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The war is described with childlike spontaneity and same childlike ruthlessness and high-grade creative writing. Despite the lightness of the style, the reading of this prose requires certain and considerable inner strength. The fact that the stories are short says a lot about the generosity of the
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Many parts of the texts are deliberately mystified, there are even parallel universes, and some of the action takes place in a dream. But in each of these texts the reader will see very strong emotions and a new attempt to understand what happened in
Chechnya during the childhood of the author.
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The author is present in each story: as one of the heroes or as the narrator; she is not hiding under fictitious names and is not trying to pass off something as fiction that is not. This is a literature, which grew out of personal factual experiences; and is clear of the notorious writer's
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Each story continues the previous one. The stories are woven into a single continuous text. The heroes wander from one story to another, just like their real life counterparts. The author stated that she did not change the names of those killed, in order to preserve their memory.
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author, who understands that the reader will need frequent breaks. If you remove the boundaries between texts – all of them will turn into a unified and cohesive impulse. This is exactly what distinguishes the real literature from its multifaceted twins.
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is a children's noir nonfiction; we experience a subconscious fear from hair, sprouting through the grass on the site of the group burial in the garden, much more than from any reports by Andrei
Babitsky.
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Documentary evidence is the basis in these. Critics stated that it achieves the goal of educating the next generation. The stories incorporate mysticism, unexplained phenomena and dream-travel.
143:. The collection was created between 2005 and 2015. These stories familiarize the reader with life during the wars and are an artistic reflection of what Zherebtsova saw and experienced in the
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There is a change in the style of the text. Instead of existential testimony – smooth language, like from a sample of the Soviet children's prose. No one before
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wrote about the
Chechen war this way; we have always seen some carnage and imminent violence that was filtered out by our brains.
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Their neighbors during the war: Sultan, Maryam, Idris, Nina, Nastasia, Rumisa, Ramzan, Zayna, Fatima, Vera, Medina and others.
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and '"Two meters squared"that were to be part of the collection were instead published in Moscow's magazine
Medvedj in 2014.
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are a strong adult prose. I want to add the phrase "based on real events" to each story published in
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373:Лауреат четвёртого этапа литературного конкурса имени Януша Корчака в номинации "Проза"
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inventing, genre impurities and stylistic flourishes.
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won the Janusz
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131:") is a 2015 collection of 33 stories by
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129:Тонкая серебристая нить
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351:m24.ru. Новая книга
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292:Узел, Кавказский.
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185:Thin Silver Thread
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124:Thin Silver Thread
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235:The story
243:in 2006.
241:Jerusalem
73:Publisher
303:22 March
43:Language
248:"Zayna"
174:Reviews
51:Subject
46:Russian
149:Moscow
137:Grozny
127:(ru. "
96:Russia
33:Author
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68:Novel
65:Genre
305:2018
110:ISBN
88:2015
104:320
77:АСТ
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