325:, and others. These diverse collaborations reflect the ensemble's wide-ranging interests. In addition to working with today's leading composers, Third Coast has also collaborated with "engineers at the University of Notre Dame, architects at the Frank Lloyd Wright Foundation, dancers at Hubbard Street Dance Chicago, and musicians from traditions ranging from the mbira music of Zimbabwe’s Shona people, to indie rockers and footwork producers, to some of the world’s leading concert musicians." Third Coast has also increased their education offerings with focused programming and initiatives such as the Currents Creative Partnership.
265:, a gig that turned out to break open the doors for the group. It was at this performance that they first met Ethelbert Williams, as of 2023 a longtime board member of TCP. Williams, an expert in marketing, was a member of the audience at this concert. Impressed with the ensemble's performance, Mr. Williams invited TCP to work with him. Ethelbert Williams was essential in helping to create a presentable package for the group that they could promote to the music world on a much broader scale.
246:. As a result, Peter Martin, a percussionist pursuing a doctoral degree at Northwestern, filled the spot in the group. In addition to Nissly's departure, member Anthony Calabrese would move on to concentrate on his schoolwork at Northwestern. Former member Owen Clayton Condon, an alumnus from Northwestern and professor at Northeastern University, would take Calabrese's place.
258:, were at small venues with limited space to perform. This would restrict the number of instruments and the type of repertoire performed by the group. These restrictions were instrumental in the selection process of the music that Third Coast performed, as well as the development of the group’s style.
345:
in honor of his eightieth birthday and received high praise from Reich himself: "When I heard the Third Coast CD of a number of my pieces...I thought, 'Wow, you know, I've never heard them this way.' You have to literally lean in to listen. Which is a very good way to listen. And the whole thing just
166:
from 2013-2018. They are the first ensemble at the
University of Notre Dame to create a permanent and progressive ensemble residency program at the center. The ensemble performs multiple recitals annually as part of the DeBartolo Performing Arts Center’s Presenting Series season. Currently they are
253:
for a brief time, the group began tackling their goals as an ensemble. The unique concept of Third Coast's repertoire was something that the group developed early, influenced by a series of restraints that they dealt with. As a young group, many of their gigs, such as performances at the
268:
Third Coast
Percussion has since evolved from solely acting as an educational group associated with the Civic Orchestra of Chicago, to a full-time working music ensemble, with Sean Connors assuming Condon's place in the ensemble in 2013.
1565:
1651:
155:
The group, composed of Sean
Connors, Robert Dillon, Peter Martin, and David Skidmore, specializes in new music/contemporary classical music and is known for its touring and recording activities.
235:
and city colleges as an educational device. Although not using their signature title, it was from this humble engagement that the group Third Coast
Percussion was created.
238:
The first shows by Third Coast
Percussion that were non-educational based were performed in the summer of 2005, the very first two being performed at Northwestern and the
1530:
334:
179:
1556:
341:, released on Cedille Records. They are the first percussion group to win in a chamber music category. The album featured entirely music of American composer
231:. Along with their performance work with the ensemble, they formed a chamber percussion group that traveled throughout the Chicago area, performing at
1094:
354:
for the performance. Since this award, Third Coast has been nominated four additional times, with their first nomination as composers in 2021.
