Titian - Knowledge (XXG)

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which he learned to be the production of Tintoretto; it is inferred that he became at once jealous of so promising a student. This, however, is mere conjecture; and perhaps it may be fairer to suppose that the drawings exhibited so much independence of manner that Titian judged that young Jacopo, although he might become a painter, would never be properly a pupil. From this time forward the two always remained upon distant terms, though Tintoretto being indeed a professed and ardent admirer of Titian, but never a friend, and Titian and his adherents turned a cold shoulder to him. There was also active disparagement, but it passed unnoticed by Tintoretto.

2469: 1957: 2405: 2662: 2373: 163: 1340: 3179: 2869: 2437: 3224: 3278: 1779: 3129: 2834:, when in 1525 she fell seriously ill. Titian, wishing to legitimize the children, married her. Cecilia recovered, the marriage was a happy one, and they had another daughter who died in infancy. In August 1530 Cecilia died. Titian remarried, but little information is known about his second wife; she was possibly the mother of his daughter Lavinia. Titian had a fourth child, Emilia, the result of an affair, possibly with a housekeeper. His favourite child was Orazio, who became his assistant. 2224: 2421: 2619: 2389: 1509: 2802: 1843: 3325:, which sets out the evidence, and supports 1477—an unusual view today. Gould (pp. 264–66) also sets out much of the evidence without coming to a conclusion. Charles Hope in Jaffé (p. 11) also discusses the issue, favouring a date "in or just before 1490" as opposed to the much earlier dates, as does Penny (p. 201) "probably in 1490 or a little earlier". The question has become caught up in the still controversial division of works between 176: 7396: 2146: 1676:, better known as the Madonna di Ca' Pesaro (c. 1519–1526), also for the Frari church. This is perhaps his most studied work, whose patiently developed plan is set forth with supreme display of order and freedom, originality and style. Here Titian gave a new conception of the traditional groups of donors and holy persons moving in aerial space, the plans and different degrees set in an architectural framework. 1839:, one of several mythological paintings, or "poesie" ("poems"), as the painter called them. This painting was done for Alessandro Farnese, but a later variant was produced for Philip II, for whom Titian painted many of his most important mythological paintings. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons. 3257: 3087: 3148: 4447: 2865:, his older brother, was introduced to painting by Titian (it is said at the age of twelve, but chronology will hardly admit of this), and painted in the church of S. Vito in Cadore a picture of the titular saint armed. This was a noteworthy performance, of which Titian (the usual story) became jealous; so Francesco was diverted from painting to soldiering, and afterwards to mercantile life. 1145: 1453:(state-warehouse for the German merchants). Their relationship evidently contained a significant element of rivalry. Distinguishing between their work during this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, with little traffic the other way. One of the earliest known Titian works, 4513: 4500: 2453: 7408: 1869:, whose ship is shown in the distance and who has just left Ariadne at Naxos, when Bacchus arrives, jumping from his chariot, drawn by two cheetahs, and falling immediately in love with Ariadne. Bacchus raised her to heaven. Her constellation is shown in the sky. The painting belongs to a series commissioned from Bellini, Titian, and Dosso Dossi, for the 2515: 2005: 1604: 47: 1473: 3730: 1360:, to have been born in 1474, but this seems most unlikely. Other writers contemporary to his old age give figures that would equate to birth dates between 1473 and after 1482. Most modern scholars believe a date between 1488 and 1490 is more likely, though his age at death being 99 had been accepted into the 20th century. 2580:

Titian had engaged his daughter Lavinia, the beautiful girl whom he loved deeply and painted various times, to Cornelio Sarcinelli of Serravalle. She had succeeded her aunt Orsa, then deceased, as the manager of the household, which, with the lordly income that Titian made by this time, placed her on

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During the last twenty-six years of his life (1550–1576), Titian worked mainly for Philip II and as a portrait-painter. He became more self-critical, an insatiable perfectionist, keeping some pictures in his studio for ten years—returning to them and retouching them, constantly adding new expressions

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Well, we heard him say—didn't we, Jane?—'Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.' There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked

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was brought to Titian's studio by his father. This was supposedly around 1533, when Titian was (according to the ordinary accounts) over 40 years of age. Tintoretto had only been ten days in the studio when Titian sent him home for good, because the great master observed some very spirited drawings,

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at S. Samuele, the precise site being now unknown. It was not until 1516, after the death of Giovanni Bellini, that he came into actual enjoyment of his patent. At the same time he entered an exclusive arrangement for painting. The patent yielded him a good annuity of 20 crowns and exempted him from

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on 2 February 2009 for £50 million. The galleries had until 31 December 2008 to make the purchase before the work would be offered to private collectors, but the deadline was extended. The sale created controversy with politicians who argued that the money could have been spent more wisely

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He was the son of Gregorio Vecellio and his wife Lucia, of whom little is known. Gregorio was superintendent of the castle of Pieve di Cadore and managed local mines for their owners. Gregorio was also a distinguished councilor and soldier. Many relatives, including Titian's grandfather, were

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In August 1530, Titian moved his two sons and infant daughter to a new home and convinced his sister Orsa to come from Cadore and take charge of the household. The mansion, difficult to find now, is in the Biri Grande, then a fashionable suburb, at the extreme end of Venice, on the sea, with

1295:), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late 2641:, is a dramatic, nocturnal scene of suffering. He apparently intended it for his own tomb chapel. He had selected, as his burial place, the chapel of the Crucifix in the Basilica di Santa Maria Gloriosa dei Frari, the church of the Franciscan Order. In payment for a grave, he offered the 2245:

at once more refined, concise, and subtle. He also finished many copies that his pupils made of his earlier works. This caused problems of attribution and priority among versions of his works—which were also widely copied and faked outside his studio during his lifetime and afterwards.

