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competition, the king orders
Banabathirar to compete against Bhagavathar. Knowing that he cannot win, the troubled Banabathirar prays to Shiva—who appears outside Bhagavathar's house in the form of a firewood vendor the night before the competition, and shatters his arrogance by singing "Paattum Naane". Shiva introduces himself to Bhagavathar as Banabathirar's student. Sheepish at hearing this, Bhagavathar leaves the kingdom immediately and leaves a letter for Shiva to give to Banabathirar. Shiva gives the letter to Banabathirar, and reveals his true identity; Banabathirar thanks him for his help.
809:" (He won't come. He won't come. He will definitely not come. I know he won't come). According to the actor, two incidents inspired him. One involved two assistant directors discussing whether Ganesan would be ready before or after lunch; one said he would be ready, the other said not. The other was when Nagesh overheard a passerby talking to himself about how the world had fallen on bad times. He also took inspiration from Mylapore Krishnasamy Iyer.
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the film for re-release, but Sri
Vijayalakshmi Pictures asked laboratory officials not to release the film without their consent. Sri Vijayalakshmi Pictures disputed Vijaya's claim by running an advertisement in a Tamil newspaper on 18 May 2012 saying that it owned the film's rights, and anyone who wanted to exhibit it in a digital format should only do so with their permission. The judge who presided over the case ordered that the
1330:, "Both for the devout Hindu and the average movie fan, the picture provides such elements that sustain their interest from beginning to end." He noted that although there were anachronisms such as telephone and telegraph wires visible, "these defects pale into insignificance before the gloss and satisfying impact of the film as a whole on the minds of cinegoers." Ramachandran lauded Ganesan's performance, his
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499:. Parvati, now born as Kayarkanni, is the daughter of a fisherman. When she is playing with her friends, Shiva approaches in the guise of a fisherman and tries to flirt with her. The fishermen are troubled by a giant shark who disrupts their way of life, and Shiva says that he alone can defeat the shark. After a long battle, Shiva subdues the shark (who is the bull deity
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453:. Shenbagapandian, the king, wants to find the answer to a question posed by his wife (whether the fragrance of a woman's hair is natural or artificial), and announces a reward of 1,000 gold coins to anyone who can come up with the answer. Dharumi, a poor poet, desperately wants the reward, and starts to break down in the
801:, thereby making it Nagarajan's first picture to be shot in colour. Before he began filming, Nagesh learned that Ganesan's arrival was delayed because his make-up had not been completed; he asked Nagarajan whether they could film any solo sequences, which included a scene where Dharumi laments his misfortune in the
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and Sri
Vijayalakshmi Pictures for attempting to re-release the film without her company's permission. In December 1975, Sri Vijayalakshmi Pictures transferred the film rights to Movie Film Circuit; MFC transferred them to Vijaya Pictures on 18 May 1976. Vijaya Pictures approached Gemini to digitise
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without inviting his son-in-law. Sati asks Shiva's permission to go to the ceremony, but Shiva refuses to let her go because he feels that no good will come from it. Sati disobeys him and goes, only to be insulted by Daksha. She curses her father and returns to Shiva, who is angry with her. Sati says
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and said
Nagarajan deserved to be appreciated for taking such a long epic and making it into a film. Although Meenakshi Ammal felt it was unnecessary to have a Tamil poet (Dharumi) do comedy, Shanmugam Pillai applauded Nagesh for showing his comic skills even in a mythological. Meenakshi Ammal noted
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Dubbing of the scenes with Nagesh and
Ganesan was completed soon after the footage was shot. After watching the scenes twice, Ganesan asked Nagarajan not to remove even a single frame of Nagesh's portions from the final cut, because he believed that those scenes along with the ones involving Balaiah
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The film's title is explained in an introductory voiceover. Greeting the audience, it quotes Shiva's literary epic of the same name. According to the narrator (Nagarajan), Shiva does what he does to test the patience of his disciples; the god plays games, which evoke more devotion in the hearts of
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claims that the poem's meaning is incorrect. On hearing this, Shiva argues with
Nakkeerar about the poem's accuracy and burns him to ashes when he refuses to relent. Later, Shiva revives Nakkeerar and says that he only wanted to test his knowledge. Realising it was Shiva's will that Dharumi should
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with "due reverence and respect" and chaste Tamil dialogue (a "delight to the ears"). However, the reviewer derided
Nagarajan's "unimaginative" handling of the fisherman episode and Ganesan's "awkward" gestures, which turned what would have been a "sublime, divine love story" into a typical
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The last story is about
Banabathirar, a devotional singer. Hemanatha Bhagavathar, a talented singer, tries to conquer the Pandya Kingdom when he challenges its musicians. The king's minister advises the king to seek Banabathirar's help against Bhagavathar. When the other musicians spurn the
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We had to talk as we walked. We could not break up the dialogues for our convenience as that would slow down the tempo of the shot. We had such a degree of understanding that we enacted the scene with immaculate timing and with the required expressions in one continuous
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After listening to the stories, Muruga realises that this too was one of Shiva's divine games to test his patience; he then reconciles with his family. The film ends with
Avvaiyar singing "Vaasi Vaasi" and "Ondraanavan Uruvil", in praise of Shiva and Parvati.
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was released on 31 July 1965 to critical praise for its screenplay, dialogue, direction, music and the performances of
Ganesan, Nagesh and Balaiah. The film was a commercial success, running for over twenty-five weeks in many theatres and becoming a
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wrote: "The unforgettable sequences from ... ... have forever divided the world of Tamil music lovers in two: those who believe that the of the swollen-headed Hemanatha Bhagavathar could not be bested, and those who believe that Lord Shiva's
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1239:. During a screening at a Madras cinema, several women went into a religious frenzy during a scene with Avvaiyar and Murugan. The film was temporarily suspended so the women could be attended to. According to artist
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K. V. Mahadevan composed the film's soundtrack and score, Kannadasan wrote the song lyrics except for the first portions of "Pazham Neeyappa", which were written by Sankaradas Swamigal. Nagarajan initially wanted
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1317:"boy-meets-girl affair". They also criticised technical aspects such as "jumpy" shots, the colour scheme, Shiva's fight with the shark and the facial make-up. The reviewer criticised Ganesan for
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1482:. Ameer found the film "imaginative", depicting mythology in "an interesting way", and called it "one of the best films in the annals of Tamil cinema." After Nagesh's death in 2009,
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371:, is born as a fisherwoman; Shiva, in the guise of a fisherman, finds her and marries her. The fourth story is about the singers Banabhathirar and Hemanatha Bhagavathar.
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In Indian cinema terminology, social films (or simply socials) are films with a contemporary setting, as opposed to those which have mythological and period settings.
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was the last film produced by Hameed, who died on 20 May 1965, a few days after the filming ended. Neither he nor Nagarajan was credited in the film as producers.
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while opining that Savitri had nothing to do, but commended the performances of Sundarambal, Mahalingam, Balaiah, Nagesh, Sarangapani, Muthuraman and Nagarajan.
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382:. It was also responsible for a resurgence in devotional and mythological cinema, since it was released when Tamil cinema was primarily producing social films.
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823:(1944) in which the lead actor plays five roles in one scene. Ganesan does so during the song "Paattum Naane", where he sings and plays four instruments: the
457:. Shiva, hearing him weeping, takes the form of a poet and gives Dharumi a poem containing the answer. Overjoyed, Dharumi takes the poem to Shenbagapandian's
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Songs from the album, including "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh", "Paarthal Pasumaram" and "Paattum Naane", became popular with the
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882:. Sastri had sought divine intervention from the goddess Kamakshi to defeat Kesavayya, mirroring Banabathirar's plea for Shiva's help. Mana Baskaran of
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he performed in the film, Ganesan replied that he simply learned the movements necessary for the dance and followed the choreographer's instructions.
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would be the highlights of the film. The conversations between Shiva and Dharumi were improvised by Ganesan and Nagesh, not scripted by Nagarajan.
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confronts Shiva over an error in his poem, exaggerating his sensitivity to the right and the wrong. Nagarajan had previously used this story as a
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In mid-2012, legal issues arose when attempts were made to digitally re-release the film. G. Vijaya of Vijaya Pictures filed a lawsuit against
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In the third story, Parvati is banished by Shiva when she is momentarily distracted while listening to his explanation of the
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to sing "Oru Naal Podhuma", but he refused and M. Balamuralikrishna sang the song. Each line in the song is from a different
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1288:, in a review dated 22 August 1965, considered the film a victory for Tamil cinema. Shanmugam Pillai and Meenakshi Ammal of
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of one-and-a-half days to finish his portion. Besides directing, producing and writing, Nagarajan appeared as Nakkeerar.
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1463:(1968). The film was a milestone of Nagesh's career, and the character of Dharumi is cited as one of his finest roles.
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3520:"From 100 Crore-Grossing Movies to Bygone Era's Silver and Golden Jubilee Hits: A look at Rare Feats in Indian Cinema"
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Only two actors can pull the scene away from under my feet when we face the camera together – one is
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that the story of the competition between Hemanatha Bhagavathar and Banabathirar is comparable to a contest between
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celebrates the deeds of a god (in this case, Shiva) by depicting miracles performed by him. R. Bharathwaj wrote for
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under the banner of Sri Vijayalakshmi Pictures, and wrote the screenplay. M. N. Rajan and T. R. Natarajan edited
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list of "10 Best Films of late Nagesh"; according to its entry, the actor "was at his comic best in this film".
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1360:(1964), C. N. Paramasivam (Nagarajan's son and the head of Sri Vijayalakshmi Pictures) found film negatives of
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his worshippers. Therefore, the film's title refers to the games played by Shiva. According to Hari Narayan of
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that they are one; without her, there is no Shiva. He disagrees, and burns her to ashes. He then performs his
4056:"Revisiting AP Nagarajan, the man who gave us immortal films like 'Thiruvilayadal' and 'Saraswathi Sabatham'"
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would be able to emote the character better. Balamuralikrishna agreed, and remained on the film as a singer.
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2226:"பிளாஷ்பேக் : ஹேமநாத பாகவதரை விட்டுக்கொடுக்காத ஏ.பி.நாகராஜன் – டி.எஸ்.பாலையா பிறந்தநாள் ஸ்பெஷல்!"
