Knowledge (XXG)

They Live by Night

Source 📝

367:
of her convicted husband Robert. Hawkins tells Bowie that he is unable to help him, and Bowie returns to the motel and informs Mattie that he will leave by himself to ensure the safety of Keechie and their unborn child. Mattie is wracked with guilt over her deal with the police but urges that Bowie say a final goodbye to Keechie, hoping to delay him long enough for the police to arrive. He agrees and writes a farewell letter to bring to Keechie. As he is about to enter the cabin, police descend on the scene, provoking Bowie to draw a gun. In response, the police fire, killing Bowie. Keechie, kneeling over Bowie's dead body, reads the farewell letter.
36: 359:
another robbery. Bowie reluctantly agrees, but Keechie, fearing that Bowie will be killed, gives him his Christmas gift early, a wristwatch. The three men commit another robbery, but T-Dub is killed. Bowie and Chicamaw flee the scene by car. While driving, Bowie learns from a drunken Chicamaw that he is jealous of all the press attention that Bowie and Keechie have received. Bowie eventually forces Chicamaw out of the car at gunpoint.
483: 351:
over their lack of experience in the world and soon develop a romance. Meanwhile, the press reports heavily on Bowie, wrongly pinning him as the ringleader of the robbery. Bowie and Keechie leave town by bus. Late one night, they find a chapel that performs quick marriages for $ 20. Bowie asks Keechie to marry him, and she agrees. Hawkins, the local
366:
Keechie becomes very ill, and they seek refuge at a motel owned by Mattie, T-Dub's sister-in-law. Mattie reluctantly allows them to stay. Bowie visits Hawkins, seeking help to cross the border, but Mattie reluctantly strikes a deal with police to identify Bowie's location in exchange for the release
350:
The robbery goes smoothly. However, shortly after Bowie crashes his car, Chicamaw kills a police officer who had arrived at the scene. Chicamaw leaves an injured Bowie in the care of Keechie and joins T-Dub in another town. The sheepish Keechie swiftly grows fond of Bowie, who is also shy. They bond
651:(1946). Ray insisted on the casting of Granger and O'Donnell. Granger later said: "Ray and John Houseman were among the few people who fought for me in my career. They said no, we will not make the film without him. When Nick believed in you, he was very loyal." In his autobiography, Granger listed 362:
When Bowie returns to the resort, he learns that Chicamaw was killed in a liquor-store robbery. In radio broadcasts, Bowie is again described as the ringleader of the robbery. Keechie reveals that she is pregnant. The couple depart the resort and head east, traveling mainly at night to not be seen.
358:
Bowie and Keechie travel to a remote mountain resort where Keechie once stayed during her childhood and rent a cabin there, dreaming living openly together. Chicamaw arrives at the resort after tracking the couple there. He has gambled away his money and wants Bowie to help him and T-Dub commit
805:
a "commonplace little story" and wrote: "Although it—like others—is misguided in its sympathies for a youthful crook, this crime-and-compassion melodrama has the virtues of vigor and restraint ... 'They Live by Night' has the failing of waxing sentimental over crime, but it manages to generate
602:, and so on. And that whole Depression stuff was terribly his stuff. So he sat down and wrote the treatment. I'd come home at night and we'd go over it; I'd edit it a little, that's all, and it was very, very good." Houseman, who had considerable authority as a producer, repeatedly submitted 343:, Chicamaw and T-Dub. The men take shelter with Chicamaw's brother, who operates a service station, and niece Catherine "Keechie" Mobley, who works there. Hoping to also free his incarcerated brother Robert, T-Dub concocts a plan to rob a bank and use the funds to hire a lawyer to prove a 735:(1941), also made at RKO for Houseman, Ray experimented with sound and cinematography. Ray's biographer noted: "Only Welles similarly tried to define acoustic and even verbal textures as much as the visual." Renowned film editor 363:
However, they spend a leisurely time in public, visiting a park and then a nightclub. In the club, Bowie is recognized by a gangster who orders him to leave town. Bowie suggests escaping to Mexico, and Keechie agrees.
624:
to write the screenplay, but Houseman did not want Schnee to alter Ray's treatment. Ray and Schnee worked together to adapt the treatment into a completed script, which was submitted to RKO in May 1947.