1726:
281:
in 2012 helped the ensemble conclude that commissioning can be a deeply collaborative partnership. This led to commissioning projects with
242:
in
Evanston. In the summer of that same year, the group's membership took a slight turn when Jake Nissly left for graduate studies at the
1701:
1409:
1286:
1945:
163:
1505:
223:
In 2004, original members
Anthony Calabrese, Robert Dillon, Jacob Nissly, and David Skidmore were all percussionists with the
182:, becoming the first percussion group to win in a chamber music category. Third Coast Percussion has released albums on the
1882:
1940:
1068:
528:
1384:
1907:
1311:
1601:
239:
224:
347:
195:
1434:
159:
1774:
1336:
250:
228:
1626:
1480:
232:
187:
67:
1168:
306:
1912:
1192:
782:
593:
318:
278:
141:
1676:
1587:
168:
1143:
1455:
1216:
1410:"Chicago's Third Coast Percussion collaborates with Blood Orange for Grammy-nominated album"
1360:
996:
787:
625:
310:
243:
199:
1750:
1727:"Third Coast Percussion/Philippe Manoury: The Book of Keyboards, by Third Coast Percussion"
1169:"Review: Third Coast Percussion and Civic Orchestra Premiere Christopher Cerrone Concerto"
820:
744:
710:
583:
574:
557:
322:
298:
191:
73:
1119:
1820:
1237:
1019:
681:
290:
1858:
1934:
547:
351:
286:
262:
1834:
346:
knocked my socks off." Third Coast
Percussion performed music from the album at the
727:
687:
616:
314:
282:
255:
183:
61:
1043:
1262:
1044:"Grammy-winning Third Coast Percussion new ensemble-in-residence | Featured News"
1796:
537:
342:
1702:"Reich: Mallet Quartet, Sextet, Nagoya Marimbas & Music for Pieces of Wood"
642:
1263:"The Connections and Illuminating Disparities Between Architecture and Music"
302:
207:
194:
record labels. The quartet endorses and performs exclusively with Pearl/
149:
32:
1531:"Review:Third Coast Percussion, John Cage "The Works for Percussion 2""
145:
29:
124:
1217:"MEET THE HARDWORKING AND DEDICATED STAFF OF THIRD COAST PERCUSSION"
1883:"Currents / Volume 1, Various Composers by Third Coast Percussion"
673:
294:
203:
830:
766:
1652:"Classical Playlist: George Antheil, Haydn, Sibelius and More"
1144:"Third Coast Percussion | Vic Firth Concert Orchestral Artist"
335:
Grammy Award for Best
Chamber Music/Small Ensemble Performance
180:
Grammy Award for Best
Chamber Music/Small Ensemble Performance
158:
Third Coast Percussion was the Ensemble-in-Residence at the
1287:"Hubbard Street Dance Chicago & Third Coast Percussion"
1908:"Blood Orange Announces New Classical Music Album Fields"
1506:"The best(and worst) opera and classical music of 2012"
1120:"Third Coast Percussion | Pearl Drums -Official site-"
1557:"Album: John Cage, The Works for Percussion (2 Mode)"
756:
Jonathan was killed in battle against the Philistines
119:
115:
101:
97:
83:
79:
57:
47:
39:
25:
18:
1555:
966:Third Coast Percussion - Haunt of Last Nightfall
249:Rehearsing during the night at Northwestern and
1481:"John Cage - The Works for Percussion, vol. 2"
8:
1312:"Paddle to the Sea - Third Coast Percussion"
859:John Cage - The Works for Percussion, vol. 2
802:Wonderful Things! (Tomorrow Sings with Hope)
1069:"Alumni percussion ensemble wins a Grammy"
974:(Various Artists) Thaw - Ted Hearne (2013)
15:
1627:"David T. Little:Haunt of Last NightFall"
990:Augusta Read Thomas: Ritual Incantations
261:On February 12, 2006, TCP played at the
1456:"Third Coast Percussion - Ritual Music"
1435:"BOULANGER INITIATIVE'S WOCO FEST 2020"
1011:
978:Augusta Read Thomas: Of Being is a Bird
944:Albums featuring Third Coast Percussion
1821:"Third Coast Percussion: "Quartered""
1751:"Paddle to the Sea | Classical Music"
1093:Margasak, Peter (December 26, 2013).
762:Point Line Space I: Sticks and Stones
7:
1906:Strauss, Matthew (August 20, 2019).
984:Augusta Read Thomas: Astral Canticle
889:Phillipe Manoury - Book of Keyboards
883:Third Coast Percussion | Steve Reich
350:and were joined by jazz saxophonist
339:Third Coast Percussion | Steve Reich
176:Third Coast Percussion | Steve Reich
1776:Third Coast Percussion - Perpetulum
1197:Northwestern Bienen School of Music
440:Aliens with Extraordinary Abilities
140:is a Grammy Award-winning American
956:Jeff Herriott - The Stone Tapestry
43:Classical Contemporary, Percussion
14:
661:Improvisation in an Altered State
621:...sound / shivering / silence II
398:...hence the term, well-adjusted.
1242:DeBartolo Performing Arts Center
1024:DeBartolo Performing Arts Center
447:Common Patterns in Uncommon Time
164:DeBartolo Performing Arts Center
1568:from the original on 2022-05-07
1437:. Third Coast Percussion. 2020
1261:Skidmore, David (2021-06-04).
