293:'s A&R man, Frank Rodgers, tried to arrange a gig for Thin Lizzy and another of his acts, soul singer Ditch Cassidy. Cassidy lacked his regular band, and so Tuite put Thin Lizzy as his backing band. After watching Thin Lizzy's performance at the Zhivago Club on 12 November 1970, Frank Rodgers showed his interest in them rather than Cassidy, and offered them a record deal with Decca; however, Rodgers also suggested another showcase gig for other Decca personnel before signing a contract. This time the band performed their original material. "Look What The Wind Blew In" was one of the songs that caught Rodgers's attention. Afterward Tuite travelled to London to meet Decca's head of A & R,
331:: "We were permanently stoned. Scott English was this jovial American guy, a nice big bloke. He had this enormous bag of grass in one of the drawers in the studio. He brought it out, threw it on the table and said, 'Help yourselves, boys!' That was it. I can’t actually remember recording the first album. I didn’t know anything until the end of the record, it was just a haze. Smoking a bit of dope and playing music went hand-in-hand for us. We were just that type of band at that point in time. It seemed to work for us, we got ideas. There was a lot of things on that album that were completely ad-libbed."
433:
He actually did the sleeve with the name 'Tin Lizzy' instead of 'Thin Lizzy'." Decca tried to convince the band to change their name instead of designing the cover again, but the band's refusal resulted in the postponement of the album release for a week, while the artwork was being corrected. The band's manager Ted
Carroll has also stated that another designer, Walt McGuire from Decca American, designed different artwork for the US release, which is now a collector's item. The US album cover shows a mini cartoon model of a
297:. The paperwork was drawn up on 12 November 1970, and on the first day of December, Decca officially signed “Tin Lissy" to a one-year recording contract, with the option of extending the deal by two further periods of one year in September 1971 and September 1972. All going well, they were committed to delivering three albums to the company. The advance was £500, with a further £500 to be paid after the album had been completed. Thin Lizzy left Ireland after an afternoon gig on 3 January 1971 at the Afton Club in
322:, Lynott had a fight with him about the bass sound: "Philip fell out a bit with him because Scott wanted to turn down the bass. It got to the stage where I was up in the control room and Scott would say, 'Go down and tell the bass player to turn down.' He wouldn’t use the mike because Phil wouldn't do it anyway. So I'd say to Philip, 'The Bearded One wants you to turn down the bass,' and he'd say, 'Tell that fucking Yank to piss off.' He knew full well the mike would be open."
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411:, described the album as "surprisingly mellow" and wrote that a number of songs sound "confused and unfinished". However, he did describe "Look What the Wind Blew In" as a "hint of things to come", and that the bonus track "Dublin" from the "New Day" EP contained "Lynott's first great lyric". Canadian journalist
432:
or something like that." Lack of communication between Decca and Thin Lizzy resulted in the album cover initially having the wrong spelling of the band's name, showing 'Tin Lizzy'. Philip
Tapsfield of the Decca Art Department recalls: "One of our in-house artists, David Ansty, designed their sleeve.
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According to Decca's record sleeve co-ordinator, John Slater, Phil Lynott came to his office to discuss ideas for the album cover and to explain his ideas: "His first notion was for a burning hand coming out of a freshly dug grave! He wasn't interested in doing it with a cartoon twist, it had to be
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says: "We got up at nine in the morning, into the studio, played from about ten or half ten to eight or nine, then clocked off and went back to the guesthouse. Then we did it again, for the whole week". According to manager Brian Tuite, while working with producer
31:
205:
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car (aka Tin Lizzie) driving over a naked female hip, while the back sleeve features various band photos including a fish-eye shot taken in Dublin in autumn 1970, by photographer Roy
Esmonde, along with some shots taken in the studio.
289:. Lynott told Tuite: "we've got twelve songs at the moment that we'd be happy enough to record". after listening to some of the songs Tuite tried to find a record deal for the band. Since he had a good friendship with
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explained that the band was stoned during the whole process of recording and that he doesn't remember anything from the sessions but he remembers Scott
English's accompaniment with band of giving them bags of
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appreciated the experimental flavour of the album "drawing mainly from bluesy non-metal influences" and found the compositions "astonishingly well written, very Irish, very heart-felt".
