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performers. The quartet toured Canada in 2017, and again in 2018 with singer Marie-Annick Béliveau, and made a small US tour in 2019 (New York, Pittsburgh, Chicago). Major site-specific projects for 100 – 150 guitars (all of which are filmed and available on YouTube) include: 2015 – 100 Very Good
Reasons Why – Festival MNM – Montreal
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music for choreographer
Isabelle van Grimde's multi-media piece "Symphonie 5.1", in collaboration with drummer Thom Gossage. The work toured to Canada, The Netherlands and France. The Instruments of Happiness Quartet did a major Canadian tour in 2017, performing in Edmonton, Halifax, Regina, Brandon, Winnipeg, Victoria, and Montreal.
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society. The organization brings artists together in an annual event entitled FORUM, held in a different
Canadian city each year (Winnipeg – 2007, Toronto – 2008, Montreal – 2009). Brady is the current president of the CNMN (2005–2010). Since 2004 he has served on the board of directors of The Music Gallery.
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His work "Atacama: Symphony #3" was premiered in 2012, released in ATMA Classique in 2013, and nominated for a Juno that year. It was performed as well at the
Festival international de musique actuelle de Victoriaville (2013) and in New York at National Sawdust in 2015, but David T. Little's Newspeak
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in 2004 to focus on his own projects (running under the
Bradyworks banner), and to work on the beginnings of what would eventually become the Canadian New Music Network (CNMN, 2005). The CNMN is a large, pan-Canadian movement to make contemporary creative concert music a more vibrant part of Canadian
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The relationship with Laval created the first version of his work "Requiem 21.5 – concerto for violin and orchestra", as well as his "Viola
Concerto", written for OSL violist Jutta Puchhammer-Sédillot. From 2011 – 2015 Brady worked closely with Symphony Nova Scotia, in Halifax, premiering both final
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In 2014, after 9 years at the head of the
Canadian New Music Network, he stepped down as president. He served on the board until 2017, but is still active in cultural policy development. He was awarded the Canadian Music Centre/Canadian League of Composers, "Friends of Canadian Music Award" in 2016
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2015 also saw his fort work for 100 spatialised electric guitars "100 Very Good
Reasons Why", performed at the Montreal/Nouvelles Musiqeu Festival. A YouTube video of that work has proved quite popular. In 2016 he presented another work for 100 guitars – "100 questions, 100 réponse", this time in a
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Two major chamber works were premiered at the 2017 Festival international de musique actuelle de
Victoriaville: "DĂ©sir: concerto for electric guitar and large ensemble" and "8 Songs about: Symphony #7". Brady was the soloist in the concerto, and conducted the symphony, which featured the voices of
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Innovations en concert, producing many different events in
Montreal, some with his music, but also producing concerts by many touring and local musicians as well. In 1995 Brady had the idea of producing the first-ever international festival of contemporary chamber and orchestral music for electric
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2015 saw the premier of his chamber opera "Ghost Tango" (libretto by Douglas Smith) in Halifax (NS), and Kitchener (ON), and 2016 saw the release of the first CD of his new electric guitar quartet, Instruments of Happiness, on the US Starkland Records label. From 2014 – 2017 he also worked on the
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In 2015 Brady launched the Instruments of Happiness electric guitar project. The project has 3 parts: an electric guitar chamber quartet, a guitar ensemble of 12 – 20 professionals, and large, site-specific projects for 100 to 150 electric guitars, primarily based around using community, amateur
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2016 – 100 Questions, 100 Réponses – Église le Gesù, Montréal 2016 – 100 Very Good Reasons Why – Modulus Festival – Vancouver 2017 – Hymne Sauvage – Complex Desjardins – Montreal (music by Alexandre David) 2017 – 100 Very Good Reasons Why – Stratford Summer Music Festival – Stratford, ON
1211:(Tura Concerts), and at the Darwin International Guitar Festival. He was back in the Netherlands in September 2007 for several performances, and also to give a lecture on new music and the electric guitar, at the OUTPUT Electric Guitar Festival, held in the Muziekgebouw, in Amsterdam.
1105:– Oct. 2002), Marseille (G.M.E.M. – Festival Les Musiques – May 2003) and New York (Interpretation Series, Merkin Hall – November 2002) by its commissioner, the Nouvel Ensemble Moderne, and was released on CD in 2004. 2002 also saw the premiere of his orchestral work
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version of "Requiem 21.5" as well as a commissioned work: "The How and the Why of Memory: Symphony #4". These two works, along with the Viola Concerto, were recorded for Centrediscs, and released in 2015. The CD won an East Coast Music Award for Best Classical CD.
