229:. It can be used in any theatre, TV or film productions that are creating, casting or telling a story about disability, or are exploring the possibility of casting disabled actors into mainstream roles. The engagement of a disability dramaturge can happen at the start of the casting process to help directors identify characters that could be played by visibly disabled actors, and discuss ideas that come from potential choices and the lenses that brings to the meaning of the play, TV drama or movie. The engagement should progress beyond casting in a traditional way working with the director and the actors, focusing on aspects storytelling and meaning to ensure authenticity and creative opportunity stays forefront with regards to visible disability.
91:, Disability Arts Alliance, UK Disability Artists Alliance, Disability Artists Community Network (DANC) and others have campaigned for the creative arts to simply be more open to new ideas when it comes to disability. From a creative standpoint they focus on two basic premises that disabled actors and creatives should be the first choice for telling stories about disability, and that disability should not be an unconscious bias barrier to accessing any role in any play.
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258:) has grown up with a disability: "A childhood illness has left her crippled, one leg slightly shorter than the other, and held in a brace. This defect need not be more than suggested on the stage." This character description is vague enough to allow the director to make their own decision as to how they want to portray Laura; however, this can be seen as a missed creative opportunity as disability adds depth to her character.
305:, ableism is a central theme as attitudes and prejudice drive Richard to become who he becomes. However brilliant the play is, coming from a non-disabled playwright and yet being able to deeply understand the disabled lived experience, many productions either misinterpret disability as a device to emphasise his darker deeds, or they miss the point altogether and can end up with an ableist production of a play about ableism.
71:(April 28, 1878 – November 15, 1954) already working at the top of their profession, often playing both disabled and non-disabled characters, but they were able to access opportunity because of privileged circumstances as well as talent. Most opportunity, of which there was very little, came through stage comedy or traditions such as
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2024. This works if every actor has equal opportunity to every role and that there is unconscious bias in the industry. The backlash from over 300 professional actors, theatre professionals and theatre companies, who collectively called themselves the
Disabled Artist's Alliance as well as the actors' union
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highlighted that without equal opportunity in the industry this was a highly privileged perspective. The argument was broken down by London theatre blogger Micky Jo. This situation raised interesting issues not only about prejudice across the industry, but also about the rights of disabled actors to
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The role of an actor is to present interesting choices to the director, and the lived experience of someone with a disability is always an interesting creative choice. For every visible disability there is always a backstory and that adds subtext to any role whether it is written as disabled or not.
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In recent years the intake of disabled students has increased, although for some after years of actively blocking disabled student applications they are now actively looking for disabled students as attitudes in the theatre, TV and film industries are beginning to change. To support emerging talent
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The following examples of actors playing both disabled characters and bringing their whole selves to what could be regarded as mainstream characters, in major professional mainstream productions, provides evidence that casting disabled actors in both disabled and non-disabled roles is not an act of
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Despite most characters in most plays being able to be played by disabled actors, with a very few exceptions, disabled actors are rarely given the opportunity to portray them. There is an unconscious willingness to not allow disabled actors tell anything other than stories about disability. If this
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Disabled mimicry, erasure and absence has no place in the arts. To bring about its end is an industry wide task - inciting best practice guidelines and multi-disciplinary non-hierarchical collaboration…. These casting decisions, and their detrimental effect, have long since been condemned. Disabled
27:
within a theatrical experience, enabling cultural and aesthetic diversity in the arts. Showing disabled bodies on stage can be to some extent understood as a political aesthetic as it challenges the predominately abled audience's expectations as well as traditional theatre conventions. However, the
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One excuse used for either casting non-disabled actors in disabled roles, or resisting casing disabled actors into roles that could be played as disabled, is that there is a lack of talent to draw from. The disability theatre movement has been training actors since the mid 1980s and there are also
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There is an argument in the acting profession that any actor should be allowed to play any role, and there is a good point about anti-literalism, however like all ideas there are issues and caveats. This argument was made by an
Artistic Director when she cast herself in the role of Richard III in
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Since the 1980s there has been a movement focusing primarily on telling disability stories. From this several well funded and popular professional theatre companies have formed and this has become an important branch of theatre making. This is particularly significant because these have become a
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has been running on
Broadway since 2003, and has launched multiple national tours and productions worldwide. In the musical, the character of Elphaba has a sister who is a wheelchair user named Nessarose. She was disabled at birth due to a congenital birth defect, and goes through the production
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This is a question regularly used to analyse unconsciously biased or ableist decisions and attitudes in any casting process. The issue that it raises is why if it is not stated how someone enters the stage, is there a presumption that they walked? This is a similar thought process behind what is
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Roughly 1 in 12 people in the world has a visible disability, so if there were no biases 1 in 12 characters we see on stage would have a visible disability regardless of whether the script says they do or not. In reality virtually no mainstream productions of a play that isn't in some way about
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This is a creative role and should only be carried out by a person with experience as either a professional stage or screen actor or theatre director, and who has lived experience as a visibly disabled or Deaf person. This role is not to be confused with a
Disability, Accessibility or Access
357:, a play that drifts from his story missing not only much of who he was (even his name is wrong) and what it is to be a disabled person, to a play that dives deeply into the lived experience. This second play has had two professional productions to date in Australia and the United Kingdom.
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What is interesting with both of these is they deal with the subject of "otherness". To not incidentally portray disability is a way of saying that disabled people are no more than their conditions, and to not allow disabled actors to tell disabled stories denies them their own identity.
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This will give the director and even the marketeers an opportunity to think about how disability could add a dimensions not otherwise considered. Audiences can find disability challenging, but they are never board by it, which is why so many disability stories win TV, theatre and film
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was applied to any other diversity group this would be met with outrage, and yet disability is decades behind the equality curve in this respect. A question that can be used at the start of the process when looking at each character in isolation is,
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artists have been campaigning for 50 years, incrementally growing from the generations before. The work done by our predecessors has allowed this conversation to become mainstream. But as our collective voice grows, it becomes harder to ignore.
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to enable access professional disabled actor details and a showreel in the form of a short performance. IMDB has lists of professional disabled actors with visible disabilities including one just for disabled actors in the United
Kingdom.
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bring their lived experiences to the creative processes, to have the right to tell disabled stories, for disability not to be erased from any character and for this to be seen as worthwhile rather than an act of worthiness.
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performance of disabilities on stage has raised polarising debates about whether the performers are exposed and reduced to their disability or whether they have full agency of who they are and what they represent.
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Plays about important disabled historical figures can be fraught with difficulties when a non-disabled actor is cast. Understanding what it is to be a disabled person is far more than portraying a condition and how
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I think there's a slight advantage, because I'm so used to being very aware and having to control my body and my mouth. When I have to change my physicality or my voice I have, I feel, a great awareness to begin
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1337:, author Hannah Simpson reveals how Beckett's theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.
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Shifting attitudes in the industry from seeing disability as a diversity box to be ticked to a creative opportunity is a slow and ongoing process, however a deeper understanding of
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Consultant as these are more functional roles focusing on practical considerations, communication strategies and organisational culture, rather than the creative process.
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towards disability is gaining traction, and more directors are understanding that disability presents creative possibilities beyond telling stories about disability.
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in the 1980s in the United States and the United
Kingdom. There were, however, some disability-focused theatre companies predating this movement, including the
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Other examples of where visible disability or metaphors for the disabled lived experience are at the core of a character or historical figure being portrayed:
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have published articles on the historic exclusion of visible disability both from stage and screens, as well as the need for change from within the industry.
