657:"The great hook is not in any of the early fills ... It comes after the song is well launched, at a point in the second section of the first verse when it strikes you that there should have been another fill or two but...there wasn't. That's when you realize the beat is unstoppable, sovereign and essential, mattering more than anything else Marotta could conceivably add to it. It's scarcely more than the boom-chick-boom-chick of bass drum and snare ... but it's awesomely crisp."
2373:
29:
633:"or some odd reason, it's mixed well behind the rest of the arrangement, so far back that the listener has to pay careful attention even to hear it properly; worse yet, it's not a particularly memorable solo, and it's so lacking in Knopfler's usual distinctive style that even a Dire Straits fan probably couldn't guess it was him without looking at the credits."
344:, though Mounsey played these instruments for the instrumental section. Mounsey, although credited with the song's horn arrangement, said that he simply reworked parts written by Fagen. In the interest of simplicity, Fagen was credited for the electric piano and synthesizer, and Mounsey was credited for the piano and horn arrangement.
397:
as consisting of "sunny horn charts, minimalistic, toe-tapping beat ... and deceptively dark singalong chorus". It opens with
Marotta's drum beat, Fagen's piano riff, and a brief guitar solo by Knopfler before Fagen's vocals commence. Following the second chorus, there is an instrumental bridge
363:
and had to prepare by listening to a tape of the song at home, where he realized he did not know all of the chords or which parts of the song he was expected to play over. In the studio, Knopfler was asked to do many takes, working in the studio until 4 a.m. He mistook Becker and Fagen's typical
290:
and obsessive mixing caused the tape containing the song to degrade, making the mixing process delicate and restrictive. Becker was only minimally involved by then, having been badly injured in a car accident and only able to communicate with the studio by phone. The mix was eventually finished
443:
noted the tonal contrast between the song's music and lyrics, writing that its "sublime enlightenment ... turns out to be chemical", and that the band's lyrics in general "exude class as well as underclass, while the music, whatever its guise or disguise, is immaculate." In his book
452:
similarly remarked on this juxtaposition, calling the song "an oddly cheery junkie classic". Additionally, Hosykns noted that the song was "written in the full flow of Becker's turn-of-the-decade addiction," a reference to Becker's spiraling drug use at the time. Dan Weiss of
548:
felt MCA was trying to drum up record sales by refusing to put an album track on the single's B-side. According to Bob Siner of MCA, the decision to use "Bodhisattva" had to do with radio stations' urgent demand for a new Steely Dan single; several stations, including
364:
exhaustiveness for dissatisfaction with his playing. He described the experience as "painstaking" and "like getting into a swimming pool with lead weights tied to your boots", although he, Becker, and Fagen were ultimately pleased with the results.
382:
recalled seeing "oxide building up on the heads" as the tape was played, and he feared it was "falling apart". To avoid destroying the tape altogether, Fagen and
Scheiner had to limit the number of times they ran it again while finishing the mix.
459:
suggested that, considering the subject matter, the song is "deceptively upbeat ... despite (or because of?) the addictions tearing Walter Becker apart from artistic success and his friendship with Donald Fagen".
645:, criticized the album as a whole for being "precise and studied" but cited "Time Out of Mind" as one of its redeeming tracks, calling it "suave" in contrast to "the remainder of the album's glossy, meandering
624:
complained that
Knopfler's guitar work was overpowered in the mix and rendered nearly inaudible, and he likened Steely Dan's use of Knopfler on the song to "employing Michelangelo to paint your ceiling with
812:'s liner notes, "mystical sphere" was transcribed as "mystical stone". Corrected lyrics were uploaded to Steely Dan's official website, which also changed the spelling of "Lasa" to "Lhasa".
553:
in New York, had been airing "Time Out of Mind" before it was officially out as a single, so the company used a B-side that was already mastered in order to expedite the single's release.
611:
gave an approving description of the single after its release, calling it "a box of mixed chocolates ... offer an aural array of rich keyboard/guitar figures—all by a star-studded cast."
