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This Is What She's Like

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33: 245:, when Michael Corleone's walking through Sicily chilling out after he's shot those two guys in that restaurant. I must've liked the ring of it." Rowland claimed in a 2014 interview that "This song literally came to me as I was going off to sleep. Those words – 'What's she like? Tell me what's she like' – and melodies just came. It didn't sound like anything." 200:. The song, inspired by Rowland's relationship with O'Hara, includes spoken conversations between Rowland and Adams. Rather than answering Adams's repeated in-song question about what "she" is like, Rowland contrasts the "she" of the title with people who irritate him, for example those who put creases in their jeans, and members of the 525: 478:
Easlea says it was lack of a single release that lead to the album's lack of commercial success, a view shared by Rowland, who had resisted a single being released. In November 1985, various edited versions of the song were released as singles, primarily much shorter edits than the 12-minute album
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The first section of the song consists of a dialogue between Rowland and bandmate Adams, without music. As Rowland explains what "she" is not like, rather than what she is like, the music is soft with elements of folk. At 6 minutes and 50 seconds into the track, the accompanying music has a sound
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wrote in 1997 that the album was "unanimously reviled" when released, although Easlea (2011) claims that this was not the case. The album (which has been re-released in different versions) has, in the intervening years, been hailed by some critics as a "misunderstood masterpiece", and a "lost
475:(2007) also detect a Beach Boys influence and comment that the song "merges opaque dialogue" and a "coda of Stax-style horns". Martin wrote that the track "may be the angriest love song ever written", while Roberts feels that it "triumphs as an exhilarating hymn to romance". 559:
as "utterly astonishing" and that when Rowlands asks during the song whether he can express himself, his "outburst of ecstatic laa-laa-laas says more than words ever could." In another review the following year, Price noted that Rowland was performing the song with
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The track was described by Sean O'Hagan as "the single most bizarre escapade yet foisted on an unsuspecting public in the guise of a Dexys song." Simon Mares, in a negative review, called the song a "rambling reprise" of the previous Dexys Midnight Runners album
516:, and has other shots filmed to look as if he is levitating. It was directed by Jack Hazan, who Rowland approached having met during a 1983 interview for French television. Hazan intended the video to have a theme of "love represented as a form of madness." 310:, and concludes with brass instrument accompaniment like that found in earlier works by Dexys Midnight Runners. During the conversation, Rowland lists various dislikes, including people who put creases in their jeans, and members of the 338:
in 2003, Rowland said "My biggest regret is that 'This Is What She's Like' wasn't a 10-minute single. I think it might have done for Dexys what 'Bohemian Rhapsody' did for Queen." and stated in a 2016 webchat hosted by
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stated that the performance of "This Is What She's Like" was one of a few highlights of a show derailed by Rowland's ill-tempered demeanour. It was next performed live by Dexys Midnight Runners in 2003. Dave Simpson's
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Rowland started composing "This Is What She's Like" in 1983. He taped vocals one evening, and O'Hara began composing the music, on piano, the following day. It was the first song written for the album
702:, with two extra tracks. Rowland complained in 2002 that "The '97 reissue on Creation was fucked up by the use of a 'stereo enhancer' during mastering – it sounded washy. It cheapened everything." 2184: 512:
A video for the song was produced, with footage from location filming in New York (on 1 May 1985) combined with studio-filmed material. The video includes Rowland running down a deserted
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that he felt that the song was one of the best by Dexys Midnight Runners. In 2004, he said that "These days I wouldn't get so worked up about people with creases in their old Levis".
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Author Gary Mulholland praises the song effusively, and calls it "a work of bloody-minded ambition by a man completely out of time", claiming that he detects influences of the
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concert, the group sent him demos of songs including "This Is What She's Like", and Dancy agreed to join the sessions. "This Is What She's Like" was competed soon afterwards.
1290: 1129: 1522: 1885: 684:(1991); according to journalist Daryl Easlea, the album sought to position Dexys as a "hit singles band" and the song was "tagged on somewhat begrudgingly at the end." 262:, Switzerland, in May 1984, with a group of musicians recruited through auditions working with Rowland, O'Hara, Dexys Midnight Runners member Billy Adams, and 276:(1982), to produce, and using Marquis Studios in London. By the end of 1984, little of the album had been completed. After seeing Tim Dancy drumming at an 452:
called the opening of the song "fatuous dialogue" and a waste of time, and also denigrated Rowland's singing. Mares was also critical of the dialogue.