594:, "I found the book and gave it to Nick to read, and he fell madly in love with it–as indeed I did, but Nick particularly was very familiar with that territory. He'd been there when he worked with the 708:
Filming began on June 23, 1947, with the opening scene, a tracking shot of Bowie, T-Dub and Chickamaw escaping from prison in a stolen car. The action sequence was filmed from a helicopter, making
590:
by Edward Anderson had been acquired by RKO in 1941 for $ 10,000 (equivalent to $ 207,100 in 2023). Numerous writers unsuccessfully tried to adapt the story as a screenplay. According to producer
662:
wanted the part of Chicamaw, but as he was a rising star who had recently received an Oscar nomination, RKO deemed the role of a bank robber unfit for him. The role of Chicamaw went to
762:
shelved it for two years before releasing it to a single theater in the UK to enthusiastic reviews. The film was finally released in the U.S. in November 1949 under the title
617:
became RKO's production chief, hoping to transform it into Hollywood's most adventurous studio. Schary read Ray's treatment and signed Ray to a studio contract.
1485: 893:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
645:
and had limited acting experience. Granger had appeared in just two films before his World War II service, while O'Donnell had just made the classic
1460: 1455: 1430: 599: 1465: 1202: 339:
Arthur "Bowie" Bowers, a 23-year-old serving a prison sentence for a murder he committed at the age of 16, escapes from prison with two older
1440: 1420: 1150: 676:(1937), produced by Houseman. Other minor roles were played by people whom Ray knew from the New York theater, including Marie Bryant from 928: 1435: 500: 1470: 1450: 1033: 984: 566: 913:
How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
547: 856: 1425: 519: 1087: 504: 301: 1480: 1328: 613:
RKO saw no commercial value in the story, especially because Ray lacked experience as a director. In early 1947, producer
526: 1144: 920: 900: 847: 1475: 647: 533: 1344: 1256: 1195: 20: 493: 1384: 1368: 658:
Many of the supporting cast and minor characters were played by friends of Houseman and Ray. RKO contract player
1165: 289:
Although the film is widely considered as the prototype for the "couple on the run" genre and the forerunner to
819: 515: 449: 852: 586: 291: 255: 72: 1352: 413: 327: 259:, the film follows a young fugitive who falls in love with a woman and attempts to begin a life with her. 1304: 1188: 1132: 401: 1392: 1360: 1296: 1175: 672: 425: 352: 35: 1415: 1272: 1264: 1240: 1171: 1021: 996: 972: 748: 678: 443: 407: 344: 1445: 1061: 793: 718: 271: 150: 739:
also urged Ray to experiment and defy convention. Exteriors were filmed both on location and at
638: 540: 377: 242: 101: 911: 891: 1376: 1248: 1232: 1110: 1029: 980: 115: 1320: 1160: 907: 887: 250: 961: 869: 278:
in November 1949. Although the film received favorable reviews from film critics, it was a
798: 713: 667: 663: 389: 279: 105: 722:
by eight years. Four takes were required, and the second take was used in the final cut.
1077: 325:
directed another adaptation of the novel in 1974 using the original title of the novel,
1336: 1082: 755: 659: 642: 634: 621: 603: 395: 383: 318: 246: 97: 59: 1409: 1288: 1280: 1137: 842: 759: 696: 591: 461: 322: 310: 135: 87: 1212: 949: 736: 731: 726: 607: 455: 431: 340: 314: 238: 125: 49: 783:
The film recorded a loss of $ 445,000 (equivalent to $ 5.7 million in 2023).
637:
to test for RKO, and Ray was convinced that he had found Bowie. Granger suggested
1180: 1156: 744: 683: 614: 482: 306: 691: 595: 296: 1312: 641:
for the female lead part. Both Granger and O'Donnell were under contract to
419: 234: 1126: 1121: 687: 437: 1115: 1104: 815: 770:. The title was determined by audience poll and was favored by Hughes. 507: in this section. Unsourced material may be challenged and removed. 263: 1078:"Review: Nicholas Ray's They Live by Night on Criterion Blu-ray" 806:
interest with its crisp dramatic movement and clear-cut types."
