Knowledge (XXG)

Thomas Hood

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200: 438: 274:. There he stayed in the house of his maternal aunt, Jean Keay, for some months. Then on falling out with her, he moved on to the boarding house of one of her friends, Mrs Butterworth, where he lived for the rest of his time in Scotland. In Dundee, Hood made a number of close friends with whom he continued to correspond for many years. He led a healthy outdoor life, but also became a wide and indiscriminate reader. At the same time he began seriously to write poetry and he appeared in print for the first time, with a letter to the editor of the 361: 656:, with which the state rewarded literary men. Peel was known to be an admirer of Hood's work and in the last few months of Hood's life he gave Jane Hood the sum of £100 without her husband's knowledge, to alleviate the family's debts. The pension that Peel's government bestowed on Hood was continued to his wife and family after his death. Jane Hood, who also suffered from poor health, had put tremendous energy into tending her husband in his last year and died only 18 months later. The pension then ceased, but Peel's successor 1646: 1595: 793: 259:, of course, being a dactyl or a spondee." However, the uncongenial profession affected his health, which was never strong, and he began to study engraving. The exact nature and course of his study is unclear: various sources tell different stories. Reid emphasizes his work under his maternal uncle Robert Sands, but no deeds of apprenticeship exist and his letters show he studied with a Mr Harris. Hood's daughter in her 40: 1614: 238:, where he had a schoolmaster who in appreciating his talents, "made him feel it impossible not to take an interest in learning while he seemed so interested in teaching." Under the care of this "decayed dominie", he earned a few guineas – his first literary fee – by revising for the press a new edition of the 1788 novel 376:(1835–1874), was also born. Both children took up in Hood's profession: Frances became a children's writer and Tom a humorist and playwright, and they later collaborated in collecting and publishing their father's work. Although constantly worried about money and health, the Hoods were a devoted, affectionate family, as 686:, a friend of Hood's, gave this assessment of him: "Oh sad, marvellous picture of courage, of honesty, of patient endurance, of duty struggling against pain!... Here is one at least without guile, without pretension, without scheming, of a pure life, to his family and little modest circle of friends tenderly devoted." 425:, dating from 1830, was a type of publication popular at the time, which Hood undertook and continued almost unassisted for several years. He would cover all the leading events of the day in caricature, without personal malice, and with an undercurrent of sympathy. Readers were also treated to an incessant use of 286:
Before long Hood was contributing humorous and poetical pieces to provincial newspapers and magazines. As a proof of his literary vocation, he would write out his poems in printed characters, believing that this process best enabled him to understand his own peculiarities and faults, and probably
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that "has any appearance of red or orange spots, as they are a sure sign of an advanced stage of decomposition." Mrs Hood refused to purchase the fish-seller's plaice, exclaiming, "My good woman... I could not think of buying any plaice with those very unpleasant red spots!" The fish-seller was
227:. The elder Hood was a partner in the business of Vernor, Hood and Sharp, a member of the Associated Booksellers. Hood's son, Tom Hood, claimed that his grandfather had been the first to open up the book trade with America and had had great success with new editions of old books. 603:. Hood started a magazine in his own name, mainly sustained by his own activity. He did the work from a sick-bed from which he never rose, and there also composed well-known poems such as "The Song of the Shirt", which appeared anonymously in the Christmas number of 394:. Coleridge wrote to Lamb averring that the book must be the latter's work. Keats wrote two poems for Jane Reynolds: "O Sorrow!" (October 1817) and "On a Leander Gem which Miss Reynolds, my Kind Friend, Gave Me" (c. March 1817). Also from this period are 934:", a verse lament for a London seamstress compelled to sell shirts she had made, the proceeds of which lawfully belonged to her employer, in order to feed her malnourished and ailing child. Hood's poem appeared in one of the first editions of 940:
in 1843 and quickly became a public sensation, being turned into a popular song and inspiring social activists in defence of countless industrious labouring women living in abject poverty. An excerpt:
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there is a story of Hood instructing his wife Jane to purchase some fish for the evening meal from a woman who regularly came to the door selling her husband's catch. But he warns her to watch for
648:, and was a regular contributor to it for the rest of his life. Prolonged illness brought straitened circumstances. Applications were made by a number of Hood's friends to the Prime Minister, 429:, of which Hood had written in his own vindication, "However critics may take offence,/A double meaning has double sense", but as he gained experience as a writer, his diction became simpler. 171:. He later published a magazine largely consisting of his own works. Hood, never robust, had lapsed into invalidism by the age of 41 and died at the age of 45. 1294:(p. 17) his daughter Francis gives the date of her parents' marriage as 5 May 1824. J. C. Reid (p. 67), on the other hand, gives 5 May of the following year. 673: 368:
Hood married Jane Reynolds (1791–1846). on 5 May 1824. They settled at 2 Robert Street, Adelphi, London. Their first child died at birth, but a daughter,
1619: 1726: 1114: 312:, and the periodical passed into the hands of some friends of Hood, who proposed to make him sub-editor. This post at once introduced him to the 291:
had recommended some such method of criticism when he said he thought, "Print settles it." On his return to London in 1818 he applied himself to
1639: 199: 234:, "it must be the best thing to be born a citizen of the world's greatest city." On the death of her husband in 1811, Hood's mother moved to 1706: 270:
The labour of engraving was no better for his health than the counting house had been, and Hood was sent to his father's relations at
1406: 372:(1830–1878), was born soon after they moved to Winchmore Hill, and after they had then moved in 1832 to Lake House, Wanstead, a son, 1306: 1179: 709:
Hood wrote humorously on many contemporary issues. One of the main ones was grave robbing and selling of corpses to anatomists (see
1351: 1357: 1312: 1185: 1500: 1125: 623:, printed on broadsheets and cotton handkerchiefs, and was highly praised by many of the literary establishment, including 1420: 1721: 1502:
A Library of Poetry and Song: Being Choice Selections from The Best Poets. With An Introduction by William Cullen Bryant
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A Library of Poetry and Song: Being Choice Selections from The Best Poets. With An Introduction by William Cullen Bryant
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A Library of Poetry and Song: Being Choice Selections from The Best Poets. With An Introduction by William Cullen Bryant
640: 161: 20: 1736: 683: 635:. These are plain, solemn pictures of the conditions of life, which appeared shortly before Hood's death in May 1845. 437: 1741: 1711: 789:
An example of Hood's reflective and sentimental verse is the famous "I Remember, I Remember", given in full below:
628: 299: 146: 1266: 1139: 661: 369: 333: 188: 134: 1180:"Hood, Thomas [Tom] [known as Thomas Hood the younger] (1835–1874), humorist and journal editor" 409:
Hood was fond of practical jokes, which he was said to have enjoyed inflicting on members of his family. In the
1716: 220: 172: 1731: 1623: 360: 288: 1517: 989: 387: 317: 219:), London, above his father's bookshop. His father's family had been Scottish farmers from the village of 931: 669: 645: 632: 442: 406:
was a book of serious verse, but Hood was known as a humorist and the book was ignored almost entirely.
321: 180: 150: 1529: 1701: 1696: 1129: 176: 1680: 1675: 304: 155: 145:(23 May 1799 – 3 May 1845) was an English poet, author and humorist, best known for poems such as " 1676:
Finding aid to the Thomas Hood letters at Columbia University. Rare Book & Manuscript Library
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Hood left his private schoolmaster at 14 years of age and was admitted soon after into the
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November in London is usually cool and overcast, and in Hood's day subject to frequent
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The Plea of the Midsummer Fairies, hero and Leander, Lycus the Centaur and other Poems
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and had circular inset bronze roundels on either side, but all have been stolen.