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and introduced Thin Lizzy to him; within ten months Peel would be booking the group for a session on his Radio 1 show, on 12 October 1971. The band booked a guesthouse in
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in which to stay during the first album recording. The work began on the Monday morning and was done on Friday evening.
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on 14–17 June 1971 and released on 20 August 1971. The songs from the EP were included in later editions of the album.
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real life." They decided upon an
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In the autumn of 1970, Brian Tuite and Peter Bardon took over the management of
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was released. This version features the following bonus tracks:
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265:, released on 30 April 1971. The album was followed by the EP
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The
Collector's Guide to Heavy Metal: Volume 1: The Seventies
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On 11 October 2010, a new remastered and expanded version of
859:"Honesty Is No Excuse" (1977 overdubbed and remixed version)
1845:
Dancing in the
Moonlight (It's Caught Me in Its Spotlight)
1236:
Cowboy song: the authorised biography of Phil Lynott
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Cowboy song: the authorised biography of Phil Lynott
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Cowboy song: the authorised biography of Phil Lynott
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Cowboy song: the authorised biography of Phil Lynott
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Cowboy song: the authorised biography of Phil Lynott
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Cowboy song: the authorised biography of Phil Lynott
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959:– additional guitar and keyboards on tracks 16–19
407:Eduardo Rivadavia, in a retrospective review for
1345:: CS1 maint: others in cite AV media (notes) (
446:The song "Honesty Is No Excuse" was covered by
965:– additional vocals and guitar on tracks 16–19
870:"Dublin" (1977 overdubbed and remixed version)
1933:One Night in Dublin: A Tribute to Phil Lynott
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8:
1683:The Boys Are Back in Town: Live in Australia
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837:"Things Ain't Working Out Down at the Farm"
738:"Things Ain't Workin' Out Down at the Farm"
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1729:The Continuing Saga of the Ageing Orphans
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1169:"Sounds of the Seventies with Top Gear"
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1019:Fighting My Way Back: Thin Lizzy 69–76
915:– vocals, bass guitar, acoustic guitar
1926:Thin Lizzy Live at Sydney Harbour '78
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305:. On their way to London, Lynott met
7:
257:is the debut studio album by Irish
18:1971 studio album by Thin Lizzy
428:photograph of the headlight of "a
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1021:. Power Chord Press. p. 43.
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1263:"Thin Lizzy – Thin Lizzy review"
396:Collector's Guide to Heavy Metal
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1764:Vagabonds Kings Warriors Angels
1055:Thin Lizzy: Soldiers of Fortune
762:Remastered and expanded release
194:US London Records edition cover
1574:Vagabonds of the Western World
1239:. Thomson, Graeme. p. 118
1215:. Thomson, Graeme. p. 117
1191:. Thomson, Graeme. p. 117
1149:. Thomson, Graeme. p. 116
1125:. Thomson, Graeme. p. 115
1083:. Thomson, Graeme. p. 115
777:
710:"Remembering, Pt. 2 (New Day)"
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1:
1880:Hollywood (Down on Your Luck)
1669:BBC Radio One Live in Concert
815:"Remembering Pt. 2 (New Day)"
1736:The Adventures of Thin Lizzy
1299:Collector's Guide Publishing
609:"Return of the Farmer's Son"
556:"Look What the Wind Blew In"
996:Walt Mcguire – cover design
953:– keyboards on "The Farmer"
640:"Saga of the Ageing Orphan"
269:, produced and recorded by
232:"The Farmer" / "I Need You"
2027:
1567:Shades of a Blue Orphanage
1057:. London: SAF Publishing.
993:David Antsy – cover design
465:All tracks are written by
177:Shades of a Blue Orphanage
1824:The Boys Are Back in Town
1778:The Definitive Collection
1616:Black Rose: A Rock Legend
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990:Roy Esmonde – photography
947:on "Honesty Is No Excuse"
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1333:Domino Recording Company
987:Peter Rynston – engineer
281:Background and recording
1950:Thin Lizzy band members
1859:Do Anything You Want To
235:Released: 31 July 1970
1817:Still in Love with You
626:"Clifton Grange Hotel"
514:"Honesty Is No Excuse"
2011:London Records albums
1637:Thunder and Lightning
2006:Decca Records albums
1852:Waiting for an Alibi
1722:Remembering – Part 1
1324:Big Wheel and Others
1261:Rivadavia, Eduardo.
