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sex with him. When the guest leaves, they all, except the maid, confess to him how they feel about themselves. In the final section of the film, after he leaves, they lose the identities they previously possessed. The maid goes back to her village and performs miracles while subsisting on nettles, but asks to be buried alive. The daughter falls into a catatonic state. The son maniacally paints his desire for the guest. The mother picks up young men who resemble the guest and has sex with them. The father strips naked in the middle of the train station.
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asking nothing in return. He stops the passionate maid from committing suicide with a gas hose and tenderly consoles her; he befriends and sleeps with the frightened son, soothing his doubts and anxiety and endowing him with confidence; he seduces the bored and dissatisfied mother, giving her sexual joy and fulfillment; he cares for and comforts the despondent and ailing father; and he becomes emotionally intimate with the overprotected daughter, removing her childish innocence about men.
518:, Angelo Restivo assumes that Pasolini suggests that even documentary images, which depict facts, fail to show the truth. News can tell the audience only the surface of the events they broadcast. Merely watching the interview of the workers does not tell why factory owner Paolo gave away the factory. That might be one of the reasons the scene is set in the beginning of the film.
466:, Maurizio Viano, says that in order to understand the film, there must be "adequate translation". Most scholars writing about the film do not discuss Pasolini's cinematographic techniques but Pasolini's philosophical arguments. Viano argues that Pasolini intended to be theoretical in this film because he wanted to be recognised as "a film theorist".
485:(θεώρημα), meaning simultaneously "spectacle", "intuition", and "theorem". Viano suggests that the film should be considered as "spectatorship" because each family member gazes at the guest and his loins, although this seems unlikely: the Greek word denotes the object of spectatorship, rather than the actual act of spectatorship, which would be
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estate by an arm-flapping postman. The enigmatic stranger soon engages in sexual affairs with all members of the household: the devoutly religious maid, the sensitive son, the sexually repressed mother, the timid daughter and, finally, the tormented father. The stranger gives unstintingly of himself,
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Not only is the film's structure formulaic but so is the psychological development of each character. They all go through "seductions", "confessions" and "transformations". The way each character changes their state of mind is the same. They all fall into a sexual desire for the guest. They all have
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On its release, the religious right and the
Vatican criticized the sexual content in the film. Others considered the film "ambiguous" and "visionary". The film won a special award at the Venice Film Festival from the International Catholic Film Office, only for the award to be withdrawn later when
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state and is institutionalized; the son leaves the family home to become an artist, obsessively drawing the stranger's face; the mother seeks sexual encounters with young men; and the father strips himself of all material effects, handing his factory over to its workers, removing his clothes at a
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One day, the herald returns and announces that the stranger will soon leave the household, just as suddenly and mysteriously as he came. In the subsequent void of the stranger's absence, each family member is forced to confront what was previously concealed by the trappings of bourgeois life. The
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assumes that
Pasolini expresses his struggle of being homosexual in the film. On the other hand, Viano believes that Pasolini's emphasis is not on homosexuality but rather on sexuality in general, because the guest has sex with each member of the household. Sexuality is considered as passion in
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Italian critic
Morandini, author of a dictionary of cinema, claimed that "the theorem is demonstrated: the incapacity of modern—bourgeois—man to perceive, listen to, absorb and live the sacred. Only Emilia the servant, who comes from a peasant family, discovers it and, after the 'miracle' of
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A common interpretation by cinema scholars is that the film is a commentary on the bourgeois society and emergence of consumerism through the very beginning of the film. The reporter asks a worker at Paolo's factory if he thinks there will be no bourgeois in the future. In
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is also often considered as mathematical or formulaic. In this sense, the film also contains a programmatic structure. It begins with documentary-like images and then moves on to the opening credit with a dark volcanic desert, a home party scene, cuts of the factory in
501:, introduction of each family member in silence and sepia tone, and, then, the guest sitting in the back yard in colour. The middle section is divided into three: "seductions", "confessions" and "transformations".
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The Roman
Catholic Church's film-reviewing body, the Office Catholique International du Cinema, has withdrawn the award it gave at the Venice Film Festival last September to the Italian drama
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family is introduced to, and then abandoned by, an otherworldly man with a mysterious divine force. Themes include the timelessness of divinity and the spiritual corruption of the
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aired a segment (series three, episode six) in which a suburban family is slowly revealed, over time, to have all individually had sexual affairs with
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won the
International Catholic Jury grand award. But that was not the theory at the Vatican, which attacked the award in an official statement.