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made arrangements for a £50 pension for the maintenance of Hood's two children,
600: 1321: 1194: 509:         (Buying him crutches!) - 1670: 1366: 1352:"Broderip [née Hood], Frances Freeling (1830–1878), children's writer" 616: 501:         Friends they are scanty, 391: 349: 1628: 507:         Gold's in his clutches, 477:         Maids will not lip him, 475:         Love will not clip him, 631:" and "The Song of the Labourer", which were also translated into German by 611: 292: 235: 216: 386:– Hood's first volume – was written in conjunction with his brother-in-law 316:
of the time. He gradually developed his powers by becoming an associate of
470:         Withered and shaken, 462:         Spring it is cheery, 1608: 665: 503:         Beggars are plenty, 496:         Wisdom is chilly, - 494:         Youth may be silly, 483:         Age has no honey, - 468:         When he's forsaken, 373: 295:, which enabled him later to illustrate his various humours and fancies. 184: 130: 1252:
His living situation in Dundee was pieced together by George Maxwell in
488:         June it was jolly, 481:         Youth it is sunny, 175:
in 1903 called him "the finest English poet" between the generations of
464:         Winter is dreary, 252: 63: 490:         O for its folly! 380:(1860), based on his letters and compiled by his children, testifies. 1462: 414: 224: 79: 59: 1604: 791: 436: 359: 230:"Next to being a citizen of the world," writes Thomas Hood in his 198: 1683:. General Collection, Beinecke Rare Book and Manuscript Library. 730: 668:. Nine years later, a monument raised by public subscription in 309: 1124:(2 vols., 1837), a collection of short novelettes, including " 426: 1051:
The list of Hood's separately published works is as follows:
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of a friend of his family, where he "turned his stool into a
713:). On this serious and perhaps cruel issue, he wrote wryly, 211:
Thomas Hood was born to Thomas Hood and Elizabeth Sands in
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By Thomas Hood (written during the sickness in April 1845)
207:, marking the site of the house where Thomas Hood was born 1631:
biography & selected writings at gerald-massey.org.uk
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and other newspapers across Europe. It was dramatised by
578:   And the broom's betrothed to the bee; - 1267:"Jane Hood (née Reynolds) - National Portrait Gallery" 1522:
Victorian Forerunner; The Later Career of Thomas Hood
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brothers, who were successful engravers in the City.
183:. Hood was the father of the playwright and humorist 1669:
Oxford Dictionary of National Biography, online ed.
418:amazed at such ignorance of what plaice look like. 126: 118: 110: 102: 94: 86: 69: 46: 30: 1361:(online ed.). Oxford University Press. 2004. 1350: 1305: 1178: 536:   Whose head is turned by the sun; 1505:, New York, J.B. Ford and Company, 1871, p. 239. 1425:, New York, J.B. Ford and Company, 1871, p. 364. 1411:, New York, J.B. Ford and Company, 1871, p. 225. 565:   With her cheeks of tender red. 561:   That always mourns the dead; - 1662:, Vol. LXII, May to Oct. 1890, pp. 422–430 1145:Many contributions to contemporary periodicals. 