1053:Byrne, Alan (2006).
935:Additional musicians
923:twelve-string guitar
713:Bell, Downey, Lynott
469:, except where noted
453:Big Wheel and Others
340:Professional ratings
1873:Killer on the Loose
1341:cite AV media notes
930:– drums, percussion
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1919:Live and Dangerous
1803:Whiskey in the Jar
1757:Whiskey in the Jar
1655:Live and Dangerous
1297:. Burlington, ON:
1173:Thinlizzyguide.com
1107:Thinlizzyguide.com
826:"Old Moon Madness"
724:"Old Moon Madness"
668:
570:
472:
450:on his 2013 album
339:
2001:1971 debut albums
1996:Thin Lizzy albums
1983:
1982:
1970:Black Star Riders
1901:The Sun Goes Down
1676:The Peel Sessions
1513:Francesco DiCosmo
1335:. 2013. WIGCD305.
1028:978-0-9811057-5-8
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1975:Philomena Lynott
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62:4–9 January 1971
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1911:Videos and DVDs
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1704:Still Dangerous
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1468:Brian Robertson
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1469:
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1437:
1436:
1432:
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1429:
1425:
1423:
1422:
1421:Damon Johnson
1418:
1416:
1415:
1414:Ricky Warwick
1411:
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1397:
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977:
976:Scott English
974:
973:
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964:
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952:
949:
946:
942:
941:Ivor Raymonde
939:
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937:
936:
929:
926:
924:
920:
917:
914:
913:Philip Lynott
911:
910:
909:
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893:
890:Total length:
883:
880:
876:
872:
869:
865:
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854:
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839:
836:
832:
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771:
769:
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753:
750:Total length:
743:
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737:
733:
729:
726:
723:
719:
715:
712:
709:
705:
701:
698:
695:
691:
675:
671:
659:
656:
654:"Remembering"
653:
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635:
631:
628:
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621:
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459:
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427:
418:
416:
414:
413:Martin Popoff
410:
400:
398:
397:
393:
392:
362:
360:
357:
356:
348:
345:Review scores
343:
334:
332:
330:
325:
321:
320:Scott English
316:
312:
308:
304:
303:Decca Studios
300:
296:
292:
291:Decca Records
288:
280:
278:
276:
275:Decca Studios
272:
268:
264:
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245:
229:
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142:Scott English
140:
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128:
124:
121:
119:
115:
103:
99:
93:
90:
88:
85:
84:
82:
80:
76:
72:
71:Decca Studios
69:
65:
61:
57:
54:30 April 1971
53:
49:
45:
40:
36:
32:
27:
22:
16:
1931:
1924:
1917:
1776:
1769:
1762:
1755:
1748:
1741:
1734:
1727:
1720:
1714:Compilations
1702:
1695:
1688:
1681:
1674:
1667:
1660:
1653:
1635:
1628:
1621:
1614:
1607:
1600:
1593:
1586:
1579:
1572:
1565:
1559:
1558:
1543:Tom Hamilton
1498:Mark Nauseef
1448:Brian Downey
