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Tim Brady

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performers. The quartet toured Canada in 2017, and again in 2018 with singer Marie-Annick Béliveau, and made a small US tour in 2019 (New York, Pittsburgh, Chicago). Major site-specific projects for 100 – 150 guitars (all of which are filmed and available on YouTube) include: 2015 – 100 Very Good Reasons Why – Festival MNM – Montreal
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music for choreographer Isabelle van Grimde's multi-media piece "Symphonie 5.1", in collaboration with drummer Thom Gossage. The work toured to Canada, The Netherlands and France. The Instruments of Happiness Quartet did a major Canadian tour in 2017, performing in Edmonton, Halifax, Regina, Brandon, Winnipeg, Victoria, and Montreal.
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society. The organization brings artists together in an annual event entitled FORUM, held in a different Canadian city each year (Winnipeg – 2007, Toronto – 2008, Montreal – 2009). Brady is the current president of the CNMN (2005–2010). Since 2004 he has served on the board of directors of The Music Gallery.
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His work "Atacama: Symphony #3" was premiered in 2012, released in ATMA Classique in 2013, and nominated for a Juno that year. It was performed as well at the Festival international de musique actuelle de Victoriaville (2013) and in New York at National Sawdust in 2015, but David T. Little's Newspeak
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in 2004 to focus on his own projects (running under the Bradyworks banner), and to work on the beginnings of what would eventually become the Canadian New Music Network (CNMN, 2005). The CNMN is a large, pan-Canadian movement to make contemporary creative concert music a more vibrant part of Canadian
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The relationship with Laval created the first version of his work "Requiem 21.5 – concerto for violin and orchestra", as well as his "Viola Concerto", written for OSL violist Jutta Puchhammer-Sédillot. From 2011 – 2015 Brady worked closely with Symphony Nova Scotia, in Halifax, premiering both final
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In 2014, after 9 years at the head of the Canadian New Music Network, he stepped down as president. He served on the board until 2017, but is still active in cultural policy development. He was awarded the Canadian Music Centre/Canadian League of Composers, "Friends of Canadian Music Award" in 2016
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2015 also saw his fort work for 100 spatialised electric guitars "100 Very Good Reasons Why", performed at the Montreal/Nouvelles Musiqeu Festival. A YouTube video of that work has proved quite popular. In 2016 he presented another work for 100 guitars – "100 questions, 100 réponse", this time in a
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Two major chamber works were premiered at the 2017 Festival international de musique actuelle de Victoriaville: "DĂ©sir: concerto for electric guitar and large ensemble" and "8 Songs about: Symphony #7". Brady was the soloist in the concerto, and conducted the symphony, which featured the voices of
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Innovations en concert, producing many different events in Montreal, some with his music, but also producing concerts by many touring and local musicians as well. In 1995 Brady had the idea of producing the first-ever international festival of contemporary chamber and orchestral music for electric
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2015 saw the premier of his chamber opera "Ghost Tango" (libretto by Douglas Smith) in Halifax (NS), and Kitchener (ON), and 2016 saw the release of the first CD of his new electric guitar quartet, Instruments of Happiness, on the US Starkland Records label. From 2014 – 2017 he also worked on the
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In 2015 Brady launched the Instruments of Happiness electric guitar project. The project has 3 parts: an electric guitar chamber quartet, a guitar ensemble of 12 – 20 professionals, and large, site-specific projects for 100 to 150 electric guitars, primarily based around using community, amateur
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2016 – 100 Questions, 100 Réponses – Église le Gesù, Montréal 2016 – 100 Very Good Reasons Why – Modulus Festival – Vancouver 2017 – Hymne Sauvage – Complex Desjardins – Montreal (music by Alexandre David) 2017 – 100 Very Good Reasons Why – Stratford Summer Music Festival – Stratford, ON
1211:(Tura Concerts), and at the Darwin International Guitar Festival. He was back in the Netherlands in September 2007 for several performances, and also to give a lecture on new music and the electric guitar, at the OUTPUT Electric Guitar Festival, held in the Muziekgebouw, in Amsterdam. 1105:– Oct. 2002), Marseille (G.M.E.M. – Festival Les Musiques – May 2003) and New York (Interpretation Series, Merkin Hall – November 2002) by its commissioner, the Nouvel Ensemble Moderne, and was released on CD in 2004. 2002 also saw the premiere of his orchestral work 1315:
version of "Requiem 21.5" as well as a commissioned work: "The How and the Why of Memory: Symphony #4". These two works, along with the Viola Concerto, were recorded for Centrediscs, and released in 2015. The CD won an East Coast Music Award for Best Classical CD.
