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A tie is a curved line connecting two notes of the same pitch, thereby creating a durational value equal to the sum of the values of the two notes. This is necessary when a note is to be sustained over a bar line, and under certain conditions, within the same
299:. The tie was used to show the duration of differing harmonies on early figured basses to show how they should be sounded over the held bass note. Many early pianists, like Beethoven, used the tie in many pieces to show the demand of gentle reiteration.
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The duration of a note can be prolonged...using a tie to the one note over to another of the same pitch....A tie adds to the time value of the first note the value of the succeeding note or notes that are paired together by the tie or
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Several notes in succession can be tied together. Such a succession can also be part of a larger, slurred phrase, in which case, ties and slurs must be used simultaneously and distinguishably.
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to express this duration. However, in some cases one might tie two notes that could be written with a single note value, such as a quarter note tied to an eighth note (the same length as a
222:
242:) does not affect performance, but it makes the music easier to read. Sometimes it can be used to make it clear that it has the appropriate rhythm. For example, a
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A tie is a curved line above or below two notes of the same pitch, which indicates that they are to be performed like one note equal in length to the two.
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is a curved line that connects two adjacent notes of the same pitch into a single sound with a duration equal to the sum of both note values.
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within a bar, i.e. to allow the beat to be clearly seen; and (c) for unusual note lengths which cannot be expressed in standard notation.
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indicating, together, the total time value desired. ... Ties are normally employed to join the time-value of two notes of
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A tie is a curved line connecting two notes of the same pitch, to show that the second is a continuation of the first.
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measure with three equal notes would have a quarter note on each side but two tied eighth notes in the middle; a
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82:; however, slurs join notes of different pitches which need to be played independently, but seamlessly (
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Music: A Monthly
Magazine, Devoted to the Art, Science, Technic and Literature of Music, Volumes 20-21
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of a note. ... Our modern tie-mark, first systematically used in the early sixteenth century [
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as long as a quarter note, or five times as long as a sixteenth note—there is no single
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A writer in 1901, said that the following definition is preferable to the previous:
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of the meter. This change in notation (choosing the tie rather than the longer
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Dotted note notation and the equivalent durations in tied note notation.
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The tie first appeared in 1523 in the
Recerchari, motetti, canzoni by
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Tie across the beat, followed by identical rhythm notated without tie
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Ties are used for three reasons: (a) when holding a note across a
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70:, indicating that they are to be played as a single note with a
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measure with three equal notes would have all quarter notes.
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direction of the notes, unless there are two or more
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126:of a note into succeeding beats, as opposed to a
315:to indicate beat grouping, the example given is
122:Ties...are a notational device used to show the
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62:is a curved line connecting the heads of two
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180:The tie shown at the top right connects a
74:equal to the sum of the individual notes'
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423:, p.110. Cresendo, Taplinger: New York.
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512:10.1093/gmo/9781561592630.article.27937
477:Music Theory for the Music Professional
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169:Ties are normally placed opposite the
78:. A tie is similar in appearance to a
7:
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1148:
538:– A simple explanation of tied notes
93:; (b) when holding a note across a
1168:. You can help Knowledge (XXG) by
385:. Boston Ginn & Co. Quoted in
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444:, Vol. I, p.8. Seventh Edition.
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346:
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382:Elements and Notation of Music
188:(semiquaver), creating a note
1:
442:Music: In Theory and Practice
379:McLaughlin, James M. (1902).
440:Benward & Saker (2003).
929:History of music publishing
1236:
1147:
206:). This might be because:
1134:Category:Musical notation
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1000:Numbered musical notation
791:Scientific pitch notation
498:Rastall, Richard (2001).
480:, p.11. Scarecrow Press.
461:Castellini, John (1962).
387:Music: A Monthly Magazine
230:The second note begins a
781:Helmholtz pitch notation
465:, p.51-2. W.W. Norton. .
404:, p.355. W.S.B. Mathews.
234:, falling on a stressed
1124:List of musical symbols
995:Nashville Number System
506:. Oxford Music Online.
474:Sorce, Richard (1995).
297:Marco Antonio Cavazzoni
674:Transposing instrument
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1215:Articulations (music)
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214:is between the notes
1020:Percussion notation
1220:Music theory stubs
504:Grove Music Online
463:Rudiments of Music
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184:(crotchet) to a
177:simultaneously.
16:Musical notation
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536:Ties Explained
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530:External links
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389:(1901), p.355.
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186:sixteenth note
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1170:expanding it
1162:music theory
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1005:Klavarskribo
980:Figured bass
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854:Appoggiatura
801:Articulation
599:Abbreviation
515:. Retrieved
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124:prolongation
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66:of the same
59:
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28:quarter note
1091:Music stand
965:Chord chart
944:Scorewriter
921:Sheet music
719:Dotted note
654:Repeat sign
629:Ledger line
101:Explanation
1209:Categories
1065:Shakuhachi
1040:Ekphonetic
1025:Simplified
990:Lead sheet
864:Grace note
729:Note value
724:Grace note
692:Accidental
367:References
240:note value
200:note value
138:note-heads
129:repetition
30:tied to a
1060:Swaralipi
1050:Kunkunshi
1010:Tablature
975:Eye music
859:Glissando
834:Fingering
619:Dal segno
1070:Znamenny
911:Tonguing
896:Staccato
849:Ornament
824:Dynamics
776:Interval
739:Notehead
714:Cue note
517:15 April
419:(1969).
398:(1901).
165:measure.
91:bar line
72:duration
1079:Related
1045:Gamelan
1035:Chinese
1015:Parsons
886:Portato
869:Mordent
844:Marcato
829:Fermata
819:Damping
814:Caesura
771:Tremolo
702:natural
614:Da capo
291:History
212:barline
193:⁄
901:Tenuto
839:Legato
809:Accent
766:Tuplet
484:
448:
427:
359:in 4/4
175:voices
84:legato
76:values
1160:This
1055:Neume
879:Trill
874:Slide
761:Tacet
751:Pitch
707:sharp
659:Tempo
644:Scale
639:Ossia
581:Staff
500:"Tie"
303:Notes
159:ties.
68:pitch
64:notes
1166:stub
891:Slur
756:Rest
744:stem
734:beam
697:flat
634:Mode
609:Clef
519:2020
482:ISBN
446:ISBN
425:ISBN
236:beat
171:stem
149:The
95:beat
80:slur
58:, a
906:Tie
604:Bar
508:doi
151:tie
86:).
60:tie
54:In
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409:^
210:A
26:A
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.