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735:. R. Rangasamy did the make-up for Ganesan, and Savitri was given green make-up to portray her character.
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released during the 1960s. Nagarajan and Ganesan collaborated on many more films in the genre, including
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The film has been parodied and referenced in cinema, television and theatre. Notable films alluding to
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said: "Most character artists today lack variety Show me one actor in India currently who can do a
492:, who pacify him. Shiva restores Sati to life (who is reborn as Parvati) and accepts their oneness.
398:. A digitally-restored version was released in September 2012, which was also a commercial success.
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4915:"Narrative Strategies and Communication of Values in Tamil Epic Tradition Films of A. P. Nagarajan"
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4205:"ரஜினியின் 100-வது படம் 'ஸ்ரீராகவேந்திரர்': ஸ்டைல்களை ஒதுக்கி விட்டு, மகானாகவே வாழ்ந்து காட்டினார்"
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4207:[Rajini's 100th film 'Sri Raghavendrar': Leaving Behind The Style, He Lives The Role].
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A silver jubilee film is one that runs for at least twenty-five weeks in a single theatre.
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parodied the film twice: in an episode of the same name, and in a contemporary version titled
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Thiruvilaiyadal | Tamil Movie Songs | Audio Jukebox | திருவிளையாடல் பாடல்கள் | Sivaji Ganesan
2458:"10 வேடத்தில் நடித்த முதல் நடிகர் பி.யு சின்னப்பா ! ( தமிழ்சினிமா முன்னோடிகள்-தொடர் 24)"
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notes that the film, despite being a mythological, also depicts contemporary social issues.
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in September 2012. The digitised version premiered at the Woodlands Theater in Royapettah,
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Varamaattan. Varamaattan. Avan nichchaiyam varamaattan. Enakku nalla theriyum. Varamaattan
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devotional epic stories by Paranjothi Munivar, which describe the actions (and antics) of
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4470:(motion picture) (in Tamil). K. R. G. Movies International. 2001. Event occurs at 23:39.
721:; K. S. Prasad and Ganga were the film's cinematographer and art director, respectively.
2284:[A. P. Nagarajan, the man who created Thiruvilaiyadal and Thillana Mohanambal].
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raga in "Vaasi Vaasi", and praised Balamuralikrishna's rendition of "Oru Naal Podhuma".
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Culture, Ideology, Hegemony: Intellectuals and Social Consciousness in Colonial India
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1380:(Ganesan's son) said about the digitised version, "It was like watching a new film".
1247:. A commercial success, the film ran for twenty-five weeks at the Ganesan-owned
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that at a time where social films were dominating Tamil cinema, a mythological like
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4484:(motion picture) (in Tamil). Saanthi Vanaraja Movies. 2000. Event occurs at 46:50.
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initially wanted to portray Hemanatha Bhagavathar but Nagarajan refused, believing
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and mridangam players, respectively, for "Paattum Naane". Subbiah Asari made the
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4456:(motion picture) (in Tamil). Murugan Cine Arts. 2000. Event occurs at 2:03:14.
4424:(motion picture) (in Tamil). Sri Sai Theja Films. 1996. Event occurs at 30:36.
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in a competition. Angry with his father, Muruga (dressed as a hermit) goes to
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2321:[Nagesh, the man who lived the role of Dharumi in Thiruvilaiyadal].
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stories are depicted in the film, including the story where the Tamil poet
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get the reward, Nakkeerar requests Shenbagapandian to give it to Dharumi.
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4965:
4808:
Autobiography of an Actor: Sivaji Ganesan, October 1928 – July 2001
1294:
jointly reviewed the film on the same day. Shanmugam Pillai praised the
783:
Autobiography of an Actor: Sivaji Ganesan, October 1928 – July 2001
6924:
6852:
6297:
6225:
5236:
2713:
1998:
1559:(2014), Baradwaj Rangan noted that the use of touchscreen human facial
1376:. It received public acclaim and became a commercial success. Producer
1373:
923:
879:
837:
794:
732:
667:
and producer A. M. Shahul Hameed came together to make a film entitled
534:
485:
446:
439:
419:
368:
3596:
2104:"தென்னகத்தின் இசைக்குயில் மறைந்தது; தமிழ் சினிமா முன்னோடிகள் தொடர்-19"
1368:
storage facility. Paramasivam restored the film and re-released it in
1312:
appreciated Nagarajan for treating the four episodes adapted from the
359:
depicts four of the stories. The first is about the poets Dharumi and
6405:
3126:"A Raga's Journey – The passionate appeal of Simhendramadhyamam"
2353:
2185:
1599:
won the debate hands down". The character of Dharumi was parodied in
1470:
asked eight notable directors to list ten films they liked the most,
964:
947:
748:
621:
583:
573:
474:
427:
415:
407:
308:
296:
2728:"திருப்புமுனைத் திரைப்படங்கள் – 37 – திருவிளையாடல் (1965)"
2282:"திருவிளையாடல், தில்லானா மோகனாம்பாள் படங்களை தயாரித்த ஏ.பி.நாகராஜன்"
4933:
Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music
1603:, a play staged in November 2013. In a January 2015 interview with
6948:
6892:
6026:
1751:"டிஜிட்டல் தொழில்நுட்பத்தில் 'திருவிளையாடல்' படம் மீண்டும் ரிலீஸ்"
824:
686:
525:
496:
479:
411:
352:
348:
1009:
that Sundarambal produced a "pure and pristine depiction" of the
4343:
1487:
963:
ragas, respectively. Vikku Vinayakram and Cheena Kutty were the
902:
546:
6473:
5365:
4982:
4161:"Lights, Camera, Conversation... – A dinosaur roams again"
1753:[Thiruvilayadal released again in digital technology].
1716:[The epic seen by the people! – Thiruvilaiyadal].
1639:
793:
was shot on a custom-built set at Vasu Studios in Madras (now
2730:[Pathbreaking films – 37 –
805:. While filming, Nagesh spontaneously came up with the line "
1588:
After T. M. Soundararajan's death in May 2013, M. Ramesh of
30:
This article is about the 1965 film. For the 2006 film, see
1255:. It added to Ganesan's string of successful films. At the
2319:"திருவிளையாடல் படத்தில் தருமியாக வாழ்ந்து காட்டிய நாகேஷ்"
835:. Asked by his biographer, T. S. Narayanawami, about the
713:(1956). In addition to directing, Nagarajan co-produced
689:
on Earth in a number of disguises to test his devotees.
1714:"சமயம் வழியே சமூகம் கண்ட காவியம்! – திருவிளையாடல்"
4954:. Meenakshi Sundareswarar Temple Renovation Committee.
4708:"Reminiscing Manorama: Comedy Loses Its Aachi Forever"
657:
In 1965, after the critical and commercial success of
3302:
3300:
2764:"பிளாஷ் ஃபேக்:சீர்காழி கோவிந்தராஜன் பாட மறுத்த பாடல்"
2519:
2256:
1975:
1973:
1265:
Certificate of Merit for the Second-Best Feature Film
388:
Certificate of Merit for the Second-Best Feature Film
4853:(motion picture). India: Sri Vijayalakshmi Pictures.
4738:
4676:"Oscar-worthy performance by Sivaji: Y Gee Mahendra"
4191:
3657:
Shanmugam Pillai; Meenakshi Ammal (22 August 1965).
3417:
Jeevanathan, V.; Sivashankar, Nithya (28 May 2012).
6444:
6193:
5946:
5848:
5605:
5482:
5399:
5228:
5017:
3797:"Bid to re-release Sivaji classic ends up in court"
1303:was a welcome change and deserved another viewing.
1035:
1024:
241:
233:
223:
200:
192:
178:
168:
151:
141:
133:
107:
90:
76:
68:
58:
41:
4536:"Oru Kanniyum Moonu Kalavaanikalum: Time passages"
3865:[Thiruvilaiyadal in CinemaScope Digital].
3765:"Status quo ordered on digitising Thiruvilaiyadal"
3658:
1324:On 4 September 1965, T. M. Ramachandran wrote for
1922:"1965 – திருவிளையாடல் ஸ்ரீ விஜயலஷ்மி பிக் (கலர்)"
1235:was released on 31 July 1965, and distributed by
3923:"Old hall makes it a no show for Pasamalar fans"
2958:"A Raga's Journey – Dynamic Durbarikaanada"
2676:: CS1 maint: bot: original URL status unknown (
1643:]." After Manorama's death in October 2015,
414:gives a sacred mango fruit, brought by the sage
5393:National Film Award for Best Tamil Feature Film
4935:(2nd ed.). Chennai: Pichhamal Chintamani.
4794:Cinema as Medium of Communication in Tamil Nadu
2994:"A Raga's Journey – Sacred Shanmukhapriya"
2490:"எம்ஜிஆரின் நாயகர்... சிவாஜியின் முன்மாதிரி..."
1494:is included with other Sivaji Ganesan films in
1393:
1354:Encouraged by the success of the re-release of
770:
461:and recites it; however, the court's head poet
422:as a prize for outsmarting his younger brother
355:in a number of disguises to test his devotees.
2027:"Kollywood's make-up specialists of the 1960s"
367:. The third recounts how Shiva's future wife,
319:composed the film's soundtrack and score, and
6485:
5377:
4994:
4830:Starlight, Starbright: The Early Tamil Cinema
4642:Krishnamachari, Suganthy (28 November 2013).
4089:"The Best Mythological Films of Tamil Cinema"
3321:"A Raga's Journey – Soothing the senses"
3162:"A Raga's Journey – Godly Gowrimanohari"
3042:"A Raga's Journey – Devotional Kambhoji"
2658:. Archived from the original on 13 March 2013
1745:
1743:
1741:
1707:
1705:
1703:
1701:
999:Starlight, Starbright: The Early Tamil Cinema
927:. "Pazham Neeyappa" is based on three ragas:
8:
4016:
4014:
3626:"Filmography of Dr. Sivaji Ganesan (Part-2)"
3192:
3108:
3024:
1759:(in Tamil). 6 September 2015. Archived from
4213:(in Tamil). 4 December 2012. Archived from
3586:"Recipients of State Awards for Films 1965"
3495:(in Tamil). 14 January 1966. Archived from
3078:"A Raga's Journey – Aspects of Abheri"
2794:
2555:
2424:Krishnamachari, Suganthy (13 August 2010).