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describes the song as "the ultimate shaggy dog story of inarticulate, unsatisfiable longing", and Daryl Easlea (2011) refers to it as a "mini-opera".
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review described how a version of the song lasting nearly twenty minutes received a standing ovation. A positive review of a show by Gavin Martin in
1255: 391: 266:, who had played on the band's live tour in 1982. The initial recording sessions were not productive, and the group returned to the UK, recruiting 2336: 2177: 680: 2326: 1677: 1467: 1234: 1104: 1042: 1878: 2170: 2117: 2275: 1314: 1174: 1282: 1121: 211:. The song and album received a mixed critical response, and the single was not a commercial success, peaking at number 78 on the 2331: 311: 201: 1871: 241:
in 2002 that "I'd fallen for Helen, see, and my brother said, 'I think the Italians have a word for it.' I think it came from
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Throughout the song, despite promises that he will say what she's like, Rowland as narrator does not do so. Sean O'Hagan of
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The song was performed on Dexys Midnight Runners' commercially unsuccessful tour in 1985. A review by Robin Denselow in
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stated that it was one of only three good tracks on the album. The track was also singled out by Emily Barker for
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Rowland: "Yeah, something like that. I don't speak Italian myself, you understand. But I knew a man who did."
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mentioned that "This Is What She's Like" received the best reaction from the crowd of any song in the set.
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After a further nine-year break from touring, the band included the song in shows in 2012. Simon Price of
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in 2012. Band member Jim Paterson said in 2014 that live versions were sometimes as long as 22 minutes.
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said that because of this, the resultant song "sounds like an extended self-parody." Nick Hasted in
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Easlea, Daryl (2011). "Dexy's Midnight Runners: Don't Stand Me Down". In Dimery, Robert (ed.).
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Stephen Trousse, writing in 2012, called the song Rowland's "masterpiece". In the same year,
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The music changes throughout the song, with critics noting an apparent influence of work by
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praised the comedy of the song, saying that the opening dialogue was like a sketch from
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Price, Simon (April 21, 2013). "Cheer up Kevin! I'm about to give you a big smacker".
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Niewert, Davis (December 6, 1985). "Rundgen puts high-tech gimmicks to good use".
2223: 1993: 1988: 1975: 1283:"Kevin Rowland webchat – your questions answered on Dexys, darts and pink suits" 496: 471:, and "deep soul weepies" as well as the Beach Boys on the song. The editors of 357:, in September 1985. The album received negative reviews, and Barry Egan of the 2124: 481: 468: 443: 401: 370: 272: 152: 97: 794:"An Extract from This Is What She's Like" / "This Is What She's Like Finale" 770:"An Extract from This Is What She's Like" / "This Is What She's Like Finale" 524: 422:
reviewer Neil O'Sullivan described it as Rowland's "most ambitious song".
1863: 499:". Tom Harrison called the song a "strangled floppy rhythm and blues" in 464: 277: 259: 1853: 1547:
O'Sullivan, Neil (July 16, 2012). "Latitude, Henham Park, Suffolk, UK".
505:. The single did not receive much airplay, and reached number 78 in the 353:
The song was released on the third Dexys Midnight Runners studio album,
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Harrison, John (October 14, 1985). "Mellencamp is far from crazy now".
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regarded the song as the album's highlight, while Davis Niewert of the
1256:"Dexy's Midnight Runners: Let's Make This Precious – The Very Best Of" 377:"This Is What She's Like" has been identified as the centrepiece of 1440:
Price, Simon (May 13, 2012). "We really need to talk about Kevin".
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Easlea, Daryl (April 2000). "Classic albums: Don't Stand Me Down".
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during the performance. The song was included in the band's set at
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version. The single was dismissed as "ludicrous" by Tom Hibbert in
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Martin, Gavin (November 12, 2003). "Pop: Dexys Midnight Runners".
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Simpson, Dave (October 28, 2003). "Pop: Dexys Midnight Runners".
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Hawker, Philippa (January 10, 1986). "That's what she's like".
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Credits as per the inner sleeve of the original album release.
