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programs are also included in the collection. Currently between 50 – 60 live recordings are produced each year, covering most important productions. As of fall of 2016, the collection included 7,901 titles. Original recordings were made on professional video formats spanning the past 40 years. Early analog recordings are transferred to digital formats as funding allows.
139:. The recordings may be viewed by anyone with a professional or research interest, but may not be reproduced. Users consist of theater professionals, students, scholars, journalists, critics, and other researchers. The majority of the collection is cataloged online and searchable by visiting the NYPL website, www.nypl.org.
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Productions are recorded during a regular performance with an audience, are edited live, and are intended to represent as closely as possible a typical performance as seen in the theater. In addition to live performances, commercial recordings of theater-related films, documentaries, and television
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The collection is available to those with a professional, educational, or research reason to use the material. Theater professionals account for the largest group of users, including actors, dancers, directors, choreographers, designers, playwrights, producers, and stage managers. Students and
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TOFT is funded in part by specially established endowments, and grants from foundations and government agencies, particularly the New York State
Council on the Arts and the National Endowment for the Arts. In addition, the producers of a show sometimes pay the costs of having their production
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What the
Lincoln Center Library for the Performing Arts does for our community is take something fleeting and ephemeral and make it immortal. We are so gratified that they are recording this production, and we hope that it gives audiences the chance to enjoy it for years to come.
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The collection includes many Tony Award-winning productions. Each production is normally recorded only once, although exceptions are sometimes made for significant cast changes. An attempt is made to collect artistically significant theater. The first play recorded by TOFT was
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screening room. The core of the collection consists of live recordings of
Broadway and Off-Broadway productions, with some additional productions from professional regional theaters. The Archive also records interviews and dialogues with notable theater professionals.
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faculty come from high schools, colleges, and professional schools in the area and beyond. In 2013, there were 8,079 individual users. Though the majority are from the New York area, they represented 45 US states and 32 foreign countries.
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The collection maintains contracts with all theatrical unions and guilds, thus enabling clearances for the non-commercial videotaping of live theater. The collection is housed on the third floor of the
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The collection is considered one of the most comprehensive collections of videotaped theater productions in the world. Archives modeled on TOFT include the
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in San
Francisco, the Washington Area Performing Arts Video Archive established in Washington, D.C., and the
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Andrew Gans, "Revival of Side Show Filmed for
Lincoln Center Archives," Playbill, 17 Dec 2014.
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378:“Living History: The Theatre on Film and Tape Archive,” Equity News (September 2003).
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369:"After the Final Curtain, Act II," New York Times (June 9, 2013).
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The
Theatre on Film and Tape room, dedicated to donor
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353:Gordon Cox, "Broadway's Library Preserves Past",
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131:. In 2001, Patrick Hoffman became TOFT Director.
137:New York Public Library for the Performing Arts
113:New York Public Library for the Performing Arts
67:New York Public Library for the Performing Arts
166:Among the highlights of the collection are:
163:, a 1970 Off-Broadway Japanese rock musical.
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485:Television archives in the United States
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123:The Archive was established in 1970 by
148:National Video Archive of Performance
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144:Museum of Performance & Design
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105:Theatre on Film and Tape Archive
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19:Theatre on Film and Tape Archive
421:Making Do in Difficult Times,"
95:/theatre-film-and-tape-archive
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490:Theatre in the United States
334:included in the collection.
311:, the musical's co-creators
274:2005 Broadway production of
288:Production and preservation
75:Billy Rose Theatre Division
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170:1952 London production of
258:1998 Broadway revival of
253:New York Theatre Workshop
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475:New York Public Library
244:Original production of
231:The Taming of the Shrew
217:Original production of
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451:40.77288°N 73.98413°W
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456:40.77288; -73.98413
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423:The New York Times,
277:Glengarry Glen Ross
196:Fiddler on the Roof
182:1975 production of
64:Parent organization
399:2013 Annual Report
387:2016 Annual Report
266:Natasha Richardson
225:The Public Theater
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59:Other information
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305:Upon recording
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280:, starring
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201:Zero Mostel
178:Mary Martin
150:in London.
129:Tony Awards
72:Affiliation
51:Established
469:Categories
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338:References
240:Raúl Juliá
161:Golden Bat
154:Collection
93:/divisions
308:Side Show
188:starring
43:Location
355:Variety
329:Funding
319:said:
261:Cabaret
80:Website
91:/about
297:Users
234:with
210:with
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185:Equus
176:with
87:.nypl
315:and
268:and
247:Rent
238:and
109:TOFT
103:The
89:.org
54:1970
250:at
223:at
85:www
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.