682:, which pays meticulous attention to unfolding a raga, thumri restricts itself to expressing the countless hues of shringar by combining melody and words. The contours of a khayal are most definitely broader and fluid. Thus, a khayal singer is capable of encompassing and expressing a wide range of complex emotions. A thumri singer goes straight to the emotional core of a composition and evokes each yarn of amorous feeling, each strand of sensuous sentiment, with great discretion. Khayal aims at achieving poise and splendour; thumri is quicksilver in tone and ardently romantic in spirit. It needs a delicate heart, and a supple and soulful voice capable of expressing several shadings and colours of tones to bring out its beauty.
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761:(1917–1993), who was married to a royal family but later devoted her life to the singing of the song of Tawaifs. For a member of the royal family to take such a step in those days meant fighting countless social stigmas that had enough power to totally alienate someone from the society, but she had the support of her husband.
634:
sect, especially the devotion to
Krishna, which expressed divine love. Later, the philosophies of Vaishnavism and Sufism played a key role in shaping both Thumri and Kathak. The Thumri style of singing primarily developed from festival and seasonal folk songs such as Holi, Chaiti, Sawan, Kajri, and
502:, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music.
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is the free movement they allow the artist, since they do not depend for their identity on rigidly formulated tonal sequences, irrespective of the compositions involved. In fact, one may say that they have a built-in provision for mixing
447:, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from
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Thumrī singers pay considerable attention to the lyrics, though they may be difficult to follow in the ornamented enunciation. This is especially where the focus is on love, and many lyrics deal with separation or
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or courtesans. According to historical records, a new version of thumri arose in the late 19th century, which was independent of dance, and much more slow-paced. This form was called
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832:. The reason as to why Thumri concludes an occasion is because it has a lasting emotional impact on the audience.
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appear frequently. As an example, here are the lyrics of a thumrī composed by the medieval poet
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or
Vrindavan is where Krishna is indulging in this love play; Radha is the "Girl of Braj".
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A mention of Thumri is found in the 19th century, with a link to the classical dance form
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466:. Thumree is characterized by its sensuality, and by a greater flexibility with the
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1057:(in Hindi). Agra University. K.M. Institute of Hindi Studies and Linguistics. 1973.
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singers took an interest in thumrī and sang it their own way, as in the case of
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1206:, by Ramanlal Chhotalal Mehta, Published by Indian Musicological Society, 1990.
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is also used as a generic name for some other, even lighter, forms such as
1192:, by Peter Lamarche Manuel. Published by Motilal Banarsidass Publ., 1989.
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The text is romantic or devotional in nature, the lyrics are usually in
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actually presented in order to add colour to the proceedings.
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The thumri is another North Indian vocal form and is based...
546:
are characterized by a special lilt, nearly absent in the
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concerts as a concluding item. Besides the tabla and the
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Further information on an example of a thumri song:
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The origins of Thumri can be traced back to the time of
1212:, by Lalita Du Perron. Published by Routledge, 2007.
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Well-known artists of the 'purab ang' thumri' of the
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650:and it found great patronage and evolved mostly in
622:. It reached its peak popularity during the era of
443:. The term "thumri" is derived from the Hindi verb
975:"South Asian arts – Musical forms and instruments"
1072:. India: National Book Trust, India. p. 67.
1031:. India: National Book Trust, India. p. 66.
1190:Thumri in Historical and Stylistic Perspectives
635:Dadra, originating from eastern Uttar Pradesh.
1210:Hindi Poetry in a Musical Genre: Thumri Lyrics
1251:
1100:. India International Centre: 291–293. 1976.
812:Today thumrī is sometimes sung at the end of
746:style has a slow tempo and is concluded by a
404:
8:
757:Another stalwart in the genre of thumri was
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820:, other typical instruments in thumri are
754:player has some freedom of improvisation.
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589:A common feature of these and other such
451:, though there are regional variations.
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658:. At that time, it was a song sung by
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7:
1098:India International Centre Quarterly
952:so will you please stop playing now?
925:this Braja girl's heart is aflutter,
885:(e rii) Byaakul bhaayii Brajabaalaa
931:don't come to my lane all the time
25:
949:you won't be able to go elsewhere
922:playing on your flute, dark lover
722:Some other singers of thumri are
1334:
1147:"Naina Devi and the nautch girl"
909:phir chhoDo hame kahi jaaiyo naa
873:
626:(circa 16th century AD), whose
1204:Thumri, Tradition & Trends
943:if you have to play that flute
928:I ask you, please stop playing
1:
912:bansuriyaa naa baajaao Shyaam
903:phir Shyaam hame aapnaayo naa
888:bansuriyaa naa baajaao Shyaam
882:bansuriyaa naa baajaao Shyaam
1614:Hindustani music terminology
1231:Article: Semi-classical song
891:nit merii galiin me aayo naa
514:, thumri has two parts, the
1003:"Thumri | Encyclopedia.com"
946:then you'll have to be mine
900:bansii jo sunaayo to suniye
750:, a faster phase where the
558:compositions are mostly in
27:Vocal style in Indian music
1630:
1267:Hindustani classical music
1068:Ranade, Ashok Da. (1997).
1027:Ranade, Ashok Da. (1997).
