33:
245:, when Michael Corleone's walking through Sicily chilling out after he's shot those two guys in that restaurant. I must've liked the ring of it." Rowland claimed in a 2014 interview that "This song literally came to me as I was going off to sleep. Those words – 'What's she like? Tell me what's she like' – and melodies just came. It didn't sound like anything."
200:. The song, inspired by Rowland's relationship with O'Hara, includes spoken conversations between Rowland and Adams. Rather than answering Adams's repeated in-song question about what "she" is like, Rowland contrasts the "she" of the title with people who irritate him, for example those who put creases in their jeans, and members of the
525:
478:
Easlea says it was lack of a single release that lead to the album's lack of commercial success, a view shared by
Rowland, who had resisted a single being released. In November 1985, various edited versions of the song were released as singles, primarily much shorter edits than the 12-minute album
305:
The first section of the song consists of a dialogue between
Rowland and bandmate Adams, without music. As Rowland explains what "she" is not like, rather than what she is like, the music is soft with elements of folk. At 6 minutes and 50 seconds into the track, the accompanying music has a sound
363:
wrote in 1997 that the album was "unanimously reviled" when released, although Easlea (2011) claims that this was not the case. The album (which has been re-released in different versions) has, in the intervening years, been hailed by some critics as a "misunderstood masterpiece", and a "lost
475:(2007) also detect a Beach Boys influence and comment that the song "merges opaque dialogue" and a "coda of Stax-style horns". Martin wrote that the track "may be the angriest love song ever written", while Roberts feels that it "triumphs as an exhilarating hymn to romance".
559:
as "utterly astonishing" and that when
Rowlands asks during the song whether he can express himself, his "outburst of ecstatic laa-laa-laas says more than words ever could." In another review the following year, Price noted that Rowland was performing the song with
425:
The track was described by Sean O'Hagan as "the single most bizarre escapade yet foisted on an unsuspecting public in the guise of a Dexys song." Simon Mares, in a negative review, called the song a "rambling reprise" of the previous Dexys
Midnight Runners album
516:, and has other shots filmed to look as if he is levitating. It was directed by Jack Hazan, who Rowland approached having met during a 1983 interview for French television. Hazan intended the video to have a theme of "love represented as a form of madness."
310:, and concludes with brass instrument accompaniment like that found in earlier works by Dexys Midnight Runners. During the conversation, Rowland lists various dislikes, including people who put creases in their jeans, and members of the
338:
in 2003, Rowland said "My biggest regret is that 'This Is What She's Like' wasn't a 10-minute single. I think it might have done for Dexys what 'Bohemian
Rhapsody' did for Queen." and stated in a 2016 webchat hosted by
539:
stated that the performance of "This Is What She's Like" was one of a few highlights of a show derailed by
Rowland's ill-tempered demeanour. It was next performed live by Dexys Midnight Runners in 2003. Dave Simpson's
32:
2191:
716:
334:
248:
Rowland started composing "This Is What She's Like" in 1983. He taped vocals one evening, and O'Hara began composing the music, on piano, the following day. It was the first song written for the album
702:, with two extra tracks. Rowland complained in 2002 that "The '97 reissue on Creation was fucked up by the use of a 'stereo enhancer' during mastering – it sounded washy. It cheapened everything."
2184:
512:
A video for the song was produced, with footage from location filming in New York (on 1 May 1985) combined with studio-filmed material. The video includes
Rowland running down a deserted
1050:
345:
that he felt that the song was one of the best by Dexys
Midnight Runners. In 2004, he said that "These days I wouldn't get so worked up about people with creases in their old Levis".
2251:
2145:
455:
Author Gary
Mulholland praises the song effusively, and calls it "a work of bloody-minded ambition by a man completely out of time", claiming that he detects influences of the
280:
concert, the group sent him demos of songs including "This Is What She's Like", and Dancy agreed to join the sessions. "This Is What She's Like" was competed soon afterwards.
1290:
1129:
1522:
1885:
684:(1991); according to journalist Daryl Easlea, the album sought to position Dexys as a "hit singles band" and the song was "tagged on somewhat begrudgingly at the end."
262:, Switzerland, in May 1984, with a group of musicians recruited through auditions working with Rowland, O'Hara, Dexys Midnight Runners member Billy Adams, and
276:(1982), to produce, and using Marquis Studios in London. By the end of 1984, little of the album had been completed. After seeing Tim Dancy drumming at an
452:
called the opening of the song "fatuous dialogue" and a waste of time, and also denigrated
Rowland's singing. Mares was also critical of the dialogue.
1700:
329:
describes the song as "the ultimate shaggy dog story of inarticulate, unsatisfiable longing", and Daryl Easlea (2011) refers to it as a "mini-opera".