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training ground for disabled actors, directors, producers, writers that have been excluded from mainstream channels for training, such as drama schools.
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worthiness but a real creative opportunity for any director or show runner that has the creative capability and capacity to imagine the possibilities.
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Kochhar-Lindgren, Kanta (2013). "Between Two Worlds: The
Emerging Aesthetic of the National Theater of the Deaf". In King, Kimball; Fahy, Tom (eds.).
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5213:"'Macbeth' Broadway Review: Daniel Craig And Ruth Negga Take Stab At Killer Chemistry In Uneven Reign Of Shakespeare's Ambitious Royals"
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publications such as The Actors' & Performers' Yearbook now provide guidance specifically targeted at young disabled actors.
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5436:"Advice for disabled actors from Zak Ford-Williams, from the Actors' & Performers' Yearbook 2024 | Actors and Performers"
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inhabiting the role of villain. The production has come under fire for not casting a physically disabled actor in the role.
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Daneka
Etchells is the most compelling Beatrice you might ever see in an exceptional production of the romantic comedy
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5239:"'A Doll's House' Review: Jessica Chastain Shines in a Broadway Staging That Brings Sparkling Clarity to a Classic"
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4588:"THEATRE REVIEW: The Seagull starring Emilia Clarke, Daniel Monks & Indira Varma at the Harold Pinter Theatre"
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4531:"Daniel Monks Talks Through His Career From Pulse to In the Room Where He Waits in This Interview - The Curb"
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377:, Emma J. Hawkins, and Sophie Ross. The play toured the UK in 2023, directed by Stephen Bailey and starring
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This campaigning has become more publicly visible especially in the UK with mainstream news vendors such as
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Peering Behind the
Curtain : Disability, Illness, and the Extraordinary Body in Contemporary Theatre
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4812:"'We need to be seen': Nadia Nadarajah on portraying Shakespeare's greatest heroines – as a deaf actor"
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1282:, who deals with the ableism of Tiny Tim by treating him as more than just a foil for Scrooge's guilt.
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2111:"Ready, willing and disabled: the Australian actors campaigning for more roles – and better training"
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Further examples of disabled fictional and non-fictional characters, where authentic casting applies
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2237:"Disabled artists talk about their experiences working in TV: 'There's still a lot of work to do'"
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ableist
Richard III casting drama at the Globe: explained | why disability representation matters
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331:. An historical figure previously misnamed as 'John' Merrick in The Elephant Man.": -->
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5135:"Katy Sullivan on Saying Goodbye to Her History-Making Portrayal in Broadway's 'Cost of Living'"
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have created a more in-depth guide to the access practicalities of inclusive casting processes.
4845:"Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force"
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4647:
4614:"The Real And Imagined History Of The Elephant Man - Melbourne | Stage Noise - Diana Simmonds"
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87:, is as relevant in theatre as it has been in TV, Film, Politics and Design. Campaigns from
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5108:
3964:"'I am different, that is good': how an actor with Down's syndrome is changing perceptions"
3476:"Unspeakable Conversations review – Liz Carr and Mat Fraser's straight talk is enthralling"
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disabled actors accessing formal training in drama schools. Organisations such as the UK's
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4453:"The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act best"
4074:"The Cherry Orchard review – Ian McKellen is brilliantly poignant in resonant adaptation"
3836:"Review: A Christmas Carol – A Ghost Story at Nottingham Playhouse – 'Remarkable debuts'"
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have put in place casting and diversity policies that are moving in the right direction.
158:, where the presumption is removed from every character in a script that they are white.
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disability have ever reached that ratio. Having said that theatre companies such as the
4420:"'Expect more from me': actor Francesca Mills on Shakespeare and shifting expectations"
3253:
2262:"On screen and on stage, disability continues to be depicted in outdated, cliched ways"
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by Allison Cameron Gray and Matt Corpenning adapted from the novel Stuck in Neutral by
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4253:"'The Duchess of Malfi' review – Strong performances in otherwise straight retelling"
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3896:"Richard III review – Mat Fraser proves a brilliant villain for Northern Broadsides"
83:
Change does not happen easily and the campaign for political change within society,
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4480:""It's A Dancing Delight!" Francesca Mills, Of The American Clock, At The Old Vic"
2533:"Changing the narrative on disability: is representation in books getting better?"
2145:"'Access is a human right': how deaf and disabled people are transforming theatre"
5001:
3996:
3811:"Review: The Real and Imagined History of The Elephant Man. Nottingham Playhouse"
4700:"Love and Other Acts of Violence review – mesmerising moments amid the darkness"
4360:"Francesca Martinez: 'It's hard living in a world that can't handle difference'"
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4220:"Richard III review – Shakespeare's supervillain breezes through the bloodbath"
2481:
1947:"Access all areas: the plays that took captioning and signing to their hearts"
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4872:"Grounded review – Deafinitely Theatre's drone-pilot drama has double impact"
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3444:"REVIEW: The Merchant Of Venice, Royal Shakespeare Theatre ✭✭✭✭✭ - Newsplate"
3422:
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2739:"Jonathan Meth on disability arts, dramaturgy and asking questions | Podcast"
2544:
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5389:"Disability in drama schools – study reveals extent of under-representation"
3785:"Interview - Zak Ford-Williams - Taking on the Elephant Man - Able Magazine"
3091:"Interview - Zak Ford-Williams - Taking on the Elephant Man - Able Magazine"
2381:
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4334:"'Henry V' at Donmar review: Kit Harington stars in this timely production"
3178:
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2314:"Disabled creatives 'robbed of dignity and independence' by lack of access"
4640:"Richard III review – Tom Mothersdale hypnotises as the unhinged overlord"
4554:"Teenage Dick review – Daniel Monks is a dazzling high-school Richard III"
3146:"Teenage Dick review – Daniel Monks is a dazzling high-school Richard III"
2023:""Get down on your knees": Representing the Seven Dwarfs in the Pantomime"
173:
Casting disabled actors as a process has two creative lenses to consider:
3664:"Much Ado About Nothing review – hilarious, heartfelt show is everything"
3355:"My disability helped me understand Blanche DuBois, says Streetcar actor"
2339:"Mat Fraser: All theatres should cast at least one disabled actor a year"
1394:
630:
adapted by Kolbrun Bjort Sigfusdottir & Emily Carding (adaptation of
502:
120:
116:
5457:
5264:"Amy Trigg urges actors to 'pass on' roles they are not appropriate for"
4505:
3862:"Mat Fraser: 'I'm hardcore – I want equality and I'm not going to stop'"
3254:"Actors who are either Deaf, have a Visible Disability or Short Stature"
4394:"All of Us at the National Theatre review: compelling and full of rage"
3752:"The Glass Menagerie review – Sally Field returns to Broadway in style"
2940:"'I'm done with pretenders': disabled actors on reclaiming Richard III"
2566:"Shakespeare's Globe under pressure to recast non-disabled Richard III"
2062:
1741:
1382:
44:, founded in 1967. Notable early disability theatre companies include
3040:"Theatre listing: The Real & Imagined History of the Elephant Man"
2507:"Equity, Diversity, Justice and Inclusion | Royal Shakespeare Company"
4307:"Theatre review: One Flew Over the Cuckoo's Nest at Crucible Theatre"
1689:
99:
Excerpt from a public statement by Disabled Artists Alliance in 2024.
