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Xylophone

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1026: 93: 650: 141: 40: 1153: 467: 601:. The wood is first roasted around a fire before shaping the key to achieve the desired tone. The resonator is tuned to the key through careful choice of size of resonator, adjustment of the diameter of the mouth of the resonator using wasp wax and adjustment of the height of the key above the resonator. A skilled maker can produce startling amplification. The mallets used to play 907: 371: 577: 449:. Others are "trough" xylophones with a single hollow body that acts as a resonator for all the bars. Old methods consisted of arranging the bars on tied bundles of straw, and, is still practiced today, placing the bars adjacent to each other in a ladder-like layout. Ancient mallets were made of willow wood with spoon-like bowls on the beaten ends. 130: 966:. The amadinda is made of twelve logs which are tuned in a pentatonic scale. It mainly is played by three players. Two players sit opposite of each other and play the same logs in an interlocking technique in a fast tempo. It has no gourd resonators or buzzing tone, two characteristics of many other African xylophones. 484:
more recently challenged by ethnomusicologist and linguist Roger Blench who posits an independent origin in of the Xylophone in Africa, citing, among the evidence for local invention, distinct features of African xylophones and the greater variety of xylophone types and proto-xylophone-like instruments in Africa.
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or more octave range of performance xylophones. The bass xylophone ranges are written from middle C to A an octave higher but sound one octave lower than written. The alto ranges are written from middle C to A an octave higher and sound as written. The soprano ranges are written from middle C to A an
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Xylophones should be played with very hard rubber, polyball, or acrylic mallets. Sometimes medium to hard rubber mallets, very hard core, or yarn mallets are used for softer effects. Lighter tones can be created on xylophones by using wooden-headed mallets made from rosewood, ebony, birch, or other
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In the United States, there are Zimbabwean marimba bands in particularly high concentration in the Pacific Northwest, Colorado, and New Mexico, but bands exist from the East Coast through California and even to Hawaii and Alaska. The main event for this community is ZimFest, the annual Zimbabwean
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The instrument has obscure ancient origins. Nettl proposed that it originated in southeast Asia and came to Africa c. AD 500 when a group of Malayo-Polynesian speaking peoples migrated to Africa, and compared East African xylophone orchestras and Javanese and Balinese gamelan orchestras. This was
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their parts. The composer then consults with the choreographer of the ceremony and adjustments are made. The longest and most important of these is the "Mzeno" which will include a song telling of an issue of local importance or even making fun of a prominent figure in the community! Performers
1045:("wooden clatter"). There follow other descriptions of the instrument, though the term "xylophone" is not used until the 1860s. The instrument was associated largely with the folk music of Central Europe, notably Poland and eastern Germany. An early version appeared in 1216:) music. The first of these transcriptions had originally been used for music education in Zimbabwe. Zimbabwean instruments are often in a diatonic C major scale, which allows them to be played with a 'western-tuned' mbira (G nyamaropa), sometimes with an added F 1066:, whose instrument was the five-row xylophone made of 28 crude wooden bars arranged in semitones in the form of a trapezoid and resting on straw supports. There were no resonators and it was played fast with spoon-shaped sticks. According to musicologist 681:
is typically played in large ensembles in a choreographed dance, perhaps depicting a historical drama. Ensembles consist of around ten xylophones of three or four sizes. A full orchestra would have two bass instruments called
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below the bars to enhance the tone and sustain. Frames are made of wood or cheap steel tubing: more expensive xylophones feature height adjustment and more stability in the stand. In other music cultures some versions have
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Music Festival. The bands are composed of instruments from high sopranos, through to lower soprano, tenor, baritone, and bass. Resonators are usually made with holes covered by thin cellophane (similar to the
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gourds. Spider web silk covers small holes in the gourds to produce a buzzing sound and antelope sinew and leather are used for the fastenings. The instrument is played with rubber-headed wooden mallets.
893:, a region that shares many musical traditions with those of northern Ivory Coast and Ghana. It is made with 14 wooden keys of an African hardwood called liga attached to a wooden frame, below which hang 1441:
Blench, Roger (1 November 2012). "Using diverse sources of evidence for reconstructing the prehistory of musical exchanges in the Indian Ocean and their broader significance for cultural prehistory".