544:
review described how a version of the song lasting nearly twenty minutes received a standing ovation. A positive review of a show by Gavin Martin in
1255:
391:
266:, who had played on the band's live tour in 1982. The initial recording sessions were not productive, and the group returned to the UK, recruiting
2336:
2177:
680:
2326:
1677:
1467:
1234:
1104:
1042:
1878:
2170:
2117:
2275:
1314:
1174:
1282:
1121:
211:. The song and album received a mixed critical response, and the single was not a commercial success, peaking at number 78 on the
2331:
311:
201:
1871:
241:
in 2002 that "I'd fallen for Helen, see, and my brother said, 'I think the Italians have a word for it.' I think it came from
1836:
1582:
1514:
317:
Throughout the song, despite promises that he will say what she's like, Rowland as narrator does not do so. Sean O'Hagan of
1970:
2138:
535:
The song was performed on Dexys Midnight Runners' commercially unsuccessful tour in 1985. A review by Robin Denselow in
359:
2295:
2198:
1012:
158:
405:
stated that it was one of only three good tracks on the album. The track was also singled out by Emily Barker for
556:
448:
2237:
1942:
561:
295:
Rowland: "Yeah, something like that. I don't speak Italian myself, you understand. But I knew a man who did."
1696:
2048:
2018:
941:
631:
548:
mentioned that "This Is What She's Like" received the best reaction from the crowd of any song in the set.
2131:
1894:
694:
672:
551:
After a further nine-year break from touring, the band included the song in shows in 2012. Simon Price of
250:
228:
180:
175:
56:
47:
822:"This Is What She's Like" (DJ edit – short version) / "This Is What She's Like" (DJ edit – 7-inch single)
2316:
2230:
837:
572:
in 2012. Band member Jim Paterson said in 2014 that live versions were sometimes as long as 22 minutes.
438:
323:
said that because of this, the resultant song "sounds like an extended self-parody." Nick Hasted in
2321:
2152:
1043:"'We were always hard workers': Kevin Rowland and Big Jim Paterson on their favourite Dexys songs"
565:
1225:
Easlea, Daryl (2011). "Dexy's Midnight Runners: Don't Stand Me Down". In Dimery, Robert (ed.).
2285:
2280:
1983:
1832:
1673:
1463:
1230:
1100:
750:
569:
416:
Stephen Trousse, writing in 2012, called the song Rowland's "masterpiece". In the same year,
1077:
937:
699:
506:
411:
255:
237:
212:
207:
The music changes throughout the song, with critics noting an apparent influence of work by
897:
879:
868:
854:
845:
828:
809:
800:
778:
644:
418:
325:
267:
197:
185:
134:
123:
2007:
598:
232:
193:
113:
436:
praised the comedy of the song, saying that the opening dialogue was like a sketch from
2290:
2244:
874:
773:
492:
307:
208:
1740:
Price, Simon (April 21, 2013). "Cheer up Kevin! I'm about to give you a big smacker".
2310:
2094:
2037:
2026:
1947:
1906:
610:
604:
589:
528:
263:
224:
189:
105:
2216:
2068:
1934:
892:"This Is What She's Like (edit)"/ "This Is What She's Like" / "One of Those Things"
513:
501:
460:
456:
432:
341:
1498:
Niewert, Davis (December 6, 1985). "Rundgen puts high-tech gimmicks to good use".
2223:
1993:
1988:
1975:
1283:"Kevin Rowland webchat – your questions answered on Dexys, darts and pink suits"
496:
471:, and "deep soul weepies" as well as the Beach Boys on the song. The editors of
357:, in September 1985. The album received negative reviews, and Barry Egan of the
2124:
481:
468:
443:
401:
370:
272:
152:
97:
794:"An Extract from This Is What She's Like" / "This Is What She's Like Finale"
770:"An Extract from This Is What She's Like" / "This Is What She's Like Finale"
524:
422:
reviewer Neil O'Sullivan described it as Rowland's "most ambitious song".
1863:
499:". Tom Harrison called the song a "strangled floppy rhythm and blues" in
464:
277:
259:
1853:
1547:
O'Sullivan, Neil (July 16, 2012). "Latitude, Henham Park, Suffolk, UK".
505:. The single did not receive much airplay, and reached number 78 in the
353:
The song was released on the third Dexys Midnight Runners studio album,
1857:
1608:
Harrison, John (October 14, 1985). "Mellencamp is far from crazy now".
867:"This Is What She's Like"/ "This Is What She's Like (Instrumental)" / "
487:
399:
regarded the song as the album's highlight, while Davis Niewert of the
1256:"Dexy's Midnight Runners: Let's Make This Precious – The Very Best Of"
377:"This Is What She's Like" has been identified as the centrepiece of
1440:
Price, Simon (May 13, 2012). "We really need to talk about Kevin".
1075:
Easlea, Daryl (April 2000). "Classic albums: Don't Stand Me Down".
568:
during the performance. The song was included in the band's set at
479:
version. The single was dismissed as "ludicrous" by Tom Hibbert in
1404:
Martin, Gavin (November 12, 2003). "Pop: Dexys Midnight Runners".