2271:
927:
540:'s closer, "Third World Man", as the B-side, but MCA instead released "Time Out of Mind" with the live version of "Bodhisattva" which had just been used as the B-side of "
2303:
2055:
367:
Not every player on the track reported such a laborious recording experience; according to
Marotta, "Donald and I did ... 'Time Out of Mind,' just the three of us—the
496:, said that the phrase "draws attention to the importance of memory in album", and he named the Steely Dan song as one of the album's intertexual connections. In his
2423:
772:
1506:
Thomas, Richard F. (2007). "Shadows are
Falling: Virgil, Radnóti, and Dylan, and the Aesthetics of Pastoral Melancholy". In Paschalis, Michael (ed.).
532:
Following its release, there was a dispute between Steely Dan and MCA Records regarding the B-side of "Time Out of Mind"; Becker, Fagen, and producer
629:". In a retrospective review of the song, AllMusic critic Stewart Mason echoed Evans's criticism, calling the song's guitar "lackluster" and saying:
2279:
2413:
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28:
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2020:
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write-up of the song, Jeff Giles reworded the phrase as time "out of one's skull", a state of "disconnected bliss" achieved through drugs.
1641:
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492:
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876:
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568:, remaining on the chart for 11 weeks and in the Top 40 for seven weeks. It peaked at number 22 for two weeks and ranked 138 on
2115:
653:, musician and composer Steven G. Smith praised the song's "limpid arrangement" and Marotta's drum part in particular, saying:
824:
Though credited separately, Fagen and
Mounsey worked together on piano, electric piano, synthesizer, and the horn arrangement
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371:, Donald, and me. He sang and played piano, and I played the drum track. It took no time. That's what's on the record."
291:
before the tape was ruined. Before the single's release, several radio stations were already playing the song, causing
1934:
743:
325:
260:
and remaining on the chart for 11 weeks. It was Steely Dan's final hit before disbanding in the summer of that year.
1338:
601:, "Time Out of Mind" was listed first of the album's "best cuts". In a review of the album, Richard Cromelin of the
2347:
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The phrase "time out of mind", Richard F. Thomas suggested in his essay "Shadows Are
Falling", is synonymous with "
223:
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had not worked with them before. Becker played bass guitar, and Fagen sang lead vocals. Fagen also played piano,
1136:
1034:
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assessed the song as "a piece of catchy, propulsive pop that reveals little but conveys much". A 1981 issue of
1185:
486:", a phrase denoting time extending "beyond memory or record". Thomas, while examining the title of the 1997
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Some critics did not regard "Time Out of Mind" as a song explicitly about drugs. Richard
Cromelin of the
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called it "a barely veiled song about heroin", citing a lyric in the chorus that makes reference to "
375:
356:
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286:
guitarist hired to play on the track, described his experience recording the part as "painstaking".
2398:
2376:
2319:
1861:
665:, which aimed to identify "the most important songs as well as the biggest" between 1944 and 2000.
374:
In 1980, as "Time Out of Mind" was undergoing rigorous mixing, the tape containing the song began
324:
album in 1978, Becker and Fagen assembled their desired personnel for the track. Backing vocalist
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2012:
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to overdub a guitar track, Knopfler having impressed the two with his playing on Dire
Straits'
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58:
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characterized the song as "a cryptic, high-spirited outline of some mystical ceremony", and
439:
315:
wrote "Time Out of Mind" at Fagen's Malibu home not long before the song would be recorded.
398:
that lasts for about fifty seconds. The song's chord structure consists wholly of parallel
2136:
755:
719:
483:
379:
154:
1270:
1238:
253:. It was also released as the album's second single in 1981, peaking at number 22 on the
1165:
275:
use. The song has been described by critics as "oddly cheery" and "deceptively upbeat".
2004:
1988:
1462:
1448:
1412:
1002:
701:
661:
The song was included in music journalist and historian Bruce
Pollock's reference book
470:
449:
337:
320:
271:. The meaning of the lyrics is not explicit, but they are generally thought to concern
249:
49:
36:
359:. Becker noted that Knopfler seemed "worried" about the recording; Knopfler could not
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138:
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1939:
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947:
Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era: 1944-2000
751:
737:
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545:
541:
399:
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329:
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The writing of "Time Out of Mind" took place amid the worsening drug addiction of
1749:
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278:
The creation of "Time Out of Mind" was difficult, as with the rest of the album.