5338:"The Taming of the Shrew - Royal Shakespeare Company - The Barbican"
5050:"Frozen review – 'Sharpens your hearing by making you see language'"
1333:, have disability as an underlying characteristic, and in her book,
536:, adaptations for stage by Mark Rosenwinkel, Jim Burke, Julian Rad,
3066:"Stories of M - The Real and Imagined History of the Elephant Man"
2714:"Disability, Identity, and Representation: Notes from a Dramaturg"
2482:"Inclusivity & Barrier-Free Experiences | Interbrand Services"
5483:
3534:"Guest Review: Assisted Suicide: The Musical at Southbank Centre"
3228:
5508:
4134:"Hole review – history of female empowerment with heavy gravity"
2591:"'Below standards': Equity wades in on Richard III casting row"
5533:
5187:"Richard III was always a monster. Now imagine him as RoboCop"
4047:
3726:"'All of Me' review — a funny and moving boy-meets-girl story"
611:, Rosalind Sydney, and Anna Himali Howard & Holly Robinson
112:
5363:"Theatre review: The Glass Menagerie at Nottingham Playhouse"
4976:"Partners of a Prague Theater Continue Revolution-Era Dreams"
3411:"Othello review – brutal, candlelit tragedy in a man's world"
2974:"Enabling Richard: The Rhetoric of Disability in Richard III"
187:
If you can't find a very good reason then follow it up with,
5083:"Review: Mother Courage and her Children, National Theatre"
2795:
2689:"Casting guide for deaf, disabled and neurodiverse dancers"
2456:"Moving from Disability Visibility to Disability Artistry"
4048:"Alison Halstead - Actor - Voiceover • Acrobat • Website"
5414:"Actors and Performers Yearbook | Actors and Performers"
5315:"Review: Reasons You Should(n't) Love Me (Kiln Theatre)"
4279:"Review: La Cage Aux Folles (The Play), at Park Theatre"
2288:"Emma MacLean: How Disability Is Represented in Theater"
1998:
Disability Theatre and Modern Drama: Recasting Modernism
1897:
Disability Theatre and Modern Drama: Recasting Modernism
1152:, James Villafuerte, Harold Hodge, Jr and Benjamin Polya
771:
Frida Kahlo: Viva la Vida - Frida Kahlo e Chavela Vargas
2664:"Disability, Identity and Difference - Tom Shakespeare"
2063:"We Shall Not Be Removed – UK Disability Arts Alliance"
5161:"Richard III at Chicago Shakespeare is flashy and fun"
3559:"Thoughts On New Musical 'Cyrano' With Peter Dinklage"
3179:"Theatre plays inspired by Frida Kahlo's life and art"
3014:"Cripping the Crip—Is It Time to Reclaim Richard III?"
5024:"REHEARSAL FOR TRUTH 2019: AUDIENCE (CZECH REPUBLIC)"
4674:"THEATRE REVIEW: London Tide at the National Theatre"
761:
by Fabio Camassa, Fabiana Gargia, Alessia Pelagatta,
149:"How does a character in the script enter the stage?"
2796:"The National Register of Access Consultants | NRAC"
2365:"The Trouble with Disability in Shakespeare Studies"
1350:
has launches a service for casting directors called
1466:
The Real & Imagined History of The Elephant Man
1113:Richard Plantagenet/of York/of Gloucester/King, in
1361:Notable living stage actors and production reviews
184:"why can't a disabled actor be cast in this role?"
2821:"How to consult effectively with disabled people"
2642:Casting Call: Disabled Actors for Disabled Roles?
1613:The Real and Imagined History of the Elephant Man
484:The Curious Incident of the Dog in the Night-Time
381:as Joseph. This cast of this production included
359:The Real and Imagined History of the Elephant Man
311:The Real and Imagined History of The Elephant Man
225:This is a role that is very similar to a regular
308:
1316:, as disability is a core incidental theme. By
3459:Nadia Albina, superb as the delightful Nerissa
2972:Williams, Katherine Schaap (2 October 2009).
2430:"Disability inclusion is spurring creativity"
2178:"Bringing disability to the heart of theatre"
1784:Contemporary disability led theatre companies
36:Disability theatre formally arose out of the
8:
4168:"The House Of Bernarda Alba (Online review)"
4023:"Review | Jellyfish at the National Theatre"
3389:"REVIEW: English, Kiln (2024) | TheatreVibe"
5290:"Review: THE LITTLE BIG THINGS, @sohoplace"
401:Arnold, Lucien Sheila, Barry and Norman in
316:An historical figure previously misnamed as
190:"what would disability bring to this role?"
4506:"Review: MALORY TOWERS at Bristol Old Vic"
4108:"Review: Future Bodies @ HOME, Manchester"
3509:"The Normal Heart: an impassioned revival"
2405:"Enjoying: Disability as a Creative Force"
369:in the title role. The cast also featured
3205:Samuel Beckett and Disability Performance
3120:"Production of I Claudius | Theatricalia"
2989:
2903:
2639:Good Morning Britain (12 February 2024).
2380:
2038:
1335:Samuel Beckett and Disability Performance
4759:"Review: Every Brilliant Thing, Belvoir"
4552:Billington, Michael (13 December 2019).
3144:Billington, Michael (13 December 2019).
237:Examples of scripted disabled characters
63:There were some disabled actors such as
4132:Billington, Michael (5 December 2018).
1887:
5590:Fictional characters with disabilities
4955:"Divadlo v Celetné » Richard III"
4930:"A Midsummer Night's Dream | Discover"
3700:"'Brassed Off' At Theatre By The Lake"
3207:. University of Oxford. pp. 1–6.
2921:"How Wicked gets representation wrong"
1148:, Robert Hossein, Nicholas DeBaubien,
877:Ignacio, Carlos and the other boys in
739:Frida, A bomb wrapped in a silk ribbon
67:(4 May, 1906 – 23 February, 1987) and
4301:
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1794:ARBOS – Company for Music and Theatre
1341:Disabled talent and theatre companies
870:by Daniel Dalton and Tim Spencer, or
757:by Marian Licha and R. Dennis Green,
733:by Titti Nuzzolese and Peppe Romano,
599:with adaptations by Pamela Sterling,
365:premiered on 4 August 2017, starring
7:
4980:Rehearsal for Truth Theater Festival
3610:Associates, Casarotto Ramsay &.
1945:Love, Catherine (25 February 2016).
1853:Open Circle Theatre, founded in 2003
930:Laura, Max, Sally and Dr Walters in
178:Disability and incidental portrayal.
131:Disability as a creative opportunity
38:disability arts and culture movement
5585:Plays and musicals about disability
4732:Peard, Anne-Marie (22 April 2017).
3279:"Actors with Physical Disabilities"
2938:Simpson, Hannah (30 January 2024).
2919:Wilders, David (10 February 2023).
2764:Lewis, Victoria Ann (Summer 1998).
2615:MickeyJoTheatre (3 February 2024).
2211:"Hollywood 'shuns disabled people'"
1975:. MacMillan Education. p. 35.
1829:Definitely Theatre, founded in 2002
1197:, as well as a musical adaptation "
252:explains that the character Laura (
198:Disability and authentic portrayal.
4810:Segalov, Michael (4 August 2024).
3724:Considine, Allison (14 May 2024).
