1995:, has grown enormously in popularity since the 1980s, and has been described as "a particular strength in contemporary Scottish theatre". A major player in this area is Imaginate, the development agency for performing arts for children and young people, based in Edinburgh. As well as artist development and creative learning, Imaginate also delivers the annual Imaginate Festival, now one of the largest international festivals in the world, and engages in research. Between 2009 and 2011, Imaginate supported Starcatchers, a production company creating performing arts experiences for children from birth to four. As critic Mark Fisher has noted, "one of Scottish theatre’s great success stories is the number of exceptional children’s companies to have emerged over the last 20 years", including Frozen Charlotte,
670:
224:, a Shetland festival appealing to Viking heritage, only took its modern form out of "mischief" of guising, tar-barrelling and other activities in the 1870s as part of a Romantic revival. Legislation was enacted against folk plays in 1555, and against liturgical plays ("clerk-plays or comedies based on the canonical scriptures") in 1575 by the General Assembly of the Church of Scotland. However, attempts to ban folk plays were more leniently applied and less successful than once assumed. They continued into the seventeenth century, with parishioners in Aberdeen reproved for parading and dancing in the street with bells at weddings and Yule in 1605,
2016:
1980:
1642:
919:
476:
1254:
61:
53:
39:
2121:
92:. Scotland's theatrical arts were generally linked to the broader traditions of Scottish and English-language literature and to British and Irish theatre, American literature and theatrical artists. As a result of mass migration, both to and from Scotland, in the modern period, Scottish literature has been introduced to a global audience, and has also created an increasingly multicultural Scottish theatre.
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1584:(1990). By the last two decades of the twentieth century a substantial body of Scottish theatrical writing had built up. There was also a change from a habit of one writer working with one company to several companies drawing on a community of writers. Scottish play writing became increasingly internationalised, with Scottish writers adapting classic texts, such as Liz Lochhead's version of
1128:
903:
1576:(1981). Artistic successes were accompanied by financial disaster and the company was £120,000 in debt by the end of its second season. Despite some critical triumphs, the company was wound down in 1987. 7:84 also encountered a period of financial instability, but new structures, new management and an emphasis on encouraging new writing led to works such as
2240:
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of human nature, the excrement and refuse of all mankind." In 1729, the Scots
Company of Comedians, formed for dramatic entertainments, was forced to close. The Edinburgh Company of Players were able to perform in Dundee, Montrose, Aberdeen and regular performances at the Taylor's Hall in Edinburgh under the protection of a Royal Patent. In 1727,
1922:: "They propose a nation that is never static, always in process, proud of its heritage as well as its increasing heterogeneity and, above all, one that can surprise and provoke engagement beyond the confines of a restrictive and potentially damaging nationalism." Hurley and his collaborators, all prominent in the
1229:
began when eight theatre companies, who had not been included in the programme, organised their own performances in small and converted theatres. Until the 1960s relations with between the two co-existing festivals were strained. Together they are now the largest, and among the most prestigious, arts
1758:
was appointed
Artistic Director in 2004 and the company was formally established in 2006. The company has no theatre building of its own, although administration is based at Speirs Lock in Glasgow. Instead it tours work to theatres, village halls, schools and site-specific locations across Scotland,
2095:
which take place annually in August. Much of the material in these festivals, however, tends to be of non-Scottish origin. Other
Edinburgh festivals include the Imaginate Festival of Theatre for Children and Young People, held in May each year and originally known as the Scottish Children's Theatre
685:
reversed the magistrates' pleas, but Rev Robert Wodrow complained of plays as "seminaries of idleness, looseness and sin." A pamphlet of the time described actors as, "the most profligate wretches and vilest vermin that hell ever vomited out... the filth and garbage of the earth, the scum and stain
1027:
in the same season. In the second half of the century the development of
Scottish theatre was hindered by the growth of rail travel, which meant English tour companies could arrive and leave more easily for short runs of performances. A number of figures who could have made a major contribution to
1138:
The early twentieth century saw the emergence of a tradition of popular or working class theatre. Hundreds of amateur groups were established, particularly in the growing urban centres of the
Lowlands. Many were offshoots of the Workers' Theatre Movement (WTM) and the Unity Theatre Society (UTS).
387:
put on a play. Costumes were made for the characters of a Pope, two
Cardinals, and several friars. A scaffold or stage was made at the school and erected at the High Tolbooth. After the performance the costumes were donated to the poor. The English system of professional companies of players and
1759:
the UK and internationally. The company has created over 200 productions and collaborates with other theatre companies, local authorities, and individual artists to create a variety of performances, from large-scale productions through to theatre specifically made for the smallest venues.
1020:
Despite these successes, provincialism began to set in to
Scottish theatre. By the 1840s, Scottish theatres were more inclined to use placards with slogans like "the best company out of London", rather than producing their own material. In 1893 in Glasgow, there were five productions of
451:. The Duke of Albany brought with him a company of actors when he was resident at Holyrood as commissioner. He was also joined by a group of Irish players, who brought their own costumes. He encouraged court masques and seasons of plays at the Tennis Court Theatre, one of which included
1567:
based in
Glasgow and designed to promote the work of Scottish writers. The company found touring difficult as there were insufficient large venues that could generate the necessary income outside of the major cities. Works in the first season included McGrath's
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seemed more tolerant. Dundee formed a
Company of Players in 1734, but in 1784, the Dundee Town Council prevented a company from Edinburgh from entering. Perth did not seem to suffer these censorships, but it was 1780 before theatre was properly produced there.
1047:
was modified into a pseudo-Norse performance. It has to be admitted even today that the costumes owe more to Wagner than to
Vikings. Nonetheless, it is perhaps significant in being one of the best known pieces of folk ritual performance in Scotland today.
1151:(1927), based on the events of the general strike the year before. The Scottish Repertory Theatre was the first Scottish company to encourage native playwrights. In the interwar period its aim was taken up by other amateur companies, particularly the
729:
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The 1960s and 1970s also saw the flourishing of Scottish Gaelic drama. Key figures included Iain Crichton Smith, whose plays explored wide-ranging themes. Often humorous, they also dealt with serious topics such as the betrayal of Christ in
1112:(1924–43), who performed several of his plays and which aimed to produce a Scottish national theatre, but his view that they should become a professional company meant he resigned from the board. He was a founder and first president of the
228:
and May plays at Kelso in 1611 and Yuletide guising at Perth in 1634. The kirk also allowed some plays, particularly in schools when they served their own ends, as in the comedy about the prodigal son permitted at St. Andrews in 1574.
75:
in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investigated other cultural areas. The main influences are from
2036:
common in Scotland from the mid-19th to the mid-20th century. With the arrival of cinema, radio and television, its influence began to wane. However, something of the flavour of Scottish music hall can still be seen in many Scottish
2218:, amongst other things, but resorted to obvious joke names, such as Sir Mungo McBungle for a failed industrialist, and Andy McChuckemup for a Glaswegian wheeler dealer. 7:84 produced a number of other plays during the period, but
1092:, the pseudonyms, respectively, of doctors John Macintyre (1869-1947) and Osborne Mavor (1888–1951). Brandane's plays were often humorous explorations of the clash between modernity and tradition in Highland society, as in
1249:
that had existed in Great Britain since 1737. This allowed much greater artistic freedom, but local authorities in Scotland still retained the ability to prosecute "obscene performances" under local by-laws and statutes.
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which removed patronage. Scottish "national drama" emerged in the early 1800s, as plays with specifically Scottish themes began to dominate the Scottish stage. The existing repertoire of Scottish-themed plays included
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and through them the neo-classical tradition in French drama, but his impact in Scotland was limited by his choice of Latin as a medium. A masque by Buchanan and a spectacular fire drama devised and directed by
2170:. In 1972, the same play was performed at a May Day rally in Edinburgh, and also an occupied factory in Glasgow. The likes of Leni Lean and David MacLennan moved to other companies from 7:84, such as Wild Cat.
2041:. Music hall is not strictly theatre, but it can contain dramatic elements and small sketches. It tended towards sentimentality, light humour and the singalong, rather than high-brow dramatic entertainment.
447:. Sydsurf was also manager from 1667 of the Tennis Court Theatre and ran a company of players in Edinburgh's Cannongate. The repertoire followed that in London and there were no new Scottish plays after
3781:
842:(1762–1851); although her work was more significant anonymously in print than in performance for much of her lifetime, she emerged as one of Scotland's leading playwrights. Baillie's first volume of
1323:(1974), was socialist in intent and took the part of resurgent Scottish nationalism. Independent theatre companies that formed along the lines of this model have been many and include such names as
739:
In the later eighteenth century, many plays were written for and performed by small amateur companies and were not published, meaning most have been lost. Towards the end of the century there were "
349:
or James VI. The plot involves a lecherous octogenarian's pursuit of a teenage girl, and Jamie Reid-Baxter has suggested that it may be a satire on the marriage of Mary's Secretary of State,
1684:
moved into new premises at Druimfin in 2008, and in 2013 partnered with arts centre An Tobar to form Comar, a multi-arts organisation that produces, presents and develops creative work.
681:
In Scotland, performances were largely limited to performances by visiting actors, who faced hostility from the Kirk. In November 1727, Edinburgh Town Council denounced stage plays. The
136:
elicited the (in)famous "Whaur's Yer Wullie Shakespeare Noo?" jeer from a member of one of its early audiences, and was also the subject of a number of pamphlets for and against it.
2073:. MacDiarmid said, " never met a single, intelligent Scot who would be seen at Lauder performance" and quipped that Lauder was so funny no one could remember any of his jokes.
998:. These highly popular plays saw the social range and size of the audience for theatre expand and helped shape theatre going practices in Scotland for the rest of the century.
948:
was first produced in Edinburgh in 1810 with the help of Scott, as part of a deliberate attempt to stimulate a national Scottish drama. Scott also wrote five plays, of which
1422:) (1976). Several of these comedies became popular staples for amateur companies. In the 1970s, the dramatic potential of the language was demonstrated in plays such as
956:(1822), were patriotic Scottish histories. Adaptations of the Waverley novels, largely first performed in minor theatres rather than the larger Patent theatres, included
1696:. The Arches was a major site for contemporary theatre and avant-garde performance. Under the direction of Jackie Wylie, The Arches staged performances such as DEREVO's
345:(published in London in 1603), are isolated examples of surviving plays. The latter is a vernacular Scots comedy of errors, probably designed for court performance for
1544:, 1974). Many of these authors continued writing into the 1980s and even the 1990s, but this was something of a golden age for Gaelic drama that has not been matched.
725:'s theatres were closed in 1745 and 1751 by clergy as well. A new theatre was opened on Edinburgh's Canongate in 1747 and operated without a licence into the 1760s.
1379:
1766:, in a number of ways. Some chose to look back into Scottish history, focusing in particular on periods which seemed to have been forgotten, such as the ill-fated
463:(1692), a ribald satire on the morals of the Presbyterian kirk, circulating in manuscript, but not published until 1722, helping to secure the association between
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2187:
1315:
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theatres that developed in this period was absent in Scotland, but James VI signalled his interest in drama by arranging for a company of English players led by
6210:
809:, was acted in the Edinburgh Theatre. It reflected contemporary politics in its emphasis on the liberties of the subject. It made out a clear parallel between
1782:"signifies a partial refocusing on the past in Scottish theatre", a prediction borne out by the rise in Scottish history plays in subsequent years, including
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1096:(1925). Bridie emerged as a prolific playwright and a major figure in developing modern Scottish drama. As well as drawing on his medical experience, as in
5458:
1688:
closed for renovation in 2014, with projected re-opening in 2017. In contrast to these developments, some venues closed their doors permanently, including
2897:
Stefan Collini; Richard Whatmore (1 May 2000). History, Religion, and Culture: British Intellectual History 1750-1950. Cambridge University Press. p. 96.
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5549:
3992:
Dingwall-Jones, Chris (2013). "Representational tactics: approaching two Scottish performances of mental illness through the work of Michel de Certeau".
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remained by far and away the most successful. It was eventually recorded as a television programme, albeit with some modifications to thank BBC censors.
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is recorded as having written anti-Catholic tragedies and comedies in Scots around 1540, before he was forced to flee into exile. These included the
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into being on 1 July 2010, after an interim company, Creative Scotland 2009, was set up to assist the transition from the existing organisations,
1088:(1920), focused on historical themes. After Barrie the most successful Scottish playwrights of the early twentieth century were John Brandane and
669:
431:, a play about the restoration of a legitimate dynasty in Florence after many years of civil war. It was performed at the Tennis-Court Theatre at
404:
3938:
1516:, 1969), which focused on threats to the Gaelic language. Other major figures included Tormod Calum Dòmhnallach (1927–2000), whose work included
403:'s dislike of theatre, which struggled to survive in Scotland. However, it was not entirely extinguished. Surviving plays for the period include
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1305:(1973). These plays opened the way for a new form of independent and politically committed community theatre. The trend was kicked off by
934:
was at its height, but in the earlier part of the century, there were many adaptations of historical material, particularly the novels of
266:
in 1540, which satirised the corruption of church and state, and which is the only complete play to survive from before the Reformation.