1996:
1929:
1909:
1005:(2017). "A squonk's tears: Steely Dan at forty-five". In Hoskyns, Barney (ed.).
913:
725:
695:
646:
514:
368:
341:
333:
292:
287:
121:
84:
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2143:
1914:
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1254:
1171:. Miller Freeman Publications. Retrieved 19 November 2023. – via Google Books.
909:
244:
240:
217:
167:
129:
40:
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1980:
533:
487:
160:
89:
529:
of "Babylon Sisters", the album's third single, in the UK that same month.
299:
and leading to a minor dispute between the record company and Steely Dan.
417:" and a line in the second verse about a "mystical sphere ... direct from
1794:
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1614:
1291:
977:
410:
93:
950:(2nd ed.). New York: Taylor & Francis Group. pp. ix, 372.
550:
431:, "the narrator of 'Time Out of Mind' just wants another heroin high".
1508:
Pastoral Palimpsests: Essays in the Reception of Theocritus and Virgil
1312:
1239:"A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan"
1368:(2017) . "Retrospective review of Gaucho". In Hoskyns, Barney (ed.).
406:
272:
544:", Steely Dan's single from the previous year. Steely Dan's manager
626:
418:
561:
Following its US release in 1981, "Time Out of Mind" entered the
841:
Lesley Miller is credited as "Leslie Miller" in the liner notes.
525:'s second single on March 14, 1981. It was also released as the
1857:
347:
After the basic track was recorded, Becker and Fagen recruited
1853:
1751:
The Special Liveliness of Hooks in Popular Music and Beyond
651:
The Special Liveliness of Hooks in Popular Music and Beyond
1146:. Vol. 16, no. 11. Ronald Spagnardi. p. 109
1837:
Full lyrics for the song at Steely Dan's official website
513:"Time Out of Mind" was originally released in the US by
1642:"CASH BOX Top 100 Singles: Week ending APRIL 25, 1981"
572:'s year-end chart. It also peaked at number 13 on the
1610:"CASH BOX Top 100 Singles: Week ending MAY 16, 1981"
2330:
2227:
2195:
2072:
2031:
1948:
521:on November 21, 1980. It was released in the US as
211:
166:
152:
127:
115:
99:
83:
68:
56:
46:
35:
21:
1569:. Record Research. p. 434. – via Internet Archive.
1111:"Mark Knopfler, Innovative Leader Of Dire Straits"
391:"Time Out of Mind" was described by Jeff Giles of
1216:. New York: Cherry Lane Music. pp. 130–136.
1186:"Weekend Songs: Steely Dan, 'Time Out of Mind'"
926:: CS1 maint: others in cite AV media (notes) (
820:
818:
655:
631:
405:According to many analyses, the lyrics concern
2056:Marian McPartland's Piano Jazz with Steely Dan
827:
378:significantly due to repeated plays. Engineer
332:were regular collaborators, while keyboardist
295:to hurriedly release the single with a reused
1869:
903:
8:
898:
896:
894:
892:
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585:Top 100 for 10 weeks, peaking at number 23.
247:that was first released on their 1980 album
1588:. Wisconsin: Menomonee Falls. p. 262.
1876:
1862:
1854:
1775:"Grover Washington, Jr.: Time Out of Mind"
680:– lead vocals, electric piano, synthesizer
267:, who co-wrote the song with his bandmate
27:
18:
1754:. Palgrave Macmillan. pp. xiii, 69.
860:
858:
1282:
1280:
1510:. Crete University Press. p. 207.
1431:"...and an LP with Ironies in the Fire"
854:
801:
45:
34:
1429:Cromelin, Richard (30 November 1980).
919:
2424:Song recordings produced by Gary Katz
1424:
1422:
1393:Cromelin, Richard (3 November 1991).
1179:
1177:
1077:
7:
1585:Billboard Top Adult Songs: 1961-2006
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1370:Major Dudes: A Steely Dan Companion
1088:. Omnibus Press. pp. 135–153.