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instruments. His music is marked by a synthesis of musical languages, having developed an ability to use elements of many musical styles while retaining a strong sense of personal expression. Some of his early recognized works are the 1982 orchestral pieces
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After many years away from the orchestral composition, 2007 onwards saw a major increase in orchestral works by Brady. This new orchestral music is very different from his earlier, modernist works. Recent orchestral scores include
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2021 – Actions Speak Louder – 3 CD-set – Act 1 – Solo – Simple Loops in Complex Times / Act. 2 – Of Sound, Mind and Body – Triple Concerto: Because Everything Has Changed / Act. 3 – Voices – Bradyworks, Mirror Image (Redshift
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Nathalie Paulin, and scored for Bradyworks, the work was premiered at the Musée d’art contemporain de Montréal and later released on CD in 1996, supported by a 5-city Canadian tour. The work combines pulsing, jazz and
1120:(2005 – libretto by John Sobol, commissioned and produced by NUMUS concerts at the Open Ears Festival, with Bradyworks in the pit, conducted by Paul Pulford, with stage direction by Anne-Marie Donovan), and
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Variants, was premiered by the Esprit Orchestra in Toronto in the 1987–1988 season, recorded by the Canadian Broadcasting Corporation, as a result of winning the 1986 Micheline Coulombe St-Marcoux Prize
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rock guitar and a large range of electronic tape sounds to create a 40-minute portrait of the experience of political revolution. The work had three American performances in 2001, at The Kitchen (
1074:, a CD of his music for saxophone and chamber ensemble, including the first of many collaborations with the Quasar saxophone quartet, and an overdubbed and reduced performance of the 1983 work
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space. The tour featured a chamber work entitled The Songline, which had been commissioned by and premiered at the Festival international de musique actuelle de Victoriaville (FIMAV).
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based in Montreal. The first release was of his work 20 Quarter Inch Jacks, a piece for 20 electric guitars, commissioned by the Festival Les Coups de Théâtre. In 2003 he released
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987:. The project was never completed due to difficulties in working with Hulme, but it sparked a keen interest in vocal music and music theatre which continues in his current works.
745:). A CD of the project was released in the autumn of 1991, to coincide with the groups' first major tour, including 13 concerts across Canada, plus a performance at Roulette,
292:: "One of the 30 Most Important Guitarists for the Future of the Instrument"), and in recent years has gained a strong reputation as one of Canada's leading composers of
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programme Two New Hours. Brady had his first major international collaboration in 1983, performing a duo concert at the Edmonton Jazz City Festival with the Hungarian
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With the exception of the 2017 "Hymne sauvage" project, (music by composer Alexandre David) all the music for the site-specific project is composed by Tim Brady.
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Brady's renewed interest in solo performance led to his second collaboration with Messier: the 65-minute work for video and electric guitar entitled
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However, two works of the Toronto period point to the future vision of music as a more unified means of expression, without stylistic boundaries:
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at age eleven and was largely self-taught until the age of nineteen, with the exception of 18 months of basic beginner guitar lessons (
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works (2003 Prix OPUS Composer of the Year award, given by the Conseil québécois de la musique; 2006 Jan V. Matejcek award, given by
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2020:
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Contemporary Music Festival, and the 1999 Strange Attractor's world tour, with 23 concerts in Canada, the United States, Europe,
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2021 – Virtual Concerto for an Imaginary Space – an iPhone/video-based production for 62 socially distanced electric guitars
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church. The work was featured in an article on the history of the electric guitar in UK's Guardian newspaper in August 2016.
941:(1997), on the closing night of the event, a work commissioned by the Canadian Broadcasting Corporation and performed by the
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in order to have some control over his work, and his new vision of creative music. The group was named simply "Bradyworks".
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soon after. The band (going under the names Tosh and Mystrale) quickly became a vehicle for not only playing, but also for
1988:, Auros New Music Ensemble, New Ear Ensemble, Conseil québécois de la musique – Prix OPUS, Festival Les Coups de Théâtre (
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Vincent Ranallo and Sarah Albu. Both works are for a chamber group of 13 players, and were recorded for release in 2018.