523:
1422:
Simpson, Dave (October 28, 2003). "Pop: Dexys Midnight Runners".
43:
1867:
1653:
Hawker, Philippa (January 10, 1986). "That's what she's like".
580:
Credits as per the inner sleeve of the original album release.
745:
Single releases for "This Is What She's Like" (November 1985)
709:
319:
564:
as co-vocalist, and they were "walk-dancing" in the style of
2192:
Let's Make This Precious: The Best of Dexys Midnight Runners
1483:
Kovalic, John (December 7, 1985). "Dexy's latest run wins".
717:
Let's Make This Precious: The Best of Dexys Midnight Runners
335:
Let's Make This Precious: The Best of Dexys Midnight Runners
188:, and in November 1985 as a single. The song is credited to
293:
Adams: "What, you mean the Italian word for 'thunderbolt'?"
986:
Trousse, Stephen (June 2012). "Let's make this precious".
1515:"50 Albums Released in 1985 That Still Sound Great Today"
1380:
Egan, Barry (June 15, 1997). "Dexy's cool r'n'b poetry".
287:
Rowland: "Yeah, she is. The Italians have a word for it."
1175:"Dexy's Midnight Runners: Don't Stand Me Down (Mercury)"
409:, who called the album "music of astonishing ambition".
223:
The lyrics to "This Is What She's Like" were written by
1794:
1792:
1621:
1619:
1342:
1340:
1338:
1336:
1781:
Kelly, Nick (April 28, 2002). "Celtic soul revival".
1315:"Dexys Midnight Runners: Royal Festival Hall, London"
2146:
Let the Record Show: Dexys Do Irish and Country Soul
254:(1985). Recording sessions for the album started at
2268:
2208:
2162:
2109:
300:
Spoken dialogue, from "This Is What She's Like"
146:
121:
95:
78:
63:
53:
42:
25:
1581:
1313:
1254:
1173:
1154:Harrison, Tom (December 8, 1985). "Rock Records".
1011:
2252:Jackie Wilson Said (I'm in Heaven When You Smile)
1460:The Mojo Collection: The Ultimate Music Companion
1359:Blake, John (October 3, 1985). "Come on, Dexy!".
387:The Mojo Collection: The Ultimate Music Companion
1758:(Album inner sleeve notes). Mercury Music. 1985.
595:Billy Adams – lead guitar, rhythm guitar, vocals
381:by several reviewers, including Gavin Martin of
446:play. Taking a contrary view, John Harrison of
368:described the album as Rowland's equivalent of
283:
1725:Denselow, Robin (November 13, 1985). "Dexys".
1583:"Dexy's Midnight Runners: Don't Stand Me Down"
1879:
1565:Mares, Simon (September 14, 1985). "Albums".
1220:
1218:
1216:
1214:
1203:Hasted, Nick (April 18, 2013). "Pop: Dexys".
1005:
1003:
1001:
999:
997:
270:, who had produced the previous Dexy's album
8:
1638:Hibbert, Tom (November 6, 1985). "Singles".
1542:
1540:
1149:
1147:
1886:
1872:
1864:
1417:
1415:
915:
743:
31:
22:
1829:Dexys Midnight Runners: Young Soul Rebels
1399:
1397:
1395:
1393:
1391:
1248:
1246:
1198:
1196:
981:
979:
314:, contrasting them to the titular woman.
1691:
1689:
1560:
1558:
1458:Irvin, Jim; McLear, Colin, eds. (2007).
1453:
1451:
1435:
1433:
1227:1001 Albums You Must Hear Before You Die
1167:
1165:
392:1001 Albums You Must Hear Before You Die
385:, Simon Price of the same newspaper, in
2178:The Very Best of Dexys Midnight Runners
1720:
1718:
1375:
1373:
961:
706:Don't Stand Me Down: The Director's Cut
681:The Very Best of Dexys Midnight Runners
555:described an encore performance at the
178:, released on their third studio album
52:
41:
1525:from the original on February 10, 2021
1090:
1088:
1036:
1034:
1013:"Dexy's Midnight Runners: Grand Stand"
442:, before the song becomes more like a
291:Rowland: "A thunderbolt or something."
219:Composition and lyrical interpretation
1810:
1798:
1768:
1625:
1346:
1293:from the original on November 5, 2020
1132:from the original on October 17, 2015
1120:Petridis, Alexis (February 6, 2010).
1053:from the original on November 8, 2020
7:
1070:
1068:
2118:Searching for the Young Soul Rebels
1703:from the original on April 22, 2019
1513:Barker, Emily (February 13, 2015).
1172:O'Hagan, Sean (September 7, 1985).
1099:. London: Orion. pp. 179–182.
972:(Album label). Mercury Music. 1985.
364:Eighties classic". Dave Simpson of
227:about his relationship with fellow
18:1985 song by Dexys Midnight Runners
1580:Irwin, Colin (September 7, 1985).