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of West Africa. Its keys are mounted on gourds, and struck with mallets with rubber tips. The players typically wear iron cylinders and rings attached to their hands so that they jingle as they play.
1164:, which combines the use of instruments, movement, singing and speech to develop children's musical abilities. Xylophones used in American general music classrooms are smaller, at about 609:
have heads made from natural rubber taken from a wild creeping plant. "Interlocking" or alternating rhythm features in Eastern African xylophone music such as that of the Makonde
2511: 934:. Known as shinjimba among the Nkoya, it is used at the Kazanga, a traditional royal ceremony of the Nkoya. The silimba is an essential part of the folk music traditions of the 158: 2111: 1830: 1140:) to achieve the characteristic buzzing sound. The repertoires of U.S. bands tends to have a great overlap, due to the common source of the Zimbabwean musician 2081: 673:
of music played on it is believed to be the most sophisticated method of composition yet found among preliterate peoples. The gourd-resonated, equal-ratio
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Many music educators use xylophones as a classroom resource to assist children's musical development. One method noted for its use of xylophones is
1901: 854:. It can also be played by one person with the drum and the stick part as accompaniment, or by a soloist. Gyil duets are the traditional music of 159: 2133: 694:, with ten keys and played seated, and the mbila itself, which has up to nineteen keys of which up to eight may be played simultaneously. The 177: 2603: 1843: 2638: 2633: 2628: 2497: 2104: 1121: 1933: 268:(which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a 178: 2040: 2014: 1425: 54: 1748: 2473: 858:
funerals. The instrument is generally played by men, who learn to play while young, however, there is no restriction on gender.
2504: 2240: 2097: 2150: 2129: 1776:. Royal Commonwealth Society Library. Cambridge University Library. University of Cambridge. 5 November 2004. Archived from 1058: 1305: 2572: 2478: 2468: 2348: 2141: 1773: 1144:, who was the key person who first brought Zimbabwean music to the West, coming to the University of Washington in 1968. 2618: 2458: 1870: 1252: 1874:: 'A prodigy ... who does wonderful things with little drumsticks on a machine of wooden keys, called the 'xylophone'.' 1825: 1279: 1025: 500:, is said by the Vienna Symphonic Library to have existed in 2000 BC in what is now part of China. The xylophone-like 2005:
Paco, Celso (2000). "A Luta Continua". In Broughton, Simon; Ellingham, Mark; McConnachie, James; Duane, Orla (eds.).
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has also become popular in the West, which adopted the original use of these instruments to play transcriptions of
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and Harry Breuer were well-known users. As time passed, the xylophone was exceeded in popularity by the metal-key
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and many similar toys described by the makers as xylophones have bars of metal rather than of wood, and so are in
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The amadinda was an important instrument at the royal court in Buganda, a Ugandan kingdom. A special type of
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was particularly fond of the instrument; it has prominent roles in much of his work, including most of his
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with three or four wooden keys played standing up using heavy mallets with solid rubber heads, three tenor
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and consist of about 10 pieces of music grouped into 4 separate movements, with an overture, in different
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is now used for this xylophone, consisting of numbers for and periods. as is also the case with the
2422: 2402: 1113: 446: 331:, and these two instruments should not be confused. A person who plays the xylophone is known as a 92: 1879: 1070:, Gusikov performed in garden concerts, variety shows, and as a novelty act at symphony concerts. 2417: 1629: 1454: 662: 257: 102: 649: 521: 2453: 2054: 2036: 2010: 1839: 1421: 1197: 541: 517: 261: 2557: 2542: 1930: 1669: 1621: 1446: 1141: 970: 775: 537: 471: 285: 281: 1695: 2376: 1937: 1077:. Its bright, lively sound worked well the syncopated dance music of the 1920s and 1930s. 1014: 870: 712:
Masala apple shells as resonators. They accompany the dance with long compositions called
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refers specifically to a chromatic instrument of somewhat higher pitch range and drier
289: 2035:(1970 ed.). London: International African Institute and Oxford University Press. 2597: 2552: 2338: 2183: 1821: 1458: 1379: 1063: 855: 850:. The gyil is usually played in pairs, accompanied by a calabash gourd drum called a 839: 815: 745: 737: 670: 634: 513: 497: 277: 84: 1633: 2371: 2168: 1651: 1613: 1501: 1368:(Second ed.). Belmont, California: Schirmer Books, Wadsworth/Thomson Learning. 1152: 890: 878: 823: 741: 658: 466: 359: 347: 265: 1342: 591:
is also applied to various traditional folk instruments such as the West Africa
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and the earliest reference to a similar instrument came in the 14th century.