2290:(in Tamil). 9 December 2011. Archived from
1884:
1832:
1282:was praised by critics. The Tamil magazine
469:The second story focuses on Shiva marrying
6492:
6478:
6470:
5609:
5403:
5384:
5370:
5362:
5001:
4987:
4979:
2850:"A Raga's Journey – The royal Durbar"
2360:[The humiliation Dharumi faced!].
2348:
2346:
1656:list of top movies featuring the actress.
681:, a collection of sixty-four 16th-century
47:
38:
7033:Films with screenplays by A. P. Nagarajan
3663:[Movie Review: Thiruvilaiyadal].
2840:
2838:
2543:
2531:
2268:
2139:
2137:
2135:
2133:
2131:
1964:
1952:
1781:
1269:Filmfare Award for Best Film – Tamil
971:seen in "Paattum Naane", and the crew of
396:Filmfare Award for Best Film – Tamil
4611:"Veteran playback singer TMS is no more"
3863:"சினிமாஸ்கோப் டிஜிட்டலில் திருவிளையாடல்"
3724:Ramachandran, T. M. (4 September 1965).
2922:"A Raga's Journey – Mesmeric Maand"
2600:
2180:
2178:
2176:
1847:
1845:
1843:
1841:
1806:(in Tamil). 22 August 1965. p. 69.
1671:
1669:
1466:In July 2007, when S. R. Ashok Kumar of
1018:
3759:
3757:
3489:[A successful Silver Jubilee].
2886:"A Raga's Journey – Towering Todi"
2611:
2609:
2327:(in Tamil). 10 May 2012. Archived from
1792:
1790:
1697:
1665:
1213:
986:670,000 or US$ 8,000 in 2023).
781:on his experience filming with Nagesh,
4286:from the original on 29 September 2015
2805:
2803:
2669:
3828:Raghavan, Nikhil (5 September 2012).
3738:from the original on 22 February 2023
3518:Vijayakar, R. M. (22 November 2017).
3467:from the original on 16 November 2012
3252:from the original on 6 September 2013
3207:"From kutcheris to recording studios"
2776:from the original on 5 September 2018
2582:from the original on 15 November 2016
2546:, Opening credits, from 0:00 to 3:25.
2383:
2381:
2313:
2311:
2309:
2238:from the original on 6 September 2018
1967:, Opening credits, from 1:40 to 2:07.
1955:, Opening credits, from 3:17 to 3:25.
1896:
1866:from the original on 4 September 2018
1810:from the original on 9 September 2023
1784:, Opening credits, from 0:55 to 1:20.
1726:from the original on 20 December 2020
1214:
315:, and Nagarajan in supporting roles.
271:written, directed and co-produced by
7:
4656:from the original on 3 December 2013
4548:from the original on 11 October 2015
4236:Ravi, Bhama Devi (1 February 2009).
4173:from the original on 10 October 2015
4137:from the original on 10 October 2015
4021:Rangarajan, Malathi (29 June 2007).
3903:from the original on 11 October 2015
3873:from the original on 11 October 2015
3693:"A religious discourse in celluloid"
3673:from the original on 23 January 2021
3530:from the original on 16 January 2018
3431:from the original on 14 October 2015
3352:Dheenadhayalan, Pa. (27 June 2015).
3219:from the original on 10 October 2015
4305:Kumar, S. R. Ashok (13 July 2007).
3842:from the original on 9 October 2015
3809:from the original on 8 October 2015
3333:from the original on 9 October 2015
3306:
3174:from the original on 9 October 2015
3138:from the original on 9 October 2015
3090:from the original on 9 October 2015
3054:from the original on 9 October 2015
3006:from the original on 9 October 2014
2970:from the original on 9 October 2015
2934:from the original on 9 October 2015
2898:from the original on 9 October 2015
2862:from the original on 9 October 2015
2501:from the original on 5 January 2022
2090:
2072:from the original on 20 August 2019
1979:
1908:
257:
6430:Sivaranjiniyum Innum Sila Pengalum
4123:; Warrier, Shobha (23 July 2001).
3995:. 2 September 2012. Archived from
3559:. 1993. p. 89. Archived from
3319:Mani, Charulatha (28 March 2014).
3271:Kavitha, S. S. (30 January 2013).
2616:Bharathwaj, R. (5 December 2008).
2405:from the original on 28 April 2015
503:in disguise) and marries Parvati.
25:
7023:Films directed by A. P. Nagarajan
4811:. Sivaji Prabhu Charities Trust.
4805:; Narayana Swamy, T. S. (2007) .
4716:. 11 October 2015. Archived from
4684:. 14 January 2015. Archived from
4520:. 2012. Event occurs at 1:17:50.
4442:. 1998. Event occurs at 1:22:52.
4347:. 1 February 2009. Archived from
3967:from the original on 4 March 2016
3660:"சினிமா விமர்சனம்: திருவிளையாடல்"
3285:from the original on 5 April 2016
2819:. 30 October 2010. Archived from
2568:Narayan, Hari (31 October 2016).
2520:Ganesan & Narayana Swamy 2007
2257:Ganesan & Narayana Swamy 2007
1994:"Mother goddesses rule the telly"
1556:Oru Kanniyum Moonu Kalavaanikalum
743:, reprising her role in the 1953
7048:Indian nonlinear narrative films
5325:Thayapola Pillai Noolapola Selai
4739:Rajadhyaksha & Willemen 1998
4623:from the original on 1 June 2016
4192:Rajadhyaksha & Willemen 1998
3931:. 30 August 2013. Archived from
3773:. 14 August 2012. Archived from
3455:"Movie hall crosses a milestone"
3366:from the original on 1 June 2016
3354:"சாவித்ரி- 8. தென்றலும் புயலும்"
3238:Kolappan, B. (31 October 2012).
3205:Krupa, Lakshmi (24 March 2013).
2470:from the original on 1 June 2016
2116:from the original on 1 June 2016
1852:Nainar, Nahla (31 August 2018).
473:against the will of her father,
7028:Films scored by K. V. Mahadevan
4797:. Christian Literature Society.
4502:. 2009. Event occurs at 26:07.
4410:. 1996. Event occurs at 24:00.
2497:(in Tamil). 22 September 2019.
2393:"Master of mythological cinema"
2192:[Comedy has no logic!]
2060:"சாவித்ரி-9. தங்கச் சரிகை சேல!"
1992:Tilak, Sudha G. (22 May 2004).
1404:Ganesan, while listening to an
1351:be maintained by both parties.
1267:in Tamil. It also received the
817:was the first Tamil film since
751:was cast as Dharumi, and had a
618:as Pandya King Varagunapandiyan
4888:Encyclopaedia of Indian Cinema
4440:Raaj Kamal Films International
4370:Iyer, Aruna V. (12 May 2012).
4339:"10 Best Films of late Nagesh"
4087:Saraswathi, S. (22 May 2014).
3240:"Artiste Cheena Kutty no more"
2112:(in Tamil). 28 December 2015.
2058:தீனதயாளன், பா. (3 July 2015).
1712:Baskaran, Mana (22 May 2015).
1025:
1:
4516:(motion picture) (in Tamil).
4500:Kalaipuli Films International
4498:(motion picture) (in Tamil).
4438:(motion picture) (in Tamil).
4406:(motion picture) (in Tamil).
3593:Directorate of Film Festivals
3557:Directorate of Film Festivals
3550:"40th National Film Festival"
2190:"காமெடிக்கு லாஜிக் கிடையாது!"
878:and Kesavvaya, a singer from
339:: a collection of sixty-four
5146:Thirupathi Kanyakumari Yatra
4913:Rajya V. R., Rashmi (2014).
4125:"'He was the ultimate star'"
4054:Aravind, CV (20 June 2017).
3861:Vijayan, S. (October 2012).
3734:. Vol. 19. p. 51.
3595:. p. 32. Archived from
3487:"வெற்றிகரமான வெள்ளி விழா..."
2234:(in Tamil). 23 August 2018.
2025:Kannan, Uma (27 June 2011).
1597:Paattum Naane Bhavamum Naane
1423:in Tamil cinema. Along with
1390:Influence of Thiruvilaiyadal
7058:Tamil-language Indian films
7053:Indian religious epic films
4588:"Naveena Thiruvilayaadal".
2466:(in Tamil). 14 March 2016.
1800:[Thiruvilaiyadal].
1571:-like framing device". The
7074:
7003:1960s Tamil-language films
4609:Ramesh, M. (25 May 2013).
4594:. Season 1. 28 July 2002.
3726:"Nagarajan Does It Again!"
3701:. 7 August 1965. p. 3
3634:(in Tamil). Archived from
2772:(in Tamil). 24 July 2016.
2740:(in Tamil). Archived from
2534:, From 1:13:35 to 1:16:18.
2366:(in Tamil). pp. 49–51
2202:(in Tamil). pp. 76–78
1930:(in Tamil). Archived from
1496:8th Ulaga Adhisayam Sivaji
1387:
1204:"Neela Chelai Katti Konda"
1122:"Podhigai Malai Uchiyiley"
975:purchased it from him for
488:, which is noticed by the
449:, the capital city of the
445:The first story is set in
187:Sri Vijayalakshmi Pictures
29:
18:Thiruvilayadal (1965 film)
7018:Films about shapeshifting
7008:Films about reincarnation
6813:Kandukondain Kandukondain
6511:
5612:
5406:
5317:Neelavukku Neranja Manasu
5301:Petra Maganai Vitra Annai
4951:Meenakshi Temple, Madurai
4238:"Mirth Gains Immortality"
3830:"Classic gets a new life"
3394:. 24 July 1965. p. 3
2570:"Not just another sequel"
1553:(2012). In his review of
1257:13th National Film Awards
1200:
1180:
1166:
1152:
1138:
1118:
1104:
1088:
1072:
1056:
1040:
1032:
1029:
675:. It was inspired by the
624:as Shenbagapandian's wife
392:13th National Film Awards
53:Theatrical release poster
46:
32:Thiruvilaiyaadal Aarambam
27:1965 film A. P. Nagarajan
7038:Hindu mythological films
5563:Veerapandiya Kattabomman
4948:Thiagarajan, K. (1965).