3387:Loveridge, Lizzie (26 June 2024).
3304:"British Disabled and Deaf Actors"
2363:Wilson, Jeffrey R. (1 June 2017).
2021:Pritchard, Erin (18 August 2022).
1862:Ramps On The Moon, founded in 2015
14:
5133:White, Abbey (15 November 2022).
5002:"Divadlo v Celetné » Hamlet"
4418:Segalov, Michael (7 April 2024).
3928:Gardner, Lyn (10 December 2013).
3750:Soloski, Alexis (10 March 2017).
3636:Writer, Guest (3 February 2020).
3616:Casarotto Ramsay & Associates
3584:Rooney, David (12 October 2004).
2143:Flynn, Isabel (27 January 2020).
1026:The Life and Death of Lord Byron,
5484:"welcome to open circle theatre"
5159:Reid, Kerry (13 February 2024).
4870:Gardner, Lyn (5 November 2015).
4698:Akbar, Arifa (17 October 2021).
4166:Chapman, John (14 August 2020).
4072:Lawson, Mark (14 October 2021).
3962:Salman, Saba (14 October 2014).
3894:Hickling, Alfred (11 May 2017).
3809:philiplowe (21 September 2023).
3662:Ahad, Nick (14 September 2022).
3329:"Nadia Albina | Hamilton Hodell"
1471:A Christmas Carol: A Ghost Story
1280:A Christmas Carol: A Ghost Story
868:Trafalgar - Nelson's Finest Hour
5237:Deitch, Trish (10 March 2023).
4785:"Theatre Review: Julius Caesar"
4504:Mantle, Adrian (26 July 2019).
4478:London, Secret (7 March 2019).
4106:Staff, M. M. (4 October 2018).
3930:"Beauty and the Beast – review"
3860:Wiegand, Chris (21 July 2020).
1838:Hijinx Theatre, founded in 1981
1759:Reasons You Should(n't) Love Me
1710:Mother Courage and Her Children
1627:Love and Other Acts of Violence
1560:One Flew Over The Cuckoo's Nest
1551:One Flew Over The Cuckoo's Nest
735:Frida ... a Self Portrait
628:Richard III (A One Person Show)
626:Duke of Gloucester/The King in
288:Duke of Gloucester/The King in
144:Casting without disability bias
5509:"Welcome to Ramps on the Moon"
5336:Beer, Mary (8 November 2019).
4672:mrmonstagigz (12 April 2024).
4392:Curtis, Nick (5 August 2022).
4021:Greer, Robert (12 July 2019).
2886:Haller, Beth (15 March 2004).
2766:"The Dramaturgy of Disability"
723:Back to Back with Frida Kahlo,
472:Whatever Happened to Baby Jane
1:
5575:Ableism in the United Kingdom
5211:Evans, Greg (29 April 2022).
5185:Adler, Tony (17 March 2016).
5048:Costa, Maddy (6 March 2014).
4734:"Bell Shakespeare: Richard 3"
4358:Akbar, Arifa (28 July 2022).
4194:"Love and the Cost of Living"
3474:Meany, Helen (19 July 2024).
3409:Gardner, Lyn (7 March 2017).
2925:Raidió Teilifís Éireann (RTE)
2531:Webster, Lucy (18 May 2022).
2084:"TripleC - The Special Award"
1877:VitalXposure, founded in 2011
1694:, Trouble in the House of God
582:, by John Harte based on the
19:is a subject focusing on the
5570:Ableism in the United States
4638:Wyver, Kate (7 March 2019).
4586:mrmonstagigz (2 July 2022).
4332:Evans, Suzy (3 March 2022).
4218:Akbar, Arifa (1 July 2022).
4192:Brown, Phil (22 June 2024).
3638:"Theatre Review: The Welkin"
3353:Gardner, Lyn (2 June 2014).
2978:Disability Studies Quarterly
2892:Disability Studies Quarterly
2845:Williams, Tennessee (1945).
2369:Disability Studies Quarterly
2027:Disability Studies Quarterly
1848:National Theatre of the Deaf
1189:, theatrical adaptations by
955:, with stage adaptations by
42:National Theatre of the Deaf
2235:Ryan, Anya (3 April 2023).
1818:Chickenshed Theatre Company
1137:The Hunchback of Notre Dame
872:Nelson – The Sailor's Story
168:Shakespeare's Globe Theatre
85:Nothing About Us Without Us
5631:
2109:Dow, Steve (7 July 2024).
2000:. Bloomsbury. p. 27.
1899:. Bloomsbury. p. 21.
1775:Advice for disabled actors
1517:The House Of Bernarda Alba
1144:with stage adaptations by
1091:Catherine Chisholm Cushing
494:the novel of the same name
347:'s story has evolved from
3018:HowlRound Theatre Commons
2865:HowlRound Theatre Commons
2770:Michigan Quarterly Review
2460:HowlRound Theatre Commons
1996:Johnston, Kirsty (2016).
1895:Johnston, Kirsty (2016).
1669:A Midsummer Night's Dream
1485:Unspeakable Conversations
1399:Unspeakable Conversations
861:Beauty from Moulin Rouge,
831:Henri de Toulouse-Lautrec
767:Frida Kahlo: Viva La Vida
763:Frida Kahlo: Viva La Vida
759:Frida Kahlo: Viva La Vida
751:Frida - Stroke of Passion
747:Frida Kahlo, a Revoluçao!
729:by Francesca Cassottana,
559:The Return of The Soldier
164:Royal Shakespeare Company
5580:Actors with disabilities
5087:There Ought To Be Clowns
3333:www.hamiltonhodell.co.uk
3203:Simpson, Hannah (2022).
2861:"Re-membering the Canon"
2668:www.deficienciavisual.pt
1924:. Routledge. p. 3.
1835:Company, founded in 1980
1733:Michael Patrick Thornton
1373:A Streetcar Named Desire
1245:, Jonathan Christenson,
1158:Children of a Lesser God
1110:, by William Shakespeare
998:Lord George Gordon Byron
727:A Ribbon Around the Bomb
460:The Cripple of Inishmaan
5595:Novels about disability
2382:10.18061/dsq.v37i2.5430
2040:10.18061/dsq.v42i1.7576
1971:Kuppers, Petra (2017).
1857:Phamaly Theatre Company
1764:The Taming of the Shrew
1498:, Crocodiles, Jellyfish
1227:, Igor and De Lacey in
1089:, adapted for stage by
933:Sweet Nothing in My Ear
880:In the Burning Darkness
741:by Andrea Castelletti,
597:Frances Hodgson Burnett
579:Lady Chatterley's Lover
509:, by John Mortimer and
58:Phamaly Theatre Company
56:(1988 - Australia) and
5605:Disability in the arts
5139:The Hollywood Reporter
5022:VHLF (7 August 2019).