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instruments. His music is marked by a synthesis of musical languages, having developed an ability to use elements of many musical styles while retaining a strong sense of personal expression. Some of his early recognized works are the 1982 orchestral pieces
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After many years away from the orchestral composition, 2007 onwards saw a major increase in orchestral works by Brady. This new orchestral music is very different from his earlier, modernist works. Recent orchestral scores include
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2021 – Actions Speak Louder – 3 CD-set – Act 1 – Solo – Simple Loops in Complex Times / Act. 2 – Of Sound, Mind and Body – Triple Concerto: Because Everything Has Changed / Act. 3 – Voices – Bradyworks, Mirror Image (Redshift
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Nathalie Paulin, and scored for Bradyworks, the work was premiered at the Musée d’art contemporain de Montréal and later released on CD in 1996, supported by a 5-city Canadian tour. The work combines pulsing, jazz and
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Variants, was premiered by the Esprit Orchestra in Toronto in the 1987–1988 season, recorded by the Canadian Broadcasting Corporation, as a result of winning the 1986 Micheline Coulombe St-Marcoux Prize
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rock guitar and a large range of electronic tape sounds to create a 40-minute portrait of the experience of political revolution. The work had three American performances in 2001, at The Kitchen (
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space. The tour featured a chamber work entitled The Songline, which had been commissioned by and premiered at the Festival international de musique actuelle de Victoriaville (FIMAV).
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based in Montreal. The first release was of his work 20 Quarter Inch Jacks, a piece for 20 electric guitars, commissioned by the Festival Les Coups de Théâtre. In 2003 he released
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programme Two New Hours. Brady had his first major international collaboration in 1983, performing a duo concert at the Edmonton Jazz City Festival with the Hungarian
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With the exception of the 2017 "Hymne sauvage" project, (music by composer Alexandre David) all the music for the site-specific project is composed by Tim Brady.
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Brady's renewed interest in solo performance led to his second collaboration with Messier: the 65-minute work for video and electric guitar entitled
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However, two works of the Toronto period point to the future vision of music as a more unified means of expression, without stylistic boundaries:
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at age eleven and was largely self-taught until the age of nineteen, with the exception of 18 months of basic beginner guitar lessons (
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works (2003 Prix OPUS Composer of the Year award, given by the Conseil québécois de la musique; 2006 Jan V. Matejcek award, given by
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Contemporary Music Festival, and the 1999 Strange Attractor's world tour, with 23 concerts in Canada, the United States, Europe,
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2021 – Virtual Concerto for an Imaginary Space – an iPhone/video-based production for 62 socially distanced electric guitars
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church. The work was featured in an article on the history of the electric guitar in UK's Guardian newspaper in August 2016.
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in order to have some control over his work, and his new vision of creative music. The group was named simply "Bradyworks".
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soon after. The band (going under the names Tosh and Mystrale) quickly became a vehicle for not only playing, but also for
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Vincent Ranallo and Sarah Albu. Both works are for a chamber group of 13 players, and were recorded for release in 2018.
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label, out of Montreal. Brady toured extensively in the 1990s as a solo guitarist, including performances at the 1993
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by the Orchestre symphonique de Montréa under conductor Rafael Frubek de Burghos, followed by a performance by the
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2002 saw the premiere of his 45-minute, multi-movement work Playing Guitar: Symphony #1, for solo electric guitar,
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would start to make Brady's reputation as a composer across Canada, and would win him 5 composition awards from
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A second Bradyworks song-cycle followed, entitled The Knife Thrower's Partner (1997), using only a quartet of
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This project, as with almost all of his recorded productions since 1988, was produced in collaboration with
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2019 – As Many Strings As Possible, Playing: Symphony #9 – St. Joseph's Oratory – Festival MNM – Montreal
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Official site for the Canadian New Music Network, where Tim Brady was founding president (2005-2014).
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The next few years would be occupied with the creation and production of Brady's two chamber operas:
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He is internationally recognized as one of the world's leading experimental/new music guitarists (
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began to make his reputation as a guitar innovator both in Canada and internationally.