705:Like A Sick, Breathing Tambura
635:Christopher Fischer-Lochhead:
1:
1267:Frank Lloyd Wright Foundation
333:Third Coast Percussion won a
167:the ensemble-in-residence at
1385:"Interview with Steve Reich"
1167:Harris, Louis (2019-05-14).
1095:"Our Favorite Music of 2013"
533:Pines Long Slept in Sunshine
1361:"Currents at Constellation"
680:(2020, commissioned by the
1962:
1797:"Fields | Classical Music"
579:A Message from the Emperor
461:Fanfare for a New Audience
240:Music Institute of Chicago
225:Civic Orchestra of Chicago
522:100 different composers:
348:59th Annual Grammy Awards
227:, as well as students of
219:Formation and early years
196:Adams Musical Instruments
1535:Thirdcoastpercussion.com
1238:"Third Coast Percussion"
1219:. Third Coast Percussion
1193:"Third Coast Percussion"
1020:"Third Coast Percussion"
722:Two Questions About Time
508:Third Coast Percussion:
501:Third Coast Percussion:
494:Third Coast Percussion:
487:Third Coast Percussion:
160:University of Notre Dame
1946:Cedille Records artists
871:Haunt of Last NightFall
760:Christopher Preissing:
715:Haunt of Last Nightfall
251:Northeastern University
229:Northwestern University
1656:Artsbeat.blogs.nytimes
1341:Third Coast Percussion
1073:The Daily Northwestern
412:One Concession to Glee
233:Chicago Public Schools
138:Third Coast Percussion
20:Third Coast Percussion
800:Augusta Read Thomas:
794:Augusta Read Thomas:
127:.thirdcoastpercussion
68:New Amsterdam Records
1941:Percussion ensembles
1731:New Focus Recordings
1602:"Ringing in the New"
1291:Time Out Los Angeles
950:Lei Liang - Luminous
835:just water, no lemon
703:Andrew McKenna Lee:
682:Boulanger Initiative
612:democracy looks like
307:Georg Friedrich Haas
210:sticks and mallets.
65:New Focus Recordings
783:Augusta Read Thomas
668:We’ve Gotta Find It
594:Christopher Cerrone
319:Christopher Cerrone
279:Augusta Read Thomas
142:percussion ensemble
107:Owen Clayton Condon
1677:"Unknown Symmetry"
1588:"Resounding Earth"
1173:Third Coast Review
1048:Denison University
754:Jonathan Pfeffer:
659:Ryan Ingebritsen:
569:Percussion Quartet
562:Percussion Quartet
542:Austerity Measures
517:Works commissioned
419:Ordering-instincts
169:Denison University
109:Anthony Calabrese
1562:Independent.co.uk
931:Currents/Volume 1
895:Paddle to the Sea
776:Stephen Syverud:
767:Annika Socolofsky
598:Goldbeater's Skin
529:Christopher Adler
503:Paddle to the Sea
152:, United States.
135:
134:
1953:
1925:
1924:
1922:
1920:
1903:
1897:
1896:
1894:
1893:
1879:
1873:
1872:
1870:
1869:
1855:
1849:
1848:
1846:
1845:
1831:
1825:
1824:
1817:
1811:
1810:
1808:
1807:
1793:
1787:
1786:
1785:
1784:
1771:
1765:
1764:
1762:
1761:
1747:
1741:
1740:
1738:
1737:
1723:
1717:
1716:
1714:
1712:
1706:Itunes.apple.com
1698:
1692:
1691:
1689:
1687:
1681:Itunes.apple.com
1673:
1667:
1666:
1664:
1662:
1648:
1642:
1641:
1639:
1637:
1631:Itunes.apple.com
1623:
1617:
1616:
1614:
1612:
1606:Itunes.apple.com
1598:
1592:
1591:
1584:
1578:
1577:
1575:
1573:
1559:
1552:
1546:
1545:
1543:
1541:
1527:
1521:
1520:
1518:
1516:
1502:
1496:
1495:
1493:
1491:
1485:Itunes.apple.com
1477:
1471:
1470:
1468:
1466:
1460:Itunes.apple.com
1452:
1446:
1445:
1443:
1442:
1431:
1425:
1424:
1422:
1421:
1406:
1400:
1399:
1397:
1395:
1381:
1375:
1374:
1372:
1371:
1357:
1351:
1350:
1348:
1347:
1333:
1327:
1326:
1324:
1323:
1308:
1302:
1301:
1299:
1298:
1283:
1277:
1276:
1274:
1273:
1258:
1252:
1251:
1249:
1248:
1234:
1228:
1227:
1225:
1224:
1213:
1207:
1206:
1204:
1203:
1189:
1183:
1182:
1180:
1179:
1164:
1158:
1157:
1155:
1154:
1140:
1134:
1133:
1131:
1130:
1116:
1110:
1109:
1107:
1105:
1090:
1084:
1083:
1081:
1079:
1067:Czajka, Kelley.