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label, out of Montreal. Brady toured extensively in the 1990s as a solo guitarist, including performances at the 1993
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by the Orchestre symphonique de Montréa under conductor Rafael Frubek de Burghos, followed by a performance by the
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2002 saw the premiere of his 45-minute, multi-movement work Playing Guitar: Symphony #1, for solo electric guitar,
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905:, he created the festival The Body Electric / Guitarévolution, which was held in 1997, presenting a total of 23
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would start to make Brady's reputation as a composer across Canada, and would win him 5 composition awards from
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A second Bradyworks song-cycle followed, entitled The Knife Thrower's Partner (1997), using only a quartet of
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This project, as with almost all of his recorded productions since 1988, was produced in collaboration with
387:(1975–1978, composition with Alan Crossman, guitar with Claude Dyotte), followed by graduate studies at the
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473:(1985, commissioned by New Music Concerts). A series of imaginative but conventional modernist chamber and
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2019 – As Many Strings As Possible, Playing: Symphony #9 – St. Joseph's Oratory – Festival MNM – Montreal
1128:, premiered by Bradyworks and baritone Michael Donovan in Montreal. Bethune had subsequent productions in
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1535:) – on "4 × 4 Commissions" CD, limited edition put out by the Centre for Contemporary Arts in
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Official site for the Canadian New Music Network, where Tim Brady was founding president (2005-2014).
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The next few years would be occupied with the creation and production of Brady's two chamber operas:
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He is internationally recognized as one of the world's leading experimental/new music guitarists (
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1647:– solo harpsichord version – on Vivienne Spiteri's "comme si l'hydrogène...the desert speaks"
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began to make his reputation as a guitar innovator both in Canada and internationally.
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in 2008, including a performance at the Festival international de musique actuelle de
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had become one of his main artistic preoccupations. From 1989 to 1992 he worked on a
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Return of the solo (now multi-media) guitarist / orchestral maneuvers (2006–present)
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Julie West. The work included the 5 musicians of Bradyworks plus the jazz soloists
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Official site for the Music Gallery, where Tim Brady is on the Board of Directors
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2016 – Of Sound, Mind and Body: concert #3 (improvised music) (Redshift Records)
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in Toronto and Montréal, and did recordings of his original jazz works for the
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1521:– Jean-Guy Boisver (cl.) + Quatuor Bozzini (CD: "Le livres des méloncoliques")
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Out of this failed opera experience came his first major song-cycle, entitled
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2016 – Instruments of Happiness – electric guitar quartet (Starkland records)
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set of original tunes called Chalk Paper, a recording of 3 chamber works for
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1572:– Brady's performance of Roche noire (chronique irlandaise) appears on this
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The following compositions by Tim Brady are also featured on compact discs:
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2019 – Instruments of Happiness – The Happiness Handbook (Starkland Records)
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was given its American premiere in January 2009, produced by CALARTS at the
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Upon returning to Montreal in 1987, Brady founded his own chamber group and
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and often incorporate modern instruments such as electric guitars and other
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Festival International Musique Actuelle Victoriaville: Day 2 – May 16, 2008
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and 15 musicians. The work was performed in Montreal (Oscar Peterson Hall,
2264:"Welcome to OPUS - Canada's Essential Classical Music Source, since 1978™"
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2015 – The How and the Why of Memory – Symphony Nova Scotia (Centrediscs)
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The first major Bradyworks project was Inventions, a 90-minute music and
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945:. A second, somewhat smaller version of the festival was held in 2002.
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Contemporary Music Projects, and he would produce and perform in major
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Brady's Toronto years also mark the beginning of his work as a concert
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837:(London), a commission and a solo performance at Maison Radio-France (
775:. This was followed by several other solo guitar CDs, all focusing on
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Ensemble and Trinity Wall Street Choir, conducted by Julian Wachner.