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in 2008, including a performance at the Festival international de musique actuelle de
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had become one of his main artistic preoccupations. From 1989 to 1992 he worked on a
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Return of the solo (now multi-media) guitarist / orchestral maneuvers (2006–present)
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Julie West. The work included the 5 musicians of Bradyworks plus the jazz soloists
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Official site for the Music Gallery, where Tim Brady is on the Board of Directors
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2016 – Of Sound, Mind and Body: concert #3 (improvised music) (Redshift Records)
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in Toronto and Montréal, and did recordings of his original jazz works for the
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Out of this failed opera experience came his first major song-cycle, entitled
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2016 – Instruments of Happiness – electric guitar quartet (Starkland records)
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set of original tunes called Chalk Paper, a recording of 3 chamber works for
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The following compositions by Tim Brady are also featured on compact discs:
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2019 – Instruments of Happiness – The Happiness Handbook (Starkland Records)
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was given its American premiere in January 2009, produced by CALARTS at the
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Upon returning to Montreal in 1987, Brady founded his own chamber group and
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and often incorporate modern instruments such as electric guitars and other
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Festival International Musique Actuelle Victoriaville: Day 2 – May 16, 2008
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and 15 musicians. The work was performed in Montreal (Oscar Peterson Hall,
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2015 – The How and the Why of Memory – Symphony Nova Scotia (Centrediscs)
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The first major Bradyworks project was Inventions, a 90-minute music and
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Contemporary Music Projects, and he would produce and perform in major
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Brady's Toronto years also mark the beginning of his work as a concert
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Ensemble and Trinity Wall Street Choir, conducted by Julian Wachner.
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2013 – Atacama: Symphonie #3 (ATMA Classique) – JUNO nomination 2014
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concerto commissioned by the CBC Radio Orchestra for Lori Freedman,
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1992 saw the release of his landmark solo guitar and electronics CD
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2018 – While 100 Guitar Gently Weep – Luminato Festival – Toronto
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Montreal, part 2: operas, Ambiances magnétiques, CNMN (2002–2005 )
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2018 – Music for Large Ensemble – Tim Brady (Starkland records)
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2006 saw the first of two major collaborations with Montréal
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2007 – SCAT (because we all have voices and stories to tell)
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release in 1988, in a remarkable performance by trumpeter
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over the years, articles by Brady on a variety of issues
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and Lise Daoust's CD "L'Aube Enchantée – Enchanted Dawn"
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Allaboutjazz (online publication) – review, 22 May 2008