937:just don't play your flute
897:bansii ki teri sunaayo naa
834:
699:or Banaras gayaki include
34:Hindustani classical music
1332:
906:aapnaayo to suniye Laalan
598:or for moving out of the
1120:"The last song of Awadh"
934:and if you have to come,
1609:Hindustani music genres
979:Encyclopedia Britannica
894:aayo to chhup ke rahiyo
1604:Indian classical music
795:Rajan and Sajan Mishra
654:in the court of nawab
1448:Semi-classical genres
1094:"Evolution of Thumri"
940:I am warning you now:
879:Ab naa baajaao Shyaam
713:Mahadev Prasad Mishra
1007:www.encyclopedia.com
837:Piya Ke Milan Ki Aas
783:Bade Ghulam Ali Khan
686:Noted thumri artists
859:and other gopis of
1153:on 24 October 2013
1145:Mazumdar, Subhra.
855:or love play with
666:and it evolved in
432:[ˈʈʰʊmɾiː]
1586:
1585:
1126:. 1 December 2017
1054:Bhāratīya sāhitya
958:
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742:(1927-1996). The
717:Chhannulal Mishra
705:Siddheshwari Devi
674:Thumri and khayal
644:bandish ki thumri
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16:(Redirected from
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765:Classical thumri
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1157:25 September
1155:. Retrieved
1151:the original
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1128:. Retrieved
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1012:September 1,
1010:. Retrieved
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852:
851:. Krishna's
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732:Shobha Gurtu
728:Begum Akhtar
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439:or style of
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1345:Instruments
807:Prabha Atre
791:Madhav Gudi
779:Faiyaz Khan
719:(b. 1936).
709:Girija Devi
678:Unlike the
632:Vaishnavism
522:It favours
464:Brij Bhasha
123:Rudra veena
86:Instruments
1593:Categories
961:References
830:swarmandal
759:Naina Devi
736:Noor Jehan
724:Gauhar Jan
528:Deepchandi
249:Sikh music
210:Swarmandal
205:Shruti box
163:Jal tarang
1393:Harmonium
1326:Swaralipi
1130:12 August
1124:Live Mint
861:Vrindavan
853:ras leela
826:harmonium
744:bol banao
691:Purab ang
664:bol-banav
648:bol-baant
506:Structure
445:thumuknaa
231:Classical
158:Harmonium
1558:Bhairavi
1480:Bhatiali
1403:Pakhavaj
1274:Concepts
1106:23001752
668:Varanasi
620:Ramanand
616:Ramanuja
612:Jayadeva
579:Bhairavi
565:such as
550:used in
540:Punjabi.
526:such as
518:and the
456:Bhojpuri
365:Bhairavi
184:Pakhawaj
118:Surbahar
40:Concepts
1553:Bhairav
1548:Asavari
1533:Bilaval
1510:Qawwali
1419:Dhrupad
1388:Tanpura
1383:Sarangi
1378:Shehnai
1373:Santoor
1368:Bansuri
1321:Gharana
1316:Bandish
822:sarangi
818:tanpura
660:tawaifs
652:Lucknow
606:Origins
587:Pahadi.
520:antara.
360:Bhairav
355:Asavari
340:Bilaval
315:Qawwali
239:Dhrupad
200:Tanpura
153:Santoor
148:Shehnai
143:Bansuri
133:Sarangi
78:Gharana
58:Alankar
18:Thumris
1599:Thumri
1578:Kalyan
1538:Khamaj
1525:Thaats
1515:Ghazal
1500:Abhang
1495:Bhajan
1485:Sawani
1475:Chaiti
1470:Kajari
1455:Thumri
1434:Tarana
1424:Dhamar
1412:Genres
1301:Sargam
1291:Shruti
1216:
1196:
1182:
1104:
1076:
1035:
849:viraha
842:Lyrics
680:khayal
640:Kathak
618:, and
596:raga-s
591:raga-s
575:Jogiya
571:Khamaj
556:Thumri
552:khayal
548:tala-s
544:tala-s
542:These
536:Addha,
532:Roopak
524:tala-s
516:sthayi
512:khayal
510:As in
500:Chaiti
498:, and
496:Jhoola
492:Sawani
488:Kajari
476:Thumri
460:Awadhi
428:Hindi:
424:Thumri
385:Kalyan
345:Khamaj
332:Thaats
320:Ghazal
305:Sawani
290:Chaiti
280:Thumri
259:Tarana
244:Dhamar
222:Genres
171:Rhythm
128:Violin
103:Vocals
95:Melody
48:Shruti
1573:Marva
1568:Purvi
1465:Tappa
1460:Dadra
1439:Sadra
1429:Khyal
1398:Tabla
1363:Veena
1358:Sarod
1353:Sitar
1281:Swara
1102:JSTOR
865:Lalan
857:Radha
814:khyal
771:khyal
769:Some
752:tabla
748:laggi
480:Dadra
437:genre
380:Marva
375:Purvi
310:Dadra
295:Kajri
285:Tappa
264:Sadra
254:Khyal
192:Drone
179:Tabla
113:Sarod
108:Sitar
73:Thaat
53:Swara
1563:Todi
1543:Kafi
1490:Hori
1311:Laya
1306:Tala
1296:Raga
1286:That
1214:ISBN
1194:ISBN
1180:ISBN
1159:2010
1132:2024
1074:ISBN
1033:ISBN
1014:2020
986:2020
869:Braj
828:and
805:and
600:raga
585:and
583:Pilu
567:Kafi
561:raga
538:and
484:Hori
469:raga
462:and
370:Todi
350:Kafi
300:Hori
68:Tala
63:Raga
646:or
1595::
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1122:.
1096:.
1005:.
988:.
977:.
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801:,
797:,
793:,
789:,
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781:,
777:,
670:.
614:,
581:,
577:,
573:,
569:,
563:-s
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534:,
530:,
494:,
490:,
486:,
482:,
472:.
458:,
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1108:.
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426:(
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