1064:
1058:
1057:
1055:
1054:
1040:
1034:
1033:
1031:
1030:
1016:
877:Unknown Symmetry
865:Resounding Earth
788:Resounding Earth
654:Automatic Glitch
626:Donnacha Dennehy
337:for their album
311:Donnacha Dennehy
244:Juilliard School
200:Zildjian Cymbals
131:
128:
126:
104:
50:
16:
1961:
1960:
1956:
1955:
1954:
1952:
1951:
1950:
1931:
1930:
1929:
1928:
1918:
1916:
1905:
1904:
1900:
1891:
1889:
1881:
1880:
1876:
1867:
1865:
1863:Cedille Records
1857:
1856:
1852:
1843:
1841:
1839:Cedille Records
1833:
1832:
1828:
1819:
1818:
1814:
1805:
1803:
1801:Cedille Records
1795:
1794:
1790:
1782:
1780:
1773:
1772:
1768:
1759:
1757:
1755:Cedille Records
1749:
1748:
1744:
1735:
1733:
1725:
1724:
1720:
1710:
1708:
1700:
1699:
1695:
1685:
1683:
1675:
1674:
1670:
1660:
1658:
1650:
1649:
1645:
1635:
1633:
1625:
1624:
1620:
1610:
1608:
1600:
1599:
1595:
1586:
1585:
1581:
1571:
1569:
1554:
1553:
1549:
1539:
1537:
1529:
1528:
1524:
1514:
1512:
1504:
1503:
1499:
1489:
1487:
1479:
1478:
1474:
1464:
1462:
1454:
1453:
1449:
1440:
1438:
1433:
1432:
1428:
1419:
1417:
1408:
1407:
1403:
1393:
1391:
1383:
1382:
1378:
1369:
1367:
1359:
1358:
1354:
1345:
1343:
1335:
1334:
1330:
1321:
1319:
1310:
1309:
1305:
1296:
1294:
1285:
1284:
1280:
1271:
1269:
1260:
1259:
1255:
1246:
1244:
1236:
1235:
1231:
1222:
1220:
1215:
1214:
1210:
1201:
1199:
1191:
1190:
1186:
1177:
1175:
1166:
1165:
1161:
1152:
1150:
1142:
1141:
1137:
1128:
1126:
1118:
1117:
1113:
1103:
1101:
1092:
1091:
1087:
1077:
1075:
1066:
1065:
1061:
1052:
1050:
1042:
1041:
1037:
1028:
1026:
1018:
1017:
1013:
1008:
962:David T. Little
937:Between Breaths
847:Original albums
844:
831:Katherine Young
821:Dmitri Tymoczko
806:Aaron Travers:
745:Anthony Pateras
720:JosĂ© MartĂnez:
711:David T. Little
652:Ben Hjertmann:
630:Surface Tension
610:Adam Cuthbert:
584:Kirsten Broberg
575:Martin Bresnick
558:Matthew Barnson
519:
384:Quadruple Helix
365:
360:
331:
323:David T. Little
299:Tyondai Braxton
275:
221:
216:
206:Drumheads, and
123:
110:
108:
102:
92:
90:
88:
74:Cedille Records
72:
70:
66:
64:
48:
35:, United States
21:
12:
11:
5:
1959:
1957:
1949:
1948:
1943:
1933:
1932:
1927:
1926:
1898:
1874:
1859:"Perspectives"
1850:
1826:
1812:
1788:
1766:
1742:
1718:
1693:
1668:
1643:
1618:
1593:
1579:
1547:
1522:
1497:
1472:
1447:
1426:
1401:
1376:
1352:
1328:
1303:
1278:
1253:
1229:
1208:
1184:
1159:
1135:
1111:
1099:Chicago Reader
1085:
1059:
1035:
1010:
1009:
1007:
1004:
1003:
1002:
993:
987:
981:
975:
969:
959:
953:
941:
940:
934:
928:
922:
916:
910:
904:
898:
892:
886:
880:
874:
868:
862:
856:
843:
840:
839:
838:
828:
818:
815:Watercolor Sun
813:Ivan Trevino:
811:
804:
798:
792:
780:
778:Snow Creatures
774:
764:
758:
752:
742:
735:
725:
718:
708:
701:
696:Glenn Kotche:
694:
685:
671:
666:Derek Jacoby:
664:
657:
650:
640:
637:On Tenterhooks