1435:Scott Travis
1433:
1428:Troy Sanders
1426:
1419:
1412:
1405:
1400:Scott Gorham
1398:
1329:Cass McCombs
1322:
1317:
1294:
1270:. Retrieved
1241:. Retrieved
1235:
1229:
1217:. Retrieved
1211:
1205:
1193:. Retrieved
1187:
1181:
1172:
1163:
1151:. Retrieved
1145:
1139:
1127:. Retrieved
1121:
1115:
1106:
1097:
1085:. Retrieved
1079:
1073:
1054:
1018:
1009:
969:
968:
934:
933:
928:Brian Downey
906:
905:
793:"The Farmer"
767:
765:
669:
613:Brian Downey
464:
451:
448:Cass McCombs
445:
435:Ford Model T
422:
406:
394:
315:Brian Downey
284:
266:
253:
252:
251:
220:
175:
167:
166:
39:Studio album
15:
1955:Discography
1838:Cowboy Song
1697:UK Tour '75
1647:Live albums
1523:Michael Lee
1508:Randy Gregg
1473:Snowy White
1458:Eric Wrixon
1443:Phil Lynott
982:Nick Tauber
951:Eric Wrixon
467:Phil Lynott
271:Nick Tauber
221:Thin Lizzy
146:Nick Tauber
1990:Categories
1965:Grand Slam
1894:Cold Sweat
1810:The Rocker
1796:The Farmer
1743:Dedication
1560:Thin Lizzy
1493:Dave Flett
1478:John Sykes
1463:Gary Moore
1388:Thin Lizzy
1331:. London:
1243:26 January
1219:26 January
1195:26 January
1153:26 January
1129:26 January
1087:26 January
1001:References
984:– producer
978:– producer
970:Production
957:Gary Moore
907:Thin Lizzy
768:Thin Lizzy
287:Thin Lizzy
263:Thin Lizzy
254:Thin Lizzy
168:Thin Lizzy
155:chronology
153:Thin Lizzy
92:blues rock
44:Thin Lizzy
24:Thin Lizzy
1831:Jailbreak
1623:Chinatown
1595:Jailbreak
1581:Nightlife
1538:Midge Ure
1488:John Cann
1453:Eric Bell
1103:"Zhivago"
963:Midge Ure
945:mellotron
919:Eric Bell
902:Personnel
685:Writer(s)
584:Writer(s)
542:"Ray-Gun"
501:Eric Bell
486:Writer(s)
442:Influence
335:Reception
324:Eric Bell
307:John Peel
295:Dick Rowe
87:Folk rock
1750:Wild One
1630:Renegade
1588:Fighting
1483:Andy Gee
1267:AllMusic
1017:(2011).
804:"Dublin"
696:"Dublin"
615:, Lynott
571:Side two
503:, Lynott
473:Side one
426:fish-eye
409:AllMusic
359:AllMusic
137:Producer
73:, London
59:Recorded
51:Released
41: by
1272:13 June
670:New Day
419:Artwork
299:Dundalk
267:New Day
217:Singles
181:(1972)
172:(1971)
1305:
1061:
1025:
785:Length
741:
727:
699:
688:Length
657:
643:
629:
598:
595:"Eire"
587:Length
559:
531:
517:
489:Length
353:Rating
350:Source
127:London
101:Length
67:Studio
1866:Sarah
1788:Songs
894:71:03
782:Title
754:54:30
682:Title
581:Title
483:Title
261:band
219:from
123:Decca
118:Label
79:Genre
1662:Life
1347:link
1303:ISBN
1274:2011
1245:2023
1221:2023
1197:2023
1155:2023
1131:2023
1089:2023
1059:ISBN
1023:ISBN
884:3:58
873:2:32
862:2:46
851:3:22
840:4:32
829:3:56
818:5:08
807:2:30
796:3:40
744:4:29
730:3:52
716:5:04
702:2:26
660:5:59
646:3:40
632:2:26
618:4:14
601:2:07
562:3:23
548:3:05
545:Bell
534:7:04
520:3:40
506:3:01
401:8/10
329:weed
259:rock
878:19.
867:18.
856:17.
845:16.
834:15.
823:14.
812:13.
801:12.
790:11.
778:No.
735:14.
721:13.
707:12.
693:11.
678:No.
651:10.
577:No.
479:No.
273:at
1992::
1343:}}
1339:{{
1282:^
1265:.
1253:^
1171:.
1105:.
1037:^
943:–
637:9.
623:8.
606:7.
592:6.
553:5.
539:4.
525:3.
511:2.
494:1.
456:.
144:,
110:39
106:38
1903:"
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1878:"
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1840:"
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1833:"
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1826:"
1822:"
1819:"
1815:"
1812:"
1808:"
1805:"
1801:"
1798:"
1794:"
1380:e
1373:t
1366:v
1349:)
1311:.
1276:.
1247:.
1223:.
1199:.
1175:.
1157:.
1133:.
1109:.
1091:.
1067:.
1031:.
108::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