943: 857: 804: 735: 715: 557:   The wolfsbane I should dread; 540:   Whom, therefore, I will shun; 524: 452: 776:No warmth, no cheerfulness, no healthful ease, 1307:"Hood, Thomas (1799–1845), poet and humorist" 582:   For fairest of all is she. 572:And the daisy's cheek is tipped with a blush, 8: 1567:(New York: Routledge & Kegan Paul, 1963) 1316:(online ed.). Oxford University Press. 1189:(online ed.). Oxford University Press. 1070:(1827), his only collection of serious verse 1020:, 1986) - uses as lyrics extracts from 'No!' 930:Hood's best known work in his lifetime was " 800:(1925) which was loosely based upon the poem 782:No fruits, no flowers, no leaves, no birds,— 780:No shade, no shine, no butterflies, no bees, 748:No road—no street—no "t'other side the way"— 574:   She is of such low degree; 570:   And so is no mate for me; 1636:"Archival material relating to Thomas Hood" 1161:Rossetti, W. M. Biographical Introduction, 553:   In too much haste to wed, 263:mentions her father's association with the 1644: 1560:(Dundee: James P. Matthew & Co., 1885) 1102:Hood's Own, or, Laughter from Year to Year 796:Advertisement for the American short film 466:Green leaves hang, but the brown must fly; 38: 27: 1524:(Durham, NC: Duke University Press, 1968) 548:   The queen of every one. 958:And still with a voice of dolorous pitch 609:, 1843 and was immediately reprinted in 544:   The violet is a nun; - 19:For other people named Thomas Hood, see 1358:Oxford Dictionary of National Biography 1313:Oxford Dictionary of National Biography 1186:Oxford Dictionary of National Biography 1154: 772:No Park—no Ring—no afternoon gentility— 580:But I will plight with the dainty rose, 568:The lily is all in white, like a saint, 1084:The Dream of Eugene Aram, the Murderer 969:Till the stars shine through the roof! 898:And thought the air must rush as fresh 752:No indications where the Crescents go— 742:No dawn—no dusk—no proper time of day— 187:(1835–1874) and the children's writer 1536:The Memorials of Thomas Hood – Vol. 2 1530:The Memorials of Thomas Hood – Vol. 1 1490:. London: E. Moxon, Son, and Company. 975:Where woman has never a soul to save, 733:. In 1844, he wrote the poem, "No!": 576:Jasmine is sweet, and has many loves, 16:English poet and humorist (1799–1845) 7: 1539:(Boston: Ticknor & Fields, 1860) 1115:Hood's Magazine and Comic Miscellany 839:O’er the earth there comes a bloom; 923:To know I'm farther off from Heaven 762:No travelling at all—no locomotion, 756:No recognitions of familiar people— 555:And clasps her rings on every hand; 1624:The University of Adelaide Library 1056:Odes and Addresses to Great People 915:I used to think their slender tops 906:And summer pools could hardly cool 845:I smell the rose above the mould! 833:Strength returns and hope revives; 831:Welcome, life! the spirit strives! 828:I smell the mould above the rose! 818:Thronging shadows cloud the light, 778:No comfortable feel in any member— 689:The house where Hood died, No. 28 14: 1620:The Poetical Works of Thomas Hood 1164:The Poetical Works of Thomas Hood 960:She sang the "Song of the Shirt." 885:The lilacs where the robin built, 492:A dancing leg and a laughing eye! 396:The Plea of the Midsummer Fairies 1727:Burials at Kensal Green Cemetery 1612: 1138:(1844), with illustrations from 965:While the cock is crowing aloof! 