4858:Panikkar, K. N. (2002).
4791:David, C. R. W. (1983).
4573:. Season 1. 5 May 2002.
4372:"For the love of Sivaji"
4307:"Filmmakers' favourites"
3419:"The painter of banners"
3273:"Vestiges of an old art"
1344:Gemini Colour Laboratory
564:as Hemanatha Bhagavathar
6653:Varumayin Niram Sivappu
5934:Discontinued after 1965
5581:Paadhai Theriyudhu Paar
5293:Nalla Idathu Sammandham
5285:Makkalai Petra Magarasi
4896:Oxford University Press
4644:"On how greed corrupts"
2650:"Thiruvilayadal (1965)"
2149:"An interesting nugget"
2068:(in Tamil). p. 2.
1854:"Tinsel-edged memories"
1583:Naveena Thiruvilayaadal
727:was cast as Shiva, and
694:Thiruvilaiyadal Puranam
678:Thiruvilaiyadal Puranam
336:Thiruvilaiyadal Puranam
327:wrote the song lyrics.
269:Hindu mythological film
82:Thiruvilaiyadal Puranam
6701:Samsaram Adhu Minsaram
6629:Bhuvana Oru Kelvi Kuri
6310:Thenmerku Paruvakaatru
5726:Raman Ethanai Ramanadi
5618:Kappalottiya Thamizhan
4931:Sundararaman (2007) .
4892:British Film Institute
4713:The New Indian Express
4023:"Nostalgia re-visited"
3770:The New Indian Express
2032:The New Indian Express
1650:The New Indian Express
1435:"the best" Tamil film
1414:
1399:, the other, Nagesh.
1314:Thiruvilayadal Puranam
803:Meenakshi Amman Temple
788:
636:as Banabathirar's wife
612:as Kayarkanni's father
455:Meenakshi Amman Temple
363:; the second concerns
261: The Divine Game
209:31 July 1965
6725:Apoorva Sagodharargal
6685:Achamillai Achamillai
6214:Kannathil Muthamittal
5991:Achamillai Achamillai
5802:Agraharathil Kazhutai
5666:Kuzhandaiyum Deivamum
5130:Thirumalai Thenkumari
5026:Vadivukku Valai Kappu
4468:Middle Class Madhavan
4270:Baskaran, S. Theodore
4121:Baskaran, S. Theodore
3987:"Thiruvilayadal next"
3963:. 21 September 2012.
2848:(27 September 2013).
2358:"தருமி பட்ட அவமானம்!"
1647:was ranked eighth on
1601:Iruttula Thedatheenga
1532:Middle Class Madhavan
1188:Sirkazhi Govindarajan
899:Sirkazhi Govindarajan
745:film of the same name
663:(1964), its director
86:by Paranjothi Munivar
5849:Certificate of Merit
5483:Certificate of Merit
5229:As screenwriter only
4923:University of Madras
4880:Rajadhyaksha, Ashish
4768:on 28 September 2017
3076:(5 September 2011).
2992:(2 September 2011).
2920:(21 December 2012).
2884:(21 December 2012).
2426:"Of performing arts"
2271:, From 0:43 to 0:47.
2147:(9 September 2012).
1486:ranked fifth on the
1384:Legacy and influence
1156:"Illadhathondrillai"
1142:"Ondraanavan Uruvil"
1092:"Paarthal Pasumaram"
1064:M. Balamuralikrishna
797:). It was filmed in
757:M. Balamuralikrishna
477:. Daksha performs a
333:was inspired by the
7013:Films about royalty
6589:Pattikada Pattanama
6573:Engirundho Vandhaal
6071:Vanna Vanna Pookkal
6037: –
5812: –
5792: –
5772: –
5750:Pattikada Pattanama
5702:Thillana Mohanambal
5446: –
5438: –
5430: –
5422: –
5309:Sampoorna Ramayanam
5194:Melnaattu Marumagal
5098:Thillana Mohanambal
5058:Saraswathi Sabatham
4833:. Amra Publishers.
4567:"Thiruvilayaadal".
4514:Oru Kal Oru Kannadi
4454:Vanna Thamizh Pattu
4351:on 23 November 2014
3777:on 25 December 2014
3711:Google News Archive
3638:on 22 November 2001
3453:(17 January 2011).
3404:Google News Archive
3160:(25 October 2013).
3124:(20 January 2012).
2694:(18 January 2017).
2630:on 5 September 2018
1911:, pp. 280–281.
1550:Oru Kal Oru Kannadi
1526:Vanna Thamizh Pattu
1442:Saraswathi Sabatham
1253:silver jubilee film
1111:T. M. Soundararajan
1096:T. M. Soundararajan
1021:
997:, in his 1997 book
739:was chosen to play
418:, to his elder son
380:silver jubilee film
325:Sankaradas Swamigal
263:) is a 1965 Indian
100:A. M. Shahul Hameed
7043:Indian dance films
6998:1960s Indian films
6669:Enkeyo Ketta Kural
5979:Oru Indhiya Kanavu
5967:Ezhavathu Manithan
5834:Nenjathai Killathe
5654:Kai Kodutha Deivam
5509:Mangaiyar Thilakam
5210:Sri Krishna Leela
5178:Karaikkal Ammaiyar
5066:Thiruvarutchelvar
4754:(4 January 2008).
4681:The Times of India
4319:on 11 October 2014
4243:The Times of India
4217:on 10 October 2015
4101:on 19 January 2018
4068:on 16 January 2018
4035:on 10 October 2015
3999:on 10 October 2015
3935:on 10 October 2015
3805:. 14 August 2012.
3802:The Times of India
3698:The Indian Express
3499:on 10 October 2015
3391:The Indian Express
3040:(17 August 2012).
2816:The Times of India
2623:The Times of India
2618:"A different beat"
2494:Hindu Tamil Thisai
2294:on 11 October 2015
2039:on 11 October 2015
1934:on 16 January 2018
1763:on 11 October 2015
1719:Hindu Tamil Thisai
1605:The Times of India
1309:The Indian Express
1306:On 7 August 1965,
1060:"Oru Naal Podhuma"
1019:
960:Simhendramadhyamam
885:Hindu Tamil Thisai
867:The Times of India
705:play within a film
570:as Shenbagapandian
6993:1960s dance films
6975:
6974:
6957:Pariyerum Perumal
6909:Vazhakku Enn 18/9
6789:Bharathi Kannamma
6717:Agni Natchathiram
6661:Thanneer Thanneer
6613:Apoorva Raagangal
6605:Dikkatra Parvathi
6467:
6466:
6334:Vazhakku Enn 18/9
6003:Muthal Mariyathai
5955:Thanneer Thanneer
5942:
5941:
5782:Apoorva Raagangal
5762:Dikkatra Parvathi
5630:Nenjil Or Aalayam
5601:
5600:
5587:Kalathur Kannamma
5359:
5358:
5333:Alli Petra Pillai
5277:Naan Petra Selvam
5186:Gumasthavin Magal
5162:Thirumalai Deivam
5122:Vilaiyattu Pillai
4871:978-1-84331-039-6
4436:Kaathala Kaathala
4274:"Tragic comedian"
4272:(February 2009).
4159:(29 April 2011).
3897:Woodlands Cinemas
3731:Sport and Pastime
3624:(8 August 2001).
3622:Film News Anandan
3602:on 8 October 2015
3566:on 8 October 2015
3386:"Thiruvilaiyadal"
3193:Sundararaman 2007
3109:Sundararaman 2007
3025:Sundararaman 2007
2704:on 4 January 2022
2558:, pp. 46–47.
2438:on 8 October 2015
2391:(14 April 2012).
2331:on 8 October 2015
2188:(25 April 2004).
2161:on 8 October 2015
2006:on 7 October 2015
1520:Kaathala Kaathala
1448:Thiruvarutchelvar
1327:Sport and Pastime
1224:
1223:
1173:K. B. Sundarambal
1145:K. B. Sundarambal
1048:K. B. Sundarambal
1044:"Pazham Neeyappa"
993:. Film historian
820:Jagathalapratapan
737:K. B. Sundarambal
710:Naan Petra Selvam
671:, later retitled
639:Baby Susarita as
553:K. B. Sundarambal
285:K. B. Sundarambal
275:. The film stars
249:
248:
125:K. B. Sundarambal
16:(Redirected from
7065:
6557:Lakshmi Kalyanam
6494:
6487:
6480:
6471:
6459:
6453:Kadaisi Vivasayi
6436:
6424:
6412:
6400:
6388:
6376:
6364:
6358:Kuttram Kadithal
6352:
6340:
6328:
6322:Vaagai Sooda Vaa
6316:
6304:
6292:
6286:Vaaranam Aayiram
6280:
6268:
6256:
6244:
6232:
6220:
6208:
6185:
6173:
6161:
6149:
6137:
6125:
6113:
6101:
6089:
6077:
6065:
6053:
6041:
6033:
6021:
6009:
5997:
5985:
5973:
5961:
5935:
5929:
5917:
5905:
5887:
5869:
5840:
5828:
5816:
5808:
5796:
5788:
5776:
5768:
5756:
5744:
5732:
5720:
5708:
5696:
5684:
5672:
5660:
5648:
5636:
5624:
5610:
5593:
5575:
5557:
5539:
5527:
5515:
5503:
5497:Edhir Paradhathu
5474:
5468:Parthiban Kanavu
5462:
5456:Bhaaga Pirivinai
5450:
5442:
5434:
5426:
5418:
5404:
5386:
5379:
5372:
5363:
5090:Thirumal Perumai
5034:Kulamagal Radhai
5003:
4996:
4989:
4980:
4955:
4944:
4927:
4919:
4909:
4875:
4864:. Anthem Press.
4854:
4847:Nagarajan, A. P.