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789:. The opening lines of the second act are probably the best known "My name is Norval; on the Grampian Hills..." It also arguably led to
3755:
415:, designed to be read rather than performed, and already indicate Alexander's preference for southern English over the Scots language.
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5684:
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5806:
5543:
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5385:
5191:
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was renovated and expanded at a cost of £5.5m, opening in 2001. North Edinburgh Arts Centre opened in 2002 in the Muirhouse area of
1559:
encouraged theatre companies to function as business, finding funding in ticket sales and commercial sponsorship. In 1981 the actor
777:. The play was a remarkable success in both Scotland and England for decades, attracting many notable actors of the period, such as
287:
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4076:
Holdsworth, Nadine (2003). "Travelling across borders: re-imagining the nation and nationalism in contemporary Scottish theatre".
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By the end of the decade, the nucleus of 7:84 had broken up, and many other people started their own political theatre companies.
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2000:
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1143:(1941–51), which lay the ground for modern popular theatre groups. Important playwrights in the movement included former miner
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148:
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4365:
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4335:
4320:
4305:
4141:
Reason, Matthew (2008). "Did You Watch the Man or Did You Watch the Goose? Children's Responses to Puppets in Live Theatre."
3650:
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3608:
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3407:
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3337:
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3295:
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1668:, comprising a 96-150-seat studio theatre, two smaller studio spaces, a recording studio, gallery, licensed cafe and garden.
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350:
283:
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694:. Ramsay was instrumental in establishing them in a small theatre in Carruber's Close in Edinburgh, but the passing of the
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2015:
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Playwrights and theatre companies responded to the burst of creative energy stemming from devolution, and later, the 2014
868:, London before knowledge of her identity emerged and the prejudice against women playwrights began to affect her career.
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personally dressed in costume and took part in masques. These performances typically involved music, dance, and disguise.
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Numerous venues were expanded and refurbished, while new venues opened in several towns and cities across Scotland. The
1113:
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384:
140:
30:
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Reason, Matthew (2008). "Thinking theatre: enhancing children's theatrical experiences through philosophical enquiry",
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1979:
1960:
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J.M. Barrie was amongst the most successful of Scottish literary exports, spending most of his career in England. His
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success there, and stopped him from founding the new Scottish national theatre that some had hoped he would. In 1783,
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while extending his socialist legacy into a new century. Other significant works of the early 21st century include
1884:
1383:
1328:
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The shift to drama that focused on working class life in the post-war period gained momentum with Robert McLeish's
565:(1679-1749), born in London to Scottish parents and later moving to Aberdeen. Her plays included the verse-tragedy
4994:
4771:
4614:
Van Heijnsbergen, T. (2001). "Culture: 7 Renaissance and Reformation (1460-1660): Literature". In M. Lynch (ed.),
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re-opened in November 2007, having undergone a complete refurbishment and extension by Robertson Construction and
6358:
6108:
6103:
5785:
5453:
5268:
3599:
M. Mcleod and M. Watson, "In the shadow of the bard: the Gaelic short story, novel and drama", in I. Brown, ed.,
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1927:
1892:
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1332:
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216:", the ancestor of America's "trick or treat". This involved youngsters dressing up in costume at New Years and
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5801:
5759:
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5441:
5407:
5238:
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3782:"Press Release: The Arches "left with no other choice" than to go into administration > The Arches, Glasgow"
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1606:(1992). Scottish playwrights were also increasingly preoccupied with wider European culture, as can be seen in
1564:
1193:
1062:(1904), which began life as a play, is one of the best known stories in English. Barrie is often linked to the
939:
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1478:
First Award for Charles Nowosielski's Theatre Alba. David Purves and Robin Lorimer published translations of
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Among the most important were the Fife Miner Players (1926–31), Glasgow Workers' Theatre Group (1937–41) and
624:. James Thompson's plays often dealt with the contest between public duty and private feelings, and included
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1992:
1915:
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1615:
1033:
978:
962:
237:
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4808:
4102:
Scullion, Adrienne (2008). "The citizenship debate and theatre for young people in contemporary Scotland".
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5478:
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5348:
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Garlick, G. (2004). "Theatre outside London, 1660-1775". In J. Milling, P. Thomson and J. Donohue (eds.),
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1903:
1824:
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In the 1970s a large number of plays explored the nature of Scottish identity. Historical dramas included
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A Scottish theatrical renaissance has been perceived by Ian Brown as occurring between the opening of the
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209:
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and sexual humour. A notable feature of Scottish music hall was its frequent use of exaggerated forms of
95:
Scottish theatre dates back at least as far as the Middle Ages. Because of the linguistic divide between
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5704:
5639:
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5223:
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4776:
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4721:
4711:
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4696:
4691:
4656:
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Fletcher-Watson, Ben (2015). "Seen and not heard: participation as tyranny in Theatre for Early Years".
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continued to be used as a medium for Scottish drama, particularly comedy. In 1947, Robert Kemp adapted
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1809:
Other writers scrutinised contemporary life in Scotland, examining themes of identity and nationhood.
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at Holyrood in 1999 had significant impacts on the ecology and infrastructure of the performing arts.
970:, which underwent over 1,000 performances in Scotland in this period. Also adapted for the stage were
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I. Brown, "Processes and interactive events: theatre and Scottish devolution", in S. Blandford, ed.,
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I. Brown, "Processes and interactive events: theatre and Scottish devolution", in S. Blandford, ed.,
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I. Brown, "Processes and interactive events: theatre and Scottish devolution", in S. Blandford, ed.,
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2262:. In more rural areas, plays are often performed in community halls, church halls, arts spaces etc.
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2004:
1996:
1923:
1747:
1681:
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797:. It may have been this persecution which drove Home to write for the London stage, in addition to
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485:
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369:
318:
164:
128:
123:
108:
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Bell, B. (2007). "The national drama, Joanna Baille and the national theatre". In I. Brown (ed.),
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succeeded because it drew on a rural folk-form, and indeed was directed at audiences in the rural
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Brown, I. (2011a). "Introduction: a lively tradition and collective amnesia". In I. Brown (ed.),
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646:(1731) was accused of being a coded Jacobite play and his later work indicates opposition to the
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there were some attempts to revive Scottish drama. In 1663 Edinburgh lawyer William Clerke wrote
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279:
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42:
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The Edinburgh History of Scottish Literature: Modern transformations: new identities (from 1918)
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588:(1704). These developed the character of the stage Scot, often a clown, but cunning and loyal.
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in December 1566. Another elaborate masque was performed at Stirling Castle in August 1594 to
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Tomlin, Liz (2015). British Theatre Companies 1995 - 2014. London: Bloomsbury Methuen Drama.
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6434:
6353:
5976:
5971:
5908:
5774:
5634:
5535:
4803:
3863:
3810:
Leach, Robert (2007). "The Short, Astonishing History of the National Theatre of Scotland".
2637:
2617:
2566:
Reid-Baxter, Jamie, "Ane Renaissance Comedy frae the Scottis Court", notes accompanying the
1954:
1914:
by Kieran Hurley provides an optimistic portrait of modern Scotland, similar to the work of
1828:
1820:
1475:
1258:
1246:
1234:
1189:
1084:
818:
790:
709:
682:
662:
652:
620:
554:
305:
144:
4313:
The Edinburgh History of Scottish Literature: Enlightenment, Britain and Empire (1707–1918)
3049:
The Edinburgh History of Scottish Literature: Enlightenment, Britain and Empire (1707-1918)
2314:
The Edinburgh History of Scottish Literature: Enlightenment, Britain and Empire (1707–1918)
1078:(1902) deal with temporary inversions of the normal social order. His later works, such as
208:
and staged at Aberdeen in 1440 and 1445 and which was probably connected with the feast of
38:
6474:
6296:
6177:
6001:
5981:
5599:
5483:
4298:
The Edinburgh History of Scottish Literature: Enlightenment, Britain and Empire, 1707-1918
3028:
James Hogg and the Literary Marketplace: Scottish Romanticism and the Working-Class Author
2066:
2050:
1945:
1880:
1838:
1779:
1736:
1705:
1596:
1470:
1447:
1184:
1156:
1063:
1058:
1014:
810:
717:
610:
432:
377:
373:
326:
293:
275:
168:
100:
72:
52:
2048:
encouraged it as an alternative to drinking. Despite this, music hall contained frequent
443:, was first performed in London in 1667 and then in Edinburgh the year after and drew on
4029:"UK | Scotland | Tayside and Central | Black Watch play tops awards list"
2932:
1230:
festivals in the world, and have included large and small-scale theatrical productions.
6281:
5986:
3722:
2055:
1949:
1896:
1742:
Since the early days of devolution, a national theatre for Scotland (distinct from the
1484:
1339:
1298:
1168:
907:
885:
839:
765:
752:
733:
647:
489:
322:
152:
118:
96:
2120:
1720:, a theatre festival celebrating young risk-taking artists. The venue closed in 2015.
6488:
6368:
6005:
5769:
5709:
5678:
5554:
3885:
1931:
1860:
1816:
1767:
1685:
1508:, 1966). Iain Moireach's plays also used humour to deal with serious subjects, as in
1010:
984:
972:
786:
740:
314:
271:
249:
180:
176:
172:
160:
77:
3898:
Archibald, David, 2011. History in contemporary Scottish theatre. In: I. Brown, ed.
1536:. Similarly, Donaidh MacIlleathain (Donnie Maclean), made use of absurd dialogue in
5764:
5714:
5659:
5228:
4380:
The Edinburgh History of Scottish Literature: From Columba to the Union, until 1707
4356:
Brown, I. (2011b). "Public and private performance: 1650-1800". In I. Brown (ed.),
2255:
2250:
All of Scotland's major cities have theatres, as well as regional centres, such as
2070:
2030:
2019:
1876:
1864:
1657:
1461:
1387:
1293:
1284:
1266:
1214:
1178:(1946), which dealt with the immense social problems of urban Scotland. Similarly,
1131:
1089:
1037:
935:
895:
822:
423:
There is almost no evidence of theatre in the period from 1603 and 1660. After the
412:
354:
212:, but no texts are extant. One tradition that has survived into the modern day is "
197:
17:
3868:
3684:
3550:
Bowman Martin & Findlay, William (1980), An extract of a Scots translation of
2621:
1630:
The current century has been described as a "golden age" for theatre in Scotland.
660:, with Thompson supplying the lyrics for his most famous work, the patriotic song
2876:
411:, written just before his departure with the king for England in 1603. They were
6311:
4326:
Brown et al. (2003). "Scottish identity". In B. Bradshaw and P. Roberts (eds.),
3851:
2173:
However, by far their biggest success was "the Cheviot". As David Edgar writes:
1872:
1849:
in 2002 but was later re-written and produced for Glasgow's Tron Theatre at the
1811:
1680:. Upon its re-opening, it became the largest combined arts centre in Scotland.
1607:
1560:
1525:
1382:
as part of the 1960 International Festival. The director of productions at the
1288:
1104:(1928) and often called on biblical characters such as devils and angels, as in
1044:
926:
in the 1870s created a popular piece of folk theatre. This picture is from 1973.
923:
778:
760:
657:
615:
309:
221:
1134:, one of the leading figures in Scottish theatre in the early twentieth century
1127:
1120:
and was its first President (1947). He founded the College of Drama within the
835:
with (anachronistic) Saxon and Norman barons on opposite sides of the theatre.
728:
399:
inherited the crown of England in 1603 meant there was no force to counter the
5171:
3556:
2026:
1973:
1907:
1795:
1723:
Funding for the arts also underwent major changes with the replacement of the
1661:
1585:
1577:
1343:
1144:
931:
902:
865:
814:
744:
467:
and professional drama that discouraged the creation of professional theatre.
464:
253:
225:
3916:
3877:
1547:
The political and funding climate changed radically after the failure of the
132:(1725), with the last two being the most popular plays among amateur groups.
5508:
3489:
Obituary: Hector MacMillan playwright, author and luthier known for The Sash
2038:
1673:
1665:
1649:
994:
774:
770:
493:
217:
156:
113:
46:
2641:
1017:
in 1826. A local success, Bass also took the play to Dundee and Edinburgh.
743:", primarily designed to be read, rather than performed, including work by
4643:
2992:
B. Bell, "The national drama and the nineteenth century" in I. Brown, ed,
2612:
Michael Pearce, 'Anna of Denmark: Fashioning a Danish Court in Scotland',
1750:. A 2003 debate in the Scottish Parliament led to the constitution of the
5818:
5589:
5061:
2251:
1590:
722:
673:
Carruber's Close, site of an early, but short-lived attempt by the poet,
642:
512:
479:
Allan Ramsay, one of the early defenders and writers of Scottish theatre.