1007:Major Dudes: A Steely Dan Companion
479:interpreted it as mocking "gurus".
1035:"The 15 Greatest Steely Dan Songs"
14:
1808:"Acoustic Lounge: Alone Together"
1135:Micaleff, Ken (1 November 1992).
2372:
2371:
1085:Steely Dan: Reelin' in the Years
828:§ Background and production
318:Shortly after work began on the
1791:"Lou Hayter.: Time Out of Mind"
1288:"Time Out of Mind – Steely Dan"
1033:Weiss, Dan (3 September 2017).
787:Acoustic Lounge on their album
641:, in a retrospective review of
2414:Songs written by Walter Becker
1680:. 29 November 1980. p. 69
692:– bass guitar, electric guitar
673:Adapted from the liner notes:
1:
2419:Songs written by Donald Fagen
1844:Steely Dan - Time Out Of Mind
1797:. Retrieved 21 November 2023.
1781:. Retrieved 21 November 2023.
1738:. Retrieved 19 November 2023.
1598:– via Internet Archive.
1566:Pop Singles Annual: 1955–1990
1550:– via Internet Archive.
1294:. Retrieved 20 November 2023.
1226:– via Internet Archive.
1184:Giles, Jeff (2 August 2013).
1098:– via Internet Archive.
865:O'Rourke, Stephen V. (2007).
2211:Any Major Dude Will Tell You
2116:Rikki Don't Lose That Number
1137:"The Drummers of Steely Dan"
239:" is a song by the American
825:
2445:
1537:The Great Rock Discography
1496:(1971 ed.), Vol. I, p. 63c
1109:Siegel, Joel (July 1979).
971:Erlewine, Stephen Thomas.
2366:
2312:The Definitive Collection
1891:
1839:(Archived 7 January 2016)
1764:– via Google Books.
1748:G. Smith, Steven (2023).
1709:. 7 March 1981. p. 1
1494:Oxford English Dictionary
1339:"Yacht Rock: Album Guide"
1271:10.1525/mts.2004.26.2.201
1255:10.1525/mts.2004.26.2.201
960:– via Google Books.
881:– via Google Books.
698:– piano, horn arrangement
637:Another AllMusic critic,
597:following the release of
579:chart and charted in the
509:Album and single releases
303:Background and production
229:
216:
207:
174:
26:
16:1981 single by Steely Dan
2048:Plush TV Jazz-Rock Party
1728:Erlewine, Stephen Thomas
1467:"Steely Dan's New Songs"
1395:"Return of the Nightfly"
1237:Everett, Walter (2004).
780:Lou Hayter on her album
72:March 14, 1981
1305:"LYRICS: GAUCHO (1980)"
1164:Massey, Howard (1999).
944:Pollock, Bruce (2005).
639:Stephen Thomas Erlewine
357:self-titled debut album
2264:A Decade of Steely Dan
1532:Strong, Martin Charles
973:"Steely Dan Biography"
659:
635:
517:as the fifth track on
409:use. Stewart Mason of
387:Composition and lyrics
2158:FM (No Static at All)
1732:"Gaucho – Steely Dan"
1243:Music Theory Spectrum
1210:Okun, Milton (2000).
1190:Ultimate Classic Rock
1082:Sweet, Brian (2000).
769:Grover Washington Jr.
504:Release and reception
498:Ultimate Classic Rock
394:Ultimate Classic Rock
2272:Reelin' In the Years
2095:Reelin' In the Years
1965:Countdown to Ecstasy
1654:on 17 September 2012
1622:on 17 September 2012
1213:Steely Dan Anthology
740:– baritone saxophone
400:root-position chords
64:"Bodhisattva" (live)
2429:MCA Records singles
2320:Found Studio Tracks
1910:Jeff "Skunk" Baxter
1465:(18 January 1981).
922:cite AV media notes
868:The Steely Dan File
618:, Richard Evans of
307:Steely Dan members
2288:Citizen Steely Dan
2063:Northeast Corridor
2021:Everything Must Go
2013:Two Against Nature
1957:Can't Buy a Thrill
1700:"Hits of the Week"
1472:The New York Times
916:. 1980. p. 1.