4905:"Love's Labour's Lost"
3730:New York Theatre Guide
3642:Country and Town House
2991:10.18061/dsq.v29i4.997
2905:10.18061/dsq.v24i2.495
1973:Theatre and Disability
1437:Much Ado About Nothing
1348:Royal National Theatre
1313:Tracy Beaker Gets Real
1310:Various characters in
1247:Richard Brinsley Peake
953:Robert Louis Stevenson
812:of the short story by
773:by Valeria Moretti or
572:novel of the same name
385:, Daneka Etchells and
101:
46:Graeae Theatre Company
17:Theatre and disability
5458:"Deafinitely Theatre"
5367:British Theatre Guide
4311:British Theatre Guide
4001:www.bushtheatre.co.uk
3815:East Midlands Theatre
3044:British Theatre Guide
1812:Canadian Deaf Theatre
1755:The Little Big Things
1640:Every Brilliant Thing
1584:The Dutchess of Malfi
1540:The Dutchess of Malfi
1115:The Wars of the Roses
1069:Mr Johnny Gotobed in
886:Antonio Buero Vallejo
837:by Robert Kornhiser,
677:Sunrise at Campobello
672:Franklin D. Roosevelt
658:Emily and Dominic in
433:Belinda MacDonald in
221:Disability dramaturgy
93:
3229:"ProFile Performers"
2652:– via YouTube.
2628:– via YouTube.
1800:Back to Back Theatre
1684:Flowers for Algernon
1653:Antony and Cleopatra
1490:Beauty and the Beast
1205:, Clive Barnett and
1059:The Rules of Charity
1024:by Deborah Clair or
957:Jules Eckert Goodman
156:colour-blind casting
89:Disability Rights UK
54:Back to Back Theatre
5488:Open Circle Theatre
5464:. 18 September 2017
5462:Deafinitely Theatre
5089:. 19 September 2009
5028:Vaclav Havel Center
4934:Shakespeare's Globe
4789:The West Australian
4027:The London Magazine
2847:The Glass Menagerie
2409:The Hastings Center
1769:The Glass Menagerie
1456:The Glass Menagerie
1119:William Shakespeare
1096:Richard Plantagenet
1031:Meshak Gardiner in
874:by Nicholas Collett
839:Lautrec The Musical
775:To DIE:GO in Leaves
769:by Huberto Robles,
745:by Tony Broadwick,
737:by Vanessa Severo,
725:by Louise Coigley,
632:William Shakespeare
548:Flowers for Algeron
441:Elmer Blaney Harris
255:The Glass Menagerie
244:The Glass Menagerie
60:(founded in 1989).
5565:Disability theatre
5438:. 10 November 2023
5109:"Woman of flowers"
4982:. 9 September 2019
4763:www.artshub.com.au
4618:www.stagenoise.com
4533:. 28 February 2024
4510:StageTalk Magazine
4283:Camden New Journal
3789:ablemagazine.co.uk
3448:britishtheatre.com
3233:ProFile Performers
3095:ablemagazine.co.uk
3020:. 21 February 2018
2436:. 16 December 2020
1866:Realwheels Theatre
1806:Blue Apple Theatre
1724:The Cost of Living
1699:Sophie Leigh Stone
1588:The American Clock
1571:Francesca Martinez
1546:La Cage Aux Folles
1526:The Cost of Living
1504:The Cherry Orchard
1389:Merchant of Venice
1327:'s plays, such as
1249:and Eric B. Sirota
898:Francesca Martinez
866:Horatio Nelson in
821:The Miracle Worker
749:by Juçara Gaspar,
404:The Boys Next Door
320:'John' Merrick in
309:Joseph Merrick in
250:Tennessee Williams
138:unconscious biases
5615:Disability rights
5416:. 30 January 2019
5294:BroadwayWorld.com
4738:AussieTheatre.com
4612:Simmonds, Diana.
4112:Mancunian Matters
3704:www.mag-north.com
3612:"Daneka Etchells"
3183:www.fridakahlo.it
3046:. 17 October 2023
2462:. 20 October 2022
2268:. 2 November 2020
2007:978-1-4725-1035-8
1982:978-1-137-60572-6
1931:978-0-415-92997-4
1906:978-1-4725-1035-8
1874:, founded in 1984
1868:, founded in 2003
1859:, founded in 1989
1850:, founded in 1968
1844:, founded in 1998
1826:, founded in 1991
1824:Deaf West Theatre
1820:, founded in 1974
1814:, founded in 1989
1808:, founded in 2005
1802:, founded in 1987
1796:, founded in 1994
1663:Loves Labour Lost
1617:Tom Mothersdale,
1501:Alison Halstead,
1462:Zak Ford-Williams
1428:Daneka Etchells,
1318:Jacqueline Wilson
1274:and most notably
1266:, adaptations by
1258:A Christmas Carol
1237:, adaptations by
1182:Nicholas Nickleby
1087:Eleanor H. Porter
1022:Dangerous to Know
790:, adaptations by
783:The Metamorphosis
765:by Pino Cacucci,
753:by Odalys Nanin,
710:Kafka the Musical
592:The Secret Garden
379:Zak Ford-Williams
52:(1985 - Canada),
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4851:. 19 August 2024
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4791:. 19 August 2011
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4398:Evening Standard
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3124:theatricalia.com
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1872:Theatre Terrific
1715:Woman of Flowers
1407:Assisted Suicide
1403:The Normal Heart
1170:Stuck In Neutral
1155:Sarah Norman in
1117:, adaptation of
943:Long John Silver
843:Charles Aznavour
814:Cornell Woolrich
801:Hal Jeffries in
798:and Steve Moulds
755:Frida Vice-Versa
523:Claudius the God
457:Billy Claven in
383:Annabelle Davies
354:The Elephant Man
339:
338:
334:
323:The Elephant Man
277:Stephen Schwartz
154:often termed as
79:Political change
69:Lionel Barrymore
50:Theatre Terrific
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5369:. 11 March 2016
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4909:Exeunt Magazine
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4869:
4868:
4864:
4854:
4852:
4849:theartsdesk.com
4843:
4842:
4838:
4828:
4826:
4809:
4808:
4804:
4794:
4792:
4783:
4782:
4778:
4768:
4766:
4765:. 15 March 2019
4757:
4756:
4752:
4742:
4740:
4731:
4730:
4726:
4716:
4714:
4697:
4696:
4692:
4682:
4680:
4671:
4670:
4666:
4656:
4654:
4637:
4636:
4632:
4622:
4620:
4611:
4610:
4606:
4596:
4594:
4585:
4584:
4580:
4570:
4568:
4551:
4550:
4546:
4536:
4534:
4529:
4528:
4524:
4514:
4512:
4503:
4502:
4498:
4488:
4486:
4477:
4476:
4472:
4462:
4460:
4457:theartsdesk.com
4451:
4450:
4446:
4436:
4434:
4417:
4416:
4412:
4402:
4400:
4391:
4390:
4386:
4376:
4374:
4357:
4356:
4352:
4342:
4340:
4331:
4330:
4326:
4316:
4314:
4305:
4304:
4297:
4287:
4285:
4277:
4276:
4272:
4262:
4260:
4251:
4250:
4246:
4236:
4234:
4217:
4216:
4212:
4202:
4200:
4191:
4190:
4186:
4176:
4174:
4172:2nd from Bottom
4165:
4164:
4160:
4150:
4148:
4131:
4130:
4126:
4116:
4114:
4105:
4104:
4100:
4090:
4088:
4071:
4070:
4066:
4056:
4054:
4052:alison halstead
4046:
4045:
4041:
4031:
4029:
4020:
4019:
4015:
4005:
4003:
3995:
3994:
3990:
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3912:
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3893:
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3854:
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3819:
3817:
3808:
3807:
3803:
3793:
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3723:
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3718:
3708:
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3698:
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3680:
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3661:
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3656:
3646:
3644:
3635:
3634:
3630:
3620:
3618:
3609:
3608:
3604:
3594:
3592:
3583:
3582:
3578:
3568:
3566:
3557:
3556:
3552:
3542:
3540:
3538:Exeunt Magazine
3532:
3531:
3527:
3517:
3515:
3513:Culture Whisper
3507:
3506:
3502:
3492:
3490:
3473:
3472:
3465:
3452:
3450:
3442:
3441:
3437:
3427:
3425:
3408:
3407:
3403:
3393:
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3381:
3371:
3369:
3352:
3351:
3347:
3337:
3335:
3327:
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3312:
3310:
3302:
3301:
3297:
3287:
3285:
3277:
3276:
3272:
3262:
3260:
3252:
3251:
3247:
3237:
3235:
3227:
3226:
3222:
3215:
3202:
3201:
3197:
3187:
3185:
3177:
3176:
3172:
3162:
3160:
3143:
3142:
3138:
3128:
3126:
3118:
3117:
3113:
3099:
3097:
3089:
3088:
3084:
3074:
3072:
3064:
3063:
3059:
3049:
3047:
3038:
3037:
3033:
3023:
3021:
3012:
3011:
3007:
2971:
2970:
2966:
2956:
2954:
2937:
2936:
2932:
2918:
2917:
2913:
2885:
2884:
2880:
2870:
2868:
2859:
2858:
2854:
2844:
2843:
2839:
2829:
2827:
2819:
2818:
2814:
2804:
2802:
2800:www.nrac.org.uk
2794:
2793:
2789:
2763:
2762:
2758:
2748:
2746:
2737:
2736:
2732:
2722:
2720:
2712:
2711:
2707:
2697:
2695:
2687:
2686:
2682:
2672:
2670:
2662:
2661:
2657:
2647:
2645:
2638:
2637:
2633:
2623:
2621:
2614:
2613:
2609:
2599:
2597:
2589:
2588:
2584:
2574:
2572:
2564:
2563:
2559:
2549:
2547:
2530:
2529:
2525:
2515:
2513:
2505:
2504:
2500:
2490:
2488:
2480:
2479:
2475:
2465:
2463:
2454:
2453:
2449:
2439:
2437:
2428:
2427:
2423:
2413:
2411:
2403:
2402:
2398:
2362:
2361:
2357:
2347:
2345:
2337:
2336:
2332:
2322:
2320:
2312:
2311:
2307:
2297:
2295:
2286:
2285:
2281:
2271:
2269:
2260:
2259:
2255:
2245:
2243:
2234:
2233:
2229:
2219:
2217:
2209:
2208:
2204:
2194:
2192:
2176:
2175:
2171:
2161:
2159:
2142:
2141:
2137:
2127:
2125:
2108:
2107:
2103:
2093:
2091:
2090:. 14 April 2022
2082:
2081:
2077:
2067:
2065:
2061:
2060:
2056:
2020:
2019:
2015:
2008:
1995:
1994:
1990:
1983:
1970:
1969:
1965:
1955:
1953:
1944:
1943:
1939:
1932:
1919:
1918:
1914:
1907:
1894:
1893:
1889:
1884:
1786:
1777:
1648:Nadia Nadarajah
1643:, Julius Caesar
1580:Francesca Mills
1363:
1343:
1300:The Who's Tommy
1264:Charles Dickens
1220:Frederick Knott
1214:Wait Until Dark
1191:Edward Stirling
1187:Charles Dickens
1108:Henry IV part 3
1104:Henry IV part 2
1100:Henry IV part 1
1039:Helen Edmundson
948:Treasure Island
794:, E. Thomalen,
743:Frida and Diego
661:A Nervous Smile
601:Thomas W. Olson
564:John Van Druten
556:Christopher in
513:, based on the
481:Christopher in
464:Martin McDonagh
395:
387:Nadia Nadarajah
340:
336:
332:
330:
329:
293:
267:
247:
239:
223:
146:
133:
81:
34:
12:
11:
5:
5628:
5626:
5618:
5617:
5612:
5607:
5602:
5597:
5592:
5587:
5582:
5577:
5572:
5567:
5557:
5556:
5551:
5550:
5525:
5500:
5475:
5449:
5427:
5405:
5380:
5354:
5342:LondonTheatre1
5328:
5306:
5280:
5255:
5229:
5203:
5191:Chicago Reader
5177:
5165:Chicago Reader
5151:
5125:
5100:
5074:
5040:
5014:
4993:
4967:
4946:
4921:
4896:
4862:
4836:
4802:
4776:
4750:
4724:
4690:
4664:
4630:
4604:
4578:
4544:
4522:
4496:
4470:
4459:. 5 March 2024
4444:
4410:
4384:
4350:
4338:London Theatre
4324:
4295:
4270:
4259:. 1 March 2024
4244:
4210:
4184:
4158:
4124:
4098:
4064:
4039:
4013:
3988:
3954:
3920:
3886:
3852:
3827:
3801:
3776:
3742:
3716:
3691:
3654:
3628:
3602:
3576:
3550:
3525:
3500:
3463:
3435:
3401:
3379:
3345:
3320:
3295:
3270:
3245:
3220:
3214:978-3031041327
3213:
3195:
3170:
3136:
3111:
3082:
3057:
3031:
3005:
2964:
2930:
2911:
2878:
2852:
2837:
2812:
2787:
2756:
2743:Then Do Better
2730:
2705:
2680:
2655:
2631:
2607:
2582:
2557:
2523:
2511:www.rsc.org.uk
2498:
2473:
2447:
2421:
2396:
2355:
2330:
2305:
2279:
2253:
2227:
2202:
2169:
2135:
2101:
2075:
2054:
2013:
2006:
1988:
1981:
1963:
1937:
1930:
1912:
1905:
1886:
1885:
1883:
1880:
1879:
1878:
1875:
1869:
1863:
1860:
1854:
1851:
1845:
1839:
1836:
1833:Graeae Theatre
1830:
1827:
1821:
1815:
1809:
1803:
1797:
1785:
1782:
1776:
1773:
1772:
1771:
1751:
1748:A Doll's House
1730:
1717:
1696:
1672:
1645:
1629:
1615:
1596:
1593:Mallory Towers
1577:
1568:
1553:
1528:
1519:
1499:
1493:
1474:
1459:
1447:Madison Ferris
1444:
1426:
1412:Peter Dinklage
1409:
1392:
1370:Nadia Albina,
1362:
1359:
1342:
1339:
1325:Samual Beckett
1321:
1320:
1308:
1306:Pete Townshend
1295:
1283:
1250:
1222:
1209:
1177:
1165:
1153:
1129:
1127:Henry IV plays
1111:
1093:
1077:
1067:
1054:
1041:
1029:
1028:by Arthur Kahn
995:
989:Nicolas Billon
940:
928:
921:Cost of Living
916:
900:
888:
875:
864:
828:
826:William Gibson
816:
808:adaptation by
799:
796:Steven Berkoff
778:
777:by Maryam Baig
716:
685:
669:
656:
624:
612:
587:
574:
554:
544:
525:
500:
490:Simon Stephens
479:
467:
455:
443:
436:Johnny Belinda
431:
411:
394:
391:
371:Paula Arundell