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According to Andrew Tracey, marimbas were introduced to Zimbabwe in 1960.
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and styles. The ensemble leader serves as poet, composer, conductor and
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The term is also popularly used to refer to similar instruments of the
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The earliest evidence of a true xylophone is from the 9th century in
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Both citations refer to the performance of a child prodigy, Sunbury.
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may be used generally, to include all such instruments such as the
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In orchestral scores, a xylophone can be indicated by the French
2333: 2074: 1286:. Henry Stuart Jones, Roderick McKenzie. Oxford: Clarendon Press 1259:. Henry Stuart Jones, Roderick McKenzie. Oxford: Clarendon Press 886: 827: 580:
African Xylophone also known as Ogbongelenge by the Igbo tribe.
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in the percussion family that consists of wooden bars struck by
2493: 2093: 1975:. Translated by Margaret Murray. London: Schott & Co. Ltd. 799: 433:: its parts are written one octave below the sounding notes. 401:
which allows a louder sound. Some can be as small a range as
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Masterpieces of the Oral and Intangible Heritage of Humanity
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ceremony. The shilimba is now used in most parts of Zambia.
665:, in southern Mozambique. It is not to be confused with the 139: 91: 1888:...and Master Bonnay, on the Xylophone, is always recalled. 790: 1997: 1523:
Kubik, Gerhard; Robotham, Donald Keith (27 January 2012).
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The western xylophone was used by early jazz bands and in
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Romney, Jonathan (5 March 1991). "Timbila album review".
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is a xylophone common among the Nkoya and Lozi people of
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Anderson, Lois Ann; et al. (2001). "Xylophone". In
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octave higher but sound one octave higher than written.
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The first use of a European orchestral xylophone was in
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or 4 octaves. Like the glockenspiel, the xylophone is a
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World Music, Vol. 1: Africa, Europe and the Middle East
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ensembles. They still have traditional significance in
2009:. Rough Guides Ltd., Penguin Books. pp. 579–584. 2031:
Chopi Musicians: their Music, Poetry, and Instruments
1908:. Oregon Symphony Players Association. Archived from 1380:"Percussion > Mallets > Xylophone > History" 1033:
The earliest mention of a xylophone in Europe was in
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Three Orff-Schulwerk xylophones of different ranges.