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2013 – Atacama: Symphonie #3 (ATMA Classique) – JUNO nomination 2014
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concerto commissioned by the CBC Radio Orchestra for Lori Freedman,
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1992 saw the release of his landmark solo guitar and electronics CD
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2018 – While 100 Guitar Gently Weep – Luminato Festival – Toronto
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Montreal, part 2: operas, Ambiances magnétiques, CNMN (2002–2005 )
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2018 – Music for Large Ensemble – Tim Brady (Starkland records)
1124:(2003) – found-text libretto by the composer, commissioned by
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2006 saw the first of two major collaborations with Montréal
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1683:– 1997 article by Andrew Hurlbut, numerous CD & concert
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2007 – SCAT (because we all have voices and stories to tell)
937:. Brady also premiered his second electric guitar concerto,
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1677:– CD reviews 1999, 2001, 2003, 2005; preview article, 2008
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release in 1988, in a remarkable performance by trumpeter
1996:), Edmonton Jazz City, Festival international de jazz de
1199:), and in July of the same year he toured the project to
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over the years, articles by Brady on a variety of issues
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and Lise Daoust's CD "L'Aube Enchantée – Enchanted Dawn"
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Allaboutjazz (online publication) – review, 22 May 2008
1292:(also a Canadian Broadcasting Corporation commission),
485:) from 1982 to 1986, and he was a finalist in the 1986
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584:(performed by Marc Wider), and two digitally recorded
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A major contributor to this article appears to have a
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In 2006 Brady released his first solo CD in 6 years,
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Parallel to his work as a guitarist, his interest in
1566:– on the self-titled CD by the KAPPA ensemble (1998)
245:, his compositions utilize a variety of styles from
2013:The Blackwell Guide to Recorded Contemporary Music
1488:1987 – Persistence of Vision (Apparition Records)
1107:Three or Four Days After the Death of Kurt Cobain
1968:, festival international de musique actuelle de
1494:1984 – Music for Solo Piano (Apparition Records)
626:(1984) and maverick Canadian trumpeter/composer
1303:, for voice and orchestra, with text by Québec
233:and cultural activist. Working in the field of
1122:Three Cities in the Life of Dr. Norman Bethune
873:Since 1994 Brady had been running the concert
1641:– on Marie-Josée Simard's self-titled solo CD
1230:for the Bradyworks ensemble. The work toured
565:Brady also recorded and produced his first 4
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1992:), OUTPUT Festival, CALARTS REDCAT Theatre (
1976:, Orchestre symphonique de Laval, G.M.E.M. (
1896:Rochester Democrat and Chronicle Union Times
489:Young Composers' Competition, with the work
1062:In 2002 Brady parted company amicably with
722:collaboration, created in conjunction with
633:During this period his various jazz groups/
545:. This latter work was to become his first
53:Learn how and when to remove these messages
2074:Canadian Broadcasting Corporation archives
1253:, on Ambiances magnètiques. His 2002 work
1176:in January 2007 in collaboration with the
229:, improvising musician, concert producer,
2382:Brady's page at the Canadian Music Centre
2080:British Broadcasting Corporation archives
1668:– review 1985; articles: 1994, 1997, 2007
799:(2000). All these recordings were on the
707:Montreal, part 1: Bradyworks (1987–1997)
181:Learn how and when to remove this message
105:Learn how and when to remove this message
1947:Huddersfield Contemporary Music Festival
1265:, and at Rosza Hall in Calgary in 2012.
849:) in 1996 (and again in 2001), the 1997
764:Morris Apelbaum, who also works as live
16:Canadian composer, musician and producer
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1611:– on Vivienne Spiteri's "New Music for
1424:2005 – Three Cities in the Life of Dr.
994:(1993), based on a variety of poems in
441:), including his earliest professional
1218:Martin Messier: the work was entitled
1143:Brady left the Innovations en concert
360:music and by nineteen his interest in
2377:Tim Brady's discography on actuellecd
1491:1985 – dR.E.aM.s (Apparition Records)
1271:The Choreography of Time: Symphony #2
909:. The event featured performances by
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2472:21st-century Canadian male musicians
2467:20th-century Canadian male musicians
2099:
2097:
1299:(for solo violin and orchestra) and
1050:in 2000, giving 8 performances with
949:Bradyworks – vocal music (1997–2000)
533:piece – unperformed until 1999) and
457:, and other early works such as his
1497:1983 – Chalk Paper (C-Note Records)
1140:), and was released on CD in 2005.