1041:Simpson, Dave (October 16, 2014).
949:
946:
491:as a "sloppy" attempt to combine "
14:
1670:The Encyclopedia of Popular Music
1158:. Vancouver. p. Magazine 13.
930:
628:Robert Noble – organ, synthesizer
332:Discussing the compilation album
196:, with production by Rowland and
1487:. Madison, Wisconsin. p. 9.
708:(2002) Remastered re-release by
312:Campaign for Nuclear Disarmament
289:Adams: "What word – what is it?"
235:. Rowland told Chris Roberts of
202:Campaign for Nuclear Disarmament
1312:Roberts, Chris (January 2004).
1281:Rowland, Kevin (May 24, 2016).
285:Adams: "She must be something."
2337:Songs written by Kevin Rowland
1672:. Omnibus Press. p. 653.
1253:Easlea, Daryl (October 2003).
1:
2185:BBC Radio One Live in Concert
844:"This Is What She's Like" / "
741:Various edits were released.
2327:Dexys Midnight Runners songs
1122:"Kevin Rowland, jeans genie"
732:(2004). DVD. Filmed in 2003.
656:Arun Chakraverty – mastering
647:, Kevin Rowland – producers
2199:The Projected Passion Revue
1699:. Official Charts Company.
1010:Roberts, Chris (May 2002).
650:Alan Winstanley – recording
607:– saxophone, backing vocals
2353:
1462:. Canongate. p. 494.
1095:Mulholland, Garry (2008).
817:UK Gatefold double single
625:Tommy Evans – steel guitar
485:and by Phillipa Hawker in
306:that has been compared to
2139:One Day I'm Going to Soar
1901:
1697:"This Is What She's Like"
1610:The Sydney Morning Herald
936:
924:
921:
712:, with additional tracks.
622:Jimmy Paterson – trombone
619:Julian Littman – mandolin
449:The Sydney Morning Herald
164:
154:"This Is What She's Like"
151:
142:
30:
26:"This Is What She's Like"
2238:The Celtic Soul Brothers
1657:. Melbourne. p. 33.
803:" / "Reminisce (Part 2)"
601:– violin, backing vocals
2332:Mercury Records singles
2259:This Is What She's Like
1854:This Is What She's Like
1827:White, Richard (2005).
730:It Was Like This – Live
698:(1997) – re-release on
172:This Is What She's Like
1971:Andy "Stoker" Growcott
1895:Dexys Midnight Runners
1668:Larkin, Colin (2011).
1384:. Dublin. p. G28.
557:Shepherd's Bush Empire
532:
297:
229:Dexys Midnight Runners
176:Dexys Midnight Runners
48:Dexys Midnight Runners
37:Cover of the UK single
2231:There, There, My Dear
653:Pete Schwier – mixing
576:Credits and personnel
527:
184:in September 1985 by
1567:Reading Evening Post
439:Alas Smith and Jones
2153:The Feminine Divine
2132:Don't Stand Me Down
1831:. London: Omnibus.
1756:Don't Stand Me Down
1365:hail of bad reviews
970:Don't Stand Me Down
918:
746:
695:Don't Stand Me Down
673:Don't Stand Me Down
473:The Mojo Collection
379:Don't Stand Me Down
355:Don't Stand Me Down
251:Don't Stand Me Down
192:, Billy Adams, and
181:Don't Stand Me Down
57:Don't Stand Me Down
1860:(list of releases)
1382:Sunday Independent
916:
744:
566:Flanagan and Allen
533:
531:performing in 2012
395:. John Kovalic of
360:Sunday Independent
349:Critical reception
2304:
2303:
2281:The Blue Ox Babes
1984:Mickey Billingham
1679:978-0-85712-595-8
1485:The Capital Times
1469:978-1-84195-973-3
1236:978-1-84403-714-8
1106:978-0-7528-8243-7
1081:. pp. 50–58.