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The mbila (plural "timbila") is associated with the
512:, few regions have their own type of xylophones. In 2436: 2390: 2362: 2239: 2149: 2140: 778: 719: 713: 707: 701: 695: 689: 683: 288:in the case of many African and Asian instruments, 101: 83: 75: 63: 53: 46: 2028: 1866:(Second ed.). Oxford University Press. 1989. 1645: 1643: 1278:Henry George Liddell; Robert Scott, eds. (1940). 1251:Henry George Liddell; Robert Scott, eds. (1940). 1831:The New Grove Dictionary of Music and Musicians 1029:Orchestral xylophone (left) and marimba (right) 842:of northern Ghana and Burkina Faso, and of the 1996:(16 mm video; 28 minutes). Archived from 1743: 1741: 977:, a type of xylophone originating in southern 958:are xylophone-like instruments originating in 744:line. The musicians of the ensemble partially 597:. Early forms were constructed of bars atop a 2505: 2105: 1607: 1605: 736:partially based on the features of the Chopi 415:octaves but concert xylophones are typically 8: 2085:. Vol. 28 (11th ed.). p. 889. 32: 1496: 1494: 1492: 1490: 1405: 1403: 1401: 1108:(literally "wooden harmonica"), or Italian 749:include Eduardo Durão and Venancio Mbande. 292:in many western children's instruments, or 241: 2512: 2498: 2490: 2146: 2112: 2098: 2090: 930:. The tuned keys are tied atop resonating 629:, is responded to by another player, the 393:, or various synthetic materials such as 381:The modern western xylophone has bars of 133:Xylophone with different types of mallets 2444:Classification of percussion instruments 1815: 1813: 633:. This usually doubles an already rapid 151:A jingle played on a xylophone (marimba) 1614:"Life, Death, and Music in West Africa" 1502:"Music of Mozambique: Information from" 1243: 2134:List of percussion instruments by type 1337: 1335: 1333: 1331: 1039:Spiegel der Orgelmacher und Organisten 188: 31: 1950:"American Orff-Schulwerk Association" 1676:. Zambiatourism.com. 21 December 2006 1658:. Andrew Tracey and Christian Carver. 846:of Ghana, southern Burkina Faso, and 27:Wooden keyboard percussion instrument 7: 1990:Hallis, Ron; Hallis, Ophera (1987). 1971:Keetman, Gunild; Orff, Carl (1958). 1749:"African music :: Interlocking" 861:The Gyil's design is similar to the 1886:. Rogerson and Tuxford: 152. 1865. 1542:Mitchell, Barry (14 January 2008). 1525:"African music – musical structure" 1124:. Modern xylophone players include 520:use wooden xylophones known as the 1294:– via www.perseus.tufts.edu. 1267:– via www.perseus.tufts.edu. 189:Problems playing these files? See 25: 2624:Orchestral percussion instruments 1973:Orff-Schulwerk Music for Children 938:and can be heard at their annual 885:peoples further west in southern 732:, creating a text, improvising a 568:and is typically made of bamboo. 2474:List of vibraphone manufacturers 1721:"xylophone (musical instrument)" 774: 174: 155: 38: 2609:Keyboard percussion instruments 1931:Michael Joseph Guzikow Archives 1696:"akadinda (musical instrument)" 1504:. Answers.com. 25 November 2010 65:Hornbostel–Sachs classification 2130:List of percussion instruments 2073:Schlesinger, Kathleen (1911). 1650:Tracey, Andrew (26 May 2004). 