupin
1147:The Romance of a Mummy
1110:Mademoiselle de Maupin
1104:
1028:(1850) — not completed
816:
627:
610:
572:
464:
364:
318:Collège Louis-le-Grand
313:
100:
4749:Romantic epistemology
4739:Opium and Romanticism
3308:Stojadinović-Srpkinja
2534:Counter-Enlightenment
2005:"Théophile Gauthier."
1946:"Theophile Gauthier."
1885:Barton, F.B. (1918).
1778:Denby, Edwin (1998).
1719:Gautier (1912), p. 5.
1366:La Comédie de la Mort
1253:Tableaux Symphoniques
1157:, which features the
1145:(1858) Translated as
1129:(1837) Serialized in
1126:Eldorado, ou Fortunio
1094:
1052:Revue des Deux Mondes
928:La Comédie de la Mort
888:Alphonse de Lamartine
809:, his great love, as
805:
683:Le Moniteur universel
669:. During his time at
659:Le Moniteur universel
641:and Estelle Gautier.
622:
608:
497:Le Moniteur universel
477:Alphonse de Lamartine
453:
385:Alexandre Dumas, père
362:
307:
4813:Age of Enlightenment
2455:England (literature)
2063:Music & Letters,
2043:"Théophile Gautier,"
1553:Le Captaine Fracasse
1519:Le Roman de la Momie
1257:Le Roman de la Momie
1143:Le Roman de La Momie
1060:La Fausse Conversion
1048:La Fausse Conversion
1042:Le Tricorne enchanté
1002:Un Voyage en Espagne
824:The American writer
4764:Romantic psychology
2559:Hudson River School
2503:Sweden (literature)
2488:Russia (literature)
2159:Library of Congress
2046:The Sewanee Review,
1835:Gautier, Théophile"
1377:Une Larme du Diable
1293:: first article in
1274:Chronology of works
1032:Une Larme du diable
716:, coining the term
597:, and many others.
564:Franco-Prussian War
454:Gustave Boulanger,
322:Collège Charlemagne
310:Théodore Chassériau
4868:People from Tarbes
2749:White Mountain art
2690:Historical fiction
2498:Spain (literature)
2379:Art for art's sake
2253:La Morte Amoureuse
2016:Saintsbury, George
2001:Saintsbury, George
1995:The French Review,
1901:Théophile Gautier.
1845:Richardson, Joanna
1710:Saltus, pp. 11-12.
1459:Caprices et Zigzag
1355:La Morte Amoureuse
1235:Gautier in fiction
1185:La Morte Amoureuse
1119:art for art's sake
1105:
1079:Commedia dell'arte
1020:Pierrot en Espagne
992:Revolution of 1848
817:
768:literary criticism
762:Literary criticism
611:
595:Algernon Swinburne
585:, with homages by
522:Mathilde Bonaparte
506:Art for art's sake
465:
426:(1867). Gautier's
365:
314:
4853:Théophile Gautier
4840:
4839:
4754:Romantic medicine
4724:List of romantics
4163:
4162:
3814:Felix Mendelssohn
3809:Fanny Mendelssohn
3620:
3619:
3334:Rosalía de Castro
3272:Soares dos Passos
2620:Transcendentalism
2584:Nazarene movement
2544:Düsseldorf School
2402:
2401:
2196:Théophile Gautier
2155:Théophile Gautier
2146:Théophile Gautier
2098:Project Gutenberg
2056:Modern Philology,
1890:Modern Philology,
1865:Théophile Gautier
1795:Théophile Gautier
1753:Travels in Russia
1455:Un Trio de Romans
1411:Voyage en Espagne
1056:French Revolution
962:Dernières Poésies
912:Les Jeunes-France
774:Theatre criticism
723:Les Fleurs du mal
663:Émile de Girardin
428:travel literature
416:Voyage en Espagne
397:Philothée O’Neddy
373:Jehan Du Seigneur
312:(Musée du Louvre)
254:Goncourt brothers
156:
155:
135:Years active
121:Literary movement
89:Neuilly-sur-Seine
36:Théophile Gautier
18:Theophile Gautier
16:(Redirected from
4960:
4953:Le Figaro people
4830:
4829:
4789:Evolution theory
3631:
2764:
2625:Ukrainian school
2429:
2422:
2415:
2406:
2394:
2393:
2381:
2363:
2355:
2336:
2326:
2305:
2284:
2274:
2265:
2262:The Mummy's Foot
2256:
2236:
2232:Captain Fracasse
2226:
2216:
2189:
2182:
2175:
2166:
2142:
2141:
2117:Internet Archive
2031:
2023:
1983:London: Legenda.