953:
952:
917:Original release
909:
908:
616:Tim Dancy – drums
520:Live performances
430:. Colin Adams of
397:The Capital Times
168:
167:
2344:
2269:Related articles
2085:Madeleine Hyland
2004:Giorgio Kilkenny
1888:
1881:
1874:
1865:
1842:
1814:
1808:
1802:
1796:
1787:
1786:
1778:
1772:
1766:
1760:
1759:
1752:
1746:
1745:
1737:
1731:
1730:
1722:
1713:
1712:
1710:
1708:
1693:
1684:
1683:
1665:
1659:
1658:
1650:
1644:
1643:
1635:
1629:
1623:
1614:
1613:
1605:
1599:
1598:
1596:
1594:
1585:
1577:
1571:
1570:
1562:
1553:
1552:
1544:
1535:
1534:
1532:
1530:
1510:
1504:
1503:
1495:
1489:
1488:
1480:
1474:
1473:
1455:
1446:
1445:
1437:
1428:
1427:
1419:
1410:
1409:
1401:
1386:
1385:
1377:
1368:
1367:
1356:
1350:
1344:
1331:
1330:
1328:
1326:
1317:
1309:
1303:
1302:
1300:
1298:
1278:
1272:
1271:
1269:
1267:
1261:Record Collector
1258:
1250:
1241:
1240:
1222:
1209:
1208:
1200:
1191:
1190:
1188:
1186:
1177:
1169:
1160:
1159:
1151:
1142:
1141:
1139:
1137:
1117:
1111:
1110:
1092:
1083:
1082:
1078:Record Collector
1072:
1063:
1062:
1060:
1058:
1038:
1029:
1028:
1026:
1024:
1015:
1007:
992:
991:
983:
974:
973:
966:
932:
919:
762:Catalogue Number
747:
700:Creation Records
507:UK Singles Chart
301:
256:Mountain Studios
213:UK Singles Chart
155:
126:
100:
90:
89:
85:
74:
72:
35:
23:
2352:
2351:
2347:
2346:
2345:
2343:
2342:
2341:
2307:
2306:
2305:
2300:
2264:
2204:
2158:
2105:
2073:Julian Crampton
2065:Philip Blakeman
2059:Penn Pennington
1923:Michael Timothy
1897:
1892:
1849:
1839:
1826:
1823:
1818:
1817:
1809:
1805:
1797:
1790:
1780:
1779:
1775:
1767:
1763:
1754:
1753:
1749:
1742:The Independent
1739:
1738:
1734:
1724:
1723:
1716:
1706:
1704:
1695:
1694:
1687:
1680:
1667:
1666:
1662:
1652:
1651:
1647:
1637:
1636:
1632:
1624:
1617:
1607:
1606:
1602:
1592:
1590:
1579:
1578:
1574:
1564:
1563:
1556:
1549:Financial Times
1546:
1545:
1538:
1528:
1526:
1512:
1511:
1507:
1497:
1496:
1492:
1482:
1481:
1477:
1470:
1457:
1456:
1449:
1442:The Independent
1439:
1438:
1431:
1421:
1420:
1413:
1406:The Independent
1403:
1402:
1389:
1379:
1378:
1371:
1358:
1357:
1353:
1345:
1334:
1324:
1322:
1311:
1310:
1306:
1296:
1294:
1280:
1279:
1275:
1265:
1263:
1252:
1251:
1244:
1237:
1224:
1223:
1212:
1205:The Independent
1202:
1201:
1194:
1184:
1182:
1171:
1170:
1163:
1153:
1152:
1145:
1135:
1133:
1119:
1118:
1114:
1107:
1094:
1093:
1086:
1074:
1073:
1066:
1056:
1054:
1040:
1039:
1032:
1022:
1020:
1009:
1008:
995:
985:
984:
977:
968:
967:
963:
958:
926:
914:
898:Mercury Records
880:Mercury Records
869:Marguerita Time
855:Mercury Records
846:Marguerita Time
829:Mercury Records
810:Mercury Records
801:Marguerita Time
795:
779:Mercury Records
739:
726:
668:
663:
645:Alan Winstanley
578:
553:The Independent
546:The Independent
522:
419:Financial Times
389:(2007), and in
383:The Independent
351:
326:The Independent
303:
299:
294:
292:
290:
288:
286:
268:Alan Winstanley
221:
198:Alan Winstanley
186:Mercury Records
174:" is a song by
153:
135:Alan Winstanley
122:
96:
91:(album version)
87:
83:
82:
70:
68:
54:from the album
38:
19:
12:
11:
5:
2350:
2348:
2340:
2339:
2334:
2329:
2324:
2319:
2309:
2308:
2302:
2301:
2299:
2298:
2293:
2291:General Public
2288:
2283:
2278:
2272:
2270:
2266:
2265:
2263:
2262:
2255:
2248:
2245:Come On Eileen
2241:
2234:
2227:
2220:
2212:
2210:
2206:
2205:
2203:
2202:
2195:
2188:
2181:
2174:
2166:
2164:
2160:
2159:
2157:
2156:
2149:
2142:
2135:
2128:
2121:
2113:
2111:
2107:
2106:
2104:
2103:
2100:
2097:
2092:
2089:
2086:
2083:
2080:
2079:Volker Janssen
2077:
2076:Crispin Taylor
2074:
2071:
2066:
2063:
2060:
2057:
2054:
2051:
2046:
2043:
2040:
2035:
2032:
2029:
2024:
2021:
2016:
2013:
2010:
2005:
2002:
1999:
1996:
1991:
1986:
1981:
1978:
1973:
1968:
1965:
1962:
1959:
1956:
1953:
1950:
1945:
1940:
1937:
1931:
1930:
1925:
1920:
1915:
1910:
1902:
1899:
1898:
1893:
1891:
1890:
1883:
1876:
1868:
1862:
1861:
1848:
1847:External links
1845:
1844:
1843:
1837:
1822:
1819:
1816:
1815:
1813:, p. 208.