637:that may also co-exist with a 1: 2479:List of timpani manufacturers 2469:List of marimba manufacturers 1546:. Theoryofmusic.wordpress.com 1443:African Archaeological Review 1310:Lexico Dictionaries | English 946:Akadinda, amadinda and mbaire 508:regions (kashta tharang). In 436:Concert xylophones have tube 399:fiberglass-reinforced plastic 2604:Ghanaian musical instruments 2459:List of cymbal manufacturers 1984:General and cited references 1880:"Leaves for the Little Ones" 1868:7 April 1866 edition of the 1416:. Cambridge, Massachusetts: 720: 714: 708: 702: 696: 690: 684: 2639:Zambian musical instruments 2634:Ugandan musical instruments 2629:Stick percussion idiophones 1345:. Madehow.com. 26 June 2000 1148:Use in elementary education 1041:(1511), where it is called 362:rather than as xylophones. 2655: 2464:List of drum manufacturers 2413:Indoor percussion ensemble 1798:. Vienna Symphonic Library 1413:Music in Primitive Culture 1386:. Vienna Symphonic Library 988: 756: 366:Construction of xylophones 226: 209: 71:(Set of percussion sticks) 2528: 2202: 2127: 1993:Chopi Music of Mozambique 1863:Oxford English Dictionary 1451:10.1007/s10437-014-9178-z 1232:Musical Stones of Skiddaw 818:-speaking populations in 814:instrument common to the 223: 'wood' and 108: 90: 37: 1936:30 December 2006 at the 1834:(2nd ed.). London: 1418:Harvard University Press 524:(spelled: "garattung"). 350:types. For example, the 2082:Encyclopædia Britannica 1753:Encyclopædia Britannica 1725:Encyclopædia Britannica 1700:Encyclopædia Britannica 1626:10.1525/ctx.2008.7.1.44 1612:Harper, Colter (2008). 1529:Encyclopædia Britannica 1475:. National Music Museum 1445:. special issue: 7–11. 1343:"How xylophone is made" 1284:A Greek-English Lexicon 1257:A Greek-English Lexicon 1208:dzavadzimu (as well as 740:and composing a second 532:use xylophones (called 2121:Percussion instruments 1364:Cook, Gary D. (1997). 1157: 1030: 915: 654: 584: 480: 431:transposing instrument 378: 276:tuned to a pitch of a 240: 'sound, voice'; 144: 134: 96: 2522:percussion idiophones 2364:Electronic percussion 1906:Concertgoersguide.org 1884:The Ladies' Companion 1410:Nettl, Bruno (1956). 1155: 1083:George Hamilton Green 1064:Michael Josef Gusikov 1028: 909: 652: 579: 469: 373: 143: 132: 95: 48:Percussion instrument 2391:Percussion groupings 2241:Unpitched percussion 1836:Macmillan Publishers 1570:pointofdeparture.org 1566:"African Heartbeats" 1122:Cello Concerto No. 2 1013:) is used among the 700:uses gourds and the 447:Helmholtz resonators 296:for orchestral use. 2619:Music of Mozambique 2423:Percussion ensemble 2403:Marching percussion 2151:Keyboard percussion 1366:Teaching Percussion 1222:key placed inline. 1200:marimba based upon 1054:Camille Saint-Saëns 914:in a Zambian market 170:A gamelan xylophone 103:Related instruments 34: 2418:Percussion section 2142:Pitched percussion 1652:"Marimbas History" 1316:on 7 December 2020 1178:octaves, than the 1158: 1031: 916: 663:Inhambane Province 655: 585: 481: 379: 315:. However, in the 258:musical instrument 145: 135: 97: 2591: 2590: 2487: 2486: 2454:Percussion mallet 2235: 2234: 2076:"Xylophone"  2051:Mgodo Wa Mbanguzi 1912:on 13 August 2007 1845:978-1-56159-239-5 1620:. Winter: 44–51. 1618:Contexts Magazine 1544:"Theory of Music" 1021:Western xylophone 572:African xylophone 518:Toba Batak people 272:. Each bar is an 179: 161: 127: 126: 16:(Redirected from 2646: 2558:Kulintang a kayo 2543:Gandingan a Kayo 2514: 2507: 2500: 2491: 2147: 2114: 2107: 2100: 2091: 2086: 2078: 2062: 2046: 2034: 2020: 2001: 2000:on 20 July 2011. 