355:, performs the ceremony and sells the couple a convertible car. 1184: 758:, RKO was unsure about how to market the film and studio head 740: 476: 283: 754:
Filming completed in October 1947. Despite an excellent
1059:
Crowther, Bosley (1949-11-04). "The Screen in Review".
712:
the first major studio production to do so, predating
286:
445,000 (equivalent to $ 5.7 million in 2023).
1049:
New Rochelle, New York: Arlington House, 1982. p239
218: 210: 200: 165: 157: 141: 131: 121: 111: 93: 83: 67: 55: 45: 28: 751:, but Todd's editing blended the sequences well. 881: 879: 877: 1196: 8: 317:cites the film as one of the influences on 1203: 1189: 1181: 34: 25: 598:, he'd been there when he worked for the 567:Learn how and when to remove this message 270:and was released in the United States by 1010:Include Me Out: From Goldywn to Broadway 766:rather than the source novel's title of 295:(1967), the story was first depicted in 929:"Consumer Price Index (estimate) 1800–" 831: 716:'s celebrated final helicopter shot in 1090:from the original on November 8, 2020. 241:in his directorial debut and starring 927:Federal Reserve Bank of Minneapolis. 837: 835: 7: 1045:Richard Jewell & Vernon Harbin, 1012:(New York: St. Martin's Press, 2007) 694:on the children's television series 505:adding citations to reliable sources 729:had done in his directorial debut, 19:For the album by The Hamsters, see 1486:English-language crime drama films 1028:(London: Faber & Faber, 1993) 859:from the original on June 7, 2019. 14: 1167:They Live by Night: Dream Journey 1151:Collection of reviews on the film 1026:Nicholas Ray: An American Journey 977:Nicholas Ray: An American Journey 1076:Lund, Carson (August 15, 2017). 666:, who had made an impression in 481: 262:The film opened theatrically in 963:They Live by Night at Criterion 871:They Live by Night at Criterion 492:needs additional citations for 266:in August 1948 under the title 1461:Films directed by Nicholas Ray 1456:Films based on American novels 1431:American black-and-white films 1: 1466:Films scored by Leigh Harline 1329:The True Story of Jesse James 791:In a contemporary review for 380:as Catherine "Keechie" Mobley 249:. Based on Edward Anderson's 1441:1940s English-language films 1421:1948 directorial debut films 1145:AFI Catalog of Feature Films 921:American Antiquarian Society 901:American Antiquarian Society 848:AFI Catalog of Feature Films 392:as Chicamaw "One-Eye" Mobley 979:. Faber & Faber, 1993. 648:The Best Years of Our Lives 606:created by novice director 1502: 1436:American crime drama films 1345:Wind Across the Everglades 655:among his favorite films. 398:as Henry "T-Dub" Mansfield 185:November 5, 1949 21:They Live by Night (album) 18: 1471:Films shot in Los Angeles 1219: 600:Department of Agriculture 321:and his work in general. 