345:Joseph Merrick
328:
307:
292:
286:
281:Winnie Holzman
266:
260:
246:
240:
238:
235:
222:
219:
208:
207:
195:
145:
142:
132:
129:
80:
77:
33:
30:
13:
10:
9:
6:
4:
3:
2:
5627:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5598:
5596:
5593:
5591:
5588:
5586:
5583:
5581:
5578:
5576:
5573:
5571:
5568:
5566:
5563:
5562:
5560:
5539:
5538:Vital Xposure
5535:
5529:
5526:
5514:
5510:
5504:
5501:
5489:
5485:
5479:
5476:
5463:
5459:
5453:
5450:
5437:
5431:
5428:
5415:
5409:
5406:
5394:
5390:
5384:
5381:
5368:
5364:
5358:
5355:
5343:
5339:
5332:
5329:
5317:. 27 May 2021
5316:
5310:
5307:
5295:
5291:
5284:
5281:
5269:
5265:
5259:
5256:
5244:
5240:
5233:
5230:
5218:
5214:
5207:
5204:
5192:
5188:
5181:
5178:
5166:
5162:
5155:
5152:
5140:
5136:
5129:
5126:
5114:
5110:
5104:
5101:
5088:
5084:
5078:
5075:
5063:
5059:
5055:
5051:
5044:
5041:
5029:
5025:
5018:
5015:
5003:
4997:
4994:
4981:
4977:
4971:
4968:
4956:
4950:
4947:
4935:
4931:
4925:
4922:
4910:
4906:
4900:
4897:
4885:
4881:
4877:
4873:
4866:
4863:
4850:
4846:
4840:
4837:
4825:
4821:
4817:
4813:
4806:
4803:
4790:
4786:
4780:
4777:
4764:
4760:
4754:
4751:
4739:
4735:
4728:
4725:
4713:
4709:
4705:
4701:
4694:
4691:
4679:
4675:
4668:
4665:
4653:
4649:
4645:
4641:
4634:
4631:
4619:
4615:
4608:
4605:
4593:
4589:
4582:
4579:
4567:
4563:
4559:
4555:
4548:
4545:
4532:
4526:
4523:
4511:
4507:
4500:
4497:
4485:
4484:Secret London
4481:
4474:
4471:
4458:
4454:
4448:
4445:
4433:
4429:
4425:
4421:
4414:
4411:
4399:
4395:
4388:
4385:
4373:
4369:
4365:
4361:
4354:
4351:
4339:
4335:
4328:
4325:
4313:. 7 June 2018
4312:
4308:
4302:
4300:
4296:
4284:
4280:
4274:
4271:
4258:
4254:
4248:
4245:
4233:
4229:
4225:
4221:
4214:
4211:
4199:
4195:
4188:
4185:
4173:
4169:
4162:
4159:
4147:
4143:
4139:
4135:
4128:
4125:
4113:
4109:
4102:
4099:
4087:
4083:
4079:
4075:
4068:
4065:
4053:
4049:
4043:
4040:
4028:
4024:
4017:
4014:
4002:
3998:
3992:
3989:
3977:
3973:
3969:
3965:
3958:
3955:
3943:
3939:
3935:
3931:
3924:
3921:
3909:
3905:
3901:
3897:
3890:
3887:
3875:
3871:
3867:
3863:
3856:
3853:
3841:
3837:
3831:
3828:
3816:
3812:
3805:
3802:
3790:
3786:
3780:
3777:
3765:
3761:
3757:
3753:
3746:
3743:
3731:
3727:
3720:
3717:
3705:
3701:
3695:
3692:
3688:
3677:
3673:
3669:
3665:
3658:
3655:
3643:
3639:
3632:
3629:
3617:
3613:
3606:
3603:
3591:
3587:
3586:"Richard III"
3580:
3577:
3565:. 24 May 2019
3564:
3560:
3554:
3551:
3539:
3535:
3529:
3526:
3514:
3510:
3504:
3501:
3489:
3485:
3481:
3477:
3470:
3468:
3464:
3460:
3449:
3445:
3439:
3436:
3424:
3420:
3416:
3412:
3405:
3402:
3390:
3383:
3380:
3368:
3364:
3360:
3356:
3349:
3346:
3334:
3330:
3324:
3321:
3309:
3305:
3299:
3296:
3284:
3280:
3274:
3271:
3259:
3255:
3249:
3246:
3234:
3230:
3224:
3221:
3216:
3210:
3206:
3199:
3196:
3184:
3180:
3174:
3171:
3159:
3155:
3151:
3147:
3140:
3137:
3125:
3121:
3115:
3112:
3108:
3096:
3092:
3086:
3083:
3071:
3067:
3061:
3058:
3045:
3041:
3035:
3032:
3019:
3015:
3009:
3006:
3001:
2997:
2992:
2987:
2983:
2979:
2975:
2968:
2965:
2953:
2949:
2945:
2941:
2934:
2931:
2926:
2922:
2915:
2912:
2906:
2901:
2897:
2893:
2889:
2882:
2879:
2866:
2862:
2856:
2853:
2848:
2841:
2838:
2826:
2822:
2816:
2813:
2801:
2797:
2791:
2788:
2783:
2779:
2775:
2771:
2767:
2760:
2757:
2745:. 13 May 2021
2744:
2740:
2734:
2731:
2719:
2715:
2709:
2706:
2694:
2690:
2684:
2681:
2669:
2665:
2659:
2656:
2644:
2643:
2635:
2632:
2620:
2619:
2611:
2608:
2596:
2592:
2586:
2583:
2571:
2567:
2561:
2558:
2546:
2542:
2538:
2534:
2527:
2524:
2512:
2508:
2502:
2499:
2487:
2483:
2477:
2474:
2461:
2457:
2451:
2448:
2435:
2431:
2425:
2422:
2410:
2406:
2400:
2397:
2392:
2388:
2383:
2378:
2374:
2370:
2366:
2359:
2356:
2344:
2340:
2334:
2331:
2319:
2315:
2309:
2306:
2294:. 29 May 2014
2293:
2289:
2283:
2280:
2267:
2263:
2257:
2254:
2242:
2238:
2231:
2228:
2216:
2212:
2206:
2203:
2191:
2187:
2183:
2182:The Economist
2179:
2173:
2170:
2158:
2154:
2150:
2146:
2139:
2136:
2124:
2120:
2116:
2112:
2105:
2102:
2089:
2088:www.bafta.org
2085:
2079:
2076:
2064:
2058:
2055:
2050:
2046:
2041:
2036:
2032:
2028:
2024:
2017:
2014:
2009:
2003:
1999:
1992:
1989:
1984:
1978:
1974:
1967:
1964:
1952:
1948:
1941:
1938:
1933:
1927:
1923:
1916:
1913:
1908:
1902:
1898:
1891:
1888:
1881:
1876:
1873:
1870:
1867:
1864:
1861:
1858:
1855:
1852:
1849:
1846:
1843:
1840:
1837:
1834:
1831:
1828:
1825:
1822:
1819:
1816:
1813:
1810:
1807:
1804:
1801:
1798:
1795:
1792:
1791:
1790:
1783:
1781:
1774:
1770:
1766:
1765:
1760:
1756:
1752:
1750:
1749:
1744:
1743:
1738:
1734:
1731:
1729:
1725:
1721:
1720:Katy Sullivan
1718:
1716:
1712:
1711:
1706:
1705:
1700:
1697:
1695:
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48:(1980 – UK),
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3070:Stories of M
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2944:The Guardian
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2869:. Retrieved
2867:. 9 May 2017
2864:
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2718:www.ietm.org
2717:
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2126:. Retrieved
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2057:
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2016:
1997:
1991:
1972:
1966:
1954:. Retrieved
1951:The Guardian
1950:
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1915:
1896:
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1842:Mind The Gap
1787:
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1285:Tiresias in
1278:'s version,
1256:
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1229:
1212:
1207:Roger Holman
1198:
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1168:
1157:
1136:
1126:
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1081:
1079:Polyanna in
1071:Carrie's War