1292:(also a Canadian Broadcasting Corporation commission), 485:) from 1982 to 1986, and he was a finalist in the 1986 151: 584:(performed by Marc Wider), and two digitally recorded 74:
A major contributor to this article appears to have a
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In 2006 Brady released his first solo CD in 6 years,
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Parallel to his work as a guitarist, his interest in
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( 1896:Rochester Democrat and Chronicle Union Times 489:Young Composers' Competition, with the work 1062:In 2002 Brady parted company amicably with 722:collaboration, created in conjunction with 633:During this period his various jazz groups/ 545:. This latter work was to become his first 53:Learn how and when to remove these messages 2074:Canadian Broadcasting Corporation archives 1253:, on Ambiances magnètiques. His 2002 work 1176:in January 2007 in collaboration with the 229:, improvising musician, concert producer, 2382:Brady's page at the Canadian Music Centre 2080:British Broadcasting Corporation archives 1668:– review 1985; articles: 1994, 1997, 2007 799:(2000). All these recordings were on the 707:Montreal, part 1: Bradyworks (1987–1997) 181:Learn how and when to remove this message 105:Learn how and when to remove this message 1947:Huddersfield Contemporary Music Festival 1265:, and at Rosza Hall in Calgary in 2012. 849:) in 1996 (and again in 2001), the 1997 764:Morris Apelbaum, who also works as live 16:Canadian composer, musician and producer 2093: 1611:– on Vivienne Spiteri's "New Music for 1424:2005 – Three Cities in the Life of Dr. 994:(1993), based on a variety of poems in 441:), including his earliest professional 1218:Martin Messier: the work was entitled 1143:Brady left the Innovations en concert 360:music and by nineteen his interest in 2377:Tim Brady's discography on actuellecd 1491:1985 – dR.E.aM.s (Apparition Records) 1271:The Choreography of Time: Symphony #2 909:. The event featured performances by 7: 2472:21st-century Canadian male musicians 2467:20th-century Canadian male musicians 2099: 2097: 1299:(for solo violin and orchestra) and 1050:in 2000, giving 8 performances with 949:Bradyworks – vocal music (1997–2000) 533:piece – unperformed until 1999) and 457:, and other early works such as his 1497:1983 – Chalk Paper (C-Note Records) 1140:), and was released on CD in 2005. 1090:in Dublin (Ireland) as part of the 1042:in setting a text by Canadian poet 561:First recordings, first productions 553:, with the Orchestre de chambre de 1339:Instruments of Happiness (2015 – ) 1261:Hall of the Disney Auditorium, in 881:In collaboration with partners in 833:with a performance for the BBC at 368:had eclipsed the abilities of the 325:on 11 July 1956. He began playing 221:(born 11 July 1956) is a Canadian 14: 2447:Canadian male classical composers 2009:= Encyclopedia of Music in Canada 1831:, Toronto NOW Magazine, MontrĂ©al 1576:of music by composer / guitarist 1553:– on self-titled CD by the group 1207:(The Powerhouse, with Topology), 869:The Body Electric Festival (1997) 671:From 1986 to 1987 Brady lived in 619:events with iconic American jazz 493:. His most ambitious and complex 487:Canadian Broadcasting Corporation 411:where he began working both as a 389:New England Conservatory of Music 34:This article has multiple issues. 2457:21st-century Canadian guitarists 2452:20th-century Canadian guitarists 2422:21st-century classical composers 2417:20th-century classical composers 1560:Waiter, Waiter, Call the Manager 817:(with his first electric guitar 352:at sixteen, and started his own 121: 85:. Please discuss further on the 64: 23: 2442:New England Conservatory alumni 2110:, by James Hale, 30 August 2019 2108:Encyclopedia of Music in Canada 2083:Radio-France (INA-GRM) archives 1471:1990 – Double Variations (with 1027:, performed by Bradyworks), in 649:, as well as for the new music/ 42:or discuss these issues on the 1908:AF of M International Musician 1707:Paroles & Musique Magazine 403:The Toronto period (1980–1986) 1: 2077:SociĂ©tĂ© Radio-Canada archives 1695:– article, 1991; review, 2007 1657:Magazine articles and reviews 768:for the Bradyworks ensemble. 