40:Theatrical release poster 33: 16:1948 film by Nicholas Ray 1451:Films about bank robbery 386:as Arthur "Bowie" Bowers 853:American Film Institute 814:The film was issued on 690:, who would later play 682:as a nightclub singer, 1426:1948 crime drama films 1385:We Can't Go Home Again 633:Houseman arranged for 1305:Rebel Without a Cause 948:Video Interview with 1481:1940s American films 1393:Lightning Over Water 1361:The Savage Innocents 1176:Criterion Collection 1157:2002 Article on film 843:"They Live by Night" 820:Criterion Collection 673:The Cradle Will Rock 516:"They Live by Night" 501:improve this article 467:Guy Beach as Plumber 353:justice of the peace 282:, losing the studio 1273:On Dangerous Ground 1265:Flying Leathernecks 1172:Bernard Eisenschitz 1022:Bernard Eisenschitz 997:Bernard Eisenschitz 973:Bernard Eisenschitz 345:wrongful conviction 233:is a 1948 American 1476:RKO Pictures films 1225:They Live by Night 1211:Films directed by 1139:They Live by Night 1133:TCM Movie Database 1128:They Live by Night 1117:They Live by Night 1106:They Live by Night 1062:The New York Times 952:on KGSM MediaCache 803:They Live by Night 794:The New York Times 764:They Live by Night 710:They Live by Night 653:They Live by Night 302:You Only Live Once 280:box-office failure 276:They Live by Night 272:RKO Radio Pictures 230:They Live by Night 161:RKO Radio Pictures 151:RKO Radio Pictures 79:by Edward Anderson 29:They Live by Night 1403: 1402: 1377:55 Days at Peking 1249:In a Lonely Place 1233:Knock on Any Door 787:Critical response 577: 576: 569: 551: 226: 225: 116:George E. Diskant 1493: 1321:Bigger Than Life 1241:A Woman's Secret 1205: 1198: 1191: 1182: 1161:Senses of Cinema 1092: 1091: 1073: 1067: 1066: 1056: 1050: 1043: 1037: 1019: 1013: 1008:Farley Granger, 1006: 1000: 994: 988: 970: 964: 959: 953: 946: 940: 939: 937: 935: 924: 918: 904: 898: 883: 872: 867: 861: 860: 839: 822:in August 2017. 679:Beggar's Holiday 572: 565: 561: 558: 552: 550: 509: 485: 477: 452:as Comm. Hubbell 450:Charles Meredith 292:Bonnie and Clyde 268:The Twisted Road 192: 190: 181: 179: 174:August 1948 38: 26: 1501: 1500: 1496: 1495: 1494: 1492: 1491: 1490: 1406: 1405: 1404: 1399: 1215: 1209: 1101: 1096: 1095: 1075: 1074: 1070: 1058: 1057: 1053: 1044: 1040: 1020: 1016: 1007: 1003: 995: 991: 971: 967: 960: 956: 947: 943: 933: 931: 926: 916: 908:McCusker, J. J. 906: 896: 888:McCusker, J. J. 886: 884: 875: 868: 864: 841: 840: 833: 828: 818:and DVD by the 812: 799:Bosley Crowther 789: 781: 776: 768:Thieves Like Us 714:James Wong Howe 706: 668:Marc Blitzstein 664:Howard Da Silva 639:Cathy O'Donnell 631: 620:Houseman hired 587:Thieves Like Us 582: 573: 562: 556: 553: 510: 508: 498: 486: 475: 470: 416:as Young Farmer 390:Howard Da Silva 378:Cathy O'Donnell 373: 337: 328:Thieves Like Us 256:Thieves Like Us 243:Cathy O'Donnell 203: 196: 188: 186: 177: 175: 168: 153: 146: 144: 106:Howard Da Silva 104: 102:Cathy O'Donnell 100: 78: 76: 73:Thieves Like Us 62: 41: 24: 17: 12: 11: 5: 1499: 1497: 1489: 1488: 1483: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1438: 1433: 1428: 1423: 1418: 1408: 1407: 1401: 1400: 1398: 1397: 1389: 1381: 1373: 1365: 1357: 1349: 1341: 1337:Bitter Victory 1333: 1325: 1317: 1309: 1301: 1293: 1285: 1277: 1269: 1261: 1257:Born to Be Bad 1253: 1245: 1237: 1229: 1220: 1217: 1216: 1210: 1208: 1207: 1200: 1193: 1185: 1179: 1178: 1163: 1154: 1148: 1147: 1135: 1124: 1113: 1100: 1099:External links 1097: 1094: 1093: 1083:Slant Magazine 1068: 1051: 1047:The RKO Story. 