4842:
4820:
4798:
4778:
4777:
4775:
4773:
4764:. Archived from
4748:
4742:
4736:
4730:
4729:
4727:
4725:
4704:
4698:
4697:
4695:
4693:
4672:
4666:
4665:
4663:
4661:
4639:
4633:
4632:
4630:
4628:
4606:
4600:
4599:
4585:
4579:
4578:
4564:
4558:
4557:
4555:
4553:
4534:(5 April 2014).
4532:Rangan, Baradwaj
4528:
4522:
4521:
4518:Red Giant Movies
4510:
4504:
4503:
4492:
4486:
4485:
4478:
4472:
4471:
4464:
4458:
4457:
4450:
4444:
4443:
4432:
4426:
4425:
4418:
4412:
4411:
4408:Super Good Films
4400:
4394:
4393:
4391:
4389:
4380:. Archived from
4367:
4361:
4360:
4358:
4356:
4335:
4329:
4328:
4326:
4324:
4315:. Archived from
4302:
4296:
4295:
4293:
4291:
4266:
4260:
4259:
4257:
4255:
4246:. Archived from
4233:
4227:
4226:
4224:
4222:
4201:
4195:
4189:
4183:
4182:
4180:
4178:
4157:Rangan, Baradwaj
4153:
4147:
4146:
4144:
4142:
4117:
4111:
4110:
4108:
4106:
4097:. Archived from
4084:
4078:
4077:
4075:
4073:
4064:. Archived from
4051:
4045:
4044:
4042:
4040:
4031:. Archived from
4018:
4009:
4008:
4006:
4004:
3983:
3977:
3976:
3974:
3972:
3951:
3945:
3944:
3942:
3940:
3919:
3913:
3912:
3910:
3908:
3889:
3883:
3882:
3880:
3878:
3858:
3852:
3851:
3849:
3847:
3825:
3819:
3818:
3816:
3814:
3793:
3787:
3786:
3784:
3782:
3761:
3752:
3751:
3748:Internet Archive
3745:
3743:
3721:
3715:
3714:
3708:
3706:
3689:
3683:
3682:
3680:
3678:
3662:
3654:
3648:
3647:
3645:
3643:
3618:
3612:
3611:
3609:
3607:
3601:
3590:
3582:
3576:
3575:
3573:
3571:
3565:
3554:
3546:
3540:
3539:
3537:
3535:
3515:
3509:
3508:
3506:
3504:
3483:
3477:
3476:
3474:
3472:
3447:
3441:
3440:
3438:
3436:
3414:
3408:
3407:
3401:
3399:
3382:
3376:
3375:
3373:
3371:
3349:
3343:
3342:
3340:
3338:
3316:
3310:
3304:
3295:
3294:
3292:
3290:
3268:
3262:
3261:
3259:
3257:
3235:
3229:
3228:
3226:
3224:
3202:
3196:
3190:
3184:
3183:
3181:
3179:
3158:Mani, Charulatha
3154:
3148:
3147:
3145:
3143:
3122:Mani, Charulatha
3118:
3112:
3106:
3100:
3099:
3097:
3095:
3074:Mani, Charulatha
3070:
3064:
3063:
3061:
3059:
3038:Mani, Charulatha
3034:
3028:
3022:
3016:
3015:
3013:
3011:
2990:Mani, Charulatha
2986:
2980:
2979:
2977:
2975:
2954:Mani, Charulatha
2950:
2944:
2943:
2941:
2939:
2918:Mani, Charulatha
2914:
2908:
2907:
2905:
2903:
2882:Mani, Charulatha
2878:
2872:
2871:
2869:
2867:
2846:Mani, Charulatha
2842:
2833:
2832:
2830:
2828:
2823:on 17 April 2018
2807:
2798:
2795:Rajya V. R. 2014
2792:
2786:
2785:
2783:
2781:
2760:
2754:
2753:
2751:
2749:
2724:
2718:
2717:
2711:
2709:
2700:. Archived from
2688:
2682:
2681:
2675:
2667:
2665:
2663:
2646:
2640:
2639:
2637:
2635:
2626:. Archived from
2613:
2604:
2598:
2592:
2591:
2589:
2587:
2565:
2559:
2556:Rajya V. R. 2014
2553:
2547:
2541:
2535:
2529:
2523:
2517:
2511:
2510:
2508:
2506:
2486:
2480:
2479:
2477:
2475:
2454:
2448:
2447:
2445:
2443:
2434:. Archived from
2421:
2415:
2414:
2412:
2410:
2385:
2376:
2375:
2373:
2371:
2350:
2341:
2340:
2338:
2336:
2315:
2304:
2303:
2301:
2299:
2278:
2272:
2266:
2260:
2254:
2248:
2247:
2245:
2243:
2222:
2216:
2215:
2212:Internet Archive
2209:
2207:
2195:
2182:
2171:
2170:
2168:
2166:
2157:. Archived from
2141:
2126:
2125:
2123:
2121:
2100:
2094:
2088:
2082:
2081:
2079:
2077:
2055:
2049:
2048:
2046:
2044:
2035:. Archived from
2022:
2016:
2015:
2013:
2011:
2002:. Archived from
1989:
1983:
1977:
1968:
1962:
1956:
1950:
1944:
1943:
1941:
1939:
1918:
1912:
1906:
1900:
1894:
1888:
1887:, p. xviii.
1885:Thiagarajan 1965
1882:
1876:
1875:
1873:
1871:
1849:
1836:
1833:Rajya V. R. 2014
1830:
1824:
1823:
1820:Internet Archive
1817:
1815:
1794:
1785:
1779:
1773:
1772:
1770:
1768:
1747:
1736:
1735:
1733:
1731:
1709:
1685:
1682:
1676:
1673:
1655:
1630:Galatta Kalyanam
1460:Thirumal Perumai
1412:
1217:
1159:T. R. Mahalingam
1080:T. R. Mahalingam
1027:
1022:
985:
981:
979:
786:
698:
595:T. R. Mahalingam
390:in Tamil at the
301:T. R. Mahalingam
262:
259:
216:
214:
51:
39:
21:
7073:
7072:
7068:
7067:
7066:
7064:
7063:
7062:
6978:
6977:
6976:
6971:
6877:Subramaniapuram
6733:Pudhu Vasantham
6709:Vedham Pudhithu
6693:Sindhu Bhairavi
6533:Thiruvilaiyadal
6525:Server Sundaram
6517:Naanum Oru Penn
6507:
6505:Best Tamil Film
6498:
6468:
6463:
6457:
6440:
6434:
6422:
6410:
6398:
6386:
6374:
6362:
6350:
6338:
6326:
6314:
6302:
6290:
6278:
6266:
6254:
6242:
6230:
6218:
6206:
6202:Ooruku Nooruper
6189:
6183:
6171:
6159:
6147:
6135:
6123:
6119:Anthimanthaarai
6111:
6099:
6087:
6075:
6063:
6051:
6039:
6031:
6019:
6007:
5995:
5983:
5971:
5959:
5938:
5933:
5927:
5923:Thiruvilaiyadal
5915:
5911:Server Sundaram
5903:
5885:
5867:
5844:
5838:
5826:
5814:
5806:
5794:
5786:
5774:
5766:
5754:
5742:
5730:
5718:
5706:
5694:
5682:
5670:
5658:
5646:
5642:Naanum Oru Penn
5634:
5622:
5597:
5591:
5573:
5555:
5545:Thanga Padhumai
5537:
5525:
5513:
5501:
5478:
5472:
5460:
5448:
5440:
5432:
5424:
5416:
5395:
5390:
5360:
5355:
5224:
5170:Rajaraja Cholan
5114:Gurudhakshaneiy
5082:Kandhan Karunai
5050:Thiruvilaiyadal
5013:
5011:A. P. Nagarajan
5007:
4967:Thiruvilaiyadal
4962:
4947:
4930:
4917:
4912:
4906:
4878:
4872:
4857:
4845:
4823:
4803:Ganesan, Sivaji
4801:
4790:
4787:
4782:
4781:
4771:
4769:
4750:
4749:
4745:
4737:
4733:
4723:
4721:
4706:
4705:
4701:
4691:
4689:
4688:on 3 April 2015
4674:
4673:
4669:
4659:
4657:
4641:
4640:
4636:
4626:
4624:
4608:
4607:
4603:
4587:
4586:
4582:
4566:
4565:
4561:
4551:
4549:
4530:
4529:
4525:
4512:
4511:
4507:
4494:
4493:
4489:
4480:
4479:
4475:
4466:
4465:
4461:
4452:
4451:
4447:
4434:
4433:
4429:
4420:
4419:
4415:
4402:
4401:
4397:
4387:
4385:
4369:
4368:
4364:
4354:
4352:
4337:
4336:
4332:
4322:
4320:
4304:
4303:
4299:
4289:
4287:
4268:
4267:
4263:
4253:
4251:
4250:on 3 March 2016
4235:
4234:
4230:
4220:
4218:
4203:
4202:
4198:
4190:
4186:
4176:
4174:
4155:
4154:
4150:
4140:
4138:
4119:
4118:
4114:
4104:
4102:
4086:
4085:
4081:
4071:
4069:
4061:The News Minute
4053:
4052:
4048:
4038:
4036:
4020:
4019:
4012:
4002:
4000:
3985:
3984:
3980:
3970:
3968:
3955:"திருவிளையாடல்"
3953:
3952:
3948:
3938:
3936:
3921:
3920:
3916:
3906:
3904:
3891:
3890:
3886:
3876:
3874:
3860:
3859:
3855:
3845:
3843:
3827:
3826:
3822:
3812:
3810:
3795:
3794:
3790:
3780:
3778:
3763:
3762:
3755:
3741:
3739:
3723:
3722:
3718:
3704:
3702:
3691:
3690:
3686:
3676:
3674:
3656:
3655:
3651:
3641:
3639:
3620:
3619:
3615:
3605:
3603:
3599:
3588:
3584:
3583:
3579:
3569:
3567:
3563:
3552:
3548:
3547:
3543:
3533:
3531:
3517:
3516:
3512:
3502:
3500:
3485:
3484:
3480:
3470:
3468:
3451:Raman, Mohan V.