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levitation, will return to the ground with a holy smell. It's another film by
Pasolini dedicated to the conjunction between
331:; though there are similar themes, the latter is inspired by a much older stage play from around 1932. It has also inspired
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Testa, Bart (1994). "To Film a Gospel ... and Advent of the
Theoretical Stranger". In Rumble, Patrick; Testa, Bart (eds.).
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based on the film. In 2009, Dutch theatre company
Toneelgroep Amsterdam created and performed a play version of the film.
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herself by having her body buried in dirt while shedding ecstatic tears of regeneration. The daughter sinks into a
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732:"'The Visitor' Review: Bruce LaBruce Is Back with a Spunky Call-to-Arms Loosely Inspired by 'Teorema'"
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maid returns to the rural village where she was born and is seen to perform miracles; ultimately, she
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is about Christ too. That was the prevailing theory last year at the Venice Film
Festival, when
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Scholars view the film differently due to the openness or ambiguity of the film. The author of
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produced a Blu-ray disc and the film is available for streaming via its BFI Player platform.
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1239:– Interview with Pier Paolo Pasolini conducted by Guy Flatley in 1969 (first published in
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has been sometimes incorrectly cited as the source for the 1986 American comedy film
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The Cinema of
Economic Miracles: Visuality and Modernization in the Italian Art Film
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The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film
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into a novel of the same name, written simultaneously with the film's production.
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A mysterious figure known only as "The Visitor" appears in the lives of a typical
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Italian family. His arrival is heralded at the gates of the family's
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A Certain Realism: Making Use of Pasolini's Film Theory and Practice
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A Certain Realism: Making Use of Pasolini's Film Theory and Practice
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railway station and wandering naked across the slopes of
837:"Catholic Film Unit Withdraws Award Given to 'Teorama'"
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This article is about the film. For other uses, see
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272:in the United Kingdom, is a 1968 Italian
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639:29th Venice International Film Festival
1004:Mario Bava: All the Colors of the Dark
521:In his biographical work on Pasolini,
1613:Films directed by Pier Paolo Pasolini
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587:, possibly in reference to the film.
7:
1479:"La sequenza del fiore di carta" in
758:Del Don, Muriel (19 February 2024).
730:Bray, Catherine (19 February 2024).
679:British Board of Film Classification
1316:The Gospel According to St. Matthew
1245:; posted by Flatley on Moviecrazed)
967:for finding details of the DVD for
1603:Films about dysfunctional families
705:"40 Facts about the movie Teorema"
25:
558:The same year, Pasolini expanded
1425:Notes Towards an African Orestes
27:1968 film by Pier Paolo Pasolini
1653:1960s LGBTQ-related drama films
1618:Films scored by Ennio Morricone
1463:"La Terra vista dalla Luna" in
1006:. Video Watchdog. p. 778.
681:. 12 March 1969. Archived from
1598:English-language Italian films
1471:"Che cosa sono le nuvole?" in
1418:Appunti per un film sull'India
1379:Salò, or the 120 Days of Sodom
1120:University of California Press
481:in Italian. Its Greek root is
303:, Andrés José Cruz Soublette,
1:
1411:Location Hunting in Palestine
1210:Teorema (Film-Forward review)
470:Structure and title etymology
328:Down and Out in Beverly Hills
279:film written and directed by
1593:1960s Italian-language films
1583:1960s English-language films
649:, while Laura Betti won the
1095:University of Toronto Press
625:In the United Kingdom, the
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1648:Italian multilingual films
1643:Italian LGBT-related films
1323:The Hawks and the Sparrows
1038:. Durham, North Carolina:
965:Searchable catalogue index
653:for her role in the film.
651:Volpi Cup for Best Actress
218:7 September 1968
203:4 September 1968
125:Andrés José Cruz Soublette
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1638:Italian independent films
1608:Films adapted into operas
927:Morandini Film Dictionary
509:Scholarly interpretations
53:Theatrical release poster
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1658:Male bisexuality in film
1573:1968 LGBTQ-related films
1225:The Criterion Collection
1118:. Berkeley, California:
1112:Viano, Maurizio (1993).