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Single releases for "This Is What She's Like" (November 1985)
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as co-vocalist, and they were "walk-dancing" in the style of
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Let's Make This Precious: The Best of Dexys Midnight Runners
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Kovalic, John (December 7, 1985). "Dexy's latest run wins".
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Let's Make This Precious: The Best of Dexys Midnight Runners
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Let's Make This Precious: The Best of Dexys Midnight Runners
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Adams: "What, you mean the Italian word for 'thunderbolt'?"
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Trousse, Stephen (June 2012). "Let's make this precious".
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Egan, Barry (June 15, 1997). "Dexy's cool r'n'b poetry".
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Rowland: "Yeah, she is. The Italians have a word for it."
1175:"Dexy's Midnight Runners: Don't Stand Me Down (Mercury)" 409:, who called the album "music of astonishing ambition". 223:
The lyrics to "This Is What She's Like" were written by
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Kelly, Nick (April 28, 2002). "Celtic soul revival".
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Let the Record Show: Dexys Do Irish and Country Soul
254:(1985). Recording sessions for the album started at 2268: 2208: 2162: 2109: 300:
Spoken dialogue, from "This Is What She's Like"
146: 121: 95: 78: 63: 53: 42: 25: 1581: 1313: 1254: 1173: 1154:Harrison, Tom (December 8, 1985). "Rock Records". 1011: 2252:Jackie Wilson Said (I'm in Heaven When You Smile) 1460:The Mojo Collection: The Ultimate Music Companion 1359:Blake, John (October 3, 1985). "Come on, Dexy!". 387:The Mojo Collection: The Ultimate Music Companion 1758:(Album inner sleeve notes). Mercury Music. 1985. 595:Billy Adams – lead guitar, rhythm guitar, vocals 381:by several reviewers, including Gavin Martin of 446:play. Taking a contrary view, John Harrison of 368:described the album as Rowland's equivalent of 283: 1725:Denselow, Robin (November 13, 1985). "Dexys". 1583:"Dexy's Midnight Runners: Don't Stand Me Down" 1879: 1565:Mares, Simon (September 14, 1985). "Albums". 1220: 1218: 1216: 1214: 1203:Hasted, Nick (April 18, 2013). "Pop: Dexys". 1005: 1003: 1001: 999: 997: 270:, who had produced the previous Dexy's album 8: 1638:Hibbert, Tom (November 6, 1985). "Singles". 1542: 1540: 1149: 1147: 1886: 1872: 1864: 1417: 1415: 915: 743: 31: 22: 1829:Dexys Midnight Runners: Young Soul Rebels 1399: 1397: 1395: 1393: 1391: 1248: 1246: 1198: 1196: 981: 979: 314:, contrasting them to the titular woman. 1691: 1689: 1560: 1558: 1458:Irvin, Jim; McLear, Colin, eds. (2007). 1453: 1451: 1435: 1433: 1227:1001 Albums You Must Hear Before You Die 1167: 1165: 392:1001 Albums You Must Hear Before You Die 385:, Simon Price of the same newspaper, in 2178:The Very Best of Dexys Midnight Runners 1720: 1718: 1375: 1373: 961: 706:Don't Stand Me Down: The Director's Cut 681:The Very Best of Dexys Midnight Runners 555:described an encore performance at the 178:, released on their third studio album 52: 41: 1525:from the original on February 10, 2021 1090: 1088: 1036: 1034: 1013:"Dexy's Midnight Runners: Grand Stand" 442:, before the song becomes more like a 291:Rowland: "A thunderbolt or something." 