1803:
1801:, p. 212.
1788:
1785:. p. AL2.
1783:Sunday Tribune
1773:
1771:, p. 211.
1761:
1747:
1732:
1714:
1685:
1678:
1660:
1645:
1630:
1628:, p. 174.
1615:
1600:
1572:
1554:
1536:
1505:
1490:
1475:
1468:
1447:
1429:
1411:
1387:
1369:
1363:. p. 13.
1351:
1349:, p. 210.
1332:
1304:
1273:
1242:
1235:
1210:
1192:
1161:
1143:
1112:
1105:
1084:
1064:
1030:
993:
975:
960:
959:
957:
954:
951:
950:
948:
945:
934:
933:
928:
923:
913:
910:
907:
906:
903:
900:
895:
893:
889:
888:
885:
882:
877:
875:12-inch single
872:
864:
863:
860:
857:
852:
851:10-inch single
849:
841:
840:
834:
831:
826:
823:
819:
818:
815:
812:
807:
804:
788:
787:
784:
781:
776:
771:
767:
766:
763:
760:
757:
754:
738:
735:
734:
733:
725:
722:
721:
720:
713:
703:
691:
688:Because of You
685:
677:
667:
664:
662:
659:
658:
657:
654:
651:
648:
641:
640:
636:
635:
629:
626:
623:
620:
617:
614:
608:
605:Nicky Gatfield
602:
596:
593:
586:
585:
577:
574:
521:
518:
493:Come on Eileen
350:
347:
308:the Beach Boys
282:
220:
217:
209:the Beach Boys
166:
165:
162:
161:
149:
148:
144:
143:
140:
139:
138:
137:
132:
127:
119:
118:
117:
116:
111:
108:
101:
93:
92:
80:
76:
75:
65:
61:
60:
51:
50:
40:
39:
36:
28:
27:
17:
13:
10:
9:
6:
4:
3:
2:
2349:
2338:
2335:
2333:
2330:
2328:
2325:
2323:
2320:
2318:
2315:
2314:
2312:
2297:
2294:
2292:
2289:
2287:
2284:
2282:
2279:
2277:
2274:
2273:
2271:
2267:
2260:
2256:
2253:
2249:
2246:
2242:
2239:
2235:
2232:
2228:
2225:
2221:
2218:
2214:
2213:
2211:
2207:
2201:
2200:
2196:
2194:
2193:
2189:
2187:
2186:
2182:
2180:
2179:
2175:
2173:
2172:
2168:
2167:
2165:
2161:
2155:
2154:
2150:
2148:
2147:
2143:
2141:
2140:
2136:
2134:
2133:
2129:
2127:
2126:
2122:
2120:
2119:
2115:
2114:
2112:
2110:Studio albums
2108:
2101:
2099:Billy Stookes
2098:
2096:
2095:Siobhan Fahey
2093:
2090:
2088:Tim Cansfield
2087:
2084:
2081:
2078:
2075:
2072:
2070:
2067:
2064:
2062:Jerry Preston
2061:
2058:
2055:
2052:
2050:
2047:
2045:Julian Litman
2044:
2041:
2039:
2038:Vincent Crane
2036:
2033:
2030:
2028:
2027:Nick Gatfield
2025:
2023:Andy Hamilton
2022:
2020:
2017:
2015:Roger MacDuff
2014:
2012:Steve Brennan
2011:
2009:
2006:
2003:
2000:
1998:Brian Maurice
1997:
1995:
1992:
1990:
1987:
1985:
1982:
1979:
1977:
1974:
1972:
1969:
1966:
1963:
1960:
1957:
1955:Steve Spooner
1954:
1951:
1949:
1948:Pete Saunders
1946:
1944:
1943:Pete Williams
1941:
1938:
1936:
1933:
1932:
1929:
1926:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1908:
1907:Kevin Rowland
1904:
1903:
1900:
1896:
1889:
1884:
1882:
1877:
1875:
1870:
1869:
1866:
1859:
1855:
1851:
1850:
1846:
1840:
1834:
1830:
1825:
1824:
1820:
1812:
1807:
1804:
1800:
1795:
1793:
1789:
1784:
1777:
1774:
1770:
1765:
1762:
1757:
1751:
1748:
1744:. p. 44.
1743:
1736:
1733:
1729:. p. 23.
1728:
1721:
1719:
1715:
1702:
1698:
1692:
1690:
1686:
1681:
1675:
1671:
1664:
1661:
1656:
1649:
1646:
1642:. p. 42.
1641:
1634:
1631:
1627:
1622:
1620:
1616:
1612:. p. 53.
1611:
1604:
1601:
1589:
1584:
1576:
1573:
1569:. p. 30.
1568:
1561:
1559:
1555:
1550:
1543:
1541:
1537:
1524:
1520:
1516:
1509:
1506:
1502:. p. A7.
