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continues the theme of Bacon studying a single subject from different angles. Although painted on three separate canvases, each image occupies the same space, marked by a brown elliptical floor and yellowish walls which continue across the panels. It defies narrative justification for a single model
95:
Dyer is depicted in three different positions, all twisted and contorted. Bacon uses large and vigorous brushstrokes to create distinctive splashes of colour. In the left panel, a naked Dyer sits on a toilet facing away from the viewer; he rests on a massive black bed or chair in the centre panel;
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56:, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings. The work has been described as Bacon's first secular triptych.
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and he is sitting contorted on a pedestal chair in the right panel. The creased back of the left figure may be inspired by
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52:. Each panel measures 198 Ă— 147 centimetres (78 Ă— 58 in) and shows a separate view of his lover
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The work was bought by the French state in 1968 and has been part of the collection of the
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David
Sylvester, Francis Bacon à nouveau, éd. André Dimanche, Paris, 2006
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has suggested that the centre and right figures may be inspired by
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Study for
Portrait II (After the Life Mask of William Blake)
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Reading
Between the Lines: Claude Simon and the Visual Arts
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Portrait of Isabel
Rawsthorne Standing in a Street in Soho
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Triptych
Inspired by T.S. Eliot's Poem "Sweeney Agonistes"
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Love Is the Devil: Study for a
Portrait of Francis Bacon
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Three
Studies for Figures at the Base of a Crucifixion
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Three
Studies for Figures at the Base of a Crucifixion
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Version No. 2 of Lying Figure with
Hypodermic Syringe
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Study after Velázquez's
Portrait of Pope Innocent X
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670:Three Studies for a Portrait of Henrietta Moraes
122:, and draws parallels with the three figures in
678:Three Studies for a Portrait of Muriel Belcher
553:Triptych Inspired by the Oresteia of Aeschylus
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175:(1964) to Feature in Musée d’Orsay Exhibition
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729:Study for a Self-Portrait—Triptych, 1985–86
611:Three Studies for a Portrait of George Dyer
537:Two Figures Lying on a Bed with Attendants
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747:List of large triptychs by Francis Bacon
635:Portrait of George Dyer and Lucian Freud
476:Study of Red Pope 1962. 2nd version 1971
74:to appear three times in the same area.
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781:Francis Bacon: The Logic of Sensation
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103:After the Bath, Woman Drying Herself
149:List of paintings by Francis Bacon
82:Bathers with a Turtle (Baigneuses)
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318:Three Studies from the Human Head
63:since his in 1944 break-through
721:Three Studies for Self-Portrait
705:Three Studies for Self Portrait
619:Portrait of George Dyer Talking
561:Second Version of Triptych 1944
505:Three Studies for a Crucifixion
342:Study for a Bullfight, Number 2
192:, David Sylvester p. 461-2
350:Three Studies of the Male Back
16:1964 painting by Francis Bacon
1:
643:Three Studies of Lucian Freud
627:Three Studies for George Dyer
84:, 1907–08, by Henri Matisse,
764:Influences on Francis Bacon
106:, and also possibly by the
48:painting by British artist
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817:Paintings by Francis Bacon
752:Triptychs by Francis Bacon
651:Portrait of Michel Leiris
267:Fragment of a Crucifixion
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184:, Jean H. Duffy p,134-135
165:, Centre Georges Pompidou
302:Study for Crouching Nude
592:Triptych, May–June 1973
513:Three Figures in a Room
259:Wound for a Crucifixion
173:Three Figures in a Room
162:Three Figures in a Room
137:Centre Georges Pompidou
38:Three Figures in a Room
30:Centre Georges Pompidou
26:Three Figures in a Room
227:Francis Bacon (artist)
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86:Saint Louis Art Museum
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468:Study from Innocent X
436:Study after Velázquez
286:Figure in a Landscape
129:Bathers with a Turtle
118:'s sculptures in the
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584:Triptych–August 1972
758:The Black Triptychs
358:Blood on the Floor
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61:painting triptychs
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236:List of paintings
110:. The art critic
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740:Summary articles
662:Female portraits
452:Figure with Meat
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189:About Modern Art
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574:Black Triptychs
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460:Untitled (Pope)
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112:David Sylvester
108:Belvedere Torso
59:Bacon had been
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120:Medici Chapel
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71:Three Figures
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50:Francis Bacon
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43:oil-on-canvas
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243:Crucifixions
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139:since 1976.
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116:Michelangelo
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791:(1998 film)
783:(1981 book)
521:Crucifixion
369:Head series
310:Two Figures
251:Crucifixion
100:'s drawing
98:Edgar Degas
54:George Dyer
806:Categories
155:References
41:is a 1964
822:Triptychs
732:(1985–86)
488:Triptychs
463:(c. 1954)
90:St. Louis
393:Head III
143:See also
46:triptych
28:, 1964.
773:Related
417:Head VI
401:Head IV
385:Head II
278:Figures
32:, Paris
724:(1979)
716:(1973)
708:(1973)
689:(1967)
681:(1966)
673:(1963)
654:(1976)
646:(1969)
638:(1967)
630:(1967)
622:(1966)
614:(1964)
595:(1973)
587:(1972)
564:(1988)
556:(1981)
548:(1976)
540:(1968)
532:(1967)
524:(1965)
516:(1964)
508:(1962)
500:(1944)
479:(1971)
471:(1962)
455:(1954)
447:(1953)
439:(1950)
420:(1949)
412:(1949)
409:Head V
404:(1949)
396:(1949)
388:(1949)
380:(1949)
377:Head I
361:(1986)
353:(1970)
345:(1969)
337:(1968)
329:(1955)
321:(1953)
313:(1953)
305:(1952)
297:(1946)
289:(1945)
270:(1950)
262:(1933)
254:(1933)
428:Popes
126:'s
808::
132:.
88:,
69:.
219:e
212:t
205:v
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