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Juretzek's work is characterized by abstraction in the depiction of figures and landscapes. In this respect, the object always remains perceptible despite its strong abstraction. Thus, in the 80s
Juretzek created her first large figurative paintings, focussing on the relationship between human figure
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In 1999 and 2000 Juretzek's work was shown in a retrospective exhibition tour organized by the
Pfalzgalerie Kaiserslautern, the Märkisches Museum Witten, the Heidelberger Kunstverein, the Städtische Galerie Gladbeck and the Stätisches Museum Mülheim an der Ruhr. In 2010, after having worked in the
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Since 1979, Juretzek has been working as a freelance painter in Düsseldorf. Her work has been exhibited in numerous single and group exhibitions in galleries and museums. Of particular importance are her many years of intensive cooperation with the gallery Elke and Werner Zimmer in Düsseldorf. It
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Juretzek's journey to Japan in 1991 inspired her to introduce a new line of work produced on
Japanese paper. The artist turned to the theme of landscape and created a range of paintings in which she combined painting and collage with Japanese paper on canvas. In these paintings revealing inner
392:, Lilith, barrier landscapes, and others), the technique of which she has been using until today. In addition, Juretzek carried out numerous public commissions, such as the World Travel frieze of 1988 covering a length of 24 metres at the Federal Office Cologne-Chorweiler.
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and space. Later she used vessels as metaphors for human beings and she employed the motive of the source to symbolize life. It was the first time that in these large-format works of art the painter made use of technique combining painting and collage.
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305:, Harz. Her mother was a sculptor, her father a merchant, her great-grandmother was an author, and her grandmother a painter. In 1958 the family escaped from the former East Germany (GDR) and moved to
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The third line of works is composed of
Juretzek's extensive thematic series of drawings. A journey to the Lipari Islands in the early 1980s, inspired the painter to create ink drawings (
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Travels were of prime and initiating importance for the artist's work (India, USSR, Japan, South
America, USA) In 1983, she traveled to the Lipari islands stopping on the active volcano
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were the
Zimmers who presented Juretzek's work at quite an early stage of her artistic career in single exhibitions and continued to do so until 2000 when they closed their gallery.
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experience and scenic associations, Jurtzek created a new relation between color, light and space, exceeding the boundaries of informal painting.
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focussing on physical geography. Her artistic work, painted on
Japanese paper since 1991, reflects this interest.
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Tina
Juretzek, Die Glasschmelze (The Molten Glass) 1995, 180 cm x 252 cm, painting collage on canvas
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center of Düsseldorf for 26 years
Juretzek moved her studio to the outskirts of the city.
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It may require cleanup to comply with
Knowledge (XXG)'s content policies, particularly
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Tina Juretzek, Das Glühen (The Glow)1987, 165 cm x 242 cm, painting collage on canvas
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Tina Juretzek, L 2015 1, 200 cm x 85 cm, Inner Landscape, painting collage on canvas
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Tina Juretzel, L 2011 7, Tropical Glow, 120 cm x 160 cm, painting collage on canvas
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Literature from and about Tina Juretzek in the German National Library
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and Walter Hofmann. In 1972, she began to study geography at the
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Art works from Tina Juretzek at Martin Leyer-Pritzkow
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A major contributor to this article appears to have a
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269:) is a German painter. She studied at the
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273:with Günter Grote and lives and works in
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360:(Sacred Mountains and places of power).
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497:21st-century German women artists
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