1038: 1014: 1001: 989: 965: 954: 941: 925:1800–present: 873: 862: 830: 829: 827: 824: 811: 808: 788: 785: 780: 777: 775: 772: 705: 702: 660:Robert Mitchum 643:Samuel Goldwyn 635:Farley Granger 630: 627: 622:Charles Schnee 581: 578: 575: 574: 557:September 2024 489: 487: 480: 474: 471: 469: 468: 465: 459: 453: 447: 441: 435: 429: 428:as Hagenheimer 423: 417: 414:William Phipps 411: 405: 399: 396:Jay C. Flippen 393: 387: 384:Farley Granger 381: 374: 372: 369: 336: 333: 319:no wave cinema 251:Depression-era 247:Farley Granger 224: 223: 220: 216: 215: 212: 208: 207: 204: 201: 198: 197: 195: 194: 183: 171: 169: 166: 163: 162: 159: 158:Distributed by 155: 154: 149: 147: 142: 139: 138: 133: 129: 128: 123: 119: 118: 113: 112:Cinematography 109: 108: 98:Farley Granger 95: 91: 90: 85: 81: 80: 69: 65: 64: 60:Charles Schnee 57: 53: 52: 47: 43: 42: 39: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 1498: 1487: 1484: 1482: 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1413: 1411: 1395: 1394: 1390: 1387: 1386: 1382: 1379: 1378: 1374: 1371: 1370: 1369:King of Kings 1366: 1363: 1362: 1358: 1355: 1354: 1350: 1347: 1346: 1342: 1339: 1338: 1334: 1331: 1330: 1326: 1323: 1322: 1318: 1315: 1314: 1310: 1307: 1306: 1302: 1299: 1298: 1297:Run for Cover 1294: 1291: 1290: 1289:Johnny Guitar 1286: 1283: 1282: 1281:The Lusty Men 1278: 1275: 1274: 1270: 1267: 1266: 1262: 1259: 1258: 1254: 1251: 1250: 1246: 1243: 1242: 1238: 1235: 1234: 1230: 1227: 1226: 1222: 1221: 1218: 1214: 1206: 1201: 1199: 1194: 1192: 1187: 1186: 1183: 1177: 1173: 1169: 1168: 1164: 1162: 1158: 1155: 1152: 1149: 1146: 1143: 1141: 1140: 1136: 1134: 1130: 1129: 1125: 1123: 1119: 1118: 1114: 1112: 1108: 1107: 1103: 1102: 1098: 1089: 1085: 1084: 1079: 1072: 1069: 1065:. p. 33. 1064: 1063: 1055: 1052: 1048: 1042: 1039: 1035: 1034:0-571-14086-6 1031: 1027: 1023: 1018: 1015: 1011: 1005: 1002: 998: 993: 990: 986: 985:0-571-14086-6 982: 978: 974: 969: 966: 962: 958: 955: 951: 945: 942: 930: 922: 915: 914: 909: 902: 895: 894: 889: 882: 880: 878: 874: 870: 866: 863: 858: 854: 850: 849: 844: 838: 836: 832: 825: 823: 821: 817: 809: 807: 804: 800: 796: 795: 786: 784: 778: 773: 771: 769: 765: 761: 760:Howard Hughes 757: 752: 750: 746: 742: 738: 734: 733: 728: 723: 721: 720: 715: 711: 703: 701: 699: 698: 697:Sesame Street 693: 689: 685: 681: 680: 675: 674: 669: 665: 661: 656: 654: 650: 649: 644: 640: 636: 628: 626: 623: 618: 616: 611: 609: 605: 601: 597: 593: 592:John Houseman 589: 588: 579: 571: 568: 560: 549: 546: 542: 539: 535: 532: 528: 525: 521: 518: –  517: 513: 512:Find sources: 506: 502: 496: 495: 490:This section 488: 484: 479: 478: 472: 466: 463: 462:Byron Foulger 460: 457: 454: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 379: 376: 375: 370: 368: 364: 360: 356: 354: 348: 346: 342: 334: 332: 330: 329: 324: 323:Robert Altman 320: 316: 312: 311:Sylvia Sidney 308: 304: 303: 299:'s 1937 film 298: 294: 293: 287: 285: 281: 277: 273: 269: 265: 260: 258: 257: 252: 248: 244: 240: 236: 232: 231: 221: 217: 214:United States 213: 209: 205: 199: 184: 182: (London) 173: 172: 170: 167:Release dates 164: 160: 156: 152: 148: 140: 137: 136:Leigh Harline 134: 130: 127: 124: 120: 117: 114: 110: 107: 103: 99: 96: 92: 89: 88:John Houseman 86: 82: 75: 74: 70: 66: 61: 58: 56:Screenplay by 54: 51: 48: 44: 37: 32: 27: 22: 