3449:
3448:
3444:
3434:
3432:
3416:
3415:
3411:
3397:
3395:
3384:
3383:
3379:
3369:
3367:
3351:
3350:
3346:
3336:
3334:
3318:
3317:
3313:
3305:
3298:
3288:
3286:
3270:
3269:
3265:
3255:
3253:
3237:
3236:
3232:
3222:
3220:
3204:
3203:
3199:
3191:
3187:
3177:
3175:
3156:
3155:
3151:
3141:
3139:
3120:
3119:
3115:
3107:
3103:
3093:
3091:
3072:
3071:
3067:
3057:
3055:
3036:
3035:
3031:
3023:
3019:
3009:
3007:
2988:
2987:
2983:
2973:
2971:
2956:(8 June 2012).
2952:
2951:
2947:
2937:
2935:
2916:
2915:
2911:
2901:
2899:
2880:
2879:
2875:
2865:
2863:
2844:
2843:
2836:
2826:
2824:
2811:"Did You Know?"
2809:
2808:
2801:
2793:
2789:
2779:
2777:
2762:
2761:
2757:
2747:
2745:
2732:Thiruvilaiyadal
2726:
2725:
2721:
2707:
2705:
2690:
2689:
2685:
2668:
2661:
2659:
2648:
2647:
2643:
2633:
2631:
2615:
2614:
2607:
2599:
2595:
2585:
2583:
2567:
2566:
2562:
2554:
2550:
2542:
2538:
2530:
2526:
2518:
2514:
2504:
2502:
2488:
2487:
2483:
2473:
2471:
2456:
2455:
2451:
2441:
2439:
2423:
2422:
2418:
2408:
2406:
2389:Raman, Mohan V.
2387:
2386:
2379:
2369:
2367:
2352:
2351:
2344:
2334:
2332:
2317:
2316:
2307:
2297:
2295:
2280:
2279:
2275:
2267:
2263:
2255:
2251:
2241:
2239:
2224:
2223:
2219:
2205:
2203:
2193:
2184:
2183:
2174:
2164:
2162:
2145:Raman, Mohan V.
2143:
2142:
2129:
2119:
2117:
2102:
2101:
2097:
2089:
2085:
2075:
2073:
2057:
2056:
2052:
2042:
2040:
2024:
2023:
2019:
2009:
2007:
1991:
1990:
1986:
1978:
1971:
1963:
1959:
1951:
1947:
1937:
1935:
1927:Lakshman Sruthi
1920:
1919:
1915:
1907:
1903:
1895:
1891:
1883:
1879:
1869:
1867:
1851:
1850:
1839:
1831:
1827:
1813:
1811:
1798:"திருவிளையாடல்"
1796:
1795:
1788:
1780:
1776:
1766:
1764:
1749:
1748:
1739:
1729:
1727:
1711:
1710:
1699:
1694:
1689:
1688:
1683:
1679:
1674:
1667:
1662:
1653:
1645:Thiruvilaiyadal
1609:Y. G. Mahendran
1569:Thiruvilaiyadal
1503:Thiruvilaiyadal
1492:Thiruvilaiyadal
1484:Thiruvilaiyadal
1480:Thiruvilaiyadal
1454:Kandhan Karunai
1433:Thiruvilaiyadal
1429:Baradwaj Rangan
1417:Thiruvilaiyadal
1413:
1410:Thiruvilaiyadal
1403:
1392:
1386:
1340:
1301:Thiruvilaiyadal
1277:
1261:Thiruvilaiyadal
1245:Thiruvilaiyadal
1233:Thiruvilaiyadal
1230:
1225:
1215:
1184:"Om Namasivaya"
1126:P. B. Sreenivas
1108:"Paattum Naane"
1003:Charulatha Mani
983:
982:(equivalent to
977:
976:
973:Thiruvilaiyadal
894:
862:Thiruvilaiyadal
851:
843:Thiruvilaiyadal
815:Thiruvilaiyadal
791:Thiruvilaiyadal
787:
777:
769:
731:as the goddess
719:Thiruvilaiyadal
715:Thiruvilaiyadal
696:
673:Thiruvilaiyadal
665:A. P. Nagarajan
655:
650:
645:
616:E. R. Sahadevan
601:A. P. Nagarajan
597:as Banabathirar
580:O. A. K. Thevar
517:
404:
384:Thiruvilaiyadal
375:Thiruvilaiyadal
357:Thiruvilaiyadal
331:Thiruvilaiyadal
317:K. V. Mahadevan
273:A. P. Nagarajan
260:
253:Thiruvilaiyadal
226:
219:
212:
210:
203:
188:
183:
181:
173:K. V. Mahadevan
164:
161:T. R. Natarajan
137:A. P. Nagarajan
129:
103:
97:A. P. Nagarajan
85:
72:A. P. Nagarajan
63:A. P. Nagarajan
54:
42:Thiruvilaiyadal
35:
28:
23:
22:
15:
12:
11:
5:
7071:
7069:
7061:
7060:
7055:
7050:
7045:
7040:
7035:
7030:
7025:
7020:
7015:
7010:
7005:
7000:
6995:
6990:
6980:
6979:
6973:
6972:
6970:
6969:
6961:
6953:
6945:
6937:
6929:
6921:
6917:Thanga Meenkal
6913:
6905:
6897:
6889:
6881:
6873:
6865:
6857:
6849:
6841:
6833:
6825:
6817:
6809:
6801:
6793:
6785:
6777:
6769:
6761:
6753:
6745:
6737:
6729:
6721:
6713:
6705:
6697:
6689:
6681:
6673:
6665:
6657:
6649:
6641:
6637:Mullum Malarum
6633:
6625:
6617:
6609:
6601:
6597:Bharatha Vilas
6593:
6585:
6577:
6569:
6561:
6553:
6545:
6537:
6529:
6521:
6512:
6509:
6508:
6501:Filmfare Award
6499:
6497:
6496:
6489:
6482:
6474:
6465:
6464:
6462:
6461:
6448:
6446:
6442:
6441:
6439:
6438:
6426:
6414:
6402:
6390:
6378:
6366:
6354:
6346:Thanga Meenkal
6342:
6330:
6318:
6306:
6294:
6282:
6270:
6258:
6246:
6234:
6222:
6210:
6197:
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6187:
6175:
6163:
6151:
6139:
6127:
6115:
6103:
6091:
6079:
6067:
6055:
6047:Pudhea Paadhai
6043:
6035:
6023:
6011:
5999:
5987:
5975:
5963:
5950:
5948:
5944:
5943:
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5907:
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5650:
5638:
5626:
5613:
5607:
5603:
5602:
5599:
5598:
5596:
5595:
5577:
5569:Kalyana Parisu
5559:
5551:Annaiyin Aanai
5541:
5529:
5517:
5505:
5486:
5484:
5480:
5479:
5477:
5476:
5464:
5452:
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5428:
5420:
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5397:
5396:
5391:
5389:
5388:
5381:
5374:
5366:
5357:
5356:
5354:
5353:
5349:Balaraju Katha
5345:
5341:Paavai Vilakku
5337:
5329:
5321:
5313:
5305:
5297:
5289:
5281:
5273:
5265:
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5021:
5019:
5015:
5014:
5008:
5006:
5005:
4998:
4991:
4983:
4975:
4974:
4961:
4960:External links
4958:
4957:
4956:
4945:
4928:
4910:
4904:
4884:Willemen, Paul
4876:
4870:
4855:
4851:Thiruvilayadal
4843:
4821:
4799:
4786:
4783:
4780:
4779:
4743:
4741:, p. 219.
4731:
4699:
4667:
4634:
4601:
4580:
4559:
4523:
4505:
4487:
4473:
4459:
4445:
4427:
4413:
4404:Poove Unakkaga
4395:
4384:on 4 July 2013
4362:
4330:
4297:
4261:
4228:
4196:
4194:, p. 158.
4184:
4148:
4112:
4079:
4046:
4010:
3978:
3946:
3914:
3884:
3853:
3820:
3788:
3753:
3716:
3684:
3666:Ananda Vikatan
3649:
3613:
3577:
3541:
3510:
3478:
3442:
3409:
3377:
3344:
3311:
3309:, p. 121.
3296:
3263:
3230:
3197:
3195:, p. 152.
3185:
3149:
3113:
3111:, p. 133.
3101:
3065:
3029:
3027:, p. 153.
3017:
2981:
2945:
2909:
2873:
2834:
2799:
2787:
2755:
2737:Cinema Express
2719:
2692:Saregama Tamil
2683:
2641:
2605:
2593:
2560:
2548:
2544:Nagarajan 1965
2536:
2532:Nagarajan 1965
2524:
2522:, p. 158.
2512:
2481:
2463:Ananda Vikatan
2449:
2416:
2377:
2356:(2 May 2004).
2342:
2305:
2273:
2269:Nagarajan 1965
2261:
2259:, p. 150.
2249:
2217:
2172:
2127:
2109:Ananda Vikatan
2095:
2093:, p. 120.
2083:
2050:
2017:
1984:
1982:, p. 281.