3504:
C. Craig, "Culture: modern times (1914-): the novel", in M. Lynch, ed.,
2823:
1871:. Based on interviews with former soldiers, it portrays soldiers in the
698:
made their activities illegal and the theatre soon closed. In 1739, the
592:(1691–1761), born in Ireland of Scottish descent, produced the comedies
296:(1506–82) was major influence on Continental theatre with plays such as
5927:
4378:
Brown, I., Owen Clancy, T., Pittock, M. and Manning, S. (eds.) (2007).
3126:
B. Bell, "The national drama and the nineteenth century" I. Brown, ed,
3081:
B. Bell, "The national drama and the nineteenth century" I. Brown, ed,
2239:
2181:
1712:. Major contemporary theatre festivals produced by The Arches included
1693:
827:
704:
213:
85:
81:
6188:
4497:
Restoration Scotland, 1660-1690: Royalist Politics, Religion and Ideas
4400:
Carpenter, S. (2011). "Scottish drama until 1650". In I. Brown (ed.),
2632:
Michael Pearce, 'Maskerye Claythis for James VI and Anna of Denmark',
2599:
Michael Pearce, 'Maskerye Claythis for James VI and Anna of Denmark',
2104:
and the Buzzcut festival of live art, held at the Pearce Institute in
1926:, presented a rousing patchwork of song and monologue which nodded to
938:. Scott was keenly interested in drama, becoming a shareholder in the
151:(formerly RSAMD), whose alumni include noted performers and directors
5915:
2503:
Embroidering Her Truth: Mary Queen of Scots and the Language of Power
2205:
1023:
713:
605:
361:
201:
5030:
4648:
4328:
British Consciousness and Identity: The Making of Britain, 1533-1707
1167:(1936). He was a talented comic dramatist, committed to writing in
6271:
4311:
Brown, I., Clancy, T., Manning, S. and Pittock, M. (eds.) (2007).
4156:
Theatre, Youth, and Culture: a critical and historical exploration
3737:
3641:
J. MacDonald, "Theatre in Scotland" in B. Kershaw and P. Thomson,
3620:
J. MacDonald, "Theatre in Scotland" in B. Kershaw and P. Thomson,
3352:
J. MacDonald, "Theatre in Scotland" in B. Kershaw and P. Thomson,
3328:
J. MacDonald, "Theatre in Scotland" in B. Kershaw and P. Thomson,
3307:
J. MacDonald, "Theatre in Scotland" in B. Kershaw and P. Thomson,
3022:
M. O'Halloran, "National Discourse or Discord? Transformations of
2238:
2105:
2014:
1978:
1846:
1845:. The idea was originally workshopped with a group of students at
1716:, Wylie's rebranding of the original Arches Theatre Festival, and
1640:
1252:
1192:
in Scotland. Other major Scottish playwrights of the era included
1126:
917:
901:
727:
668:
474:
59:
56:
Theatre Royal in Dumfries, the oldest working theatre in Scotland.
51:
37:
3026:
by Baille, Scott and Hogg", in S-R. Alker and H. F. Nelson, eds,
708:. In 1752, Glasgow's first theatre was burnt down, shortly after
656:(1740) was a collaboration between Thompson, Mallet and composer
256:, was a prolific poet and dramatist. He produced an interlude at
1306:
1225:, which could not be held in the aftermath of World War II. The
793:'s Ossian cycle. Home was hounded by the church authorities for
6192:
5034:
4652:
3421:
Fringe and Fortune: The Role of Critics in High and Popular Art
3348:
3346:
1043:
In 1876, an obscure tar barrelling ceremony in Shetland called
3235:
3233:
2259:
2162:
7:84 Scotland began in 1971 with a premiere of John McGrath's
2115:
4492:. London: Nick Hern in association with the Traverse Theatre.
4154:
van de Water, Manon (2012). "Theatre for the Very Young". In
4007:"Black Watch | Main | National Theatre of Scotland"
785:
played Lady Randolph, a part which found a later exponent in
364:, performed at the weddings of prominent courtiers including
3852:"Early Days: Reflections on the Performance of a Referendum"
2404:
S. Carpenter, "Scottish drama until 1650", in I. Brown, ed,
1551:
of 1979 and the election of a Conservative government under
1013:
Charles Bass and poet James Bowick for the Theatre Royal in
817:
of Great Britain, and for that reason the censorship of the
561:
Drama was pursued by Scottish playwrights in London such as
392:
and Martin Slater to erect a playhouse and perform in 1599.
4527:
A Good Night Out, Popular Theatre: Audience, Class and Form
4237:
A Good Night Out, Popular Theatre: Audience, Class and form
3571:
Charles Nowosielski, visionary director behind Theatre Alba
3455:
The Sexual State: Sexuality and Scottish Governance 1950-80
3400:
No Gods and Precious Few Heroes: Twentieth-century Scotland
2523:
The Duke of Lennox, 1574 - 1624: A Jacobean Courtier's Life
2096:
Festival, Manipulate - the Visual Theatre Festival and the
260:
for the king and queen thought to be a version of his play
755:(1762–1851), often influenced by the ballad tradition and
455:, the future Queen Anne. A relative of Sydsurf, physician
107:, it has been a late development. A third problem was the
831:
between Saxons and Normans was drawn from the staging of
2022:. Note use of tartan and a stereotypical Scottish image.
1883:
in Iraq during 2004, prior to the amalgamation into the
1202:(1959), and George Munro (1902-68) whose plays included
1100:(1930), his plays included middle class satires such as
636:(1745), the last of which was an international success.
577:(1706). David Crawford's (1665-1726) plays included the
2369:
Up-helly-aa: Custom, Culture, and Community in Shetland
2132:
2044:
Music hall was often working class recreation, and the
1774:. It has been claimed that the 2010 Darien-themed play
1245:
abolished the system of censorship of the stage by the
274:, in 1557. In February 1562, masques were performed at
3756:"Milestone work begins at Perth Theatre - The Courier"
2455:
Graves, Charles, "Drama", in Reid, J.M. (ed.) (1951),
2316:(Edinburgh: Edinburgh University Press, 2007), p. 231.
1528:. Fionnlagh MacLeòid's (Finley Macleod) work included
4177:"A guide to children's theatre companies in Scotland"
2775:
2773:
2312:
I. Brown, T. Clancy, S. Manning and M. Pittock, eds,
2204:
toured Ireland successfully later on, both rural and
1213:
was founded in 1947 as a substitute for festivals at
2087:
The best known theatre festivals in Scotland at the
912:
The Last of the Caesars; or, Constantine Palaeologus
6418:
6377:
6346:
6320:
6264:
6228:
6052:
6000:
5962:
5953:
5750:
5737:
5616:
5507:
5356:
5347:
5338:
5210:
5082:
4980:
4942:
4684:
4221:
Scottish Cultural Review of Language and Literature
3825:"National Theatre of Scotland finds permanent home"
2743:
2741:
2705:W. Finlay, "Beginnings to 1700" in W. Finley, ed.,
2553:
2551:
825:later wrote that the idea of the contrast drawn in
4468:The Cambridge History of British Theatre, Volume 2
3643:The Cambridge History of British Theatre: Volume 3
3622:The Cambridge History of British Theatre: Volume 3
3379:The Cambridge History of British Theatre: Volume 3
3354:The Cambridge History of British Theatre: Volume 3
3330:The Cambridge History of British Theatre: Volume 3
3309:The Cambridge History of British Theatre: Volume 3
3217:Scotland's Books: A History of Scottish Literature
3196:Scotland's Books: A History of Scottish Literature
2656:(Port Washington, 1968), pp. 296–7: Anna S. Mill,
2400:
2398:
821:had prevented its production on the London stage.
3373:N. Holdsworth, "Case study: Ena Lamont Stewart's
3282:
3280:
3278:
3151:(Manchester: Manchester University Press, 2003),
2427:Scottish Theatre: Diversity, Language, Continuity
2371:(Manchester: Manchester University Press, 1998),
1283:(1973) was one of the earliest plays to confront
372:. Courtiers dressed as shepherds for a masque at
220:and often performing a song or act for a reward.
1159:(1907–85), including his first full-length play
1028:Scottish drama moved south to London, including
4093:, 20(1), p.25. DOI 0.1080/13569783.2014.953470.
3850:Bissell, Laura; Overend, David (3 April 2015).
3645:(Cambridge: Cambridge University Press, 2004),
3624:(Cambridge: Cambridge University Press, 2004),
3603:(Edinburgh: Edinburgh University Press, 2007),
3402:(Edinburgh: Edinburgh University Press, 1998),
3381:(Cambridge: Cambridge University Press, 2004),
3356:(Cambridge: Cambridge University Press, 2004),
3332:(Cambridge: Cambridge University Press, 2004),
3311:(Cambridge: Cambridge University Press, 2004),
3290:(Cambridge: Cambridge University Press, 1995),
3051:(Edinburgh: Edinburgh University Press, 2007),
2996:(Edinburgh: Edinburgh University Press, 2011),
2709:(Edinburgh: Edinburgh University Press, 1998),
2408:(Edinburgh: Edinburgh University Press, 2011),
2308:
2306:
1237:in Edinburgh in 1963 and the foundation of the
1001:Locally produced drama in this period included
692:Some Hints in Defence of Dramatic Entertainment
4424:Played in Britain, Modern Theatre in 100 Plays
4417:Twentieth-Century Scottish Drama: an Anthology
3902:. Edinburgh: Edinburgh University Press, p.94.
3814:, 23(2), p.171. DOI 10.1017/S0266464X07000073.
3554:by Michel Tremblay, in Bold, Christine (ed.),
3130:(Edinburgh: Edinburgh University Press, 2011)
3122:
3120:
3085:(Edinburgh: Edinburgh University Press, 2011)
2188:The Cheviot, the Stag, and the Black Black Oil
2069:was particularly disparaging, particularly to
1316:The Cheviot, the Stag, and the Black Black Oil
6204:
5046:
4664:
4415:Craig, C. & Stevenson, R. (eds.) (2001).
3996:, 1(1), p.11. DOI 10.14439/sjop.2013.0101.02.
3030:(Aldershot: Ashgate Publishing, Ltd., 2009),
2603:(Cambridge: D. S. Brewer, 2022), pp. 110-111.
2329:(Aldershot: Ashgate Publishing, Ltd., 2007),
1600:(1973/2005) or Edwin Morgan's translation of
1532:(1967), which was strongly influenced by the
1116:(1943), a member of the body that became the
677:, to reintroduce theatre to Scotland in 1737.
252:(c. 1486-1555), diplomat and the head of the
8:
4231:
4229:
3170:"How did Viking festival Up Helly Aa begin?"
2800:
2798:
2796:
2794:
2763:
2761:
2759:
2757:
2755:
2753:
2327:Festivals and Plays in Late Medieval Britain
2287:List of Irish theatres and theatre companies
2272:Category:Scottish dramatists and playwrights
139:Notable theatrical institutions include the
4544:. Manchester: Manchester University Press.
4158:. New York, NY: Palgrave Macmillan, p.129.
2965:. Edinburgh University Press. p. 405.
2887:. London: Smith, Elder & Co. 1885–1900.
2065:Reaction to Scottish music hall was mixed.
1823:, in July 2001, before transferring to the
1309:(1971–2008), with their 1973 production of
914:at the Theatre Royal Edinburgh, 29 May 1820
435:before the parliamentary high commissioner
103:speakers and puritanism in the wake of the
6211:
6197:
6189:
5959:
5747:
5743:
5622:
5353:
5344:
5216:
5053:
5039:
5031:
4671:
4657:
4649:
4563:No. 7, Winter 1981 - 82, pp. 43 & 44,
4371:Brown, I. & Fisher, M. (eds.) (1994).
1991:Theatre for younger audiences, especially
1524:, 1977), which was influenced by Japanese
1488:into Scots in 1992 and 1993 respectively.
930:In the later nineteenth century, Scottish
4499:. Edinburgh: Edinburgh University Press.
4470:. Cambridge: Cambridge University Press.
4455:. Edinburgh: Edinburgh University Press.
4422:Dorney, Kate & Gray, Frances (2013).
4404:. Edinburgh: Edinburgh University Press.
4402:The Edinburgh Companion to Scottish Drama
4382:. Edinburgh: Edinburgh University Press.
4360:. Edinburgh: Edinburgh University Press.
4358:The Edinburgh Companion to Scottish Drama
4345:. Edinburgh: Edinburgh University Press.
4343:The Edinburgh Companion to Scottish Drama
4330:. Cambridge: Cambridge University Press.
4315:. Edinburgh: Edinburgh University Press.
4300:. Edinburgh: Edinburgh University Press.
4219:Brown, I. (2013). Rethinking Dramaturgy.
4130:A Guide to UK Theatre for Young Audiences
3900:The Edinburgh Companion to Scottish Drama
3867:
3508:(Oxford: Oxford University Press, 2001),
3457:(Oxford: Oxford University Press, 2012),
3241:The Columbia Encyclopedia of Modern Drama
3219:(Oxford: Oxford University Press, 2009),
3198:(Oxford: Oxford University Press, 2009),
3128:The Edinburgh Companion to Scottish Drama
3083:The Edinburgh Companion to Scottish Drama
2994:The Edinburgh Companion to Scottish Drama
2959:Sir Walter Scott; Graham Tulloch (1998).