1501:
1494:
1491:
1486:
1479:
1476:
1471:
1465:
1461:
1454:
1452:
1448:
1444:. p. 46.
1443:
1436:
1434:
1430:
1426:. p. 26.
1425:
1418:
1416:
1412:
1408:. p. 57.
1407:
1400:
1398:
1396:
1394:
1392:
1388:
1383:
1376:
1374:
1370:
1366:
1362:
1355:
1352:
1348:
1343:
1341:
1339:
1337:
1333:
1321:
1316:
1308:
1305:
1292:
1288:
1284:
1277:
1274:
1262:
1257:
1249:
1247:
1243:
1238:
1232:
1228:
1221:
1219:
1217:
1215:
1211:
1207:. p. 44.
1206:
1199:
1197:
1193:
1181:
1176:
1168:
1166:
1162:
1157:
1150:
1148:
1144:
1131:
1127:
1123:
1116:
1113:
1108:
1102:
1098:
1097:Fear of Music
1091:
1089:
1085:
1080:
1079:
1071:
1069:
1065:
1052:
1048:
1044:
1037:
1035:
1031:
1019:
1014:
1006:
1004:
1002:
1000:
998:
994:
990:. p. 32.
989:
982:
980:
976:
971:
965:
962:
955:
943:
939:
935:
929:
922:Chart (1985)
920:
912:Weekly charts
911:
904:
901:
899:
896:
894:
891:
890:
886:
883:
881:
878:
876:
873:
870:
866:
865:
861:
858:
856:
853:
850:
847:
843:
842:
839:
835:
832:
830:
827:
825:7-inch single
824:
821:
820:
816:
813:
811:
808:
806:7-inch single
805:
802:
798:
793:
790:
789:
785:
782:
780:
777:
775:
774:7-inch single
772:
769:
768:
764:
761:
758:
755:
752:
749:
748:
742:
736:
731:
728:
727:
723:
719:
718:
714:
711:
707:
704:
701:
697:
696:
692:
689:
686:
683:
682:
678:
675:
674:
670:
669:
665:
660:
655:
652:
649:
646:
643:
642:
638:
637:
633:
630:
627:
624:
621:
618:
615:
612:
611:Vincent Crane
609:
606:
603:
600:
597:
594:
591:
590:Kevin Rowland
588:
587:
583:
582:
581:
575:
573:
571:
567:
563:
562:Pete Williams
558:
554:
549:
547:
543:
538:
530:
529:Kevin Rowland
526:
519:
517:
515:
510:
508:
504:
503:
498:
494:
490:
489:
484:
483:
476:
474:
470:
466:
462:
458:
453:
451:
450:
445:
441:
440:
435:
434:
429:
423:
421:
420:
415:
413:
408:
404:
403:
398:
394:
393:
388:
384:
380:
375:
373:
372:
367:
362:
361:
356:
348:
346:
344:
343:
337:
336:
330:
328:
327:
322:
321:
315:
313:
309:
302:
296:
281:
279:
275:
274:
269:
265:
264:Nick Gatfield
261:
257:
253:
252:
246:
244:
243:The Godfather
240:
239:
234:
230:
226:
225:Kevin Rowland
218:
216:
214:
210:
205:
203:
199:
195:
191:
190:Kevin Rowland
187:
183:
182:
177:
173:
163:
160:
156:
150:
145:
141:
136:
133:
131:Kevin Rowland
130:
129:
128:
125:
120:
115:
112:
109:
107:
106:Kevin Rowland
104:
103:
102:
99:
98:Songwriter(s)
94:
81:
77:
66:
62:
59:
58:
49:
45:
34:
29:
24:
21:
16:
2317:1985 singles
2296:The Killjoys
2258:
2217:Dance Stance
2197:
2190:
2183:
2176:
2169:
2163:Compilations
2151:
2144:
2137:
2130:
2123:
2116:
2069:Neil Hubbard
2056:Fayyaz Virji
2034:Robert Noble
2019:John Edwards
2008:Helen O'Hara
1958:Geoff Blythe
1939:Jim Paterson
1927:
1922:
1917:
1912:
1905:
1828:
1821:Bibliography
1806:
1782:
1776:
1764:
1755:
1750:
1741:
1735:
1727:The Guardian
1726:
1705:. Retrieved
1669:
1663:
1654:
1648:
1639:
1633:
1609:
1603:
1591:. Retrieved
1588:Melody Maker
1587:
1575:
1566:
1548:
1527:. Retrieved
1518:
1508:
1499:
1493:
1484:
1478:
1459:
1441:
1424:The Guardian
1423:
1405:
1381:
1364:
1361:Daily Mirror
1360:
1354:
1323:. Retrieved
1319:
1307:
1295:. Retrieved
1287:The Guardian
1286:
1276:
1264:. Retrieved
1260:
1226:
1204:
1183:. Retrieved
1179:
1156:The Province
1155:
1134:. Retrieved
1126:The Guardian
1125:
1115:
1096:
1076:
1055:. Retrieved
1047:The Guardian
1046:
1021:. Retrieved
1017:
987:
969:
964:
796:
791:
740:
729:
715:
705:
693:
687:
679:
671:
632:John Edwards
599:Helen O'Hara
579:
552:
550:
545:
541:
537:The Guardian
536:
534:
514:Fifth Avenue
511:
502:The Province
500:
486:
480:
477:
472:
461:Van Morrison
457:Pete and Dud
454:
447:
437:
433:Melody Maker
431:
427:
424:
417:
410:
406:
400:
396:
390:
386:
382:
378:
376:
369:
366:The Guardian
365:
358:
354:
352:
342:The Guardian
340:
333:
331:
324:
318:
316:
304:
298:
284:
271:
249:
247:
242:
236:
233:Helen O'Hara
222:
206:
194:Helen O'Hara
179:
171:
169:
114:Helen O'Hara
55:
20:
15:
2276:Discography
2102:Mark Kavuma
2091:David Ruffy
2082:Paul Taylor
2053:Pol Coussee
2049:Mick Bolton
2031:Spike Edney
2001:Steve Wynne
1994:Paul Speare
1989:Seb Shelton
1980:Billy Adams
1976:Mick Talbot
1928:Andy Hobson
1913:Lucy Morgan
1229:. Octopus.