633:
623:
614:
608:
601:
591:
588:Constellations
581:
572:
565:
555:
545:
535:
526:
524:RENGA:Cage:100
518:
515:
514:
513:
510:Reaction Yield
506:
499:
492:
485:
478:
471:
464:
457:
450:
443:
436:
429:
422:
415:
408:
401:
394:
391:Heaven We Need
387:
380:
373:
364:
363:Original music
361:
359:
356:
330:
327:
291:Gemma Peacocke
274:
271:
263:Neo-Futurarium
220:
217:
215:
212:
133:
132:
121:
117:
116:
113:
112:
105:
99:
98:
95:
94:
93:David Skidmore
85:
81:
80:
77:
76:
59:
55:
54:
51:
45:
44:
41:
37:
36:
27:
23:
22:
19:
13:
10:
9:
6:
4:
3:
2:
1958:
1947:
1944:
1942:
1939:
1938:
1936:
1915:
1914:
1909:
1902:
1899:
1888:
1884:
1878:
1875:
1864:
1860:
1854:
1851:
1840:
1836:
1830:
1827:
1822:
1816:
1813:
1802:
1798:
1792:
1789:
1778:
1777:
1770:
1767:
1756:
1752:
1746:
1743:
1732:
1728:
1722:
1719:
1707:
1703:
1697:
1694:
1682:
1678:
1672:
1669:
1657:
1653:
1647:
1644:
1632:
1628:
1622:
1619:
1607:
1603:
1597:
1594:
1589:
1583:
1580:
1567:
1563:
1558:
1551:
1548:
1536:
1532:
1526:
1523:
1511:
1507:
1501:
1498:
1486:
1482:
1476:
1473:
1461:
1457:
1451:
1448:
1436:
1430:
1427:
1415:
1411:
1405:
1402:
1390:
1389:Faccebook.com
1386:
1380:
1377:
1366:
1365:New Music USA
1362:
1356:
1353:
1342:
1338:
1332:
1329:
1317:
1313:
1307:
1304:
1292:
1288:
1282:
1279:
1268:
1264:
1257:
1254:
1243:
1239:
1233:
1230:
1218:
1212:
1209:
1198:
1194:
1188:
1185:
1174:
1170:
1163:
1160:
1149:
1145:
1139:
1136:
1125:
1124:pearldrum.com
1121:
1115:
1112:
1100:
1096:
1089:
1086:
1074:
1070:
1063:
1060:
1049:
1045:
1039:
1036:
1025:
1021:
1015:
1012:
1005:
1000:
998:
997:Devonté Hynes
994:
991:
988:
985:
982:
979:
976:
973:
970:
967:
963:
960:
957:
954:
951:
948:
947:
946:
945:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
878:
875:
872:
869:
866:
863:
860:
857:
854:
851:
850:
849:
848:
841:
836:
832:
829:
826:
822:
819:
816:
812:
809:
805:
803:
799:
797:
793:
790:
789:
784:
781:
779:
775:
772:
768:
765:
763:
759:
757:
753:
750:
746:
743:
740:
737:Otto Muller:
736:
733:
729:
726:
723:
719:
716:
712:
709:
706:
702:
699:
695:
693:
689:
686:
683:
679:
675:
672:
669:
665:
662:
658:
655:
651:
648:
644:
641:
638:
634:
631:
627:
624:
622:
618:
615:
613:
609:
606:
602:
599:
595:
592:
589:
585:
582:
580:
576:
573:
570:
567:Mark Berger:
566:
563:
559:
556:
553:
549:
548:Marcos Balter
546:
543:
539:
536:
534:
530:
527:
525:
521:
520:
516:
511:
507:
504:
500:
497:
493:
490:
486:
483:
479:
476:
472:
469:
465:
462:
458:
455:
451:
448:
444:
441:
437:
434:
430:
427:
423:
420:
416:
413:
409:
406:
402:
399:
395:
392:
388:
385:
381:
378:
374:
371:
367:
366:
362:
357:
355:
353:
352:Ravi Coltrane
349:
344:
340:
336:
328:
326:
324:
320:
316:
312:
308:
304:
303:Devonté Hynes
300:
296:
293:, Flutronix,
292:
288:
287:Missy Mazzoli
284:
280:
277:Working with
272:
270:
266:
264:
259:
257:
252:
247:
245:
241:
236:
234:
230:
226:
218:
213:
211:
209:
205:
201:
197:
193:
189:
188:New Amsterdam
186:, New Focus,
185:
181:
177:
172:
170:
165:
161:
156:
153:
151:
147:
143:
139:
130:
122:
118:
114:
106:
100:
96:
89:Robert Dillon
86:
82:
78:
75:
71:Parlour Tapes
69:
63:
60:
56:
52:
46:
42:
38:
34:
31:
28:
24:
17:
1917:. Retrieved
1911:
1901:
1890:. Retrieved
1886:
1877:
1866:. Retrieved
1862:
1853:
1842:. Retrieved
1838:
1835:"Archetypes"
1829:
1815:
1804:. Retrieved
1800:
1791:
1781:, retrieved
1775:
1769:
1758:. Retrieved
1754:
1745:
1734:. Retrieved
1730:
1721:
1709:. Retrieved
1705:
1696:
1684:. Retrieved
1680:
1671:
1659:. Retrieved
1655:
1646:
1634:. Retrieved
1630:
1621:
1609:. Retrieved
1605:
1596:
1582:
1570:. Retrieved
1561:
1550:
1538:. Retrieved
1534:
1525:
1513:. Retrieved
1509:
1500:
1488:. Retrieved
1484:
1475:
1463:. Retrieved
1459:
1450:
1439:. Retrieved
1429:
1418:. Retrieved
1416:. 2021-03-12
1414:ABC7 Chicago
1413:
1404:
1392:. Retrieved
1388:
1379:
1368:. Retrieved
1364:
1355:
1344:. Retrieved
1340:
1331:
1320:. Retrieved
1318:. 2020-04-09
1315:
1306:
1295:. Retrieved
1293:. 2018-12-30
1290:
1281:
1270:. Retrieved
1266:
1256:
1245:. Retrieved
1241:
1232:
1221:. Retrieved
1211:
1200:. Retrieved
1196:
1187:
1176:. Retrieved
1172:
1162:
1151:. Retrieved
1147:
1138:
1127:. Retrieved
1123:
1114:
1102:. Retrieved
1098:
1088:
1076:. Retrieved
1072:
1062:
1051:. Retrieved
1047:
1038:
1027:. Retrieved
1023:
1014:
995:
989:
983:
977:
971:
965:
961:
955:
949:
943:
942:
936:
930:
925:Perspectives
924:
918:
912:
906:
900:
894:
888:
882:
876:
870:
864:
858:
853:Ritual Music
852:
846:
845:
834:
824:
814:
808:Deep Carving
807:
801:
795:
786:
777:
770:
761:
755:
749:Lost Compass
748:
738:
731:
728:Marc Mellits
721:
714:
704:
697:
691:
688:Glenn Kotche
678:Perspectives
677:
667:
660:
653:
646:
636:
629:
620:
617:Thomas DeLio
611:
604:
603:Danny Clay:
597:
587:
578:
568:
561:
551:
541:
532:
523:
509:
502:
495:
488:
481:
475:Ritual Music
474:
467:
460:
453:
446:
439:
432:
425:
418:
411:
405:Mini-Moutons
404:
397:
390:
383:
376:
370:Double Helix
369:
338:
332:
329:Grammy Award
315:Glenn Kotche
283:Philip Glass
276:
267:
260:
256:Empty Bottle
248:
237:
222:
175:
173:
157:
154:
137:
136:
103:Past members
91:Peter Martin
87:Sean Connors
62:Mode Records
53:2004–present
49:Years active
1510:Timeout.com
842:Discography
692:Stones Flow
639:(2012-2013)
538:Timo Andres
489:In Practice
343:Steve Reich
273:Present day
144:, based in
111:Jake Nissly
1935:Categories
1919:August 21,
1892:2023-06-21
1868:2023-06-21
1844:2023-06-21
1806:2023-06-21
1783:2023-06-21
1760:2023-06-21
1736:2018-02-21
1441:2020-05-17
1420:2023-06-22
1370:2023-06-22
1346:2023-06-22
1337:"Ensemble"
1322:2023-06-22
1297:2023-06-22
1272:2023-06-22
1247:2023-06-22
1223:2020-05-17