589:Critical reception
577:Adult Contemporary
476:The New York Times
415:chasing the dragon
219:"Time Out of Mind"
197:"Babylon Sisters"
170:singles chronology
22:"Time Out of Mind"
2386:
2385:
1674:"Top Album Picks"
1436:Los Angeles Times
1400:Los Angeles Times
1379:978-1-47212-753-2
1315:on 7 January 2016
1016:978-1-47212-753-2
728:– tenor saxophone
722:– tenor saxophone
710:– electric guitar
704:– electric guitar
603:Los Angeles Times
557:Chart performance
466:Los Angeles Times
233:
232:
203:
202:
2436:
2409:Steely Dan songs
2375:
2374:
2331:Related articles
2179:Time Out of Mind
2040:Alive in America
1935:Michael McDonald
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1337:(22 June 2021).
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1311:. Archived from
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1286:Mason, Stewart.
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782:Private Sunshine
774:Time Out of Mind
758:– backing vocals
744:Michael McDonald
734:– alto saxophone
493:Time Out of Mind
421:". According to
326:Michael McDonald
237:Time Out of Mind
220:
190:Time Out of Mind
176:
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1540:. p. 782.
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1463:Holden, Stephen
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1003:Hoskyns, Barney
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908:(Liner notes).
902:
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871:. p. 148.
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823:
816:
807:
803:
798:
765:
756:Valerie Simpson
720:Michael Brecker
671:
663:Rock Song Index
649:". In his book
614:In a review of
593:In an issue of
591:
559:
536:had settled on
511:
506:
484:time immemorial
389:
380:Elliot Scheiner
305:
218:
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57:
47:from the album
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1403:. p. 211
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2296:Then and Now
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2228:Compilations
2196:Album tracks
2178:
2172:Hey Nineteen
2151:Deacon Blues
2130:Bad Sneakers
2062:
2054:
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2038:
2019:
2011:
2003:
1995:
1987:
1979:
1971:
1963:
1955:
1940:Jeff Porcaro
1925:David Palmer
1897:Donald Fagen
1895:
1816:. Retrieved
1811:
1802:
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1743:
1723:
1711:. Retrieved
1707:Record World
1706:
1694:
1682:. Retrieved
1677:
1668:
1656:. Retrieved
1652:the original
1645:
1636:
1624:. Retrieved
1620:the original
1613:
1604:
1584:
1574:
1564:
1556:
1536:
1526:
1507:
1501:
1489:
1477:. Retrieved
1470:
1457:
1447:– via
1441:. Retrieved
1439:. p. 80
1434:
1411:– via
1405:. Retrieved
1398:
1388:
1369:
1360:
1348:. Retrieved
1342:
1329:
1317:. Retrieved
1313:the original
1308:
1299:
1246:
1242:
1232:
1212:
1205:
1193:. Retrieved
1189:
1168:
1160:
1148:. Retrieved
1143:
1130:
1118:. Retrieved
1114:
1104:
1084:
1044:. Retrieved
1038:
1006:
982:. Retrieved
976:
966:
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904:
867:
837:
809:
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788:
781:
773:
752:Patti Austin
738:Ronnie Cuber
684:Rick Marotta
678:Donald Fagen
672:
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621:Melody Maker
619:
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608:Record World
606:
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546:Irving Azoff
542:Hey Nineteen
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531:
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423:David Browne
404:
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366:
349:Dire Straits
346:
330:Rick Marotta
328:and drummer
319:
317:
313:Donald Fagen
306:
284:Dire Straits
277:
269:Donald Fagen
262:
255:
248:
236:
234:
189:
181:Hey Nineteen
144:Donald Fagen
48:
2338:Discography
2280:Do It Again
2088:Do It Again
2032:Live albums
1930:Royce Jones
1818:21 November
1713:20 November
1684:20 November
1658:22 November
1626:22 November
1479:21 November
1475:. p. 2
1443:21 November
1407:21 November
1350:21 November
1319:23 November
1195:23 November
1150:19 November
1120:18 November
1046:21 November
984:22 November
914:MCA Records
726:Dave Tofani
696:Rob Mounsey
515:MCA Records
446:Major Dudes
369:click track
342:synthesizer
334:Rob Mounsey
293:MCA Records
288:Overdubbing
155:Producer(s)
2399:1980 songs
2393:Categories
2358:Yacht rock
2244:Steely Dan
2218:Dirty Work
1920:Jim Hodder
1915:Denny Dias
1885:Steely Dan
1372:. Abrams.