699:concert of originals for the 588:of music for solo guitar and 2432:Canadian classical composers 1525:public space / private music 1164:, Jean-François Laporte and 1035:(Auros New Music Ensemble). 235:contemporary classical music 2182:"NumĂ©ro hiver 2008, aperçu" 1980:), Interpretations Series ( 1168:. He toured music from the 1111:Winnipeg Symphony Orchestra 1031:(New Ear Ensemble), and in 925:, Ron Samworth, Greg Lowe, 812:Winnipeg Symphony Orchestra 667:London interval (1986–1987) 2488: 2065:Canadian New Music Network 1736:Canadian Musician Magazine 1459:1996 – Revolutionary Songs 1440:2002 – Twenty Quarter Inch 1409:2011 – 24 Frames: Scatter 1369:As leader/composer/soloist 779:new music for guitar with 2372:Tim Brady's Official site 2208:"Canadian Musician: Home" 1857:Kitchener-Waterloo Record 1847:(MontrĂ©al, QuĂ©bec City), 1781:(Toronto) – article, 2004 1775:(Toronto) – article, 2007 1456:1997 – Strange Attractors 829:, a 1995 UK tour for the 795:(1997) and the double CD 611:. In 1982 he founded the 598:The Persistence of Vision 455:4 Songs and an Intermezzo 270:(1985), the chamber trio 219:Timothy Wesley John Brady 2462:Canadian male guitarists 2427:Anglophone Quebec people 1849:Halifax Chronicle-Herald 1769:Magazine – article, 1993 1465:1992 – Imaginary Guitars 1453:2000 – 10 Collaborations 1412:2010 – 24 Frames: Trance 537:(1984), for improvising 2437:Musicians from Montreal 1806:(Perth) – article, 2007 1713:) – cover article, 2002 1585:– original version for 1430:2004 – Playing Guitar: 1126:La SociĂ©tĂ© Radio-Canada 1094:'s New Music Festival. 1066:and began working with 637:performed in clubs and 600:(1987). These two solo 465:(1983, commissioned by 407:In 1980 Brady moved to 379:Brady studied music at 317:Early years and studies 2290:"The Whole Note: Home" 2125:www.newmusicnetwork.ca 2071:Music Gallery archives 2059:Innovations en concert 1876:New York Village Voice 1789:– article, 1 July 2005 1759:La Nouvelle RĂ©publique 1415:2009 – My 20th Century 1331:for his work at CNMN. 1283:The Guess Who Symphony 1195:and at the BIMHAUS in 1086:(Scotland) and at the 685:Odaline de la Martinez 651:contemporary classical 274:(1985, 1988), and his 215: 214:at the Église du GesĂą. 2131:on 22 September 2017. 2068:Canadian Music Centre 2047:Ambiances MagnĂ©tiques 1912:Sydney Morning Herald 1861:Philadelphia Inquirer 1717:The Canadian Composer 1703:– cover article, 2004 1437:2003 – Unison Rituals 1403:Ambiances magnètiques 1255:20 Quarter Inch Jacks 1068:Ambiances MagnĂ©tiques 461:#1, the chamber work 198: 83:neutral point of view 1904:The Glasgow Scotsman 1898:(1993), Quebec City 1888:Rhein-Neckar Zeitung 1103:Concordia University 1054:Anne-Marie Donovan. 1044:Douglas Burnet Smith 1040:acoustic instruments 805:Printemps de Bourges 381:Concordia University 344:). He switched from 152:improve this article 2315:Six-String Symphony 2270:on 6 September 2008 2244:on 9 September 2009 2041:Justin Time Records 1934:(2004), Sherbrooke 1920:Corriere delle Apli 1914:(2000), Copenhagen 1865:Winnipeg Free Press 1819:Multiple references 1786:Electronic Musician 1779:Whole Note Magazine 1681:Musicworks Magazine 1447:Justin Time Records 1088:Project Arts Centre 1084:Aberdeen University 1064:Justin Time Records 992:Revolutionary Songs 929:, Kapser Toeplitz, 801:Justin Time Records 279:Revolutionary Songs 156:independent sources 2157:"MusicWorks: Home" 1962:Symphony Orchestra 1825:The Globe and Mail 1595:Marie-JosĂ©e Simard 1301:Un Amour, un Hiver 1145:production company 915:Fred Frith Quartet 875:production company 831:Sonic Arts Network 815:New Music Festival 793:Strange Attractors 751:experimental music 713:production company 695:, and recording a 613:production company 429:tendencies (i.e.: 366:instrumental music 321:Brady was born in 239:experimental music 227:electric guitarist 216: 2317:by Matt Gallagher 2212:Canadian Musician 2035:Record catalogues 2029:978-0-631-20138-0 1922:(2001), Bolzanno 1916:Berlingske Tilden 1884:Mannheimer Morgan 1871:Single references 1743:AvancĂ©es Magazine 1723:) – article, 1983 1700:La scena musicale 1551:saxophone quartet 1468:1991 – Inventions 1275:Opposites Attract 1181:saxophone quartet 1118:The Salome Dancer 939:The Body Electric 797:10 Collaborations 773:Imaginary Guitars 272:...in the Wake... 191: 190: 183: 173: 172: 143:largely based on 115: 114: 107: 78:with its subject. 