884:DEXYS 13-12
859:DEXYS 13-10
497:Caroline No
147:Music video
124:Producer(s)
110:Billy Adams
2322:1985 songs
2311:Categories
2286:The Bureau
2125:Too-Rye-Ay
1964:Bobby Ward
1838:1844498638
1811:White 2005
1799:White 2005
1769:White 2005
1640:Smash Hits
1626:White 2005
1500:Missoulian
1347:White 2005
956:References
938:UK Singles
482:Smash Hits
469:folk music
444:Mike Leigh
428:Too-Rye-Ay
402:Missoulian
371:Pet Sounds
273:Too-Rye-Ay
2042:Tim Dancy
1967:Andy Leek
1961:Jeff Kent
1935:Al Archer
1918:Sean Read
927:position
905:US promo
902:PRO-387-1
836:UK radio
753:/ B-sides
639:Technical
584:Musicians
1952:John Jay
1707:July 30,
1701:Archived
1593:July 30,
1529:July 30,
1523:Archived
1325:July 30,
1297:July 30,
1291:Archived
1266:July 30,
1185:July 30,
1136:July 30,
1130:Archived
1057:July 30,
1051:Archived
1023:July 30,
833:DEXDJ 13
783:DEXYS 13
661:Releases
592:– vocals
570:Latitude
542:Guardian
465:Lou Reed
278:Al Green
260:Montreux
64:Released
2209:Singles
1858:Discogs
1655:The Age
797:Disc 2:
792:Disc 1:
737:Singles
613:– piano
495:" and "
488:The Age
231:member
159:YouTube
69: (
1835:
1676:
1466:
1233:
1103:
765:Notes
756:Format
751:A-side
690:(1993)
676:(1985)
666:Albums
634:– bass
79:Length
1856:" at
1320:Uncut
1018:Uncut
988:Uncut
838:promo
814:DEXYD
759:Label
724:Video
412:Uncut
238:Uncut
2224:Geno
2171:Geno
1833:ISBN
1709:2021
1674:ISBN
1595:2021
1531:2021
1464:ISBN
1327:2021
1299:2021
1268:2021
1231:ISBN
1187:2021
1138:2021
1101:ISBN
1059:2021
1025:2021
931:Ref.
925:Peak
71:1985
67:1985
44:Song
1519:NME
1180:NME
947:78
942:OCC
887:UK
862:UK
786:UK
710:EMI
407:NME
320:NME
157:on
46:by
2313::
1791:^
1717:^
1688:^
1618:^
1586:.
1557:^
1539:^
1521:.
1517:.
1450:^
1432:^
1414:^
1390:^
1372:^
1335:^
1318:.
1289:.
1285:.
1259:.
1245:^
1213:^
1195:^
1178:.
1164:^
1146:^
1128:.
1124:.
1087:^
1067:^
1049:.
1045:.
1033:^
1016:.
996:^
978:^
944:)
509:.
467:,
463:,
459:,
414:'s
374:.
258:,
215:.
204:.
88:23
84:12
2261:"
2257:"
2254:"
2250:"
2247:"
2243:"
2240:"
2236:"
2233:"
2229:"
2226:"
2222:"
2219:"
2215:"
1887:e
1880:t
1873:v
1852:"
1841:.
1711:.
1682:.
1597:.
1551:.
1533:.
1472:.
1329:.
1301:.
1270:.
1239:.
1189:.
1140:.
1109:.
1061:.
1027:.
940:(
871:"
848:"
799:"
170:"
86::
73:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.