219:Composition and lyrical interpretation 1810: 1798: 1768: 1625: 1346: 1293:from the original on November 5, 2020 1132:from the original on October 17, 2015 1120:Petridis, Alexis (February 6, 2010). 1053:from the original on November 8, 2020 7: 1070: 1068: 2118:Searching for the Young Soul Rebels 1703:from the original on April 22, 2019 1513:Barker, Emily (February 13, 2015). 1172:O'Hagan, Sean (September 7, 1985). 1099:. London: Orion. pp. 179–182. 972:(Album label). Mercury Music. 1985. 364:Eighties classic". Dave Simpson of 227:about his relationship with fellow 18:1985 song by Dexys Midnight Runners 1580:Irwin, Colin (September 7, 1985). 1041:Simpson, Dave (October 16, 2014). 949: 946: 491:as a "sloppy" attempt to combine " 14: 1670:The Encyclopedia of Popular Music 1158:. Vancouver. p. Magazine 13. 930: 628:Robert Noble – organ, synthesizer 332:Discussing the compilation album 196:, with production by Rowland and 1487:. Madison, Wisconsin. p. 9. 708:(2002) Remastered re-release by 312:Campaign for Nuclear Disarmament 289:Adams: "What word – what is it?" 235:. Rowland told Chris Roberts of 202:Campaign for Nuclear Disarmament 1312:Roberts, Chris (January 2004). 1281:Rowland, Kevin (May 24, 2016). 285:Adams: "She must be something." 2337:Songs written by Kevin Rowland 1672:. Omnibus Press. p. 653. 1253:Easlea, Daryl (October 2003). 1: 2185:BBC Radio One Live in Concert 844:"This Is What She's Like" / " 741:Various edits were released. 2327:Dexys Midnight Runners songs 1122:"Kevin Rowland, jeans genie" 732:(2004). DVD. Filmed in 2003. 656:Arun Chakraverty – mastering 647:, Kevin Rowland – producers 2199:The Projected Passion Revue 1699:. Official Charts Company. 1010:Roberts, Chris (May 2002). 650:Alan Winstanley – recording 607:– saxophone, backing vocals 2353: 1462:. Canongate. p. 494. 1095:Mulholland, Garry (2008). 817:UK Gatefold double single 625:Tommy Evans – steel guitar 485:and by Phillipa Hawker in 306:that has been compared to 2139:One Day I'm Going to Soar 1901: 1697:"This Is What She's Like" 1610:The Sydney Morning Herald 936: 924: 921: 712:, with additional tracks. 622:Jimmy Paterson – trombone 619:Julian Littman – mandolin 449:The Sydney Morning Herald 164: 154:"This Is What She's Like" 151: 142: 30: 26:"This Is What She's Like" 2238:The Celtic Soul Brothers 1657:. Melbourne. p. 33. 803:" / "Reminisce (Part 2)" 601:– violin, backing vocals 2332:Mercury Records singles 2259:This Is What She's Like 1854:This Is What She's Like 1827:White, Richard (2005). 730:It Was Like This – Live 698:(1997) – re-release on 172:This Is What She's Like 1971:Andy "Stoker" Growcott 1895:Dexys Midnight Runners 1668:Larkin, Colin (2011). 1384:. Dublin. p. G28. 557:Shepherd's Bush Empire 532: 297: 229:Dexys Midnight Runners 176:Dexys Midnight Runners 48:Dexys Midnight Runners 37:Cover of the UK single 2231:There, There, My Dear 653:Pete Schwier – mixing 576:Credits and personnel 527: 184:in September 1985 by 1567:Reading Evening Post 439:Alas Smith and Jones 2153:The Feminine Divine 2132:Don't Stand Me Down 1831:. London: Omnibus. 