1922:Dance Chronicle,
1810:Gautier on Dance
1766:
1765:
1763:
1761:
1747:
1741:
1726:
1720:
1717:
1711:
1708:
1702:
1699:
1693:
1685:
1679:
1678:
1670:
1664:
1658:
1645:
1633:
1587:Voyage en Russie
1557:Romans et Contes
1523:Honoré de Balzac
1388:Le Pied de Momie
1268:Carl Van Vechten
1166:Captain Fracasse
1151:historical novel
1101:Aubrey Beardsley
1070:Pierrot Posthume
981:
976:
975:
744:Eugène Delacroix
698:Gérard de Nerval
677:. After leaving
577:
541:Eugène Delacroix
485:Alfred de Musset
424:Voyage en Russie
401:Le Petit Cénacle
381:Gérard de Nerval
369:Le Petit Cénacle
333:Gérard de Nerval
212:
207:
201:
195:
194:
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190:
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85:
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66:
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4962:
4961:
4959:
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4957:
4843:
4842:
4841:
4836:
4835:
4824:
4816:
4802:
4759:Romantic poetry
4744:Romantic ballet
4719:German idealism
4702:
4668:Lacoue-Labarthe
4594:
4341:
4159:
4108:
4077:
4058:Rimsky-Korsakov
4001:
3950:
3899:
3858:
3767:
3711:
3675:
3616:
3465:
3409:
3358:
3317:
3276:
3230:
3172:
3113:Maria Edgeworth
3049:
3042:
2921:
2843:
2753:
2732:Romantic genius
2662:Gesamtkunstwerk
2639:
2600:Sturm und Drang
2507:
2438:
2433:
2403:
2398:
2384:
2377:
2366:
2358:
2350:
2339:
2329:
2319:
2308:
2301:Émaux et Camées
2298:
2287:
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2259:
2250:
2239:
2229:
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2209:
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2193:
2139:
2085:
2014:
1956:Holmes, Richard
1896:Du Camp, Maxime
1882:
1880:Further reading
1775:
1770:
1769:
1759:
1757:
1749:
1748:
1744:
1727:
1723:
1718:
1714:
1709:
1705:
1701:Gilman, p. 160.
1700:
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1672:
1671:
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1634:
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1607:Emaux et Camées
1463:Emaux et Camées
1276:
1237:
1215:
1180:
1159:Biblical Exodus
1089:
988:
977:
970:
953:Émaux et Camées
876:July Revolution
866:
856:
845:
822:
820:Dance criticism
776:
764:
732:
710:François Villon
691:Les Nuits d'été
651:
603:
481:Alfred de Vigny
354:1830 Revolution
294:Hautes-Pyrénées
286:
219:literary critic
205:
199:
172:
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82:23 October 1872
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4873:Occitan people
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4707:Related topics
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2668:Gothic fiction
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2244:Short fiction
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1829:
1828:, Volume Five
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1577:Loin de Paris
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1509:L’Art Moderne
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1343:: published "
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1264:Peter Whiffle
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1178:Short stories
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1155:Ancient Egypt
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979:Poetry portal
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769:
766:In Gautier's
761:
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757:
753:
749:
748:Édouard Manet
745:
741:
737:
736:Denis Diderot
730:Art criticism
729:
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714:Paul Verlaine
711:
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687:Second Empire
