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139:. These practices influenced Molière, and by most accounts the two actors developed a close relationship during the years they shared the same theaters. Some critics went so far as to accuse Molière of being Scaramouche's ape. One engraving shows Molière mimicking Scaramouche's grimaces with the help of a mirror.
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In the 1670s
Fiorilli portrayed Scaramouche in London with great success. He was capable of deft physical farce, including dancing and acrobatics. It is reported that in his 80s he maintained the ability to simulate a kick to another actor's face.
212:, London, UK in 2007 and revised and restaged in 2011. The musical is a fusion of musical theatre and commedia dell'arte practices and treats Fiorillo's life and career as a parable on celebrity culture.
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players. He abandoned the mask and used the expressiveness of his face to enhance the comedy. His large eyes and eyebrows and long nose contributed to this effect, and he wore
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with book, lyrics and music by
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53:(November 9, 1608 – December 7, 1694) was an Italian actor of
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Laurence
Sinelick, "Fiorilli, Tiberio" in Banham 1995, p. 373.
34:"That excellent comedian..." Tiberio Fiorilli in a 1700
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that framed the corners of his mouth and a thin, short
189:), published in Paris in 1695 and Brussels in 1699.
347:(at Internet Archive); 1699 edition, Brussels (
112:It is said that one day, when the two-year-old
236:(15th edition, Chicago, 1991) vol. 4, p. 787.
67:, which shared with the troupe of his friend
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324:, two volumes. Paris: Berger-Levrault. View
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146:Fiorilli died in Paris and is buried in the
322:Les Comédiens du roi de la troupe italienne
103:Portrait of Tiberio Fiorilli as Scaramouche
366:. Westport, Connecticut: Greenwood Press.
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309:. Cambridge: Cambridge University Press.
162:Scaramouche (Fiorilli) teaching Élomire (
206:Scaramouche - The Zany Commedia Musical,
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201:, remotely inspired by Fiorilli's life.
127:Fiorilli's style differed from other
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307:The Cambridge Guide to the Theatre
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59:known for developing the role of
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234:The New Encyclopædia Britannica
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465:17th-century theatre managers
381:. Paris: Chez Pierre Prault.
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339:Costantini, Angelo (1695).
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455:Italian male stage actors
362:Gaines, James F. (2002).
320:Campardon, Émile (1880).
283:Gaines 2002, pp. 419–420.
379:Biblioteque des theatres
364:The Molière Encyclopedia
343:. Paris: Claude Barbin.
232:"Fiorillo, Tiberio" in
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305:Banham, Martin (1995).
195:wrote a novel entitled
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259:vol. 1, pp. 222–234
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377:Maupoint (1733).
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