1977: 1976: 1968: 1962: 1961: 1959: 1957: 1946: 1940: 1928: 1922: 1921: 1919: 1917: 1898: 1892: 1890: 1876: 1857: 1851: 1849: 1817: 1808: 1807: 1805: 1803: 1788: 1782: 1781: 1780:on 27 June 2007. 1770: 1764: 1763: 1761: 1759: 1745: 1736: 1735: 1733: 1731: 1717: 1711: 1710: 1708: 1706: 1692: 1686: 1685: 1683: 1681: 1666: 1660: 1659: 1647: 1638: 1637: 1609: 1600: 1599: 1587: 1581: 1580: 1578: 1576: 1562: 1556: 1555: 1553: 1551: 1539: 1533: 1532: 1520: 1514: 1513: 1511: 1509: 1498: 1485: 1484: 1482: 1480: 1469: 1463: 1462: 1438: 1432: 1431: 1407: 1396: 1395: 1393: 1391: 1376: 1370: 1369: 1361: 1355: 1354: 1352: 1350: 1339: 1326: 1325: 1323: 1321: 1312:. Archived from 1302: 1296: 1295: 1293: 1291: 1275: 1269: 1268: 1266: 1264: 1248: 1221: 1220: 1191: 1190: 1186: 1183: 1177: 1176: 1172: 1169: 1142:Dumisani Maraire 1132:and Ian Finkel. 962:, in modern-day 809: 808: 805: 804: 801: 798: 793: 792: 789: 786: 783: 780: 773: 723: 717: 711: 705: 699: 693: 687: 677:-tuned mbila of 472:Kulintang a Kayo 428: 427: 423: 420: 414: 413: 409: 406: 337:xylophone player 255: 252: 249: 246: 243: 237: 230: 220: 213: 181: 180: 163: 162: 142: 42: 35: 21: 2654: 2653: 2649: 2648: 2647: 2645: 2644: 2643: 2594: 2593: 2592: 2587: 2524: 2518: 2488: 2483: 2432: 2386: 2377:Electronic drum 2358: 2231: 2198: 2136: 2132: 2123: 2118: 2072: 2069: 2049: 2043: 2023: 2017: 2004: 1989: 1986: 1981: 1980: 1970: 1969: 1965: 1955: 1953: 1948: 1947: 1943: 1938:Wayback Machine 1929: 1925: 1915: 1913: 1902:"The Xylophone" 1900: 1899: 1895: 1878: 1877: 1859: 1858: 1854: 1846: 1819: 1818: 1811: 1801: 1799: 1790: 1789: 1785: 1772: 1771: 1767: 1757: 1755: 1747: 1746: 1739: 1729: 1727: 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1464: 1433: 1426: 1397: 1371: 1356: 1327: 1297: 1270: 1242: 1241: 1239: 1236: 1235: 1234: 1227: 1224: 1162:Orff-Schulwerk 1149: 1146: 1130:Evelyn Glennie 1035:Arnolt Schlick 1022: 1019: 989:Main article: 986: 983: 947: 944: 903: 900: 757:Main article: 754: 751: 646: 643: 639:counter-rhythm 635:rhythmic pulse 625:, the initial 573: 570: 494:southeast Asia 489: 486: 463: 460: 454: 451: 367: 364: 186: 173: 168: 167: 154: 149: 148: 147: 138: 137: 136: 125: 124: 106: 105: 99: 98: 88: 87: 81: 80: 77: 73: 72: 67: 61: 60: 57: 55:Classification 51: 50: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2651: 2640: 2637: 2635: 2632: 2630: 2627: 2625: 2622: 2620: 2617: 2615: 2612: 2610: 2607: 2605: 2602: 2601: 2599: 2584: 2581: 2579: 2576: 2574: 2571: 2569: 2566: 2564: 2561: 2559: 2556: 2554: 2553:Glass marimba 2551: 2549: 2546: 2544: 2541: 2539: 2536: 2534: 2531: 2530: 2527: 2523: 2515: 2510: 2508: 2503: 2501: 2496: 2495: 2492: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2457: 2455: 2452: 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1983: 1974: 1967: 1964: 1951: 1945: 1942: 1939: 1935: 1932: 1927: 1924: 1911: 1907: 1903: 1897: 1894: 1889: 1885: 1881: 1875: 1873: 1872: 1865: 1864: 1860:"xylophone". 