1969:
1965:Nagarajan 1965
1957:
1953:Nagarajan 1965
1945:
1913:
1901:
1889:
1877:
1837:
1825:
1786:
1782:Nagarajan 1965
1774:
1737:
1696:
1695:
1693:
1690:
1687:
1686:
1677:
1664:
1663:
1661:
1658:
1635:Thiruvilayadal
1575:comedy series
1508:Poove Unakkaga
1401:
1388:Main article:
1385:
1382:
1362:Thiruvilayadal
1339:
1336:
1291:Ananda Vikatan
1280:Thiruvilayadal
1276:
1273:
1249:Shanti Theatre
1229:
1226:
1222:
1221:
1218:
1212:
1211:
1208:
1205:
1202:
1198:
1197:
1194:
1185:
1182:
1178:
1177:
1174:
1171:
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1154:
1150:
1149:
1146:
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1140:
1136:
1135:
1132:
1123:
1120:
1116:
1115:
1112:
1109:
1106:
1102:
1101:
1098:
1093:
1090:
1086:
1085:
1082:
1077:
1076:"Isai Thamizh"
1074:
1070:
1069:
1066:
1061:
1058:
1054:
1053:
1050:
1045:
1042:
1038:
1037:
1034:
1031:
1028:
1017:
991:Tamil diaspora
936:Shanmukhapriya
930:Darbari Kanada
893:
890:
876:Shyama Shastri
872:Carnatic music
850:
847:
779:Sivaji Ganesan
775:
768:
765:
725:Sivaji Ganesan
654:
651:
649:
646:
644:
643:
637:
631:
625:
619:
613:
610:K. Sarangapani
607:
598:
592:
589:A. Karunanidhi
586:
577:
571:
565:
559:
550:
541:, Kayarkanni,
528:
522:Sivaji Ganesan
518:
516:
513:
451:Pandya Kingdom
403:
400:
305:K. Sarangapani
277:Sivaji Ganesan
247:
246:
243:
239:
238:
235:
231:
230:
227:
224:
221:
220:
218:
217:
206:
204:
201:
198:
197:
194:
193:Distributed by
190:
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184:
179:
176:
175:
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166:
165:
163:
162:
159:
155:
153:
149:
148:
143:
142:Cinematography
139:
138:
135:
131:
130:
128:
127:
122:
117:
115:Sivaji Ganesan
111:
109:
105:
104:
102:
101:
98:
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92:
88:
87:
78:
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56:
55:
52:
44:
43:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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6898:
6895:
6894:
6890:
6887:
6886:
6882:
6879:
6878:
6874:
6871:
6870:
6869:Paruthiveeran
6866:
6863:
6862:
6858:
6855:
6854:
6850:
6847:
6846:
6842:
6839:
6838:
6834:
6831:
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6767:
6766:
6762:
6759:
6758:
6754:
6751:
6750:
6746:
6743:
6742:
6741:Chinna Thambi
6738:
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6718:
6714:
6711:
6710:
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6169:
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6157:
6156:
6152:
6150:
6145:
6144:
6143:The Terrorist
6140:
6138:
6133:
6132:
6131:Kadhal Kottai
6128:
6126:
6121:
6120:
6116:
6114:
6109:
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6097:
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5779:
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5751:
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5564:
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5530:
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5523:
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5498:
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5487:
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5463:
5458:
5457:
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5451:
5445:
5443:
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5427:
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5414:
5413:
5409:
5408:
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5402:
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5382:
5380:
5375:
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5330:
5327:
5326:
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5314:
5311:
5310:
5306:
5303:
5302:
5298:
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5294:
5290:
5287:
5286:
5282:
5279:
5278:
5274:
5271:
5270:
5266:
5263:
5262:
5261:Nalla Thangai
5258:
5255:
5254:
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5247:
5246:
5242:
5239:
5238:
5234:
5233:
5231:
5227:
5220:
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5207:
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5135:
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5119:
5116:
5115:
5111:
5108:
5107:
5103:
5100:
5099:
5095:
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5084:
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5044:
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5023:
5022:
5020:
5016:
5012:
5004:
4999:
4997:
4992:
4990:
4985:
4984:
4981:
4977:
4973:
4969:
4968:
4964:
4963:
4959:
4953:
4952:
4946:
4942:
4938:
4934:
4929:
4925:
4924:
4916:
4911:
4907:
4905:0-19-563579-5
4901:
4897:
4893:
4889:
4885:
4881:
4877:
4873:
4867:
4863:
4862:
4856:
4852:
4848:
4844:
4840:
4836:
4832:
4831:
4826:
4822:
4818:
4814:
4810:
4809:
4804:
4800:
4796:
4795:
4789:
4788:
4784:
4767:
4763:
4762:
4757:
4756:"Menaka 1935"
4753:
4747:
4744:
4740:
4735:
4732:
4720:on 7 May 2016
4719:
4715:
4714:
4709:
4703:
4700:
4687:
4683:
4682:
4677:
4671:
4668:
4655:
4651:
4650:
4645:
4638:
4635:
4622:
4618:
4617:
4616:Business Line
4612:
4605:
4602:
4597:
4593:
4592:
4584:
4581:
4576:
4572:
4571:
4563:
4560:
4547:
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4527:
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4519:
4515:
4509:
4506:
4501:
4497:
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4463:
4460:
4455:
4449:
4446:
4441:
4437:
4431:
4428:
4423:
4417:
4414:
4409:
4405:
4399:
4396:
4383:
4379:
4378:
4373:
4366:
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4350:
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2744:on 7 May 2016
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2734:(1965)].
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2601:Panikkar 2002
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2054:
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2038:
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2028:
2021:
2018:
2005:
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1995:
1988:
1985:
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1961:
1958:
1954:
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1946:
1933:
1929:
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1899:, p. 40.
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1624:Vietnam Veedu
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1591:Business Line
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1472:C. V. Sridhar
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1170:"Vaasi Vaasi"
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761:T. S. Balaiah
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754:
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712:
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707:in K. Somu's
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69:Screenplay by
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6083:Thevar Magan
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5106:Vaa Raja Vaa
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4766:the original
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4718:the original
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4686:the original
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4614:
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3960:Dina Thanthi
3958:
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3937:. Retrieved
3933:the original
3926:
3917:
3905:. Retrieved
3896:
3893:"Contact Us"
3887:
3875:. Retrieved
3869:(in Tamil).
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3833:
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3775:the original
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3636:the original
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3597:the original
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3561:the original
3544:
3532:. Retrieved
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2876:
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2853:
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2821:the original
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2742:the original
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2706:. Retrieved
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2660:. Retrieved
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2644:
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2628:the original
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2329:the original
2324:Maalai Malar
2322:
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2037:the original
2030:
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2004:the original
1997:
1987:
1960:
1948:
1936:. Retrieved
1932:the original
1925:
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1857:
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1801:
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1761:the original
1756:Maalai Malar
1754:
1728:. Retrieved
1722:(in Tamil).
1717:
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1394:
1366:Gemini Films
1361:
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1313:
1307:
1305:
1300:
1295:
1289:
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1237:Sivaji Films
1232:
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1010:
1006:
998:
988:
972:
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946:
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934:
928:
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918:
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905:, including
895:
883:
865:
861:
855:
852:
842:
836:
831:, flute and
818:
814:
811:
806:
799:Eastmancolor
790:
789:
782:
771:
723:
718:
714:
708:
693:
692:Four of the
691:
676:
672:
668:
658:
656:
509:
505:
494:
478:
468:
444:
405:
383:
374:
373:
356:
345:epic stories
343:devotional,
334:
330:
329:
252:
251:
250:
225:Running time
202:Release date
196:Sivaji Films
146:K. S. Prasad
80:
36:
6968:(2020-2021)
6565:Adimai Penn
6015:Mouna Ragam
5738:Veguli Penn
5714:Iru Kodugal
5521:Kula Deivam
5018:As director
4825:Guy, Randor
4752:Guy, Randor
4591:Lollu Sabha
4570:Lollu Sabha
4496:Kanthaswamy
4355:25 November
3867:Idhayakkani
3742:22 February
3705:9 September
2780:5 September
2662:22 February
2634:5 September
2586:15 November
1870:4 September
1814:9 September
1730:20 December
1614:Kattabomman
1578:Lollu Sabha
1565:mobile apps
1547:(2009) and
1544:Kanthaswamy
1457:(1967) and
1421:cult status
1397:M. R. Radha
1370:CinemaScope
1207:P. Susheela
1192:P. Susheela
969:Macha Veena
653:Development
430:. He meets
365:Dhakshayani
229:155 minutes
158:M. N. Rajan
134:Narrated by
91:Produced by
59:Directed by
6988:1965 films
6982:Categories
6885:Naadodigal
6837:Pithamagan
6797:Natpukkaga
6765:Karuthamma
6155:House Full
5491:Andha Naal
5202:Jai Balaji
5042:Navarathri
4839:1129588233
4772:19 January
4660:11 October
4596:Star Vijay
4575:Star Vijay
4552:11 October
4422:Mahaprabhu
4323:11 October
4254:11 October
4221:10 October
4177:10 October
4141:10 October
4105:19 January
4094:Rediff.com
4072:16 January
4039:11 October
4003:10 October
3939:10 October
3907:11 October
3877:11 October
3642:10 October
3534:16 January
3524:India-West
3503:10 October
3435:14 October
3398:23 January
3223:10 October
2748:17 January
2370:13 January
2298:11 October
2242:2 November
2043:11 October
1938:16 January
1897:David 1983
1767:11 October
1692:References
1637: [
1573:Star Vijay
1514:Mahaprabhu
1349:status quo
1338:Re-release
1319:overacting
1020:Track list
1012:Neelambari
1005:wrote for
995:Randor Guy
753:call sheet
669:Siva-Leela
660:Navarathri
648:Production
576:as Dharumi
321:Kannadasan
267:-language
213:1965-07-31
180:Production
6901:Aadukalam
6845:Autograph
6821:Aanandham
6757:Gentleman
6549:Karpooram
6370:Visaranai
6194:2001–2020
6095:Mahanadhi
5947:1981–2000
5857:Pasamalar
5606:1961–1980
5533:Mudhalali
5400:1954–1960
5253:Pennarasi
5245:Mangalyam
5154:Agathiyar
5138:Kankatchi
5009:Works of
4941:295034757
4886:(1998) .
4817:297212002
4761:The Hindu
4649:The Hindu
4541:The Hindu
4388:9 October
4377:The Hindu
4312:The Hindu
4279:Frontline
4166:The Hindu
4028:The Hindu
3992:The Hindu
3971:20 August
3928:The Hindu
3846:9 October
3835:The Hindu
3813:8 October
3781:8 October
3677:20 August
3631:Dinakaran
3606:8 October
3471:8 October
3460:The Hindu
3424:The Hindu
3337:9 October
3326:The Hindu
3278:The Hindu
3256:9 October
3245:The Hindu
3212:The Hindu
3178:9 October
3167:The Hindu
3142:9 October
3131:The Hindu
3094:9 October
3083:The Hindu
3058:9 October
3047:The Hindu
3010:9 October
2999:The Hindu
2974:9 October
2963:The Hindu
2938:9 October
2927:The Hindu
2902:9 October
2891:The Hindu
2866:9 October
2855:The Hindu
2769:Dinamalar
2708:4 January
2655:Raaga.com
2575:The Hindu
2505:5 January
2442:8 October
2431:The Hindu
2398:The Hindu
2335:8 October
2231:Dinamalar
2165:8 October
2154:The Hindu
2076:20 August
2010:7 October
1859:The Hindu
1468:The Hindu
1275:Reception
1130:S. Janaki
1033:Singer(s)
1007:The Hindu
874:composer
857:The Hindu
829:mridangam
701:Nakkeerar
605:Nakkeerar
480:Mahayajna
463:Nakkeerar
361:Nakkeerar
152:Edited by
6965:Jai Bhim
6621:Annakili
6238:Navarasa
6107:Nammavar
5893:Karpagam
5863:Kumudham
5269:Town Bus
4849:(1965).