1065:John Belluso
1057:
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1012:
1008:Tom Stoppard
1001:
946:
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904:
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867:
860:
857:Craig Pearce
853:Baz Luhrmann
848:Moulin Rouge
846:
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834:
820:
810:Keith Reddin
802:
781:
774:
770:
766:
762:
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746:
742:
738:
734:
730:
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709:
706:Alan Bennett
701:Kafka's Dick
699:
691:
675:
667:John Belluso
659:
652:
642:
635:
627:
616:
590:
577:
576:Clifford in
568:Rebecca West
558:
552:Daniel Keyes
542:David Catlin
531:
528:Captain Ahab
506:
482:
471:
458:
447:
434:
425:Brad Falchuk
415:
403:
396:
367:Daniel Monks
358:
353:
349:John Merrick
341:
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319:
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271:
269:The musical
268:
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148:
147:
134:
105:The Guardian
102:
95:
94:
82:
62:
35:
16:
15:
5420:4 September
5248:5 September
5222:5 September
5196:5 September
5170:5 September
5033:5 September
5007:5 September
4986:5 September
4960:5 September
4795:5 September
4769:5 September
4743:5 September
4257:Liam O'Dell
4057:5 September
4032:9 September
4006:9 September
3997:"Jellyfish"
3981:9 September
3647:4 September
3621:5 September
3338:5 September
3313:4 September
3188:4 September
3050:4 September
3024:6 September
2830:4 September
2805:4 September
2749:4 September
2723:4 September
2550:3 September
1753:Amy Trigg,
1737:Richard III
1728:Richard III
1679:Richard III
1636:Richard III
1623:London Tide
1619:Richard III
1603:Richard III
1535:Richard III
1496:Sarah Gordy
1481:Richard III
1442:Brassed Off
1423:Richard III
1276:Mark Gatiss
1272:Jack Thorne
1268:David Edgar
1235:Mary Shelly
1225:The Monster
1195:David Edgar
1163:Mark Medoff
1142:Victor Hugo
1123:Richard III
1075:Nina Bawden
1052:Brian Friel
804:Rear Window
792:Lemm Sissay
788:Franz Kafka
731:Frida Kahlo
719:Frida Kahlo
714:Murray Gold
688:Franz Kafka
683:Dore Schary
655:by Mike Lew
653:eenage Dick
645:(1699 play)
643:Richard III
637:Richard III
546:Charlie in
519:I, Claudius
507:I, Claudius
498:Mark Haddon
469:Blanche in
429:Ian Brennan
421:Ryan Murphy
409:Tom Griffin
302:Richard III
290:Richard III
5600:Disability
5559:Categories
4678:monstagigz
4592:monstagigz
2486:Interbrand
1882:References
1608:The Seagul
1477:Mat Frazer
1431:The Welkin
981:Mike Kenny
973:B.H. Barry
969:Ken Ludwig
961:Jule Styne
914:Ken Daurio
910:Cinco Paul
905:Bubble Boy
780:Gregor in
696:Jack Klaff
605:Lucy Simon
453:Nina Raine
363:Tom Wright
227:dramaturge
25:disability
5543:24 August
5518:24 August
5493:24 August
5468:24 August
5442:24 August
5398:24 August
5393:The Stage
5373:25 August
5347:25 August
5321:25 August
5299:25 August
5273:25 August
5268:The Stage
5144:25 August
5118:25 August
5093:25 August
5067:25 August
5062:0261-3077
4939:25 August
4914:25 August
4889:25 August
4884:0261-3077
4855:25 August
4829:25 August
4824:0029-7712
4717:25 August
4712:0261-3077
4683:25 August
4657:25 August
4652:0261-3077
4623:25 August
4597:25 August
4571:25 August
4566:0261-3077
4537:25 August
4515:25 August
4489:25 August
4463:25 August
4437:25 August
4432:0029-7712
4403:25 August
4377:25 August
4372:0261-3077
4343:25 August
4317:25 August
4288:25 August
4263:25 August
4237:25 August
4232:0261-3077
4203:25 August
4177:25 August
4151:25 August
4146:0261-3077
4117:25 August
4091:25 August
4086:0261-3077
3976:0261-3077
3947:25 August
3942:0261-3077
3913:25 August
3908:0261-3077
3879:25 August
3874:0261-3077
3845:25 August
3840:The Stage
3820:24 August
3794:25 August
3769:24 August
3764:0261-3077
3735:24 August
3709:25 August
3681:24 August
3676:0261-3077
3595:24 August
3569:24 August
3543:24 August
3518:24 August
3493:24 August
3488:0261-3077
3453:24 August
3428:24 August
3423:0261-3077
3394:24 August
3372:24 August
3367:0261-3077
3288:25 August
3263:24 August
3238:24 August
3158:0261-3077
3129:24 August
3100:24 August
3075:24 August
3000:2159-8371
2957:24 August
2952:0261-3077
2871:24 August
2782:1558-7266
2698:25 August
2673:30 August
2648:25 August
2624:24 August
2600:24 August
2595:The Stage
2575:24 August
2570:The Stage
2545:0261-3077
2516:24 August
2491:30 August
2466:30 August
2440:30 August
2434:NellyRodi
2414:30 August
2391:2159-8371
2348:25 August
2343:The Stage
2323:25 August
2318:The Stage
2298:25 August
2272:25 August
2246:25 August
2241:BBC Three
2220:25 August
2195:25 August
2190:0013-0613
2162:25 August
2157:0261-3077
2128:25 August
2123:0261-3077
2094:25 August
2068:25 August
2049:2159-8371
1575:All of Us
1522:Kate Hood
1451:All of Me
1297:Tommy in
1293:Sophocles
1239:Nick Dear
1203:Simon May
1179:Smike in
1167:Shawn in
1150:Pip Utton
1132:Quasimodo
1056:Monty in
1043:Molly in
1034:Coram Boy
965:Sebastian
902:Jimmy in
893:All of Us
863:by Pavlík
818:Helen in
589:Colin in
566:based on
533:Moby Dick
492:based on
445:Billy in
413:Artie in
242:Laura in
215:Equity UK
125:The Stage
73:pantomime
21:inclusion
5217:Deadline
4198:InReview
2888:"Wicked"
2292:HuffPost
2266:PBS News
2215:BBC News
1956:13 March
1658:Grounded
1395:Liz Carr
1323:Some of
1253:Tiny Tim
1211:Susy in
1146:Ken Hill
1082:Polyanna
918:John in
890:Jess in
570:'s 1918
503:Claudius
121:HuffPost
117:PBS News
5610:Ableism
5243:Variety
3590:Variety
3563:Showriz
1742:Macbeth
1565:Henry V
1383:Othello
1378:English
1353:ProFile
1330:Endgame
1288:Oedipus
1003:Arcadia
835:Lautrec
806:, stage
614:Dom in
194:awards.
32:History
5534:"Home"
5060:
4882:
4822:
4710:
4650:
4564:
4430:
4370:
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