684:
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657:and later at
656:
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601:Personal life
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4515:Porto-Alegre
4169:Philosophers
4053:Rachmaninoff
3502:Chavchavadze
3492:Baratashvili
3252:João de Deus
3221:Wincenty Pol
3013:Küchelbecker
2876:
2741:
2707:Noble savage
2694:
2660:
2635:Wallenrodism
2612:
2598:
2529:Coppet group
2463:(literature)
2330:
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1973:
1959:
1949:
1942:James, Henry
1935:
1928:
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1911:
1900:
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1794:
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1758:. Retrieved
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1115:Mlle. Maupin
1109:
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879:
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847:
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834:
823:
810:
784:complication
777:
765:
752:Gustave Doré
733:
721:
718:poète maudit
717:
695:
690:
682:
681:to work for
678:
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658:
654:
652:
643:
628:
623:
618:Edgar Saltus
615:
612:
582:
580:
561:
557:Gustave Doré
534:
526:Napoleon III
524:, cousin of
511:
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419:
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389:Petrus Borel
376:
368:
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351:
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330:
315:
287:
223:
158:
157:
84:(1872-10-23)
29:
4863:1872 deaths
4858:1811 births
4505:Michałowski
4337:Wackenroder
4302:F. Schlegel
4297:A. Schlegel
4073:Tchaikovsky
3962:Bortkiewicz
3834:R. Schumann
3829:C. Schumann
3794:Kalkbrenner
3763:Saint-Saëns
3068:Anne Brontë
2953:Eichendorff
2938:B. v. Arnim
2933:A. v. Arnim
2743:Weltschmerz
2702:Medievalism
2651:Blue flower
2579:Nationalist
2524:Bohemianism
2436:Romanticism
2126:Hathi Trust
1918:Guest, Ivor
1908:Gide, André
1740:(pp. 174–5)
1728:Bob Brier,
1660:See :
1149:in 1863. A
900:alexandrine
826:Edwin Denby
591:Victor Hugo
562:During the
337:Victor Hugo
226:Romanticism
215:French poet
129:Romanticism
4847:Categories
4380:Chassériau
4355:Aivazovsky
4063:Rubinstein
4048:Mussorgsky
3997:Wieniawski
3982:Paderewski
3824:Moszkowski
3607:Vörösmarty
3597:Shevchenko
3451:Longfellow
3375:Batyushkov
3370:Baratynsky
3339:Espronceda
3206:Mickiewicz
3201:Malczewski
3168:Wordsworth
3153:M. Shelley
3108:de Quincey
2973:Günderrode
2857:Baudelaire
2737:Wanderlust
2574:Lake Poets
2362:(daughter)
2107:Faded Page
1960:My Fantoms
1623:References
1444:Pâquerette
1194:Clarimonde
1171:Louis XIII
1062:is highly
852:See also:
788:dénouement
780:exposition
706:Baudelaire
578:in Paris.
301:district.
250:Baudelaire
115:art critic
110:Occupation
65:1811-08-30
4820:Modernism
4480:Kiprensky
4440:Géricault
4425:Friedrich
4415:Delacroix
4390:Constable
4370:Bonington
4360:Bierstadt
4312:Senancour
4287:Schelling
4242:Lamennais
4237:Khomyakov
4202:Coleridge
4197:Chaadayev
4104:Stanković
4099:Mokranjac
4018:Balakirev
3977:Moniuszko
3926:Donizetti
3921:Cherubini
3819:Meyerbeer
3804:Marschner
3779:Beethoven
3692:Moscheles
3626:Musicians
3612:Wergeland
3577:Orbeliani
3532:Grundtvig
3436:Hawthorne
3405:Zhukovsky
3400:Vyazemsky
3385:Lermontov
3344:Gutiérrez
3303:Radičević
3267:Herculano
3191:Krasiński
3133:Radcliffe
3103:Coleridge
3078:E. Brontë
3073:C. Brontë
3003:Jean Paul
2998:Hölderlin
2887:Lamartine
2824:Magalhães
2814:Guimarães
2722:Pantheism
2712:Nostalgia
2564:Indianism
2512:Movements
2443:Countries
1760:1 October
1636:"Gautier"
1287:(Vol. I).