4827:(1997).
4654:Archived
4621:Archived
4546:Archived
4482:Kamarasu
4290:10 April
4284:Archived
4171:Archived
4135:Archived
3965:Archived
3901:Archived
3871:Archived
3840:Archived
3807:Archived
3736:Archived
3671:Archived
3528:Archived
3465:Archived
3429:Archived
3364:Archived
3359:Dinamani
3331:Archived
3307:Guy 1997
3283:Archived
3250:Archived
3217:Archived
3172:Archived
3136:Archived
3088:Archived
3052:Archived
3004:Archived
2968:Archived
2932:Archived
2896:Archived
2860:Archived
2827:17 April
2774:Archived
2672:cite web
2580:Archived
2499:Archived
2468:Archived
2409:17 April
2403:Archived
2236:Archived
2114:Archived
2091:Guy 1997
2070:Archived
2065:Dinamani
1980:Guy 1997
1909:Guy 1997
1864:Archived
1808:Archived
1724:Archived
1541:(2002),
1538:Kamarasu
1535:(2001),
1529:(2000),
1523:(1998),
1517:(1996),
1511:(1996),
1505:include
1451:(1967),
1445:(1966),
1402:—
1378:Ramkumar
942:Kambhoji
776:—
741:Avvaiyar
683:Shaivite
630:as Ponni
628:Manorama
591:as Sovai
557:Avvaiyar
543:Kamakshi
432:Avvaiyar
420:Vinayaka
394:and the
341:Shaivite
313:Manorama
242:Language
169:Music by
108:Starring
77:Based on
6925:Kaththi
6853:Anniyan
6298:Pasanga
6274:Periyar
6226:Iyarkai
6179:Bharati
5690:Aalayam
5237:Naalvar
4692:2 April
3289:5 April
2714:YouTube
2206:1 April
1999:Tehelka
1567:was a "
1431:called
1374:Chennai
1332:tandava
1296:tandava
1228:Release
924:Mohanam
880:Bobbili
838:Tandava
795:Chennai
767:Filming
733:Parvati
729:Savitri
641:Murugan
535:Parvati
531:Savitri
486:Tandava
447:Madurai
440:Parvati
369:Parvati
287:, with
281:Savitri
258:transl.
234:Country
211: (
182:company
120:Savitri
6960:(2019)
6952:(2018)
6944:(2017)
6936:(2016)
6928:(2015)
6920:(2014)
6912:(2013)
6904:(2012)
6896:(2011)
6888:(2010)
6880:(2009)
6872:(2008)
6864:(2007)
6856:(2006)
6848:(2005)
6840:(2004)
6832:(2003)
6829:Azhagi
6824:(2002)
6816:(2001)
6808:(2000)
6800:(1999)
6792:(1998)
6784:(1997)
6781:Indian
6776:(1996)
6773:Bombay
6768:(1995)
6760:(1994)
6752:(1993)
6744:(1992)
6736:(1991)
6728:(1990)
6720:(1989)
6712:(1988)
6704:(1987)
6696:(1986)
6688:(1985)
6680:(1984)
6672:(1983)
6664:(1982)
6656:(1981)
6648:(1980)
6640:(1979)
6632:(1978)
6624:(1977)
6616:(1976)
6608:(1975)
6600:(1974)
6592:(1973)
6584:(1972)
6576:(1971)
6568:(1970)
6560:(1969)
6552:(1968)
6544:(1967)
6536:(1966)
6528:(1965)
6520:(1964)
6458:(2021)
6435:(2020)
6423:(2019)
6418:Asuran
6411:(2018)
6406:Baaram
6399:(2017)
6394:To Let
6387:(2016)
6375:(2015)
6363:(2014)
6351:(2013)
6339:(2012)
6327:(2011)
6315:(2010)
6303:(2009)
6291:(2008)
6279:(2007)
6267:(2006)
6255:(2005)
6243:(2004)
6231:(2003)
6219:(2002)
6207:(2001)
6184:(2000)
6172:(1999)
6160:(1998)
6148:(1997)
6136:(1996)
6124:(1995)
6112:(1994)
6100:(1993)
6088:(1992)
6076:(1991)
6064:(1990)
6059:Anjali
6052:(1989)
6040:(1988)
6032:(1987)
6020:(1986)
6008:(1985)
5996:(1984)
5984:(1983)
5972:(1982)
5960:(1981)
5928:(1965)
5916:(1964)
5904:(1963)
5899:Karnan
5886:(1962)
5881:Sarada
5868:(1961)
5839:(1980)
5827:(1979)
5815:(1978)
5807:(1977)
5795:(1976)
5787:(1975)
5775:(1974)
5767:(1973)
5755:(1972)
5743:(1971)
5731:(1970)
5719:(1969)
5707:(1968)
5695:(1967)
5683:(1966)
5671:(1965)
5659:(1964)
5647:(1963)
5635:(1962)
5623:(1961)
5592:(1960)
5574:(1959)
5556:(1958)
5538:(1957)
5526:(1956)
5514:(1955)
5502:(1954)
5473:(1960)
5461:(1959)
5449:(1958)
5441:(1957)
5433:(1956)
5425:(1955)
5417:(1954)
5352:(1970)
5344:(1960)
5336:(1959)
5328:(1959)
5320:(1958)
5312:(1958)
5304:(1958)
5296:(1958)
5288:(1957)
5280:(1956)
5272:(1955)
5264:(1955)
5256:(1955)
5248:(1954)
5240:(1953)
5221:(1977)
5213:(1977)
5205:(1976)
5197:(1975)
5189:(1974)
5181:(1973)
5173:(1973)
5165:(1973)
5157:(1972)
5149:(1972)
5141:(1971)
5133:(1970)
5125:(1970)
5117:(1969)
5109:(1969)
5101:(1968)
5093:(1968)
5085:(1967)
5077:(1967)
5074:Seetha
5069:(1967)
5061:(1966)
5053:(1965)
5045:(1964)
5037:(1963)
5029:(1962)
4939:
4902:
4868:
4837:
4815:
4627:1 June
4130:Rediff
3370:1 June
2474:1 June
2354:நாகேஷ்
2186:நாகேஷ்
2120:1 June
1633:and a
1478:chose
1425:Karnan
1357:Karnan
1036:Length
980:10,000
965:ghatam
948:Abheri
921:, and
908:Darbar
849:Themes
749:Nagesh
697:'s
622:Devika
584:Daksha
574:Nagesh
475:Daksha
428:Palani
424:Muruga
416:Narada
309:Devika
297:Nagesh
283:, and
6949:Aramm
6941:Joker
6893:Mynaa
6861:Veyil
6805:Sethu
6382:Joker
6262:Veyil
6167:Sethu
6027:Veedu
5875:Annai
4918:(PDF)
4724:7 May
3600:(PDF)
3589:(PDF)
3564:(PDF)
3553:(PDF)
2363:Kalki
2199:Kalki
2194:(PDF)
1803:Kalki
1660:Notes
1654:'
1561:icons
1476:Ameer
1364:in a
1285:Kalki
1241:Jeeva
1220:45:30
1210:04:40
1196:03:32
1176:05:57
1162:03:08
1148:03:04
1134:02:52
1114:05:54
1100:03:44
1084:03:50
1068:05:28
1052:06:29
1030:Title
919:Maand
892:Music
833:jathi
825:veena
773:shot.
687:Shiva
549:amman
526:Shiva
501:Nandi
497:Vedas
490:Devas
459:court
412:Shiva
408:Hindu
353:Earth
349:Shiva
265:Tamil
245:Tamil
237:India
6749:Roja
6645:Pasi
6581:Babu
6541:Ramu
6503:for
5896:and
5878:and
5860:and
5822:Pasi
5678:Ramu
5584:and
5566:and
5548:and
5494:and
4972:IMDb
4937:OCLC
4900:ISBN
4894:and
4866:ISBN
4835:OCLC
4813:OCLC
4774:2018
4726:2016
4694:2015
4662:2015
4629:2016
4554:2015
4390:2015
4357:2015
4344:Sify
4325:2015
4292:2014
4256:2015
4223:2015
4179:2015
4143:2015
4107:2018
4074:2018
4041:2015
4005:2015
3973:2019
3941:2015
3909:2015
3879:2015
3848:2015
3815:2015
3783:2015
3744:2023
3707:2018
3679:2019
3644:2015
3608:2015
3572:2015
3536:2018
3505:2015
3473:2015
3437:2015
3400:2021
3372:2016
3339:2015
3291:2016
3258:2015
3225:2015
3180:2015
3144:2015
3096:2015
3060:2015
3012:2015
2976:2015
2940:2015
2904:2015
2868:2015
2829:2018
2782:2018
2750:2018
2710:2022
2678:link
2664:2012
2636:2018
2588:2016
2507:2022
2476:2016
2444:2015
2411:2012
2372:2023
2337:2015
2300:2015
2244:2018
2208:2024
2167:2015
2122:2016
2078:2019
2045:2015
2012:2015
1940:2018
1872:2018
1816:2023
1769:2015
1732:2020
1627:, a
1621:, a
1617:, a
1488:Sify
1474:and
1437:epic
957:and
939:and
914:Todi
903:raga
547:Kali
545:and
539:Sati
515:Cast
471:Sati
410:god
406:The
402:Plot
323:and
4970:at
1640:sic
1619:VOC
1563:on
1408:of
1201:11.
1181:10.
1026:No.
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