1090:in Dublin (Ireland) as part of the
1042:in setting a text by Canadian poet
561:First recordings, first productions
553:, with the Orchestre de chambre de
1339:Instruments of Happiness (2015 – )
1261:Hall of the Disney Auditorium, in
881:In collaboration with partners in
833:with a performance for the BBC at
368:had eclipsed the abilities of the
325:on 11 July 1956. He began playing
221:(born 11 July 1956) is a Canadian
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2447:Canadian male classical composers
2009:= Encyclopedia of Music in Canada
1831:, Toronto NOW Magazine, Montréal
1576:of music by composer / guitarist
1553:– on self-titled CD by the group
1207:(The Powerhouse, with Topology),
869:The Body Electric Festival (1997)
671:From 1986 to 1987 Brady lived in
619:events with iconic American jazz
493:. His most ambitious and complex
487:Canadian Broadcasting Corporation
411:where he began working both as a
389:New England Conservatory of Music
34:This article has multiple issues.
2457:21st-century Canadian guitarists
2452:20th-century Canadian guitarists
2422:21st-century classical composers
2417:20th-century classical composers
1560:Waiter, Waiter, Call the Manager
817:(with his first electric guitar
352:at sixteen, and started his own
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85:. Please discuss further on the
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2442:New England Conservatory alumni
2110:, by James Hale, 30 August 2019
2108:Encyclopedia of Music in Canada
2083:Radio-France (INA-GRM) archives
1471:1990 – Double Variations (with
1027:, performed by Bradyworks), in
649:, as well as for the new music/
42:or discuss these issues on the
1908:AF of M International Musician
1707:Paroles & Musique Magazine
403:The Toronto period (1980–1986)
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2077:Société Radio-Canada archives
1695:– article, 1991; review, 2007
1657:Magazine articles and reviews
768:for the Bradyworks ensemble.
699:concert of originals for the
588:of music for solo guitar and
2432:Canadian classical composers
1525:public space / private music
1164:, Jean-François Laporte and
1035:(Auros New Music Ensemble).
235:contemporary classical music
2182:"Numéro hiver 2008, aperçu"
1980:), Interpretations Series (
1168:. He toured music from the
1111:Winnipeg Symphony Orchestra
1031:(New Ear Ensemble), and in
925:, Ron Samworth, Greg Lowe,
812:Winnipeg Symphony Orchestra
667:London interval (1986–1987)
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2065:Canadian New Music Network
1736:Canadian Musician Magazine
1459:1996 – Revolutionary Songs
1440:2002 – Twenty Quarter Inch
1409:2011 – 24 Frames: Scatter
1369:As leader/composer/soloist
779:new music for guitar with
2372:Tim Brady's Official site
2208:"Canadian Musician: Home"
1857:Kitchener-Waterloo Record
1847:(Montréal, Québec City),
1781:(Toronto) – article, 2004
1775:(Toronto) – article, 2007
1456:1997 – Strange Attractors
829:, a 1995 UK tour for the
795:(1997) and the double CD
611:. In 1982 he founded the
598:The Persistence of Vision
455:4 Songs and an Intermezzo
270:(1985), the chamber trio
219:Timothy Wesley John Brady
2462:Canadian male guitarists
2427:Anglophone Quebec people
1849:Halifax Chronicle-Herald
1769:Magazine – article, 1993
1465:1992 – Imaginary Guitars
1453:2000 – 10 Collaborations
1412:2010 – 24 Frames: Trance
537:(1984), for improvising
2437:Musicians from Montreal
1806:(Perth) – article, 2007
1713:) – cover article, 2002
1585:– original version for
1430:2004 – Playing Guitar:
1126:La Société Radio-Canada
1094:'s New Music Festival.
1066:and began working with
637:performed in clubs and
600:(1987). These two solo
465:(1983, commissioned by
407:In 1980 Brady moved to
379:Brady studied music at
317:Early years and studies
2290:"The Whole Note: Home"
2125:www.newmusicnetwork.ca
2071:Music Gallery archives
2059:Innovations en concert
1876:New York Village Voice
1789:– article, 1 July 2005
1759:La Nouvelle RĂ©publique
1415:2009 – My 20th Century
1331:for his work at CNMN.
1283:The Guess Who Symphony
1195:and at the BIMHAUS in
1086:(Scotland) and at the
685:Odaline de la Martinez
651:contemporary classical
274:(1985, 1988), and his
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214:at the Église du Gesù.
2131:on 22 September 2017.
2068:Canadian Music Centre
2047:Ambiances Magnétiques
1912:Sydney Morning Herald
1861:Philadelphia Inquirer
1717:The Canadian Composer
1703:– cover article, 2004
1437:2003 – Unison Rituals
1403:Ambiances magnètiques
1255:20 Quarter Inch Jacks
1068:Ambiances Magnétiques
461:#1, the chamber work
198:
83:neutral point of view
1904:The Glasgow Scotsman
1898:(1993), Quebec City
1888:Rhein-Neckar Zeitung
1103:Concordia University
1054:Anne-Marie Donovan.