2406:The Edinburgh Companion to Scottish Drama
1987:, produced by Starcatchers. October 2010.
64:Rehearsal room at the Citizens in Glasgow
4616:The Oxford Companion to Scottish History
4585:. Edinburgh: Edinburgh University Press.
4581:Stevenson, R. & Wallace, G. (1996).
3941:. National Theatre. 2001. Archived from
3588:Theatre and Performance in Small Nations
3506:The Oxford Companion to Scottish History
3476:Theatre and Performance in Small Nations
3442:Theatre and Performance in Small Nations
2590:(Edinburgh, 1863), pp. lxxxii, 136, 138.
2392:(Oxford University Press, 1993), p. 745.
2292:The Cambridge History of British Theatre
1410:(a translation of Heinrich von Kleist's
1275:(1971) and Hector MacMillan's (b. 1929)
1155:, Glasgow, who "discovered" the work of
1122:Royal Scottish Academy of Music, Glasgow
604:(1715). He later wrote the libretto for
317:were among the entertainments staged to
4132:. Twickenham: Aurora Metro Press, p.18.
3966:The Wonderful World of Dissocia/Realism
3685:"Connery takes centre stage at theatre"
2934:Autobiography of Sir Walter Scott, Bart
2843:
2841:
2545:Van Heijnsbergen, 2001, pp. 127-8.
2348:Voicing Scotland: Folk, Culture, Nation
2302:
1196:(1908–67), who produced work including
353:, to her much younger lady-in-waiting,
270:was performed before the Queen Regent,
196:Medieval Scotland probably had its own
2153:Category:Theatre companies in Scotland
2083:Category:Theatre festivals in Scotland
1867:, was part of the first season of the
1746:in London) had been a priority of the
1500:, 1966) of the Highland Clearances in
1335:(1978–), or Theatre Alba (1981–2021).
712:complained it was the "Devil's Home".
368:, was managed by the wardrobe servant
4542:Scotland and the Music Hall 1850-1914
4448:. Edinburgh: Scottish Cultural Press.
4080:, 13(2), p.39. DOI 10.1080/920087167.
3964:Neilson, Anthony (2007). "Foreword".
3590:(Bristol: Interlect, 2013), pp. 37-8.
3377:1947", in B. Kershaw and P. Thomson,
3149:Scotland and the Music Hall 1850-1914
2459:, Serif Books, Edinburgh, pp. 13 - 20
846:was published in 1798, consisting of
7:
5381:Keeper of the Great Seal of Scotland
4631:A Decade’s Drama: Six Scottish Plays
4583:Scottish Theatre since the Seventies
3713:. Oxford: Architectural Press, p.48.
3423:(Princeton University Press, 1996),
702:of Edinburgh closed a production of
4618:. Oxford: Oxford University Press.
4483:The Oxford Companion to the Theatre
4426:. London: Bloomsbury Methuen Drama.
4056:"The Stage / Reviews / Black Watch"
3243:(Columbia University Press, 2007),
3239:G. H. Cody and E. Sprinchorn, ed.,
2390:The Oxford Companion to the Theatre
1841:about a young woman suffering from
1510:Feumaidh Sinn a Bhith Gàireachdainn
1418:(a translation of Ludvig Holberg's
339:The Maner of the Cyring of ane Play
4485:. Oxford: Oxford University Press.
3915:. Traverse Theatre. Archived from
3478:(Bristol: Interlect, 2013), p. 37.
3444:(Bristol: Interlect, 2013), p. 36.
2916:Scotland and the French Revolution
2636:(D. S. Brewer, 2022), pp. 108-123
2505:, Sceptre, London, pp. 172 - 175,
1731:. The Scottish Government brought
1390:translated four plays into Scots:
1147:(1894–1968), whose plays included
461:The Assembly or Scotch Reformation
441:Tarugo's Wiles or the Coffee House
248:, which were performed at Dundee.
246:Historie of Dyonisius the Tyraonne
25:
5807:Scottish Qualifications Authority
5544:Office of the Accountant of Court
5469:Member of the Scottish Parliament
4512:Collins Encyclopaedia of Scotland
4510:Keay, J., & Keay, J. (1994).
4453:A History of the Scottish Theatre
3711:Buildings for the Performing Arts
2850:Collins Encyclopaedia of Scotland
2601:Medieval English Theatre 43, 2021
1402:(translated from Carlo Goldoni's
773:, was first performed in 1756 in
6468:
4481:Hartnoll, Phyllis (ed.) (1993).
3780:The Arches - Powered WordPress.
3724:Eden Court redevelopment website
3262:Twentieth Century Scottish Drama
2884:Dictionary of National Biography
2588:Inventaires de la Royne Descosse
2119:
2100:. Glasgow festivals include the
2089:Edinburgh International Festival
2001:Catherine Wheels Theatre Company
1895:on 1 August 2006 in a temporary
1851:Edinburgh International Festival
1764:Scottish independence referendum
1634:and the re-establishment of the
1366:(1953) were both well received.
1188:(1947) focused on the impact of
3994:Scottish Journal of Performance
3537:, Vol. 6, No. 22, Autumn 1960,
2847:Keay, J. & Keay, J. (1994)
2570:Theatre Workshop production of
2058:. It had some overlap with the
1968:(2007), and historical trilogy
1937:Further than the Furthest Thing
1891:was first performed during the
1834:The Wonderful World of Dissocia
1739:and the Scottish Arts Council.
1563:was given £50,000 to found the
1239:Scottish Society of Playwrights
1163:(1936) and his best known work
1108:(1943). He was a member of the
838:Also important was the work of
395:The loss of a royal court when
376:in 1562. James VI and his wife
149:Royal Conservatoire of Scotland
4431:A History of Music in Scotland
4054:Thom Dibdin (10 August 2006).
3288:The Cambridge Guide to Theatre
3104:A History of Music in Scotland
2678:Brown et al., 2003, pp. 253-3.
2470:Mary Queen of Scots' Secretary
1468:, a Scots language version of
864:was successfully performed in
351:William Maitland of Lethington
282:, later the Earl of Moray, to
242:Beheading of Johne the Baptist
1:
4633:. Todmorden: Woodhouse Books.
4576:History of the Dundee Theatre
4429:Farmer, Henry George (1947).
4009:. Nationaltheatrescotland.com
3869:10.1080/10486801.2015.1020719
3560:No. 3, Summer 1980, pp.4 - 8.
3070:Annals of the Edinburgh Stage
2905:. Retrieved 24 February 2013.
2707:A History of Scottish Theatre
2622:10.1080/14629712.2019.1626110
2446:Brown et al., 2007, pp. 256-7
2112:Theatre companies in Scotland
2077:Theatre festivals in Scotland
366:James Stewart, 1st Lord Doune
278:to celebrate the marriage of
71:refers to the history of the
6500:Cultural history of Scotland
5157:Colonisation of the Americas
3666:. London: Bloomsbury, p.ix.
3525:McLellan, Robert, Review of
2235:List of theatres in Scotland
1869:National Theatre of Scotland
1837:was written and directed by
1752:National Theatre of Scotland
1394:(a translation of Molière's
1287:. Workplace dramas included
1066:and his early plays such as
942:. Baillie's Highland themed
781:, who made his debut in it.
383:In July 1598, scholars from
141:National Theatre of Scotland
31:National Theatre of Scotland
6307:Scottish Gaelic Renaissance
4592:. Purdue University Press.
4529:. London: Nick Hern Books.
4451:Finlay, Bill (ed.) (1998).
4091:Research in Drama Education
4078:Contemporary Theatre Review
3856:Contemporary Theatre Review
3664:Contemporary Scottish plays
2937:. Carey & Lea. p.
2658:Mediaeval Plays in Scotland
2654:The school drama in England
2634:Medieval English Theatre 43
2521:Bergeron, David M. (2022),
2282:List of Scottish dramatists
2179:7:84 Scotland's use of the
2098:Edinburgh People's Festival
1456:into contemporary Scots as
1442:In 1980, Martin Bowman and
1400:The Servant o' Twa Maisters
1360:The Lass wi' the Muckle Mou
1005:, adapted from the poem by
437:John Leslie, Earl of Rothes
200:, often performed by craft
6531:
6505:Scottish Gaelic literature
5829:Inventions and discoveries
5532:Supreme Courts of Scotland
4578:, Precision Press, London.
4444:Findlay, B. (ed.) (1998).
4397:. London: Nick Hern Books.
4393:Cameron, A. (ed.) (1990).
4128:Harman, Paul, ed. (2009).
4117:Childhood & Philosophy
3453:R. Davidson and G. Davis,
2527:Edinburgh University Press
2232:
2150:
2080:
1885:Royal Regiment of Scotland
1466:The Puddok an the Princess
1404:The Servant of Two Masters
1350:for the Scottish stage as
1329:Borderline Theatre Company
1319:. McGrath's work, such as
650:administration. The opera
28:
6510:Scots-language literature
6464:
6157:
6104:Scottish Episcopal Church
5786:Curriculum for Excellence
5746:
5625:
5219:
5069:
4644:Twelve Key Scottish Plays
4629:Wright, A. (ed.) (1980).
4559:, in Murray, Glen (ed.),
4514:. London: HarperCollins.
4488:Howard, P. (ed.) (1998).
3264:(Canongate Books, 2010),
3260:C. Craig and R. Stevens,
2931:Sir Walter Scott (1831).
2779:Garlick, 2004, pp. 170-1.
2350:(Luath Press Ltd, 2013),
2093:Edinburgh Festival Fringe
1893:Edinburgh Festival Fringe
1333:Wildcat Stage Productions
1227:Edinburgh Festival Fringe
1114:Glasgow Citizens' Theatre
1110:Scottish National Players
614:(1743), closely based on
429:Marciano or the Discovery
5540:High Court of Justiciary
4588:Tobin, T. (ed.) (1972).
4574:Robertson, Alec (1949),
3541:, Edinburgh, pp. 75 - 77
3013:Brown, 2007, pp. 185-86.
2853:. London. HarperCollins.
2813:Brown, 2007, pp. 229-30.
2747:Brown, 2011b, pp. 28-30.
2735:Brown, 2011b, pp. 30-31.
2468:Stedall, Robert (2021),
1806:by Linda McLean (2017).
1565:Scottish Theatre Company
940:Theatre Royal, Edinburgh
854:, a comedy on love, and
732:Engraving of playwright
575:The Revolution in Sweden
204:, like one described as
29:Not to be confused with
6410:Science fiction writers
6277:Renaissance in Scotland
6114:Free Church of Scotland
5401:International relations
4555:Paterson, Tony (1981),
4419:. Edinburgh: Canongate.
3531:Thomson, David Cleghorn
2864:Whaur’s yer Wullie noo?
2669:Carpenter, 2011, p. 21.
2616:, 24:2 (2019), p. 149.
2557:Carpenter, 2011, p. 15.
2277:Category:Scottish plays
1901:University of Edinburgh
979:The Bride of Lammermoor
963:The Heart of Midlothian
860:, a tragedy on hatred.
573:(1700) and the history
6515:Scots-language writers
5695:Royal Bank of Scotland
5391:Great Seal of Scotland
4727:Bosnia and Herzegovina
4540:Maloney, Paul (2003).
4525:McGrath, John (1996).
4446:Plays of the Seventies
4275:McGrath, pp. 74 and 75
3709:Appleton, Ian (2008).
2914:Henry William Meikle,
2642:10.2307/j.ctv24tr7mx.9
2501:Hunter, Clare (2022),
2492:Brown, 2011a, pp. 1-3.
2247:
2214:discussed the life of
2023:
1988:
1983:Production image from
1904:Officer Training Corps
1653:
1262:
1257:Rehearsal room at the
1135:
1075:The Admirable Crichton
927:
915:
736:
678:
480:
65:
57:
49:
5992:British Sign Language
5459:Members of Parliament
5386:Deputy First Minister
5224:Anglo-Scottish border
5192:Industrial Revolution
4557:Four Decades of Drama
4143:New Theatre Quarterly
4104:New Theatre Quarterly
3812:New Theatre Quarterly
3487:Taylor, Alan (2018),
2687:Jackson, 2003, p. 17.
2242:
2018:
1982:
1843:dissociative disorder
1798:(2014), Tim Barrow's
1725:Scottish Arts Council
1644:
1557:Scottish Arts Council
1549:devolution referendum
1534:theatre of the absurd
1396:The Imaginary Invalid
1256:
1199:The Heart is Highland
1141:Glasgow Unity Theatre
1130:
1118:Scottish Arts Council
921:
905:
850:, a tragedy on love,
844:Plays on the Passions
731:
672:
634:Tancrid and Sigismuda
550:Tancrid and Sigismuda
478:
409:Monarchicke Tragedies
385:Edinburgh High School
331:celebrate the baptism
319:celebrate the baptism
290:'s eldest daughter.