1391: 1383: 1375: 1367: 1359: 1351: 1343: 1335: 1327: 1319: 1311: 1303: 1295: 1287: 1279: 1271: 1263: 1255: 1247: 1239: 1231: 1224: 1223: 1213:Nicholas Ray 1170:an essay by 1166: 1153:at Indiewire 1138: 1127: 1116: 1105: 1081: 1071: 1060: 1054: 1046: 1041: 1025: 1017: 1009: 1004: 992: 976: 968: 957: 950:Jim Jarmusch 944: 934:February 29, 932:. Retrieved 912: 892: 865: 846: 813: 802: 792: 790: 782: 767: 763: 753: 737:Sherman Todd 732:Citizen Kane 730: 727:Orson Welles 724: 717: 709: 707: 695: 677: 671: 657: 652: 646: 632: 619: 612: 608:Nicholas Ray 585: 583: 563: 554: 544: 537: 530: 523: 511: 499:Please help 494:verification 491: 456:Teddy Infuhr 446:as Schreiber 432:Marie Bryant 426:Harry Harvey 365: 361: 357: 349: 341:bank robbers 338: 326: 315:Jim Jarmusch 300: 290: 288: 275: 267: 261: 254: 239:Nicholas Ray 237:directed by 229: 228: 227: 202:Running time 126:Sherman Todd 71: 63:Nicholas Ray 50:Nicholas Ray 905:1700–1799: 885:1634–1699: 745:movie ranch 684:Curt Conway 670:'s musical 615:Dore Schary 580:Development 444:James Nolan 408:Will Wright 402:Helen Craig 313:. Director 307:Henry Fonda 305:, starring 193: (U.S.) 84:Produced by 46:Directed by 1416:1948 films 1410:Categories 1353:Party Girl 826:References 810:Home media 779:Box office 692:Mr. Hooper 604:treatments 584:The novel 527:newspapers 473:Production 464:as Lambert 440:as Jeweler 422:as Hawkins 297:Fritz Lang 206:95 minutes 189:1949-11-05 143:Production 77:1937 novel 1446:Film noir 1313:Hot Blood 797:, critic 434:as Singer 420:Ian Wolfe 410:as Mobley 404:as Mattie 235:film noir 122:Edited by 1122:AllMovie 1088:Archived 910:(1992). 890:(1997). 857:Archived 688:Will Lee 458:as Alvin 438:Will Lee 219:Language 132:Music by 94:Starring 68:Based on 1174:at the 1142:at the 1131:at the 816:Blu-ray 801:called 774:Release 756:preview 704:Filming 629:Casting 596:Lomaxes 541:scholar 222:English 211:Country 187: ( 178:1948-08 176: ( 145:company 1396:(1980) 1388:(1976) 1380:(1963) 1372:(1961) 1364:(1960) 1356:(1958) 1348:(1958) 1340:(1957) 1332:(1957) 1324:(1956) 1316:(1956) 1308:(1955) 1300:(1955) 1292:(1954) 1284:(1952) 1276:(1951) 1268:(1951) 1260:(1950) 1252:(1950) 1244:(1949) 1236:(1949) 1228:(1949) 1036:p. 102 1032:  999:pg. 96 987:pg. 90 983:  749:Encino 719:Picnic 543:  536:  529:  522:  514:  264:London 253:novel 917:(PDF) 897:(PDF) 548:JSTOR 534:books 1111:IMDb 1030:ISBN 981:ISBN 936:2024 686:and 520:news 371:Cast 335:Plot 309:and 245:and 1159:at 1120:at 1109:at 747:in 743:'s 741:RKO 725:As 503:by 274:as 1412:: 1086:. 1080:. 1024:, 975:, 919:. 899:. 876:^ 855:. 851:. 845:. 834:^ 700:. 610:. 347:. 331:. 284:$ 1204:e 1197:t 1190:v 938:. 923:. 903:. 570:) 564:( 559:) 555:( 545:· 538:· 531:· 524:· 497:. 191:) 180:) 23:.

Index

They Live by Night (album)

Nicholas Ray
Charles Schnee
Thieves Like Us
John Houseman
Farley Granger
Cathy O'Donnell
Howard Da Silva
George E. Diskant
Sherman Todd
Leigh Harline
RKO Radio Pictures
film noir
Nicholas Ray
Cathy O'Donnell
Farley Granger
Depression-era
Thieves Like Us
London
RKO Radio Pictures
box-office failure
$
Bonnie and Clyde
Fritz Lang
You Only Live Once
Henry Fonda
Sylvia Sidney
Jim Jarmusch
no wave cinema

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.