1032:Restivo, Angelo (2002).
612:The Criterion Collection
530:Viano's interpretation.
431:as Angelino, the postman
32:Teorema (disambiguation)
459:the Vatican protested.
416:as Odetta, the daughter
190:Euro International Film
645:was nominated for the
627:British Film Institute
607:in the United States.
391:
1474:Caprice Italian Style
1064:Pasolini: A Biography
1040:Duke University Press
610:On 18 February 2020,
523:Pasolini: A Biography
386:
1522:Who Killed Pasolini?
1365:The Canterbury Tales
410:as Paolo, the father
398:as Lucia, the mother
1633:Italian drama films
1588:1960s Italian films
1280:Pier Paolo Pasolini
1216:Teorema: Just a Boy
595:On 4 October 2005,
564:Giorgio Battistelli
422:as Emilia, the maid
281:Pier Paolo Pasolini
277:psychological drama
72:Pier Paolo Pasolini
63:Pier Paolo Pasolini
1623:Films set in Milan
1242:The New York Times
1200:TCM Movie Database
842:The New York Times
711:. 22 December 2023
685:on 11 January 2016
622:in North America.
443:as the second maid
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147:Giuseppe Ruzzolini
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1129:978-0-520-07854-3
1104:978-0-8020-2966-9
1079:978-0-394-52299-9
1049:978-0-8223-2799-8
1013:978-0-9633756-1-2
973:Koch Lorber Films
800:Chicago Sun-Times
597:Koch-Lorber Films
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1536:La macchinazione
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845:. 28 March 1969
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335:'s 2024 film
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1542:Bibliography
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1221:James Quandt
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934:. Retrieved
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840:
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683:the original
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235:Running time
226: (Italy)
157:Nino Baragli
36:
1514:Works about
1466:The Witches
1458:Ro.Go.Pa.G.
1432:12 dicembre
1389:Documentary
1330:Oedipus Rex
849:13 February
806:13 February
762:The Visitor
647:Golden Lion
618:and DVD of
614:released a
585:David Cross
492:As a term,
420:Laura Betti
338:The Visitor
317:bourgeoisie
301:Laura Betti
266:, known as
121:Laura Betti
77:Produced by
59:Directed by
1563:1968 films
1557:Categories
1453:La ricotta
1309:Mamma Roma
1000:Lucas, Tim
931:Sky Cinema
886:Testa 1994
874:Viano 1993
657:References
591:Home media
499:sepia tone
373:Mount Etna
274:surrealist
239:98 minutes
222:1968-09-07
207:1968-09-04
181:Aetos Film
174:Production
69:Written by
1397:La rabbia
1302:Accattone
986:"Teorema"
952:"Theorem"
923:"Teorema"
795:"Teorema"
769:Cineuropa
760:"Review:
709:Facts.net
633:Accolades
599:released
487:theoresis
454:Reception
368:catatonic
364:immolates
351:bourgeois
153:Edited by
1529:Pasolini
1168:AllMovie
1060:(1982).
1002:(2007).
775:19 March
743:19 March
689:16 March
580:Mr. Show
577:program
483:theorema
355:Milanese
313:Milanese
252:Language
163:Music by
94:Starring
1337:Teorema
1198:at the
1195:Teorema
1179:Teorema
1163:Teorema
1146:Teorema
969:Teorema
936:16 June
857:Teorema
822:Teorema
818:Teorema
737:Variety
715:3 April
673:Theorem
643:Teorema
637:At the
620:Teorema
616:Blu-ray
601:Teorema
560:Teorema
550:too)."
548:Marcuse
494:theorem
479:theorem
475:Teorema
323:Teorema
295:, with
269:Theorem
263:Teorema
255:Italian
244:Country
220: (
205: (
176:company
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1344:Pigsty
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477:means
213:Venice
211: (
1455:" in
1351:Medea
568:opera
540:Freud
247:Italy
1151:IMDb
1124:ISBN
1099:ISBN
1074:ISBN
1044:ISBN
1008:ISBN
938:2017
851:2021
808:2021
777:2024
745:2024
717:2024
691:2013
675:(X)"
573:The
546:and
544:Jung
538:and
536:Marx
379:Cast
345:Plot
307:and
291:and
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603:on
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