63:
55:
41:
6302:Scottish Renaissance
5935:World Heritage Sites
5132:Wars of Independence
4495:Jackson, C. (2003).
4145:, 24(4), pp.337-354.
3662:Reid, Trish (2014).
3106:(Hinrichsen, 1947),
2726:Brown, 2011b, p. 28.
2476:, Yorkshire, p. 56,
2229:Theatres in Scotland
1999:, Visible Fictions,
1678:Page\Park Architects
1572:(1979) and Bryden's
1368:Sydney Goodsir Smith
1279:(1973). MacMillan's
958:The Lady in the Lake
594:The Petticoat-Ploter
579:Restoration comedies
534:The Petticoat-Ploter
347:Mary, Queen of Scots
268:The Pomp of the Gods
206:ludi de ly haliblude
105:Scottish reformation
6495:Theatre in Scotland
6475:Scotland portal
6405:Short story writers
6221:Scottish literature
5725:International trade
5279:Mountains and hills
5187:Highland Clearances
5162:Glorious Revolution
5127:Davidian Revolution
5074:Outline of Scotland
4943:States with limited
4119:, 4(7), pp.115-145.
3539:The Saltire Society
2878:"Logan, John"
2826:. Arthurlloyd.co.uk
2788:Bell, 2007, p. 288.
2652:T. H. Vail Motter,
2614:The Court Historian
2529:, pp. 45 & 46,
2325:Clifford Davidson,
2046:temperance movement
2034:light entertainment
2005:TAG Theatre Company
1993:very young children
1942:Decky Does A Bronco
1636:Scottish Parliament
1408:The Chippit Chantie
1102:The Sunlight Sonata
922:The reinvention of
586:Love at First Sight
582:Courtship A-la-Mode
569:(1698), the comedy
530:Love at First Sight
526:Courtship A-la-Mode
457:Archibald Pitcairne
439:. Thomas Sydsurf's
357:, in January 1567.
304:, which influenced
147:of Glasgow and the
129:The Gentle Shepherd
69:Theatre in Scotland
18:Theatre in Scotland
6426:British literature
6082:Church of Scotland
5874:Royal National Mòd
5812:Education Scotland
5585:Scots property law
5580:College of Justice
5489:Secretary of State
5311:Biosphere reserves
5182:Lowland Clearances
5167:1707 Acts of Union
4375:. London: Methuen.
2696:Tobin, 1972, p. 5.
2457:Some Scottish Arts
2388:P. Hartnoll, ed.,
2248:
2212:The Game's a Bogey
2168:Edinburgh Festival
2131:. You can help by
2024:
1989:
1756:Vicky Featherstone
1748:Scottish Executive
1670:Eden Court Theatre
1654:
1646:Eden Court Theatre
1603:Cyrano de Bergerac
1392:The Hypochondriack
1374:was staged at the
1364:The Warld's Wonder
1352:Let Wives Tak Tent
1348:L'Ecole des Femmes
1321:The Game's a Bogey
1263:
1211:Edinburgh Festival
1180:Ena Lamont Stewart
1136:
928:
916:
737:
696:1737 Licensing Act
679:
598:The Doating Lovers
538:The Doating Lovers
504:, James Thompson,
481:
459:(1652–1713) wrote
360:Costume for court
341:(before 1568) and
280:Lord James Stewart
263:The Thrie Estaitis
90:Continental Europe
66:
58:
50:
43:Eden Court Theatre
6482:
6481:
6446:Opera in Scotland
6431:Celtic literature
6186:
6185:
6153:
6152:
6149:
6148:
6141:Ethnic minorities
6099:Roman Catholicism
6048:
6047:
5733:
5732:
5612:
5611:
5608:
5607:
5595:Prison population
5575:Sheriff principal
5570:Solicitor General
5565:Procurator fiscal
5474:Political parties
5334:
5333:
5112:Early Middle Ages
5028:
5027:
4679:Theatre of Europe
4183:. 7 November 2012
4164:978-1-349-29842-6
3979:978-0-7136-8715-6
3831:. 14 January 2013
3738:"Comar: About Us"
3552:Les Belles Soeurs
3516:, pp. 157-9.
3176:. 25 January 2016
3024:The Family Legend
2972:978-0-7486-0573-6
2903:978-0-521-62639-2
2367:Callum G. Brown,
2164:Trees in the Wind
2149:
2148:
2102:Glasgay! Festival
2060:Kailyard movement
1966:Stephen Greenhorn
1961:Sunshine on Leith
1920:Stephen Greenhorn
1819:premiered at the
1770:which led to the
1733:Creative Scotland
1729:Creative Scotland
1710:Darktown Cakewalk
1553:Margaret Thatcher
1453:Les Belles Soeurs
1243:Theatres Act 1968
1176:The Gorbals Story
1149:In Time o' Strife
1064:Kailyard movement
966:(1819/1820), and
945:The Family Legend
759:Romanticism. The
590:Newburgh Hamilton
563:Catherine Trotter
502:Newburgh Hamilton
498:Catherine Trotter
419:Restoration drama
405:William Alexander
390:Lawrence Fletcher
258:Linlithgow Palace
233:Renaissance drama
16:(Redirected from
6522:
6473:
6472:
6471:
6456:Welsh literature
6441:Irish literature
6419:Related articles
6222:
6213:
6206:
6199:
6190:
6166:
6087:General Assembly
5977:Scottish English
5972:Highland English
5960:
5849:Oldest buildings
5748:
5744:
5690:Renewable energy
5635:Bank of Scotland
5623:
5536:Court of Session
5517:Advocate General
5447:Military history
5425:Local government
5354:
5345:
5217:
5137:Late Middle Ages
5122:High Middle Ages
5055:
5048:
5041:
5032:
4981:Dependencies and
4685:Sovereign states
4673:
4666:
4659:
4650:
4373:Made in Scotland
4285:
4284:McGrath, p. 125.
4282:
4276:
4273:
4267:
4264:
4258:
4255:
4249:
4246:
4240:
4233:
4224:
4217:
4211:
4208:
4202:
4199:
4193:
4192:
4190:
4188:
4173:
4167:
4152:
4146:
4139:
4133:
4126:
4120:
4113:
4107:
4106:, 24 (4), p.384.
4100:
4094:
4087:
4081:
4074:
4068:
4067:
4065:
4063:
4058:. Thestage.co.uk
4051:
4045:
4044:
4042:
4040:
4025:
4019:
4018:
4016:
4014:
4003:
3997:
3990:
3984:
3983:
3961:
3955:
3954:
3952:
3950:
3945:on 9 August 2011
3935:
3929:
3928:
3926:
3924:
3909:
3903:
3896:
3890:
3889:
3871:
3847:
3841:
3840:
3838:
3836:
3821:
3815:
3808:
3802:
3801:
3799:
3797:
3788:. Archived from
3777:
3771:
3770:
3768:
3766:
3752:
3746:
3745:
3733:
3727:
3720:
3714:
3707:
3701:
3700:
3698:
3696:
3681:
3675:
3660:
3654:
3639:
3633:
3618:
3612:
3597:
3591:
3584:
3578:
3567:
3561:
3548:
3542:
3523:
3517:
3502:
3496:
3495:, 18 April 2018.
3485:
3479:
3472:
3466:
3451:
3445:
3438:
3432:
3417:
3411:
3396:
3390:
3371:
3365:
3350:
3341:
3326:
3320:
3305:
3299:
3284:
3273:
3258:
3252:
3237:
3228:
3213:
3207:
3192:
3186:
3185:
3183:
3181:
3166:
3160:
3145:
3139:
3124:
3115:
3100:
3094:
3079:
3073:
3066:
3060:
3045:
3039:
3020:
3014:
3011:
3005:
2990:
2984:
2983:
2981:
2979:
2956:
2950:
2949:
2947:
2945:
2928:
2922:
2912:
2906:
2895:
2889:
2888:
2880:
2873:
2867:
2860:
2854:
2845:
2836:
2835:
2833:
2831:
2820:
2814:
2811:
2805:
2802:
2789:
2786:
2780:
2777:
2768:
2765:
2748:
2745:
2736:
2733:
2727:
2724:
2718:
2703:
2697:
2694:
2688:
2685:
2679:
2676:
2670:
2667:
2661:
2650:
2644:
2630:
2624:
2610:
2604:
2597:
2591:
2584:Joseph Robertson
2581:
2575:
2574:, September 1997
2564:
2558:
2555:
2546:
2543:
2537:
2519:
2513:
2499:
2493:
2490:
2484:
2466:
2460:
2453:
2447:
2444:
2438:
2429:(Rodopi, 2013),
2423:
2417:
2402:
2393:
2386:
2380:
2365:
2359:
2344:
2338:
2323:
2317:
2310:
2144:
2141:
2123:
2116:
2051:double entendres
1875:regiment of the
1863:and directed by
1825:National Theatre
1821:Traverse Theatre
1744:National Theatre
1514:We Have to Laugh
1476:Edinburgh Fringe
1458:The Guid Sisters
1259:Citizens Theatre
1247:Lord Chamberlain
1235:Traverse Theatre
1094:The Glen is Mine
1036:(1856–1924) and
819:Lord Chamberlain
791:James MacPherson
751:(1779–1839) and
710:George Whitfield
683:Court of Session
663:Rule, Britannia!
653:Masque of Alfred
640:'s (c. 1705–65)
621:Samson Agonistes
567:Fatal Friendship
555:Masque of Alfred
518:Fatal Friendship
370:Servais de Condé
337:. The anonymous
306:Pierre Corneille
238:James Wedderburn
145:Citizens Theatre
21:
6530:
6529:
6525:
6524:
6523:
6521:
6520:
6519:
6485:
6484:
6483:
6478:
6469:
6467:
6460:
6414:
6373:
6364:Scottish Gaelic
6342:
6316:
6297:Kailyard school
6260:
6224:
6220:
6217:
6187:
6182:
6169:
6162:
6145:
6044:
5996:
5982:Scottish Gaelic
5949:
5854:Performing arts
5729:
5604:
5600:Police Scotland
5503:
5484:Scotland Office
5330:
5291:Protected areas
5206:
5078:
5065:
5059:
5029:
5024:
4982:
4976:
4962:Northern Cyprus
4944:
4938:
4859:North Macedonia
4680:
4677:
4640:
4293:
4291:Further reading
4288:
4283:
4279:
4274:
4270:
4266:McGrath, p. 122
4265:
4261:
4256:
4252:
4248:McGrath, p. 119
4247:
4243:
4234:
4227:
4218:
4214:
4209:
4205:
4200:
4196:
4186:
4184:
4175:
4174:
4170:
4153:
4149:
4140:
4136:
4127:
4123:
4114:
4110:
4101:
4097:
4088:
4084:
4075:
4071:
4061:
4059:
4053:
4052:
4048:
4038:
4036:
4027:
4026:
4022:
4012:
4010:
4005:
4004:
4000:
3991:
3987:
3980:
3963:
3962:
3958:
3948:
3946:
3937:
3936:
3932:
3922:
3920:
3919:on 20 July 2008
3911:
3910:
3906:
3897:
3893:
3849:
3848:
3844:
3834:
3832:
3823:
3822:
3818:
3809:
3805:
3795:
3793:
3792:on 12 June 2015
3786:thearches.co.uk
3779:
3778:
3774:
3764:
3762:
3754:
3753:
3749:
3735:
3734:
3730:
3721:
3717:
3708:
3704:
3694:
3692:
3683:
3682:
3678:
3661:
3657:
3640:
3636:
3619:
3615:
3598:
3594:
3585:
3581:
3568:
3564:
3549:
3545:
3524:
3520:
3503:
3499:
3486:
3482:
3473:
3469:
3452:
3448:
3439:
3435:
3418:
3414:
3397:
3393:
3375:Men Should Weep
3372:
3368:
3351:
3344:
3327:
3323:
3306:
3302:
3285:
3276:
3259:
3255:
3238:
3231:
3214:
3210:
3193:
3189:
3179:
3177:
3168:
3167:
3163:
3146:
3142:
3125:
3118:
3101:
3097:
3080:
3076:
3067:
3063:
3046:
3042:
3021:
3017:
3012:
3008:
2991:
2987:
2977:
2975:
2973:
2958:
2957:
2953:
2943:
2941:
2930:
2929:
2925:
2913:
2909:
2896:
2892:
2875:
2874:
2870:
2861:
2857:
2846:
2839:
2829:
2827:
2822:
2821:
2817:
2812:
2808:
2803:
2792:
2787:
2783:
2778:
2771:
2766:
2751:
2746:
2739:
2734:
2730:
2725:
2721:
2704:
2700:
2695:
2691:
2686:
2682:
2677:
2673:
2668:
2664:
2651:
2647:
2631:
2627:
2611:
2607:
2598:
2594:
2582:
2578:
2565:
2561:
2556:
2549:
2544:
2540:
2520:
2516:
2500:
2496:
2491:
2487:
2467:
2463:
2454:
2450:
2445:
2441:
2424:
2420:
2403:
2396:
2387:
2383:
2366:
2362:
2345:
2341:
2324:
2320:
2311:
2304:
2300:
2268:
2237:
2231:
2160:
2155:
2145:
2139:
2136:
2129:needs expansion
2114:
2085:
2079:
2067:Hugh MacDiarmid
2013:
1970:The James Plays
1946:Douglas Maxwell
1881:Operation TELIC
1839:Anthony Neilson
1792:The James Plays
1780:Alistair Beaton
1737:Scottish Screen
1706:Linder Sterling
1628:
1597:The Misanthrope
1471:The Frog Prince
1448:Michel Tremblay
1384:Gateway Theatre
1313:'s (1935–2002)
1204:Vineyard Street
1185:Men Should Weep
1157:Robert McLellan
1153:Curtain Theatre
1054:
954:MacDuff's Cross
900:
874:
811:John of England
484:Major figures:
473:
433:Holyrood Palace
421:
378:Anne of Denmark
374:Castle Campbell
327:Stirling Castle
294:George Buchanan
235:
194:
189:
169:Daniela Nardini
101:Scottish Gaelic
73:performing arts
34:
23:
22:
15:
12:
11:
5:
6528:
6526:
6518:
6517:
6512:
6507:
6502:
6497:
6487:
6486:
6480:
6479:
6465:
6462:
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6459:
6458:
6453:
6448:
6443:
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6428:
6422:
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6412:
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6350:
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6322:
6318:
6317:
6315:
6314:
6309:
6304:
6299:
6294:
6289:
6284:
6282:Castalian Band
6279:
6274:
6268:
6266:
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5685:Power stations
5682:
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5560:Lord President
5557:
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5376:First Minister
5373:
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5362:
5360:
5351:
5342:
5336:
5335:
5332:
5331:
5329:
5328:
5323:
5321:Municipalities
5318:
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5308:
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5298:
5293:
5288:
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4983:other entities
4978:
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4975:
4974:
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4954:
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4934:United Kingdom
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4774:
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4759:
4754:
4749:
4747:Czech Republic
4744:
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4729:
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4719:
4714:
4709:
4704:
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4694:
4688:
4686:
4682:
4681:
4678:
4676:
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4668:
4661:
4653:
4647:
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4639:
4638:External links
4636:
4635:
4634:
4627:
4612:
4601:
4586:
4579:
4572:
4553:
4538:
4535:978-1854593702
4523:
4508:
4493:
4490:Scotland Plays
4486:
4479:
4464:
4449:
4442:
4433:. Hinrichsen.