1202:2023-06-22
1178:2023-06-22
1153:2023-06-22
1129:2023-06-22
1104:3 February
1053:2023-06-22
1029:2023-06-22
1006:References
919:Archetypes
901:Perpetulum
698:Wild Sound
643:Ted Hearne
552:dark rooms
480:Skidmore:
473:Skidmore:
468:In Contact
466:Skidmore:
459:Skidmore:
452:Skidmore:
445:Skidmore:
438:Skidmore:
358:Repertoire
174:The album
1913:Pitchfork
1711:6 October
1686:6 October
1661:6 October
1636:6 October
1611:6 October
1572:6 October
1540:6 October
1515:6 October
1490:6 October
1465:6 October
1394:6 October
1148:Vic Firth
913:Quartered
861:(2012)
377:Fractalia
208:Vic Firth
1566:Archived
1316:biberfan
999:- Fields
825:Röckdöts
605:playbook
431:Martin:
424:Martin:
417:Dillon:
410:Dillon:
403:Dillon:
396:Dillon:
389:Dillon:
382:Condon:
375:Condon:
368:Condon:
150:Illinois
33:Illinois
1078:7 March
873:(2014)
867:(2013)
855:(2008)
739:Escoria
732:Gravity
496:Niagara
214:History
192:Cedille
146:Chicago
120:Website
84:Members
30:Chicago
1779:, 2019
1001:(2019)
992:(2017)
986:(2015)
980:(2016)
968:(2014)
958:(2017)
952:(2016)
939:(2023)
933:(2022)
927:(2022)
921:(2021)
915:(2020)
909:(2019)
907:Fields
903:(2019)
897:(2018)
891:(2017)
885:(2016)
879:(2013)
837:(2017)
827:(2013)
817:(2023)
810:(2006)
796:Selene
791:(2012)
773:(2017)
771:bellow
751:(2010)
741:(2010)
734:(2013)
724:(2017)
717:(2010)
707:(2006)
700:(2014)
670:(2006)
663:(2013)
656:(2014)
649:(2009)
632:(2016)
607:(2015)
600:(2017)
590:(2008)
571:(2006)
564:(2006)
554:(2007)
544:(2013)
512:(2016)
505:(2017)
498:(2016)
491:(2022)
484:(2014)
482:Trying
477:(2004)
470:(2006)
463:(2009)
456:(2003)
454:Echoes
449:(2011)
442:(2016)
435:(2014)
428:(2016)
421:(2014)
414:(2020)
407:(2020)
400:(2021)
393:(2020)
386:(2005)
379:(2011)
372:(2005)
190:, and
178:won a
58:Labels
40:Genres
26:Origin
1887:Qobuz
433:WAVES
1921:2019
1713:2017
1688:2017
1663:2017
1638:2017
1613:2017
1574:2017
1542:2017
1517:2017
1492:2017
1467:2017
1396:2017
1106:2014
1080:2017
972:*AND
674:Jlin
647:Thaw
426:BEND
295:Jlin
204:Remo
184:Mode
129:.com
162:’s
125:www
1937::
1910:.
1885:.
1861:.
1837:.
1799:.
1753:.
1729:.
1704:.
1679:.
1654:.
1629:.
1604:.
1564:.
1560:.
1533:.
1508:.
1483:.
1458:.
1412:.
1387:.
1363:.
1339:.
1314:.
1289:.
1265:.
1240:.
1195:.
1171:.
1146:.
1122:.
1097:.
1071:.
1046:.
1022:.
964:,
833::
823::
785::
769::
747::
730::
713::
690::
676::
645::
628::
619::
596::
586::
577::
560::
550::
540::
531::
321:,
317:,
313:,
309:,
305:,
301:,
297:,
289:,
285:,
202:,
198:,
171:.
148:,
1923:.
1895:.
1871:.
1847:.
1823:.
1809:.
1763:.
1739:.
1715:.
1690:.
1665:.
1640:.
1615:.
1590:.
1576:.
1544:.
1519:.
1494:.
1469:.
1444:.
1423:.
1398:.
1373:.
1349:.
1325:.
1300:.
1275:.
1250:.
1226:.
1205:.
1181:.
1156:.
1132:.
1108:.
1082:.
1056:.
1032:.
684:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.