1044:Douglas Burnet Smith
1040:acoustic instruments
805:Printemps de Bourges
381:Concordia University
344:). He switched from
152:improve this article
2315:Six-String Symphony
2270:on 6 September 2008
2244:on 9 September 2009
2041:Justin Time Records
1934:(2004), Sherbrooke
1920:Corriere delle Apli
1914:(2000), Copenhagen
1865:Winnipeg Free Press
1819:Multiple references
1786:Electronic Musician
1779:Whole Note Magazine
1681:Musicworks Magazine
1447:Justin Time Records
1088:Project Arts Centre
1084:Aberdeen University
1064:Justin Time Records
992:Revolutionary Songs
929:, Kapser Toeplitz,
801:Justin Time Records
279:Revolutionary Songs
156:independent sources
2157:"MusicWorks: Home"
1962:Symphony Orchestra
1825:The Globe and Mail
1595:Marie-Josée Simard
1301:Un Amour, un Hiver
1145:production company
915:Fred Frith Quartet
875:production company
831:Sonic Arts Network
815:New Music Festival
793:Strange Attractors
751:experimental music
713:production company
695:, and recording a
613:production company
429:tendencies (i.e.:
366:instrumental music
321:Brady was born in
239:experimental music
227:electric guitarist
216:
2317:by Matt Gallagher
2212:Canadian Musician
2035:Record catalogues
2029:978-0-631-20138-0
1922:(2001), Bolzanno
1916:Berlingske Tilden
1884:Mannheimer Morgan
1871:Single references
1743:Avancées Magazine
1723:) – article, 1983
1700:La scena musicale
1551:saxophone quartet
1468:1991 – Inventions
1275:Opposites Attract
1181:saxophone quartet
1118:The Salome Dancer
939:The Body Electric
797:10 Collaborations
773:Imaginary Guitars
272:...in the Wake...
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2015:by Brian Morton
1957:(Radio-France),
1918:(2001), Bolzano
1880:Edmonton Journal
1853:Georgia Straight
1755:, France) – 1993
1473:John Abercrombie
1462:1994 – Scenarios
1401:CDs and DVDs on
1203:, performing in
971:Man Booker prize
943:Esprit Orchestra
569:in Toronto – an
543:string orchestra
499:orchestral score
475:orchestral works
471:Chamber Concerto
268:Chamber Concerto
243:musique actuelle
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1745:(France) – 1993
1731:– article, 1989
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1570:Trois histoires
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808:music festival
766:sound engineer
749:'s well-known
731:Barre Phillips
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423:jazz guitarist
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2337:. Retrieved
2333:the original
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2297:. Retrieved
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2274:20 September
2272:. Retrieved
2268:the original
2258:
2248:20 September
2246:. Retrieved
2242:the original
2238:"Eye Weekly"
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2220:. Retrieved
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2192:20 September
2190:. Retrieved
2186:the original
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573:-influenced
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413:contemporary
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150:Please help
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2407:1956 births
2043:(1988–2000)
1994:Los Angeles
1986:The Kitchen
1928:Irish Times
1837:The Gazette
1766:Toronto EYE
1749:Le Dauphiné
1613:Harpsichord
1605:harpsichord
1527:– for solo
1511:Slow Dances
1502:As composer
1263:Los Angeles
1174:Netherlands
1130:Lennoxville
1029:Kansas City
981:New Zealand
963:vocal music
927:John Oliver
810:, the 1993
781:electronics
739:John Surman
679:, studying
661:Aladar Pege
596:(1985) and
590:electronics
531:performance
469:), and the
374:jazz-fusion
141:and may be
132:reads like
2401:Categories
2299:11 October
2222:11 October
2166:11 October
2161:MusicWorks
2062:Bradyworks
1978:Marseilles
1942:Programmes
1936:La Tribune
1924:Il Mattino
1814:Newspapers
1635:vibraphone
1591:vibraphone
1421:2006 – GO
1364:Recordings
1287:rock group
1222:, a music/
1080:Maida Vale
1015:inflected
1013:minimalist
1006:. Sung by
985:Keri Hulme
911:David Torn
743:saxophones
693:Guy Barker
681:conducting
645:programme
602:recordings
527:bass drums
467:Arraymusic
445:piece for
364:and other
342:folk music
337:, playing
298:orchestral
276:song cycle
251:minimalism
39:improve it
1900:Le Soleil
1841:Le Devoir
1833:La Presse
1574:recording
1243:24 Frames
1201:Australia
1197:Amsterdam
1189:Eindhoven
1113:in 2004.