764:No inkling of the way—no notion— 511:What can an old man do but die? 505:If he has followers, I know why; 1548:Thomas Hood; His Life and Times 1256:. See particularly Chapter III. 950:A woman sat, in unwomanly rags, 902:My spirit flew in feathers then 872:But now, I often wish the night 864:The little window where the sun 837:Fly like shadows at the morn, - 835:Cloudy fears and shapes forlorn 826:Strong the earthy odor grows, - 820:Like the advent of the night, - 814:Farewell, life! my senses swim, 770:No news from any foreign coast— 722:They haven't left an atom there 718:Don't go to weep upon my grave, 563:But I will woo the dainty rose, 546:But I will woo the dainty rose, 542:The cowslip is a country wench, 534:I will not have the mad Clytie, 498:What can an old man do but die? 485:What can an old man do but die? 472:What can an old man do but die? 398:(1827) and a dramatic romance, 1487:The Comic Poems of Thomas Hood 973:Along with the barbarous Turk, 952:Plying her needle and thread-- 889:The laburnum on his birth-day, 881:The violets, and the lily-cups 843:Warm perfume for vapor cold, - 841:Sunny light for sullen gloom, 758:No courtesies for showing 'em— 551:The pea is but a wanton witch, 1: 1596:Works by or about Thomas Hood 956:In poverty, hunger, and dirt, 868:He never came a wink too soon 822:Colder, colder, colder still, 816:And the world is growing dim; 638:Hood was associated with the 595:In another annual called the 538:The tulip is a courtly quean, 1382:UK public library membership 1337:UK public library membership 1210:UK public library membership 977:If this is Christian work!" 946:With fingers weary and worn, 913:The fir trees dark and high; 883:Those flowers made of light! 824:Upward steals a vapor chill; 599:appeared the verse story of 559:Nor will I dreary rosemarye, 479:Maud and Marian pass him by; 153:". Hood wrote regularly for 21:Thomas Hood (disambiguation) 1671:(accessed 26 November 2010) 1611:(public domain audiobooks) 1551:(New York: John Lane, 1909) 1463:"Thomas Hood – Blue plaque" 1104:(1838, second series, 1861) 1064:(two series, 1826 and 1827) 948:With eyelids heavy and red, 917:Were close against the sky: 870:Nor brought too long a day; 862:The house where I was born, 1758: 1707:19th-century English poets 919:It was childish ignorance, 720:And think that there I be. 352:, and other contributors. 18: 1667:Hood, Thomas (1799–1845). 1092:, a novel (3 vols., 1834) 879:The roses, red and white, 874:Had borne my breath away. 766:"No go"—by land or ocean— 746:No distance looking blue— 370:Frances Freeling Broderip 189:Frances Freeling Broderip 135:Frances Freeling Broderip 37: 900:To swallows on the wing; 887:And where my brother set 866:Came peeping in at morn; 441:Grave of Thomas Hood in 378:Memorials of Thomas Hood 364:Thomas Hood's wife, Jane 173:William Michael Rossetti 122:Jane Hood (née Reynolds) 954:Stitch! stitch! stitch! 925:Than when I was a boy. 921:But now 'tis little joy 891:The tree is living yet! 774:No company—no nobility— 744:No sky—no earthly view— 674:Richard Monckton Milnes 289:Samuel Taylor Coleridge 1681:Thomas Hood Collection 1322:10.1093/ref:odnb/13681 1195:10.1093/ref:odnb/13682 980: 971:It's Oh! to be a slave 928: 911:I remember, I remember 896:Where I used to swing, 894:I remember, I remember 877:I remember, I remember 860:I remember, I remember 848: 801: 787: 754:No top to any steeple— 727: 585: 514: 449: 388:John Hamilton Reynolds 365: 318:John Hamilton Reynolds 232:Literary Reminiscences 208: 1367:10.1093/ref:odnb/3477 1177:Howes, Craig (2004). 