1132:Le Figaro
917:Le Figaro
835:In 2011,
679:La Presse
675:Le Figaro
671:La Presse
667:La Presse
655:La Presse
649:Criticism
530:Bonaparte
501:L’Artiste
493:La Presse
435:abandonné
408:La Presse
242:Modernism
238:Decadence
234:Symbolism
143:Signature
138:1826−1872
4832:Category
4648:Dahlhaus
4633:Blanning
4600:Scholars
4570:Tropinin
4565:Tidemand
4555:Stattler
4550:Scheffer
4450:Głowacki
4420:Edelfelt
4375:Bryullov
4317:Snellman
4292:Schiller
4282:Rousseau
4262:Michelet
4207:Constant
4177:Belinsky
4150:Sibelius
4094:Konjović
4068:Scriabin
4038:Lyapunov
3972:Lipiński
3941:Spontini
3931:Paganini
3875:Goldmark
3666:Thalberg
3661:Schubert
3641:Bruckner
3602:Topelius
3592:Runeberg
3582:Prešeren
3552:Leopardi
3517:Frashëri
3507:Eminescu
3487:Andersen
3395:Tyutchev
3380:Karamzin
3354:Zorrilla
3349:Saavedra
3247:Castilho
3235:Portugal
3226:Słowacki
3128:Polidori
3058:Barbauld
2993:Hoffmann
2948:Brentano
2862:Bertrand
2683:Romantic
2519:Ancients
2493:Scotland
2396:Category
2313:Libretti
2273:" (1838)
2264:" (1840)
2255:" (1836)
2212:Fortunio
2135:LibriVox
2109:(Canada)
2018:(1911).
2003:(1891).
1968:(1921).
1944:(1878).
1898:(1893).
1847:(1958).
1345:Fortunio
1305:Albertus
1137:Fortunio
937:Albertus
904:Albertus
895:Albertus
880:Albertus
786:, and a
726:to him.
418:(1843),
258:Flaubert
91:, France
74:, France
4673:Lovejoy
4608:Abraham
4530:Richard
4520:Préault
4445:Girodet
4327:Thoreau
4272:Novalis
4257:Mazzini
4252:Maistre
4227:Hazlitt
4212:Emerson
4192:Carlyle
4182:Berchet
4125:Berwald
4120:Bennett
4089:Hristić
4043:Medtner
4023:Borodin
4013:Arensky
3936:Rossini
3911:Bellini
3890:Joachim
3863:Hungary
3844:Strauss
3772:Germany
3738:Berlioz
3707:Voříšek
3702:Smetana
3680:Czechia
3634:Austria
3567:Maturin
3562:Manzoni
3537:Heliade
3512:Foscolo
3482:Alfieri
3477:Abovian
3431:Emerson
3390:Pushkin
3329:Bécquer
3262:Garrett
3216:Potocki
3163:Southey
3123:Maturin
3093:Carlyle
3050:Britain
3023:Novalis
2978:Gutzkow
2926:Germany
2892:Mérimée
2877:Gautier
2804:Barreto
2799:Azevedo
2779:Alencar
2759:Writers
2678:Byronic
2614:Purismo
2468:Germany
2450:Denmark
2371:Related
2332:La Péri
2322:Giselle
2148:at the
2115:at the
2077:Gallica
1773:Sources
1611:Théâtre
1427:Poésies
1416:La Péri
1400:Giselle
1285:Poésies
1190:vampire
1153:set in
1074:fantasy
871:Poésies
830:Giselle
812:Giselle
797:fantasy
792:tragedy
568:Commune
440:Giselle
412:Algeria
377:Cénacle
347:doublet
342:Hernani
206:French:
4698:Wellek
4678:de Man
4663:Janion
4653:Ferber
4628:Berlin
4623:Beiser
4618:Barzun
4613:Abrams
4590:Wiertz
4575:Turner
4525:Révoil
4510:Palmer
4500:Martin
4495:Leutze
4470:Janmot
4430:Fuseli
4385:Church
4277:Quinet
4267:Müller