1756:Don't Stand Me Down 1365:hail of bad reviews 970:Don't Stand Me Down 918: 746: 695:Don't Stand Me Down 673:Don't Stand Me Down 473:The Mojo Collection 379:Don't Stand Me Down 355:Don't Stand Me Down 251:Don't Stand Me Down 192:, Billy Adams, and 181:Don't Stand Me Down 57:Don't Stand Me Down 1860:(list of releases) 1382:Sunday Independent 916: 744: 566:Flanagan and Allen 533: 531:performing in 2012 395:. John Kovalic of 360:Sunday Independent 349:Critical reception 2304: 2303: 2281:The Blue Ox Babes 1984:Mickey Billingham 1679:978-0-85712-595-8 1485:The Capital Times 1469:978-1-84195-973-3 1236:978-1-84403-714-8 1106:978-0-7528-8243-7 1081:. pp. 50–58. 953: 952: 917:Original release 909: 908: 616:Tim Dancy – drums 520:Live performances 430:. 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Maurice 1997: 1995: 1992: 1990: 1987: 1985: 1982: 1979: 1977: 1974: 1972: 1969: 1966: 1963: 1960: 1957: 1955:Steve Spooner 1954: 1951: 1949: 1948:Pete Saunders 1946: 1944: 1943:Pete Williams 1941: 1938: 1936: 1933: 1932: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1908: 1907:Kevin Rowland 1904: 1903: 1900: 1896: 1889: 1884: 1882: 1877: 1875: 1870: 1869: 1866: 1859: 1855: 1851: 1850: 1846: 1840: 1834: 1830: 1825: 1824: 1820: 1812: 1807: 1804: 1800: 1795: 1793: 1789: 1784: 1777: 1774: 1770: 1765: 1762: 1757: 1751: 1748: 1744:. p. 44. 1743: 1736: 1733: 1729:. p. 23. 1728: 1721: 1719: 1715: 1702: 1698: 1692: 1690: 1686: 1681: 1675: 1671: 1664: 1661: 1656: 1649: 1646: 1642:. p. 42. 1641: 1634: 1631: 1627: 1622: 1620: 1616: 1612:. p. 53. 1611: 1604: 1601: 1589: 1584: 1576: 1573: 1569:. p. 30. 1568: 1561: 1559: 1555: 1550: 1543: 1541: 1537: 1524: 1520: 1516: 1509: 1506: 1502:. p. A7. 1501: 1494: 1491: 1486: 1479: 1476: 1471: 1465: 1461: 1454: 1452: 1448: 1444:. p. 46. 1443: 1436: 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Rowland 187: 183: 182: 177: 173: 163: 160: 156: 150: 145: 141: 136: 133: 131:Kevin Rowland 130: 129: 128: 125: 120: 115: 112: 109: 107: 106:Kevin Rowland 104: 103: 102: 99: 98:Songwriter(s) 94: 81: 77: 66: 62: 59: 58: 49: 45: 34: 29: 24: 21: 16: 2317:1985 singles 2296:The Killjoys 2258: 2217:Dance Stance 2197: 2190: 2183: 2176: 2169: 2163:Compilations 2151: 2144: 2137: 2130: 2123: 2116: 2069:Neil Hubbard 2056:Fayyaz Virji 2034:Robert Noble 2019:John Edwards 2008:Helen O'Hara 1958:Geoff Blythe 1939:Jim Paterson 1927: 1922: 1917: 1912: 1905: 1828: 1821:Bibliography 1806: 1782: 1776: 1764: 1755: 1750: 1741: 1735: 1727:The Guardian 1726: 1705:. Retrieved 1669: 1663: 1654: 1648: 1639: 1633: 1609: 1603: 1591:. Retrieved 1588:Melody Maker 1587: 1575: 1566: 1548: 1527:. Retrieved 1518: 1508: 1499: 1493: 1484: 1478: 1459: 1441: 1424:The Guardian 1423: 1405: 1381: 1364: 1361:Daily Mirror 1360: 1354: 1323:. Retrieved 1319: 1307: 1295:. Retrieved 1287:The Guardian 1286: 1276: 1264:. Retrieved 1260: 1226: 1204: 1183:. Retrieved 1179: 1156:The Province 1155: 1134:. Retrieved 1126:The Guardian 1125: 1115: 1096: 1076: 1055:. Retrieved 1047:The Guardian 1046: 1021:. Retrieved 1017: 987: 969: 964: 796: 791: 740: 729: 715: 705: 693: 687: 679: 671: 632:John Edwards 599:Helen O'Hara 579: 552: 550: 545: 541: 537:The Guardian 536: 534: 514:Fifth Avenue 511: 502:The Province 500: 486: 480: 477: 472: 461:Van Morrison 457:Pete and Dud 454: 447: 437: 433:Melody Maker 431: 427: 424: 417: 410: 406: 400: 396: 390: 386: 382: 378: 376: 369: 366:The Guardian 365: 358: 354: 352: 342:The Guardian 340: 333: 331: 324: 318: 316: 304: 298: 284: 271: 249: 247: 242: 236: 233:Helen O'Hara 222: 206: 194:Helen O'Hara 179: 171: 169: 114:Helen O'Hara 55: 20: 15: 2276:Discography 2102:Mark Kavuma 2091:David Ruffy 2082:Paul Taylor 2053:Pol Coussee 2049:Mick Bolton 2031:Spike Edney 2001:Steve Wynne 1994:Paul Speare 1989:Seb Shelton 1980:Billy Adams 1976:Mick Talbot 1928:Andy Hobson 1913:Lucy Morgan 1229:. Octopus. 