932:The Song of the Shirt 908:The fever on my brow. 904:That is so heavy now, 795: 705:Examples of his works 670:Kensal Green Cemetery 646:James Silk Buckingham 644:, started in 1828 by 633:Ferdinand Freiligrath 443:Kensal Green Cemetery 440: 363: 255:on three legs, every 203:Plaque in Cheapside, 202: 151:The Song of the Shirt 1660:Macmillan's Magazine 1640:UK National Archives 1605:Works by Thomas Hood 1587:Works by Thomas Hood 1130:The Widow of Galicia 1047:Works by Thomas Hood 1722:Writers from London 1554:Alex Elliot (ed.), 1452:J. C. Reid, p. 235. 1304:Flint, Joy (2004). 967:And work—work—work, 629:The Bridge of Sighs 457:Spring It Is Cheery 402:, published later. 348:, the peasant-poet 305:The London Magazine 156:The London Magazine 147:The Bridge of Sighs 1737:English male poets 1231:J. C. Reid, p. 19. 1222:J. C. Reid, p. 10. 1062:Whims and Oddities 1017:In Visible Silence 963:"Work! work! work! 802: 750:No end to any Row— 654:civil list pension 652:, to grant Hood a 450: 421:The series of the 384:Odes and Addresses 366: 308:, was killed in a 209: 1742:Poets from Dundee 1712:English essayists 1656:George Saintsbury 1591:Project Gutenberg 1582:Poetry Foundation 1380:(Subscription or 1335:(Subscription or 1208:(Subscription or 1167:. (London, 1903). 1078:George Cruikshank 983:Modern references 711:West Port murders 658:Lord John Russell 346:Hartley Coleridge 342:Serjeant Talfourd 330:Thomas de Quincey 276:Dundee Advertiser 241:Paul and Virginia 140: 139: 1749: 1648: 1643: 1616: 1615: 1600:Internet Archive 1557:Hood in Scotland 1506: 1498: 1492: 1491: 1481: 1475: 1474: 1472: 1470: 1459: 1453: 1450: 1444: 1441: 1435: 1432: 1426: 1418: 1412: 1404: 1398: 1392: 1386: 1385: 1377: 1375: 1373: 1354: 1347: 1341: 1340: 1332: 1330: 1328: 1309: 1301: 1295: 1288: 1282: 1281: 1279: 1277: 1263: 1257: 1254:Hood in Scotland 1250: 1244: 1238: 1232: 1229: 1223: 1220: 1214: 1213: 1205: 1203: 1201: 1182: 1174: 1168: 1159: 1126:The Three Jewels 1096:The Comic Annual 1012:The Art of Noise 854: 768:No mail—no post— 760:No knowing 'em!— 740:No morn—no noon— 724:Of my anatomie. 672:was unveiled by 591: 520: 334:Allan Cunningham 314:literary society 282:Literary society 272:Dundee, Scotland 76: 56: 54: 42: 28: 1757: 1756: 1752: 1751: 1750: 1748: 1747: 1746: 1717:Victorian poets 1687: 1686: 1634: 1613: 1574: 1514: 1512:Further reading 1509: 1499: 1495: 1483: 1482: 1478: 1468: 1466: 1461: 1460: 1456: 1451: 1447: 1443:Clubbe, p. 196. 1442: 1438: 1434:Clubbe, p. 181. 1433: 1429: 1419: 1415: 1405: 1401: 1393: 1389: 1379: 1371: 1369: 1349: 1348: 1344: 1334: 1326: 1324: 1303: 1302: 1298: 1289: 1285: 1275: 1273: 1265: 1264: 1260: 1251: 1247: 1239: 1235: 1230: 1226: 1221: 1217: 1207: 1199: 1197: 1176: 1175: 1171: 1160: 1156: 1152: 1076:illustrated by 1074:The Epping Hunt 1049: 985: 979: 976: 974: 972: 970: 968: 966: 964: 962: 961: 959: 957: 955: 953: 951: 949: 947: 927: 924: 922: 920: 918: 916: 914: 912: 910: 909: 907: 905: 903: 901: 899: 897: 895: 893: 892: 890: 888: 886: 884: 882: 880: 878: 876: 875: 873: 871: 869: 867: 865: 863: 861: 856: 850: 847: 844: 842: 840: 838: 836: 834: 832: 830: 829: 827: 825: 823: 821: 819: 817: 815: 813: 812: 786: 783: 781: 779: 777: 775: 773: 771: 769: 767: 765: 763: 761: 759: 757: 755: 753: 751: 749: 747: 745: 743: 741: 739: 738:No sun—no moon! 726: 723: 721: 719: 707: 650:Sir Robert Peel 625:Charles Dickens 593: 587: 584: 581: 579: 577: 575: 573: 571: 569: 567: 566: 564: 562: 560: 558: 556: 554: 552: 