1076:SOUND OFF
1021:distorted
1017:harmonies
899:Vancouver
887:Jonquière
863:Hong Kong
855:Australia
789:Scenarios
777:composing
647:Jazz Beat
643:CBC Radio
635:big bands
624:Gil Evans
594:dR.E.aM.s
575:jazz trio
519:trombones
511:SOUND OFF
495:modernist
427:modernist
421:and as a
416:classical
376:) group.
358:composing
354:rock band
335:strumming
312:Biography
247:serialism
200:Tim Brady
87:talk page
45:talk page
2054:Archives
1998:Montréal
1990:Montréal
1974:Montréal
1959:Winnipeg
1930:(1998),
1910:(1999),
1906:(1999),
1902:(1996),
1894:(1995),
1886:(2007),
1882:(1991),
1878:(1991),
1796:Magazine
1692:The Wire
1675:Magazine
1673:DownBeat
1666:Magazine
1645:Doubling
1583:Circling
1564:big band
1541:Scotland
1515:clarinet
1432:Symphony
1378:Records)
1247:Brisbane
1205:Brisbane
1185:concerts
907:concerts
895:Victoria
891:Winnipeg
878:guitar.
823:ensemble
819:concerto
791:(1994),
762:producer
758:engineer
747:New York
658:virtuoso
639:concerts
630:(1985).
621:arranger
609:producer
555:Montréal
523:trumpets
451:ensemble
419:composer
385:Montreal
346:acoustic
339:acoustic
323:Montréal
281:(1994).
260:Variants
223:composer
204:Montreal
154:and add
1938:(2005)
1890:(2007),
1685:reviews
1652:Sources
1639:marimba
1627:Changes
1537:Glasgow
1445:CDs on
1295:Requiem
1193:Utrecht
1172:to the
1099:sampler
1008:soprano
1004:Spanish
996:English
983:author
883:Toronto
677:England
567:records
539:soloist
535:Visions
491:Visions
443:chamber
409:Toronto
294:chamber
264:Visions
2121:"CNMN"
2027:
2019:
1753:Annecy
1739:– 1993
1728:Option
1629:– for
1617:Canada
1603:– for
1562:– for
1555:Quasar
1549:– for
1543:(2001)
1513:– for
1259:REDCAT
1232:Québec
1178:Quasar
1134:Guelph
1048:Canada
1033:Boston
1000:French
913:, the
901:, and
737:) and
724:Ottawa
697:studio
673:London
525:and 8
393:Boston
331:chords
327:guitar
266:, his
241:, and
212:Canada
208:Quebec
2088:Notes
2004:Books
1721:CAPAC
1711:SOCAN
1631:piano
1615:from
1593:– on
1587:flute
1483:Vinyl
1307:icon
1224:video
1209:Perth
1019:with
979:, by
955:opera
859:Japan
847:Paris
720:dance
582:piano
521:, 30
517:, 30
515:saxes
504:CAPAC
483:SOCAN
481:(now
479:CAPAC
447:voice
306:SOCAN
2341:2009
2301:2022
2276:2009
2250:2009
2224:2022
2194:2009
2168:2022
2025:ISBN
2023:and
2017:ISBN
1964:New
1845:Voir
1637:and
1619:and
1609:tape
1607:and
1589:and
1529:tape
1517:and
1373:CDs
1297:21.5
1277:, a
1251:SCAT
1002:and
961:and
933:and
861:and
785:tape
783:and
760:and
735:bass
691:and
655:bass
579:solo
541:and
449:and
370:rock
362:jazz
333:and
300:and
286:1997
262:and
1984:),
1955:GRM
1951:INA
1305:pop
1187:in
1082:),
843:GRM
839:INA
825:in
701:BBC
586:LPs
571:ECM
506:).
399:).
391:in
383:in
348:to
308:).
249:to
136:or
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2106:,
2096:^
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1191:,
1170:CD
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998:,
957:,
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897:,
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547:CD
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