884:DEXYS 13-12 859:DEXYS 13-10 497:Caroline No 147:Music video 124:Producer(s) 110:Billy Adams 2322:1985 songs 2311:Categories 2286:The Bureau 2125:Too-Rye-Ay 1964:Bobby Ward 1838:1844498638 1811:White 2005 1799:White 2005 1769:White 2005 1640:Smash Hits 1626:White 2005 1500:Missoulian 1347:White 2005 956:References 938:UK Singles 482:Smash Hits 469:folk music 444:Mike Leigh 428:Too-Rye-Ay 402:Missoulian 371:Pet Sounds 273:Too-Rye-Ay 2042:Tim Dancy 1967:Andy Leek 1961:Jeff Kent 1935:Al Archer 1918:Sean Read 927:position 905:US promo 902:PRO-387-1 836:UK radio 753:/ B-sides 639:Technical 584:Musicians 1952:John Jay 1707:July 30, 1701:Archived 1593:July 30, 1529:July 30, 1523:Archived 1325:July 30, 1297:July 30, 1291:Archived 1266:July 30, 1185:July 30, 1136:July 30, 1130:Archived 1057:July 30, 1051:Archived 1023:July 30, 833:DEXDJ 13 783:DEXYS 13 661:Releases 592:– vocals 570:Latitude 542:Guardian 465:Lou Reed 278:Al Green 260:Montreux 64:Released 2209:Singles 1858:Discogs 1655:The Age 797:Disc 2: 792:Disc 1: 737:Singles 613:– piano 495:" and " 488:The Age 231:member 159:YouTube 69: ( 1835:  1676:  1466:  1233:  1103:  765:Notes 756:Format 751:A-side 690:(1993) 676:(1985) 666:Albums 634:– bass 79:Length 1856:" at 1320:Uncut 1018:Uncut 988:Uncut 838:promo 814:DEXYD 759:Label 724:Video 412:Uncut 238:Uncut 2224:Geno 2171:Geno 1833:ISBN 1709:2021 1674:ISBN 1595:2021 1531:2021 1464:ISBN 1327:2021 1299:2021 1268:2021 1231:ISBN 1187:2021 1138:2021 1101:ISBN 1059:2021 1025:2021 931:Ref. 925:Peak 71:1985 67:1985 44:Song 1519:NME 1180:NME 947:78 942:OCC 887:UK 862:UK 786:UK 710:EMI 407:NME 320:NME 157:on 46:by 2313:: 1791:^ 1717:^ 1688:^ 1618:^ 1586:. 1557:^ 1539:^ 1521:. 1517:. 1450:^ 1432:^ 1414:^ 1390:^ 1372:^ 1335:^ 1318:. 1289:. 1285:. 1259:. 1245:^ 1213:^ 1195:^ 1178:. 1164:^ 1146:^ 1128:. 1124:. 1087:^ 1067:^ 1049:. 1045:. 1033:^ 1016:. 996:^ 978:^ 944:) 509:. 467:, 463:, 459:, 414:'s 374:. 258:, 215:. 204:. 88:23 84:12 2261:" 2257:" 2254:" 2250:" 2247:" 2243:" 2240:" 2236:" 2233:" 2229:" 2226:" 2222:" 2219:" 2215:" 1887:e 1880:t 1873:v 1852:" 1841:. 1711:. 1682:. 1597:. 1551:. 1533:. 1472:. 1329:. 1301:. 1270:. 1239:. 1189:. 1140:. 1109:. 1061:. 1027:. 940:( 871:" 848:" 799:" 170:" 86:: 73:)

Index

Kevin Rowland, Helen O'Hara and Billy Adams, smartly dressed crossing a street in New York
Song
Dexys Midnight Runners
Don't Stand Me Down
Songwriter(s)
Kevin Rowland
Helen O'Hara
Producer(s)
Alan Winstanley
"This Is What She's Like"
YouTube
Dexys Midnight Runners
Don't Stand Me Down
Mercury Records
Kevin Rowland
Helen O'Hara
Alan Winstanley
Campaign for Nuclear Disarmament
the Beach Boys
UK Singles Chart
Kevin Rowland
Dexys Midnight Runners
Helen O'Hara
Uncut
Don't Stand Me Down
Mountain Studios
Montreux
Nick Gatfield
Alan Winstanley
Too-Rye-Ay

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