550: 549: 547: 545: 543: 541: 539: 537: 535: 533: 532: 522: 516: 513: 510: 508: 506: 504: 502: 500: 499: 497: 495: 493: 491: 489: 487: 486: 484: 482: 480: 478: 476: 474: 473: 471: 469: 467: 465: 463: 461: 460: 435: 358: 284: 197: 133: 114:Poetry, fiction 78: 74: 58: 52: 50: 33: 24: 17: 12: 11: 5: 1755: 1753: 1745: 1744: 1739: 1734: 1732:Male essayists 1729: 1724: 1719: 1714: 1709: 1704: 1699: 1689: 1688: 1685: 1684: 1678: 1673: 1663: 1649: 1632: 1626: 1617: 1602: 1593: 1584: 1573: 1572:External links 1570: 1569: 1568: 1561: 1552: 1543:Walter Jerrold 1540: 1527:Frances Hood, 1525: 1513: 1510: 1508: 1507: 1493: 1484:Hood, Thomas. 1476: 1465:. Open Plaques 1454: 1445: 1436: 1427: 1413: 1399: 1387: 1342: 1296: 1283: 1271:www.npg.org.uk 1258: 1245: 1233: 1224: 1215: 1169: 1153: 1151: 1148: 1147: 1146: 1143: 1136:Whimsicalities 1133: 1122:National Tales 1119: 1111: 1105: 1099: 1093: 1087: 1081: 1071: 1065: 1059: 1048: 1045: 1044: 1043: 1041: 1038:Mark Kurlansky 1031: 1021: 1008: 998: 984: 981: 944: 858: 809:Farewell, Life 805: 803: 736: 716: 706: 703: 695:St John's Wood 621:The Sempstress 589:By Thomas Hood 525: 523: 518:By Thomas Hood 453: 451: 434: 433:Later writings 431: 390:, a friend of 357: 354: 283: 280: 249:counting house 205:City of London 196: 193: 138: 137: 128: 124: 123: 120: 116: 115: 112: 108: 107: 104: 100: 99: 96: 92: 91: 88: 84: 83: 77:(aged 45) 71: 67: 66: 48: 44: 43: 35: 34: 31: 15: 13: 10: 9: 6: 4: 3: 2: 1754: 1743: 1740: 1738: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1694: 1692: 1682: 1679: 1677: 1674: 1672: 1668: 1664: 1661: 1657: 1653: 1652:"Thomas Hood" 1650: 1647: 1641: 1637: 1633: 1630: 1627: 1625: 1621: 1618: 1610: 1606: 1603: 1601: 1597: 1594: 1592: 1588: 1585: 1583: 1579: 1576: 1575: 1571: 1566: 1562: 1559: 1558: 1553: 1550: 1549: 1544: 1541: 1538: 1537: 1532: 1531: 1526: 1523: 1519: 1516: 1515: 1511: 1504: 1503: 1497: 1494: 1489: 1488: 1480: 1477: 1464: 1458: 1455: 1449: 1446: 1440: 1437: 1431: 1428: 1424: 1423: 1417: 1414: 1410: 1409: 1403: 1400: 1396: 1391: 1388: 1383: 1368: 1364: 1360: 1359: 1353: 1346: 1343: 1338: 1323: 1319: 1315: 1314: 1308: 1300: 1297: 1293: 1287: 1284: 1272: 1268: 1262: 1259: 1255: 1249: 1246: 1242: 1237: 1234: 1228: 1225: 1219: 1216: 1211: 1196: 1192: 1188: 1187: 1181: 1173: 1170: 1166: 1165: 1158: 1155: 1149: 1144: 1141: 1137: 1134: 1131: 1127: 1123: 1120: 1117: 1116: 1112: 1109: 1106: 1103: 1100: 1097: 1094: 1091: 1088: 1085: 1082: 1079: 1075: 1072: 1069: 1066: 1063: 1060: 1057: 1054: 1053: 1052: 1046: 1042: 1039: 1035: 1032: 1029: 1025: 1022: 1019: 1018: 1013: 1009: 1006: 1002: 1001:So Much Blood 999: 996: 995:John Betjeman 992: 991: 987: 986: 982: 978: 942: 939: 938: 933: 926: 855: 853: 846: 811: 810: 799: 794: 790: 785: 734: 732: 725: 714: 712: 704: 702: 700: 696: 692: 691:Finchley Road 687: 685: 681: 679: 678:Matthew Noble 675: 671: 667: 663: 659: 655: 651: 647: 643: 642: 636: 634: 630: 626: 622: 618: 614: 613: 608: 607: 602: 598: 592: 590: 583: 531: 530: 521: 519: 512: 459: 458: 448: 447:Matthew Noble 444: 439: 432: 430: 428: 424: 419: 416: 412: 407: 405: 401: 397: 393: 389: 385: 381: 379: 375: 371: 362: 355: 353: 351: 347: 343: 339: 338:Bryan Procter 335: 331: 327: 323: 319: 315: 311: 307: 306: 301: 296: 294: 290: 287:unaware that 281: 279: 277: 273: 268: 266: 262: 258: 254: 250: 245: 243: 242: 237: 233: 228: 226: 222: 218: 214: 206: 201: 194: 192: 191:(1830–1878). 