1856: 1853: 1847: 1841: 1837: 1833: 1832: 1827: 1826:Tyrrell, John 1823: 1816: 1814: 1810: 1797: 1793: 1787: 1784: 1779: 1775: 1769: 1766: 1754: 1750: 1744: 1742: 1738: 1726: 1722: 1716: 1713: 1701: 1697: 1691: 1688: 1675: 1671: 1665: 1662: 1657: 1656:kalimba.co.za 1653: 1646: 1644: 1640: 1635: 1631: 1627: 1623: 1619: 1615: 1608: 1606: 1602: 1597: 1593: 1586: 1583: 1571: 1567: 1561: 1558: 1545: 1538: 1535: 1530: 1526: 1519: 1516: 1503: 1497: 1495: 1493: 1491: 1487: 1474: 1468: 1465: 1460: 1456: 1452: 1448: 1444: 1437: 1434: 1429: 1427:9780674590007 1423: 1419: 1415: 1414: 1406: 1404: 1402: 1398: 1385: 1381: 1375: 1372: 1367: 1360: 1357: 1344: 1338: 1336: 1334: 1332: 1328: 1315: 1311: 1307: 1301: 1298: 1285: 1281: 1274: 1271: 1258: 1254: 1247: 1244: 1237: 1233: 1230: 1229: 1225: 1223: 1215: 1211: 1210:nyunga nyunga 1207: 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Aosa.org 1802:1 November 1680:1 November 1670:"~Zambia~" 1592:Q Magazine 1575:1 November 1550:1 November 1508:1 November 1390:1 November 1349:1 November 1198:Zimbabwean 1126:Bob Becker 1118:symphonies 1102:claquebois 1091:vibraphone 1075:vaudeville 1068:Curt Sachs 926:, western 873:-speaking 812:pentatonic 772:English: 679:Mozambique 675:heptatonic 613:, the Yao 498:harmonicon 477:Philippine 438:resonators 395:fiberglass 356:organology 344:lithophone 286:heptatonic 282:pentatonic 280:, whether 202:(from 191:media help 114:txalaparta 59:Percussion 2583:Xylorimba 2578:Xylophone 2309:Mark tree 2274:Castanets 2249:Bass drum 2194:Xylophone 2179:Tubaphone 1871:Athenaeum 1796:Vsl.co.at 1459:162200224 1384:Vsl.co.at 1238:Citations 1104:, German 1095:xylorimba 1079:Red Norvo 1010:behlanjeh 746:improvise 730:performer 587:The term 554:Melanesia 522:Garantung 510:Indonesia 479:xylophone 352:Pixiphone 327:than the 321:xylophone 317:orchestra 313:semantron 301:xylophone 299:The term 294:chromatic 274:idiophone 200:xylophone 76:Developed 33:Xylophone 2573:Triangle 2398:Drum kit 2349:Triangle 2344:Timbales 2217:Steelpan 2207:Handbell 2164:Crotales 2159:Carillon 2059:47815221 2027:(1948). 1934:Archived 1828:(eds.). 1758:25 April 1730:25 April 1705:27 April 1634:59623412 1226:See also 1219:♯ 1120:and his 1110:silofono 1047:Slovakia 1004:balenjeh 971:notation 956:amadinda 954:and the 952:akadinda 940:Kuomboka 895:calabash 631:wakulela 623:opachera 619:mangwilo 558:Thailand 550:Malaysia 542:Tingklik 391:cocobolo 383:rosewood 375:Cameroon 290:diatonic 2568:Marimba 2563:Luntang 2538:Dhantal 2533:Balafon 2382:Octapad 2334:Tam-tam 2304:Maracas 2294:Cymbals 2289:Cowbell 2254:Bodhrán 2227:Timpani 2212:Handpan 2174:Marimba 1280:"φων-ή" 1253:"ξύλον" 1187:⁄ 1173:⁄ 1138:balafon 991:Balafon 975:embaire 960:Buganda 920:silimba 912:silimba 902:Silimba 875:Bambara 867:Balafon 810:) is a 759:Balafon 709:dibinda 691:dibinda 661:of the 653:Timbila 611:dimbila 603:dibinda 594:balafon 589:marimba 566:Pattala 562:Myanmar 546:gamelan 534:gambang 462:History 453:Mallets 424:⁄ 410:⁄ 377:, ~1914 329:marimba 309:balafon 305:marimba 262:mallets 256:) is a 245:  122:marimba 118:laggutu 110:balafon 69:111.212 18:Timbila 2520:Stick 2299:Djembe 2279:Claves 2264:Cabasa 2259:Bongos 2057:  2039:  2013:  1916:5 June 1842:  1632:  1479:5 June 1457:  1424:  1214:matepe 979:Uganda 964:Uganda 932:gourds 928:Zambia 863:Balaba 856:Dagara 734:melody 726:tempos 669:. 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Index

Timbila

Percussion instrument
Classification
Hornbostel–Sachs classification
Playing range

Related instruments
balafon
txalaparta
laggutu
marimba

A jingle played on a xylophone (marimba)
A gamelan xylophone
media help
Ancient Greek
ξύλον
φωνή
musical instrument
mallets
glockenspiel
piano
idiophone
musical scale
pentatonic
heptatonic
diatonic
chromatic
marimba

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