4427:
4420:
4413:
4398:
4391:
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4369:
4354:
4339:
4324:
4309:
4292:
4289:
4287:
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4277:
4268:
4259:
4257:McGrath, p. 33
4250:
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4235:McGrath, John
4225:
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4194:
4168:
4147:
4134:
4121:
4108:
4095:
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3891:
3862:(2): 242–250.
3842:
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3728:
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3535:Saltire Review
3518:
3497:
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3342:
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3161:
3140:
3116:
3102:H. G. Farmer,
3095:
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3061:
3040:
3015:
3006:
2985:
2971:
2951:
2923:
2918:(1912), p. 4;
2907:
2890:
2868:
2855:
2837:
2815:
2806:
2804:Farmer, p. 308
2790:
2781:
2769:
2767:Farmer, p. 301
2749:
2737:
2728:
2719:
2698:
2689:
2680:
2671:
2662:
2660:, pp. 205–206.
2645:
2625:
2605:
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2576:
2559:
2547:
2538:
2514:
2494:
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2461:
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2264:
2233:Main article:
2230:
2227:
2199:
2198:
2159:
2156:
2147:
2146:
2126:
2124:
2113:
2110:
2078:
2075:
2056:Highland Dress
2029:was a form of
2012:
2009:
1950:David Harrower
1899:at the former
1897:traverse stage
1804:Glory on Earth
1700:, Nic Green's
1627:
1624:
1612:Loosing Venice
1538:An Sgoil Dhubh
1518:Anna Chaimbeul
1440:The Slab Boys.
1416:A Muckle Steer
1412:The Broken Jug
1356:Alexander Reid
1340:Scots language
1299:Roddy McMillan
1190:the depression
1165:Jamie the Saxt
1069:Quality Street
1053:
1050:
1034:William Archer
1007:George Beattie
908:Joanna Baillie
899:
898:
893:
888:
886:Joanna Baillie
882:
881:
880:
878:
873:
870:
840:Joanna Baillie
783:Peg Woffington
753:Joanna Baillie
734:Joanna Baillie
571:Love at a Loss
559:
558:
522:Love at a Loss
508:
490:Joanna Baillie
472:
469:
449:Tarugo's Wiles
445:Spanish comedy
420:
417:
288:Earl Marischal
234:
231:
210:Corpus Christi
193:
190:
188:
185:
153:Robert Carlyle
24:
14:
13:
10:
9:
6:
4:
3:
2:
6527:
6516:
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6511:
6508:
6506:
6503:
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6498:
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6427:
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6417:
6411:
6408:
6406:
6403:
6401:
6398:
6396:
6393:
6391:
6388:
6386:
6383:
6382:
6380:
6376:
6370:
6367:
6365:
6362:
6360:
6359:Lowland Scots
6357:
6355:
6352:
6351:
6349:
6345:
6339:
6336:
6334:
6331:
6329:
6326:
6325:
6323:
6319:
6313:
6310:
6308:
6305:
6303:
6300:
6298:
6295:
6293:
6290:
6288:
6287:Enlightenment
6285:
6283:
6280:
6278:
6275:
6273:
6270:
6269:
6267:
6263:
6257:
6254:
6252:
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6214:
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6165:
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6160:
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6142:
6139:
6137:
6134:
6132:
6129:
6127:
6124:
6122:
6119:
6115:
6112:
6110:
6109:Baptist Union
6107:
6105:
6102:
6100:
6097:
6093:
6090:
6088:
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5909:national flag
5907:
5906:
5905:
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5895:
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5708:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5688:
5686:
5683:
5680:
5679:North Sea oil
5676:
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5668:
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5568:
5566:
5563:
5561:
5558:
5556:
5555:Lord Advocate
5553:
5551:
5548:
5545:
5541:
5537:
5533:
5530:
5527:
5523:
5520:
5518:
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5510:
5506:
5500:
5497:
5495:
5492:
5490:
5487:
5485:
5482:
5480:
5479:Republicanism
5477:
5475:
5472:
5470:
5467:
5465:
5462:
5460:
5457:
5455:
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5448:
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5209:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5178:
5177:Enlightenment
5175:
5173:
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
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5021:
5018:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4995:Faroe Islands
4993:
4991:
4988:
4987:
4985:
4979:
4973:
4970:
4968:
4967:South Ossetia
4965:
4963:
4960:
4958:
4955:
4953:
4950:
4949:
4947:
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4907:
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4845:
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4840:
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4835:
4832:
4830:
4827:
4825:
4822:
4820:
4819:Liechtenstein
4817:
4815:
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4810:
4807:
4805:
4802:
4800:
4798:
4795:
4793:
4790:
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4778:
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4773:
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4758:
4755:
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4735:
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4730:
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4725:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4689:
4687:
4683:
4674:
4669:
4667:
4662:
4660:
4655:
4654:
4651:
4645:
4642:
4641:
4637:
4632:
4628:
4625:
4624:0-19-211696-7
4621:
4617:
4613:
4610:
4609:9781408177280
4606:
4602:
4599:
4595:
4591:
4587:
4584:
4580:
4577:
4573:
4570:
4566:
4562:
4558:
4554:
4551:
4547:
4543:
4539:
4536:
4532:
4528:
4524:
4521:
4520:0-00-255082-2
4517:
4513:
4509:
4506:
4502:
4498:
4494:
4491:
4487:
4484:
4480:
4477:
4473:
4469:
4465:
4462:
4461:0-7486-6220-0
4458:
4454:
4450:
4447:
4443:
4440:
4439:0-306-71865-0
4436:
4432:
4428:
4425:
4421:
4418:
4414:
4411:
4407:
4403:
4399:
4396:
4392:
4389:
4388:0-7486-1615-2
4385:
4381:
4377:
4374:
4370:
4367:
4363:
4359:
4355:
4352:
4348:
4344:
4340:
4337:
4333:
4329:
4325:
4322:
4318:
4314:
4310:
4307:
4303:
4299:
4295:
4294:
4290:
4281:
4278:
4272:
4269:
4263:
4260:
4254:
4251:
4245:
4242:
4238:
4232:
4230:
4226:
4222:
4216:
4213:
4207:
4204:
4198:
4195:
4182:
4178:
4172:
4169:
4165:
4161:
4157:
4151:
4148:
4144:
4138:
4135:
4131:
4125:
4122:
4118:
4112:
4109:
4105:
4099:
4096:
4092:
4086:
4083:
4079:
4073:
4070:
4057:
4050:
4047:
4035:. 13 May 2007
4034:
4030:
4024:
4021:
4008:
4002:
3999:
3995:
3989:
3986:
3981:
3975:
3971:
3967:
3960:
3957:
3944:
3940:
3939:"Gagarin Way"
3934:
3931:
3918:
3914:
3913:"Gagarin Way"
3908:
3905:
3901:
3895:
3892:
3887:
3883:
3879:
3875:
3870:
3865:
3861:
3857:
3853:
3846:
3843:
3830:
3826:
3820:
3817:
3813:
3807:
3804:
3791:
3787:
3783:
3776:
3773:
3761:
3757:
3751:
3748:
3743:
3739:
3732:
3729:
3726:
3725:
3719:
3716:
3712:
3706:
3703:
3691:. 6 June 2001
3690:
3686:
3680:
3677:
3673:
3672:9781472574435
3669:
3665:
3659:
3656:
3652:
3648:
3644:
3638:
3635:
3632:, pp. 218-19.
3631:
3627:
3623:
3617:
3614:
3610:
3606:
3602:
3596:
3593:
3589:
3583:
3580:
3577:, 3 June 2020
3576:
3572:
3566:
3563:
3559:
3558:
3553:
3547:
3544:
3540:
3536:
3532:
3528:
3522:
3519:
3515:
3514:0-19-211696-7
3511:
3507:
3501:
3498:
3494:
3490:
3484:
3481:
3477:
3471:
3468:
3464:
3460:
3456:
3450:
3447:
3443:
3437:
3434:
3430:
3426:
3422:
3416:
3413:
3409:
3405:
3401:
3395:
3392:
3388:
3384:
3380:
3376:
3370:
3367:
3363:
3359:
3355:
3349:
3347:
3343:
3339:
3335:
3331:
3325:
3322:
3318:
3314:
3310:
3304:
3301:
3297:
3293:
3289:
3283:
3281:
3279:
3275:
3271:
3267:
3263:
3257:
3254:
3250:
3246:
3242:
3236:
3234:
3230:
3226:
3222:
3218:
3215:R. Crawford,
3212:
3209:
3206:, pp. 510-12.
3205:
3201:
3197:
3194:R. Crawford,
3191:
3188:
3175:
3171:
3165:
3162:
3158:
3154:
3150:
3144:
3141:
3137:
3133:
3129:
3123:
3121:
3117:
3113:
3112:0-306-71865-0
3109:
3105:
3099:
3096:
3092:
3088:
3084:
3078:
3075:
3071:
3068:Dibbin, J.C.