190: 186: 182: 178: 174: 170: 169: 164: 163: 158: 157: 152: 148: 144: 136: 132: 129: 125: 121: 117: 113: 109: 105: 101: 97: 93: 89: 85: 81: 72: 68: 65: 61: 49: 45: 41: 36: 29: 26: 22: 1666: 1665:Flint, Joy. 1659: 1564: 1563:J. C. Reid, 1555: 1546: 1534: 1528: 1521: 1501: 1496: 1486: 1479: 1467:. Retrieved 1457: 1448: 1439: 1430: 1421: 1416: 1407: 1402: 1397:, pp. 23–24. 1394: 1390: 1370:. Retrieved 1356: 1345: 1325:. Retrieved 1311: 1299: 1291: 1286: 1274:. Retrieved 1270: 1261: 1253: 1248: 1240: 1236: 1227: 1218: 1198:. Retrieved 1184: 1172: 1163: 1157: 1135: 1121: 1113: 1108:Up the Rhine 1107: 1101: 1095: 1089: 1083: 1073: 1067: 1061: 1055: 1050: 1033: 1028:Jane Campion 1023: 1015: 1000: 988: 945: 935: 929: 859: 851: 849: 808: 807: 806: 797: 788: 737: 728: 717: 708: 697:, now has a 688: 682: 639: 637: 627:. Likewise " 620: 610: 604: 596: 594: 588: 586: 528: 527: 526: 517: 515: 456: 455: 454: 445:designed by 423:Comic Annual 422: 420: 410: 408: 403: 399: 395: 383: 382: 377: 367: 322:Charles Lamb 303: 302:, editor of 297: 285: 275: 269: 260: 246: 239: 231: 229: 210: 166: 160: 154: 142: 141: 90:poet, author 75:(1845-05-03) 25: 1702:1845 deaths 1697:1799 births 1629:Thomas Hood 1578:Thomas Hood 1565:Thomas Hood 1518:John Clubbe 1118:(1844–1848) 1098:(1830–1842) 1090:Tylney Hall 1010:"Opus 4" – 1005:Simon Brett 699:blue plaque 601:Eugene Aram 356:Family life 143:Thomas Hood 106:1820s–1840s 95:Nationality 57:23 May 1799 32:Thomas Hood 1691:Categories 1384:required.) 1339:required.) 1212:required.) 1150:References 1142:'s designs 1140:John Leech 990:Metro-Land 798:I Remember 784:November! 617:Mark Lemon 392:John Keats 350:John Clare 326:Henry Cary 300:John Scott 195:Early life 87:Occupation 73:3 May 1845 53:1799-05-23 1395:Memorials 1372:2 January 1327:2 January 1292:Memorials 1276:2 January 1241:Memorials 1200:2 January 1024:The Piano 684:Thackeray 641:Athenaeum 612:The Times 411:Memorials 298:In 1821, 293:engraving 261:Memorials 236:Islington 217:Cheapside 162:Athenaeum 82:, England 1609:LibriVox 1469:7 August 1014:(album: 404:The Plea 374:Tom Hood 185:Tom Hood 181:Tennyson 131:Tom Hood 127:Children 1598:at the 1580:at the 1243:, p. 5. 662:Frances 529:Flowers 265:Le Keux 253:Pegasus 213:Poultry 177:Shelley 149:" and " 98:British 64:England 1378: 1333: 1206: 1128:" and 1110:(1840) 1086:(1831) 1080:(1829) 1058:(1825) 1040:(1997) 1030:(1993) 1007:(1976) 997:(1973) 415:plaice 225:Dundee 165:, and 119:Spouse 103:Period 80:London 60:London 937:Punch 606:Punch 400:Lamia 223:near 221:Errol 168:Punch 111:Genre 1533:and 1471:2013 1374:2021 1329:2021 1278:2021 1202:2021 731:smog 664:and 427:puns 310:duel 257:foot 179:and 70:Died 47:Born 1658:in 1622:at 1607:at 1589:at 1363:doi 1318:doi 1290:In 1191:doi 1034:Cod 666:Tom 619:as 597:Gem 159:, 1693:: 1654:, 1638:. 1545:, 1520:, 1355:. 1310:. 1269:. 1183:. 1036:– 1026:– 1003:– 993:– 701:. 693:, 344:, 340:, 336:, 332:, 328:, 324:, 320:, 278:. 244:. 62:, 1642:. 1473:. 1376:. 1365:: 1331:. 1320:: 1280:. 1204:. 1193:: 1132:. 215:( 55:) 51:( 23:.

Index

Thomas Hood (disambiguation)

London
England
London
Tom Hood
Frances Freeling Broderip
The Bridge of Sighs
The Song of the Shirt
The London Magazine
Athenaeum
Punch
William Michael Rossetti
Shelley
Tennyson
Tom Hood
Frances Freeling Broderip

City of London
Poultry
Cheapside
Errol
Dundee
Islington
Paul and Virginia
counting house
Pegasus
foot
Le Keux
Dundee, Scotland

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