1249:(2): 220.
1223:1575603144
1095:0711982791
1009:. Abrams.
910:Steely Dan
849:References
361:sight-read
351:guitarist
245:Steely Dan
168:Steely Dan
76:1981-03-14
41:Steely Dan
2343:Gary Katz
1981:Katy Lied
1678:Billboard
1263:0195-6167
1040:Billboard
716:– trumpet
669:Personnel
595:Billboard
574:Billboard
570:Billboard
564:Billboard
534:Gary Katz
488:Bob Dylan
456:Billboard
448:, critic
256:Billboard
161:Gary Katz
90:Jazz rock
2377:Category
1812:Jazzfuel
1795:AllMusic
1779:AllMusic
1736:AllMusic
1647:Cash Box
1615:Cash Box
1582:(2007).
1563:(1991).
1534:(1995).
1292:AllMusic
978:AllMusic
582:Cash Box
411:AllMusic
376:shedding
94:pop rock
69:Released
2348:Members
2073:Singles
1849:YouTube
686:– drums
566:Hot 100
551:WABC-FM
258:Hot 100
224:YouTube
199:(1981)
194:(1981)
185:(1980)
74: (
2323:(2007)
2315:(2006)
2307:(2000)
2299:(1993)
2291:(1993)
2283:(1987)
2275:(1985)
2267:(1985)
2255:(1982/
2247:(1978)
2239:(1978)
2081:Dallas
2065:(2021)
2059:(2005)
2051:(2000)
2043:(1995)
2024:(2003)
2016:(2000)
2008:(1980)
2005:Gaucho
2000:(1977)
1992:(1976)
1984:(1975)
1976:(1974)
1968:(1973)
1960:(1972)
1758:
1592:
1544:
1514:
1376:
1269:
1261:
1220:
1092:
1013:
954:
905:Gaucho
875:
810:Gaucho
791:, 2022
784:, 2021
777:, 1989
647:fusion
643:Gaucho
616:Gaucho
599:Gaucho
538:Gaucho
527:B-side
523:Gaucho
519:Gaucho
490:album
407:heroin
340:, and
321:Gaucho
297:B-side
282:, the
273:heroin
250:Gaucho
243:group
100:Length
59:B-side
50:Gaucho
37:Single
2165:Josie
1703:(PDF)
1267:JSTOR
1140:(PDF)
826:(see
796:Notes
627:Dulux
440:Uncut
419:Lhasa
117:Label
85:Genre
2252:Gold
1820:2023
1756:ISBN
1715:2023
1686:2023
1660:2023
1628:2023
1590:ISBN
1542:ISBN
1512:ISBN
1481:2023
1445:2023
1409:2023
1374:ISBN
1352:2023
1321:2023
1259:ISSN
1218:ISBN
1197:2023
1152:2023
1122:2023
1090:ISBN
1048:2023
1011:ISBN
986:2023
952:ISBN
928:link
873:ISBN
311:and
241:rock
2204:Aja
2144:Peg
1997:Aja
1847:on
1251:doi
808:In
473:of
437:of
425:of
222:on
122:MCA
39:by
2395::
2257:91
1810:.
1793:.
1777:.
1734:.
1730:.
1705:.
1676:.
1644:.
1612:.
1469:.
1433:.
1421:^
1397:.
1341:.
1307:.
1290:.
1279:^
1265:.
1257:.
1247:26
1245:.
1241:.
1188:.
1176:^
1169:EQ
1167:.
1142:.
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920:{{
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1154:.
1124:.
1050:.
1019:.
988:.
930:)
832:.
830:)
235:"
188:"
179:"
107::
105:4
78:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