3065:
3062:
3058:
3054:
3050:
3044:
3041:
3037:
3033:
3029:
3025:
3019:
3016:
3010:
3007:
3003:
2999:
2995:
2989:
2986:
2974:
2968:
2964:
2963:
2955:
2952:
2940:
2936:
2935:
2927:
2924:
2921:
2917:
2911:
2908:
2904:
2900:
2894:
2891:
2886:
2885:
2879:
2872:
2869:
2866:
2865:
2859:
2856:
2852:
2851:
2844:
2842:
2838:
2825:
2824:"Edmund Kean"
2819:
2816:
2810:
2807:
2801:
2799:
2797:
2795:
2791:
2785:
2782:
2776:
2774:
2770:
2764:
2762:
2760:
2758:
2756:
2754:
2750:
2744:
2742:
2738:
2732:
2729:
2723:
2720:
2716:
2715:0-7486-6220-0
2712:
2708:
2702:
2699:
2693:
2690:
2684:
2681:
2675:
2672:
2666:
2663:
2659:
2655:
2649:
2646:
2643:
2639:
2635:
2629:
2626:
2623:
2619:
2615:
2609:
2606:
2602:
2596:
2593:
2589:
2585:
2580:
2577:
2573:
2569:
2563:
2560:
2554:
2552:
2548:
2542:
2539:
2536:
2535:9781399500456
2532:
2528:
2524:
2518:
2515:
2512:
2511:9781529346282
2508:
2504:
2498:
2495:
2489:
2486:
2483:
2482:9781526787798
2479:
2475:
2474:Pen and Sword
2471:
2465:
2462:
2458:
2452:
2449:
2443:
2440:
2436:
2432:
2428:
2422:
2419:
2415:
2411:
2407:
2401:
2399:
2395:
2391:
2385:
2382:
2378:
2374:
2370:
2364:
2361:
2357:
2353:
2349:
2343:
2340:
2336:
2332:
2328:
2322:
2319:
2315:
2309:
2307:
2303:
2297:
2293:
2290:
2288:
2285:
2283:
2280:
2278:
2275:
2273:
2270:
2269:
2265:
2263:
2261:
2257:
2253:
2246:
2241:
2236:
2228:
2226:
2223:
2221:
2217:
2213:
2209:
2207:
2203:
2196:
2194:
2189:
2186:
2183:
2180:
2176:
2175:
2174:
2171:
2169:
2165:
2158:7:84 Scotland
2157:
2154:
2143:
2140:December 2015
2134:
2130:
2127:This section
2125:
2122:
2118:
2117:
2111:
2109:
2107:
2103:
2099:
2094:
2090:
2084:
2076:
2074:
2072:
2068:
2063:
2061:
2057:
2053:
2052:
2047:
2042:
2040:
2035:
2032:
2028:
2021:
2017:
2010:
2008:
2006:
2002:
1998:
1994:
1986:
1981:
1977:
1975:
1971:
1967:
1963:
1962:
1957:
1956:
1951:
1947:
1943:
1939:
1938:
1933:
1932:Zinnie Harris
1929:
1925:
1921:
1917:
1913:
1909:
1905:
1902:
1898:
1894:
1890:
1886:
1882:
1878:
1874:
1870:
1866:
1862:
1861:Gregory Burke
1859:, written by
1858:
1857:
1852:
1848:
1844:
1840:
1836:
1835:
1830:
1826:
1822:
1818:
1817:Gregory Burke
1814:
1813:
1807:
1805:
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1773:
1772:Acts of Union
1769:
1768:Darien scheme
1765:
1760:
1757:
1753:
1749:
1745:
1740:
1738:
1734:
1730:
1726:
1721:
1719:
1715:
1711:
1707:
1703:
1699:
1695:
1691:
1687:
1686:Perth Theatre
1683:
1679:
1675:
1671:
1667:
1663:
1659:
1651:
1647:
1643:
1639:
1637:
1633:
1625:
1623:
1621:
1618:'s (b. 1969)
1617:
1613:
1610:'s (b. 1955)
1609:
1605:
1604:
1599:
1598:
1593:
1592:
1587:
1583:
1580:'s (b. 1959)
1579:
1575:
1571:
1566:
1562:
1558:
1554:
1550:
1545:
1543:
1542:A Dark School
1539:
1535:
1531:
1527:
1523:
1522:Anna Campbell
1519:
1515:
1511:
1507:
1503:
1499:
1495:
1489:
1487:
1486:
1481:
1477:
1473:
1472:
1467:
1463:
1459:
1455:
1454:
1449:
1445:
1441:
1437:
1433:
1429:
1425:
1424:The Bevellers
1421:
1417:
1413:
1409:
1405:
1401:
1397:
1393:
1389:
1385:
1381:
1380:Assembly Hall
1377:
1373:
1369:
1365:
1361:
1357:
1353:
1349:
1345:
1341:
1336:
1334:
1330:
1326:
1322:
1318:
1317:
1312:
1308:
1304:
1303:The Bevellers
1300:
1296:
1295:
1291:'s (b. 1942)
1290:
1286:
1282:
1278:
1274:
1273:
1269:'s (b. 1936)
1268:
1260:
1255:
1251:
1248:
1244:
1241:in 1973. The
1240:
1236:
1231:
1228:
1224:
1220:
1216:
1212:
1207:
1205:
1201:
1200:
1195:
1191:
1187:
1186:
1181:
1177:
1172:
1170:
1166:
1162:
1158:
1154:
1150:
1146:
1142:
1133:
1129:
1125:
1123:
1119:
1115:
1111:
1107:
1103:
1099:
1098:The Anatomist
1095:
1091:
1087:
1086:
1081:
1077:
1076:
1071:
1070:
1065:
1061:
1060:
1051:
1049:
1046:
1041:
1040:(1860-1937).
1039:
1035:
1032:(1855–1905),
1031:
1030:William Sharp
1026:
1025:
1018:
1016:
1012:
1011:actor-manager
1008:
1004:
1003:John O' Arnha
999:
997:
996:
991:
987:
986:
985:The Antiquary
981:
980:
975:
974:
973:Guy Mannering
969:
965:
964:
959:
955:
951:
950:Hallidon Hill
947:
946:
941:
937:
933:
925:
920:
913:
909:
906:Playbill for
904:
897:
894:
892:
891:David Erskine
889:
887:
884:
883:
879:
877:Major figures
876:
875:
871:
869:
867:
863:
859:
858:
853:
849:
845:
841:
836:
834:
830:
829:
824:
820:
816:
812:
808:
804:
800:
796:
792:
788:
787:Sarah Siddons
784:
780:
776:
772:
768:
767:
762:
758:
754:
750:
747:(1770–1835),
746:
742:
741:closet dramas
735:
730:
726:
724:
719:
715:
711:
707:
706:
701:
697:
693:
689:
684:
676:
671:
667:
665:
664:
659:
655:
654:
649:
645:
644:
639:
635:
631:
627:
623:
622:
617:
613:
612:
607:
603:
602:The Libertine
599:
595:
591:
587:
583:
580:
576:
572:
568:
564:
557:
556:
551:
547:
543:
539:
535:
531:
527:
523:
519:
515:
514:
510:Major plays:
509:
507:
503:
499:
495:
491:
487:
483:
482:
477:
470:
468:
466:
462:
458:
454:
453:Princess Anne
450:
446:
442:
438:
434:
430:
426:
418:
416:
414:
413:closet dramas
410:
406:
402:
398:
393:
391:
386:
381:
379:
375:
371:
367:
363:
358:
356:
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
315:Bastian Pagez
311:
307:
303:
299:
295:
291:
289:
285:
281:
277:
273:
272:Mary of Guise
269:
265:
264:
259:
255:
251:
250:David Lyndsay
247:
243:
239:
232:
230:
227:
223:
219:
215:
211:
207:
203:
199:
198:Mystery plays
191:
186:
184:
182:
181:Ian McDiarmid
178:
177:Phyllis Logan
174:
173:Hannah Gordon
170:
166:
162:
161:Sheena Easton
158:
154:
150:
146:
142:
137:
135:
131:
130:
125:
121:
120:
115:
110:
106:
102:
98:
97:Lowland Scots
93:
91:
87:
83:
79:
78:North America
74:
70:
62:
54:
48:
44:
40:
36:
32:
27:
19:
6466:
6256:20th century
6251:19th century
6246:18th century
6241:Early modern
6072:Christianity
6062:Baháʼí Faith
5955:Demographics
5899:coat of arms
5869:Prostitution
5853:
5802:Universities
5784:
5760:Architecture
5720:Unemployment
5715:Silicon Glen
5675:Oil industry
5660:Harris Tweed
5550:Crown Office
5442:Armed forces
5420:Independence
5408:Human rights
5239:Conservation
5229:Central Belt
5147:Early modern
4972:Transnistria
4630:
4615:
4590:The Assembly
4589:
4582:
4575:
4560:
4556:
4541:
4526:
4511:
4496:
4489:
4482:
4467:
4452:
4445:
4430:
4423:
4416:
4401:
4394:
4379:
4372:
4357:
4342:
4327:
4312:
4297:
4280:
4271:
4262:
4253:
4244:
4236:
4223:, 22, p.221.
4220:
4215:
4206:
4197:
4185:. Retrieved
4180:
4171:
4155:
4150:
4142:
4137:
4129:
4124:
4116:
4111:
4103:
4098:
4090:
4085:
4077:
4072:
4062:30 September
4060:. Retrieved
4049:
4039:30 September
4037:. Retrieved
4032:
4023:
4013:30 September
4011:. Retrieved
4001:
3993:
3988:
3965:
3959:
3947:. Retrieved
3943:the original
3933:
3921:. Retrieved
3917:the original
3907:
3899:
3894:
3859:
3855:
3845:
3833:. Retrieved
3829:The Guardian
3828:
3819:
3811:
3806:
3794:. Retrieved
3790:the original
3785:
3775:
3763:. Retrieved
3759:
3750:
3741:
3731:
3723:
3718:
3710:
3705:
3693:. Retrieved
3688:
3679:
3663:
3658:
3642:
3637:
3621:
3616:
3600:
3595:
3587:
3582:
3575:The Scotsman
3574:
3570:
3565:
3555:
3551:
3546:
3534:
3526:
3521:
3505:
3500:
3492:
3488:
3483:
3475:
3470:
3454:
3449:
3441:
3436:
3420:
3415:
3410:, pp. 136-8.
3399:
3394:
3378:
3374:
3369:
3353:
3329:
3324:
3308:
3303:
3287:
3261:
3256:
3240:
3216:
3211:
3195:
3190:
3178:. Retrieved
3174:The Scotsman
3173:
3164:
3148:
3147:P. Maloney,
3143:
3127:
3103:
3098:
3082:
3077:
3069:
3064:
3059:, pp. 185-6.
3048:
3043:
3027:
3023:
3018:
3009:
2993:
2988:
2976:. Retrieved
2961:
2954:
2942:. Retrieved
2933:
2926:
2920:archive.org.
2915:
2910:
2893:
2882:
2871:
2863:
2858:
2848:
2828:. Retrieved
2818:
2809:
2784:
2731:
2722:
2717:, pp. 62-73.
2706:
2701:
2692:
2683:
2674:
2665:
2657:
2653:
2648:
2633:
2628:
2613:
2608:
2600:
2595:
2587:
2579:
2571:
2562:
2541:
2522:
2517:
2502:
2497:
2488:
2469:
2464:
2456:
2451:
2442:
2426:
2421:
2405:
2389:
2384:
2368:
2363:
2347:
2342:
2326:
2321:
2313:
2258:, Perth and
2249:
2224:
2219:
2216:John MacLean
2211:
2210:
2201:
2200:
2195:of Scotland.
2190:
2184:
2178:
2172:
2163:
2161:
2137:
2133:adding to it
2128:
2086:
2071:Harry Lauder
2064:
2049:
2043:
2025:
2020:Harry Lauder
1990:
1984:
1969:
1959:
1953:
1941:
1935:
1928:John McGrath
1924:Yes campaign
1911:
1888:
1877:British Army
1865:John Tiffany
1854:
1832:
1810:
1808:
1803:
1802:(2014), and
1799:
1791:
1783:
1775:
1761:
1741:
1722:
1717:
1713:
1709:
1701:
1698:Natura Morte
1697:
1682:Mull Theatre
1658:Byre Theatre
1655:
1629:
1626:21st century
1619:
1611:
1601:
1595:
1589:
1581:
1573:
1569:
1546:
1541:
1537:
1530:Ceann Cropic
1529:
1521:
1517:
1513:
1509:
1505:
1501:
1497:
1493:
1490:
1483:
1469:
1465:
1462:David Purves
1460:. In 1985,
1457:
1451:
1444:Bill Findlay
1439:
1435:
1432:Willie Rough
1431:
1427:
1423:
1419:
1415:
1414:(1968); and
1411:
1407:
1403:
1399:
1395:
1391:
1388:Victor Carin
1371:
1363:
1359:
1351:
1337:
1320:
1314:
1311:John McGrath
1302:
1294:Willie Rough
1292:
1285:sectarianism
1280:
1276:
1270:
1267:Stewart Conn
1264:
1232:
1215:Glyndebourne
1208:
1203:
1197:
1183:
1175:
1173:
1164:
1160:
1148:
1137:
1132:James Bridie
1105:
1101:
1097:
1093:
1090:James Bridie
1083:
1079:
1073:
1067:
1057:
1055:
1052:20th century
1042:
1038:J. M. Barrie
1022:
1019:
1002:
1000:
993:
989:
983:
977:
971:
967:
961:
957:
953:
949:
943:
936:Walter Scott
929:
911:
896:Walter Scott
872:19th century
861:
855:
851:
847:
843:
837:
832:
826:
823:Walter Scott
806:
805:'s tragedy,
798:
794:
764:
738:
703:
691:
688:Allan Ramsay
680:
675:Allan Ramsay
661:
651:
641:
638:David Mallet
633:
629:
625:
619:
609:
601:
597:
593:
585:
581:
574:
570:
566:
560:
553:
549:
545:
541:
537:
533:
529:
525:
521:
517:
511:
506:David Mallet
486:Allan Ramsay
471:18th century
460:
448:
440:
428:
422:
408:
394:
382:
359:
355:Mary Fleming
342:
338:
335:Prince Henry
323:Prince James
301:
297:
292:
267:
261:
245:
241:
236:
205:
195:
138:
133:
127:
124:Allan Ramsay
117:
94:
68:
67:
35:
26:
6347:By language
6312:Tartan Noir
6292:Romanticism
5630:Agriculture
5494:Nationalism
5413:LGBT rights
5316:Environment
5197:Romanticism
5152:Reformation
5142:Renaissance
5107:Middle Ages
5102:Roman times
5097:Prehistoric
5010:Isle of Man
4945:recognition
4919:Switzerland
4854:Netherlands
4210:Maloney, p2
4201:Maloney, p7
3760:The Courier
3742:comar.co.uk
3527:The Wallace
3431:, pp. 63-7.