4222:Goethe
4217:Fichte
4140:Franck
4082:Serbia
4033:Glinka
4006:Russia
3992:Tausig
3987:Stolpe
3967:Chopin
3955:Poland
3916:Busoni
3880:Heller
3849:Wagner
3784:Brahms
3758:Onslow
3748:Halévy
3716:France
3697:Reicha
3687:Dvořák
3656:Mahler
3651:Hummel
3646:Czerny
3542:Isaacs
3522:Geijer
3456:Lowell
3446:Irving
3426:Cooper
3421:Bryant
3363:Russia
3298:Njegoš
3293:Kostić
3288:Jakšić
3281:Serbia
3211:Norwid
3186:Fredro
3178:Poland
3148:Seward
3038:Uhland
3028:Schwab
3018:Mörike
3008:Kleist
2963:Goethe
2958:Fouqué
2907:Nodier
2902:Nerval
2897:Musset
2849:France
2839:Varela
2834:Taunay
2819:Macedo
2767:Brazil
2717:Ossian
2644:Themes
2483:Poland
2478:Norway
2460:France
2344:Family
2335:(1843)
2325:(1841)
2304:(1852)
2292:Poetry
2283:(1882)
2235:(1863)
2225:(1856)
2222:Avatar
2215:(1837)
2203:Novels
1871:
1816:
1801:
1786:
1736:
1529:1858-9
1467:Italia
1331:1835-6
1321:1834-5
1103:, 1897
1087:Novels
1010:(1846)
1004:(1843)
944:España
864:Poetry
815:, 1842
702:Balzac
395:, and
299:Marais
290:Tarbes
274:Proust
252:, the
246:Balzac
72:Tarbes
4784:Bacon
4693:Rosen
4688:Ricks
4683:Nancy
4643:Blume
4638:Bloom
4560:Stroy
4545:Saleh
4540:Runge
4490:Lampi
4475:Jones
4465:Hayez
4400:Corot
4365:Blake
4332:Tieck
4322:Staël
4247:Larra
4232:Hegel
4187:Burke
4145:Grieg
4135:Field
4130:Elgar
4113:Other
3946:Verdi
3904:Italy
3895:Liszt
3885:Hubay
3870:Erkel
3854:Weber
3839:Spohr
3799:Loewe
3789:Bruch
3753:Méhul
3743:Fauré
3733:Auber
3728:Alkan
3587:Raffi
3557:Mácha
3547:Lenau
3497:Botev
3470:Other
3322:Spain
3257:Dinis
3143:Scott
3118:Keats
3098:Clare
3088:Byron
3083:Burns
3063:Blake
3048:Great
3033:Tieck
2988:Heine
2983:Hauff
2917:Vigny
2912:Staël
2872:Dumas
2794:Assis
2789:Alves
2774:Abreu
2727:Rhine
2630:Ultra
2473:Japan
2354:(son)
2124:, at
1488:Gemma
1099:, by
986:Plays
907:soul.
843:Works
625:once.
326:Latin
278:Wilde
270:James
266:Eliot
262:Pound
50:Nadar
4658:Frye
4585:Ward
4580:Veit
4535:Rude
4485:Koch
4460:Gude
4455:Goya
4405:Dahl
4395:Cole
3723:Adam
3671:Wolf
3414:U.S.
3313:Zmaj
2943:Beer
2882:Hugo
2829:Reis
2809:Dias
2673:Hero
2608:Post
2569:Jena
2539:Dark
2007:In:
1972:In:
1948:In:
1869:ISBN
1814:ISBN
1799:ISBN
1784:ISBN
1762:2017
1734:ISBN
1603:1872
1593:1871
1583:1867
1573:1865
1563:1863
1549:1863
1539:1861
1515:1858
1505:1856
1495:1855
1483:1851
1473:1853
1451:1852
1439:1851
1433:1847
1423:1845
1407:1843
1395:1841
1383:1840
1373:1839
1361:1838
1351:1836
1341:1836
1311:1833
1301:1832
1291:1831
1281:1830
782:, a
754:and
704:and
555:and
483:and
276:and
240:and
200:TYAY
198:goh-
79:Died
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4155:Sor
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