57: 2479: 2359: 2351: 2345: 2344: 2342: 2340: 2335:on 17 April 2009 2331:. 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Sung by 985:Keri Hulme 911:David Torn 743:saxophones 693:Guy Barker 681:conducting 645:programme 602:recordings 527:bass drums 467:Arraymusic 445:piece for 364:and other 342:folk music 337:, playing 298:orchestral 276:song cycle 251:minimalism 39:improve it 1900:Le Soleil 1841:Le Devoir 1833:La Presse 1574:recording 1243:24 Frames 1201:Australia 1197:Amsterdam 1189:Eindhoven 1113:in 2004. 1076:SOUND OFF 1021:distorted 1017:harmonies 899:Vancouver 887:Jonquière 863:Hong Kong 855:Australia 789:Scenarios 777:composing 647:Jazz Beat 643:CBC Radio 635:big bands 624:Gil Evans 594:dR.E.aM.s 575:jazz trio 519:trombones 511:SOUND OFF 495:modernist 427:modernist 421:and as a 416:classical 376:) group. 358:composing 354:rock band 335:strumming 312:Biography 247:serialism 200:Tim Brady 87:talk page 45:talk page 2054:Archives 1998:MontrĂ©al 1990:MontrĂ©al 1974:MontrĂ©al 1959:Winnipeg 1930:(1998), 1910:(1999), 1906:(1999), 1902:(1996), 1894:(1995), 1886:(2007), 1882:(1991), 1878:(1991), 1796:Magazine 1692:The Wire 1675:Magazine 1673:DownBeat 1666:Magazine 1645:Doubling 1583:Circling 1564:big band 1541:Scotland 1515:clarinet 1432:Symphony 1378:Records) 1247:Brisbane 1205:Brisbane 1185:concerts 907:concerts 895:Victoria 891:Winnipeg 878:guitar. 823:ensemble 819:concerto 791:(1994), 762:producer 758:engineer 747:New York 658:virtuoso 639:concerts 630:(1985). 621:arranger 609:producer 555:MontrĂ©al 523:trumpets 451:ensemble 419:composer 385:Montreal 346:acoustic 339:acoustic 323:MontrĂ©al 281:(1994). 260:Variants 223:composer 204:Montreal 154:and add 1938:(2005) 1890:(2007), 1685:reviews 1652:Sources 1639:marimba 1627:Changes 1537:Glasgow 1445:CDs on 1295:Requiem 1193:Utrecht 1172:to the 1099:sampler 1008:soprano 1004:Spanish 996:English 983:author 883:Toronto 677:England 567:records 539:soloist 535:Visions 491:Visions 443:chamber 409:Toronto 294:chamber 264:Visions 2121:"CNMN" 2027:  2019:  1753:Annecy 1739:– 1993 1728:Option 1629:– for 1617:Canada 1603:– for 1562:– for 1555:Quasar 1549:– for 1543:(2001) 1513:– for 1259:REDCAT 1232:QuĂ©bec 1178:Quasar 1134:Guelph 1048:Canada 1033:Boston 1000:French 913:, the 901:, and 737:) and 724:Ottawa 697:studio 673:London 525:and 8 393:Boston 331:chords 327:guitar 266:, his 241:, and 212:Canada 208:Quebec 2088:Notes 2004:Books 1721:CAPAC 1711:SOCAN 1631:piano 1615:from 1593:– on 1587:flute 1483:Vinyl 1307:icon 1224:video 1209:Perth 1019:with 979:, by 955:opera 859:Japan 847:Paris 720:dance 582:piano 521:, 30 517:, 30 515:saxes 504:CAPAC 483:SOCAN 481:(now 479:CAPAC 447:voice 306:SOCAN 2341:2009 2301:2022 2276:2009 2250:2009 2224:2022 2194:2009 2168:2022 2025:ISBN 2023:and 2017:ISBN 1964:New 1845:Voir 1637:and 1619:and 1609:tape 1607:and 1589:and 1529:tape 1517:and 1373:CDs 1297:21.5 1277:, a 1251:SCAT 1002:and 961:and 933:and 861:and 785:tape 783:and 760:and 735:bass 691:and 655:bass 579:solo 541:and 449:and 370:rock 362:jazz 333:and 300:and 286:1997 262:and 1984:), 1955:GRM 1951:INA 1305:pop 1187:in 1082:), 843:GRM 839:INA 825:in 701:BBC 586:LPs 571:ECM 506:). 399:). 391:in 383:in 348:to 308:). 249:to 136:or 2403:: 2292:. 2210:. 2159:. 2123:. 2106:, 2096:^ 2000:. 1949:, 1863:, 1859:, 1855:, 1843:, 1839:, 1835:, 1827:, 1633:, 1539:, 1434:#1 1191:, 1170:CD 1158:GO 998:, 957:, 921:, 917:, 897:, 893:, 889:, 885:, 857:, 845:, 787:: 703:. 675:, 663:. 592:: 557:. 547:CD 453:, 437:, 433:, 296:, 288:, 237:, 225:, 210:, 206:, 48:. 2343:. 2303:. 2278:. 2252:. 2226:. 2196:. 2170:. 2145:. 1953:- 1751:( 1719:( 1709:( 1623:" 1531:( 1475:) 1226:/ 1183:( 841:- 741:( 733:( 502:( 184:) 178:( 166:) 162:( 158:. 148:. 108:) 102:( 97:) 93:( 89:. 55:) 51:(

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Tim Brady
Montreal
Quebec
Canada
composer
electric guitarist
record producer
contemporary classical music
experimental music
serialism
minimalism
electroacoustic
song cycle
1997
Guitar Player
chamber

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