3398:C. Harvie,
3286:M. Banham,
3004:, pp. 48-9.
2978:24 February
2944:24 February
2346:Gary West,
2220:The Cheviot
2202:The Cheviot
1997:Wee Stories
1916:David Greig
1889:Black Watch
1879:serving on
1873:Black Watch
1856:Black Watch
1831:in London.
1812:Gagarin Way
1788:David Greig
1718:Arches Live
1616:David Greig
1614:(1985) and
1608:Jo Clifford
1594:(1985) and
1561:Ewan Hooper
1526:Noh theatre
1494:An Coileach
1480:Shakespeare
1446:translated
1436:The Hardman
1406:) (1965);
1398:) (1963);
1372:The Wallace
1362:(1950) and
1297:(1975) and
1289:Bill Bryden
1272:The Burning
1194:Robert Kemp
1082:(1917) and
1080:Dear Brutus
1072:(1901) and
1045:Up Helly Aa
992:(1823) and
952:(1822) and
924:Up Helly Aa
848:Count Basil
779:Edmund Kean
761:blank verse
658:Thomas Arne
632:(1738) and
616:John Milton
596:(1712) and
584:(1700) and
425:Restoration
310:Jean Racine
284:Agnes Keith
222:Up-helly-aa
165:John Hannah
122:(1756) and
6489:Categories
6390:Dramatists
6092:Moderators
6035:Scientists
5921:regimental
5864:Placenames
5859:Philosophy
5834:Literature
5464:Parliament
5396:Government
5366:Devolution
5349:Government
5306:Ecoregions
5296:Waterfalls
5172:Jacobitism
4889:San Marino
4849:Montenegro
4829:Luxembourg
4809:Kazakhstan
4712:Azerbaijan
4598:091119830X
4561:Cencrastus
4550:0719061474
4505:0851159303
4476:0521650682
4410:0748641076
4366:0748641076
4351:0748641076
4336:0521893615
4321:0748624813
4306:0748624813
3968:. London:
3651:0521651328
3630:0521651328
3609:0748624821
3569:Obituary:
3557:Cencrastus
3493:The Herald
3463:074864945X
3429:0691026572
3419:W. Shrum,
3408:0748609997
3387:0521651328
3362:0521651328
3338:0521651328
3317:0521651328
3296:0521434378
3270:1847674747
3249:0231144229
3225:019538623X
3204:019538623X
3157:0719061474
3136:0748641076
3091:0748641076
3057:0748624813
3047:I. Brown,
3036:0754665690
3002:0748641076
2435:9401209944
2425:I. Brown,
2414:0748641076
2377:1901341070
2356:1909912352
2335:0754660524
2298:References
2245:Dundee Rep
2151:See also:
2081:See also:
2039:pantomimes
2027:Music hall
2011:Music hall
1974:Rona Munro
1908:Drill hall
1796:Rona Munro
1690:The Arches
1662:St Andrews
1632:Devolution
1582:Bold Girls
1578:Rona Munro
1498:A Cockerel
1428:The Jesuit
1420:The Fidget
1277:The Rising
1261:in Glasgow
1161:Toom Byres
1145:Joe Corrie
1106:Mr. Bolfry
932:music hall
866:Drury Lane
862:De Monfort
857:De Monfort
815:George III
803:John Logan
745:James Hogg
700:Presbytery
690:wrote his
626:Sophonisba
542:Sophonisba
465:Jacobitism
254:Lyon Court
226:Robin Hood
192:Folk plays
6435:mythology
6395:Novelists
6265:Movements
6077:Christmas
6030:Musicians
6025:Inventors
5964:Languages
5940:Festivals
5780:Education
5705:Transport
5645:Companies
5640:Charities
5371:Elections
5259:Highlands
5212:Geography
5000:Gibraltar
4824:Lithuania
4569:0264-0856
4395:Scot-Free
4239:, p. 118.
3886:159558558
3878:1048-6801
3653:, p. 223.
3611:, p. 282.
3389:, p. 228.
3364:, p. 208.
3340:, p. 204.
3319:, p. 203.
3298:, p. 971.
3272:, p. 209.
3251:, p. 199.
3227:, p. 587.
3114:, p. 414.
2830:13 August
2379:, p. 126.
2193:Highlands
2062:as well.
1985:The Attic
1955:Blackbird
1853:in 2004.
1784:Dunsinane
1776:Caledonia
1714:Behaviour
1674:Inverness
1666:Edinburgh
1650:Inverness
1574:Civilians
1506:The Court
1502:A' Chùirt
1474:, won an
1331:(1974–),
1327:(1967–),
1085:Mary Rose
1059:Peter Pan
995:The Abbot
852:The Tryal
833:Runnamede
807:Runnamede
775:Edinburgh
771:John Home
749:John Galt
630:Agamemnon
546:Agamemnon
494:John Home
302:Baptistes
218:Halloween
157:Tom Conti
114:John Home
88:and from
47:Inverness
6451:Theatres
6236:Medieval
6173:Category
6121:Hinduism
6067:Buddhism
6054:Religion
5884:Surnames
5824:Identity
5819:Hogmanay
5797:Colleges
5655:Forestry
5590:Udal law
5499:Unionism
5454:Monarchs
5358:Politics
5340:Politics
5274:Lowlands
5092:Timeline
5062:Scotland
5020:Svalbard
5005:Guernsey
4952:Abkhazia
4904:Slovenia
4899:Slovakia
4874:Portugal
4732:Bulgaria
4181:The List
4033:BBC News
3765:20 April
3695:26 April
3138:, p. 57.
3093:, p. 55.
3038:, p. 43.
2572:Philotus
2437:, p. 84.
2416:, p. 20.
2358:, p. 73.
2337:, p. 57.
2266:See also
2252:Dumfries
2185:form in
1976:(2014).
1958:(2005),
1948:(2000),
1940:(2000),
1912:Rantin'
1829:West End
1827:and the
1790:(2010),
1622:(1995).
1591:Tartuffe
1281:The Sash
1223:Salzburg
1206:(1949).
1124:(1951).
1015:Montrose
990:Waverley
988:(1820),
976:(1817),
960:(1817),
799:Douglas'
763:tragedy
723:Aberdeen
643:Eurydice
628:(1730),
513:Eurydice
397:James VI
343:Philotus
298:Jepheths
276:Holyrood
244:and the
6385:Writers
6354:English
6164:Outline
6136:Sikhism
6131:Judaism
6040:Writers
6020:Artists
5928:unicorn
5889:Symbols
5839:Museums
5792:Schools
5775:Cuisine
5752:Culture
5739:Society
5700:Tourism
5665:Housing
5650:Fishing
5618:Economy
5430:History
5284:Highest
5264:Islands
5254:Geology
5234:Climate
5117:Kingdom
5084:History
4929:Ukraine
4879:Romania
4839:Moldova
4797:Ireland
4792:Iceland
4787:Hungary
4777:Germany
4772:Georgia
4762:Finland
4757:Estonia
4752:Denmark
4737:Croatia
4722:Belgium
4717:Belarus
4707:Austria
4702:Armenia
4697:Andorra
4692:Albania
3970:Methuen
3949:15 July
3923:15 July
3736:Comar.
3533:(ed.),
3159:, p. 8.
3072:(1888).
2962:Ivanhoe
2182:ceilidh
2166:at the
2031:variety
1702:Trilogy
1694:Glasgow
1586:Molière
1485:Macbeth
1344:Molière
968:Rob Roy
828:Ivanhoe
795:Douglas
766:Douglas
705:Macbeth
648:Walpole
362:masques
214:guising
134:Douglas
119:Douglas
86:Ireland
82:England
6338:Poetry
6272:Makars
6178:Portal
6015:Actors
6002:People
5945:Comedy
5916:tartan
5894:anthem
5710:Whisky
5522:Courts
5435:Cities
5202:Modern
5015:Jersey
4957:Kosovo
4924:Turkey
4914:Sweden
4894:Serbia
4884:Russia
4869:Poland
4864:Norway
4844:Monaco
4814:Latvia
4782:Greece
4767:France
4742:Cyprus
4622:
4607:
4596:
4567:
4548:
4533:
4518:
4503:
4474:
4459:
4437:
4408:
4386:
4364:
4349:
4334:
4319:
4304:
4162:
3976:
3884:
3876:
3670:
3649:
3628:
3607:
3512:
3461:
3427:
3406:
3385:
3360:
3336:
3315:
3294:
3268:
3247:
3223:
3202:
3155:
3134:
3110:
3089:
3055:
3034:
3000:
2969:
2901:
2713:
2568:Biggar
2533:
2509:
2480:
2433:
2412:
2375:
2354:
2333:
2206:Dublin
1620:Europe
1570:Animal
1555:. The
1219:Munich
1024:Hamlet
757:Gothic
714:Dundee
611:Samson
606:Handel
286:, the
202:guilds
143:, the
6400:Poets
6378:Lists
6333:Novel
6328:Drama
6321:Forms
6126:Islam
5987:Scots
5904:flags
5879:Sport
5844:Music
5770:Clans
5670:Media
5326:Munro
5301:Glens
5269:Lochs
5249:Flora
5244:Fauna
4990:Åland
4909:Spain
4834:Malta
4804:Italy
4187:3 May
3882:S2CID
3835:3 May
3796:4 May
3573:, in
3529:, in
3491:, in
3180:3 May
2106:Govan
1847:LAMDA
1800:Union
1169:Scots
769:, by
718:Perth
187:Drama
109:union
6369:Norn
6229:Eras
6006:list
5526:List
4620:ISBN
4605:ISBN
4594:ISBN
4565:ISSN
4546:ISBN
4531:ISBN
4516:ISBN
4501:ISBN
4472:ISBN
4457:ISBN
4435:ISBN
4406:ISBN
4384:ISBN
4362:ISBN
4347:ISBN
4332:ISBN
4317:ISBN
4302:ISBN
4189:2016
4160:ISBN
4064:2010
4041:2010
4015:2010
3974:ISBN
3951:2009
3925:2009
3874:ISSN
3837:2016
3798:2016
3767:2016
3697:2016
3668:ISBN
3647:ISBN
3626:ISBN
3605:ISBN
3510:ISBN
3459:ISBN
3425:ISBN
3404:ISBN
3383:ISBN
3358:ISBN
3334:ISBN
3313:ISBN
3292:ISBN
3266:ISBN
3245:ISBN
3221:ISBN
3200:ISBN
3182:2016
3153:ISBN
3132:ISBN
3108:ISBN
3087:ISBN
3053:ISBN
3032:ISBN
2998:ISBN
2980:2013
2967:ISBN
2946:2013
2899:ISBN
2832:2012
2711:ISBN
2531:ISBN
2507:ISBN
2478:ISBN
2431:ISBN
2410:ISBN
2373:ISBN
2352:ISBN
2331:ISBN
2256:Mull
2243:The
2091:and
2003:and
1918:and
1704:and
1438:and
1376:Kirk
1338:The
1307:7:84
1221:and
1209:The
813:and
716:and
401:Kirk
308:and
300:and
179:and
99:and
5765:Art
5509:Law
3864:doi
3689:BBC
2939:112
2638:doi
2618:doi
2260:Ayr
2135:.
1972:by
1964:by
1952:’s
1944:by
1815:by
1794:by
1786:by
1778:by
1727:by
1708:'s
1692:in
1672:in
1660:in
1588:'s
1482:'s
1464:'s
1450:'s
1378:'s
1370:'s
1358:'s
1346:'s
1325:TAG
1301:'s
1182:'s
1009:by
910:'s
618:'s
608:’s
600:or
407:'s
333:of
325:at
321:of
126:'s
116:'s
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5542:,
5538:,
4228:^
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4031:.
3972:.
3880:.
3872:.
3860:25
3858:.
3854:.
3827:.
3784:.
3758:.
3740:.
3687:.
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3277:^
3232:^
3172:.
3119:^
2881:.
2840:^
2793:^
2772:^
2752:^
2740:^
2586:,
2550:^
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2472:,
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2305:^
2254:,
2208:.
2108:.
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1910:.
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1887:.
1754:.
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1217:,
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982:,
666:.
552:,
548:,
544:,
540:,
536:,
532:,
528:,
524:,
520:,
516:,
500:,
496:,
492:,
488:,
183:.
175:,
171:,
167:,
163:,
159:,
155:,
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80:,
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5681:)
5677:(
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5534:(
5528:)
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4507:.
4478:.
4463:.
4441:.
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4390:.
4368:.
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4338:.
4323:.
4308:.
4191:.
4166:.
4066:.
4043:.
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3982:.
3953:.
3927:.
3888:.
3866::
3839:.
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3769:.
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3699:.
3674:.
3465:.
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2982:.
2948:.
2834:.
2640::
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