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Jill Dunkerton and Marika Spring, with contributions from Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy, Titian's Painting Technique to c. 1540, National Gallery Technical Bulletin, volume 34, 2013, pp. 4–31. Catalog I and

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took note and observed that Titian was neglecting his work in the hall of the great council, but in 1516 he succeeded his master Giovanni Bellini in receiving a pension from the Senate. Furthermore, he painted the similar painting of Assumption of the Virgin above the altar in

2252:, which scholars regard as among his greatest works. Thanks to the prudishness of Philip's successors, these were later mostly given as gifts, and only two remain in the Prado. Titian was producing religious works for Philip at the same time, some of which—the ones inside 2076:). He painted the likenesses of princes, or Doges, cardinals or monks, and artists or writers. "...no other painter was so successful in extracting from each physiognomy so many traits at once characteristic and beautiful". Among portrait-painters Titian is compared to 1325:

During his long life, Titian's artistic manner changed drastically, but he retained a lifelong interest in colour. Although his mature works may not contain the vivid, luminous tints of his early pieces, they are renowned for their loose brushwork and subtlety of tone.

1997:). These violent scenes viewed in perspective from below were by their very nature in unfavourable situations. They were nevertheless much admired and imitated, Rubens among others applying this system to his forty ceilings (the sketches only remain) of the 1571:(a profitable privilege much coveted by artists) in the Fondaco dei Tedeschi. He became superintendent of the government works, especially charged with completing the paintings left unfinished by Giovanni Bellini in the hall of the great council in the 2137:

and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt. In 1532, after painting a portrait of the emperor Charles V in Bologna, he was made a Count Palatine and

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This major battle scene was lost—with many other major works by Venetian artists—in the 1577 fire that destroyed all the old pictures in the great chambers of the Doge's Palace. It depicted in life-size the moment when the Venetian general

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At the age of about ten to twelve Titian and his brother Francesco (who perhaps followed later) were sent to an uncle in Venice to find an apprenticeship with a painter. The minor painter Sebastian Zuccato, whose sons became well-known

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Titian was then at the height of his fame, and towards 1521, following the production of a figure of St. Sebastian for the papal legate in Brescia (of which there are numerous replicas), purchasers pressed for his work.

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art and Rubens, both in the handling of details and the general effect of horses, soldiers, lictors, powerful stirrings of crowds at the foot of a stairway, lit by torches with the flapping of banners against the sky.

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had already dealt with the subject in his Dresden picture, finished by Titian, but here a purple drapery substituted for a landscape background changed, by its harmonious colouring, the whole meaning of the scene.

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Titian joined Giorgione as an assistant, but many contemporary critics already found Titian's work more impressive—for example, in exterior frescoes (now almost totally destroyed) that they collaborated on for the

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This appointment allowed him to gain royal patronage and work on prestigious commissions. As a matter of professional and worldly success, his position from about this time is regarded as equal only to that of

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Titian employed an extensive array of pigments and it can be said that he availed himself of virtually all available pigments of his time. In addition to the common pigments of the Renaissance period, such as

2177:. Another source of profit, for he was always aware of money, was a contract obtained in 1542 for supplying grain to Cadore, where he visited almost every year and where he was both generous and influential. 4856: 2889:, called Marco di Tiziano, born in 1545, was Titian's nephew and was constantly with the master in his old age, and learned his methods of work. He has left some able productions in the ducal palace, the 2677:

raged in Venice, Titian died on 27 August 1576. Depending on his unknown birthdate (see above), he was somewhere from his late eighties or even close to 100. Titian was interred in the Frari (Basilica di

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picture remain. It combined extreme violence and a landscape, mostly consisting of a great tree, that pressed into the scene and seems to accentuate the drama in a way that looks forward to the Baroque.

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and, at a later date, Rubens. In 1540 he received a pension from d'Avalos, marquis del Vasto, and an annuity of 200 crowns (which was afterwards doubled) from Charles V from the treasury of

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The contours in early works may be described as "crisp and clear", while of his late methods it was said that "he painted more with his fingers than his brushes." Dunkerton, Jill, et al.,

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From a different branch of the family came Fabrizio di Ettore, a painter who died in 1580. His brother Cesare, who also left some pictures, is well known by his book of engraved costumes,

943: 504: 3107: 1384:. At that time the Bellinis, especially Giovanni, were the leading artists in the city. There Titian found a group of young men about his own age, among them Giovanni Palma da Serinalta, 6467: 1900:, his rival of recent years, was installed in his place. However, at the end of a year Pordenone died, and Titian, who meanwhile applied himself diligently to painting in the hall the 2592:, in 1570. In September 1565 Titian went to Cadore and designed the decorations for the church at Pieve, partly executed by his pupils. One of these is a Transfiguration, another an 1306:

His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the

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Contemporary estimates attribute around 400 works to Titian, of which about 300 survive. Two of Titian's works in private hands were put up for sale in 2008. One of these,

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towards 1555, of which there is a finished sketch in the Louvre. His friend Aretino died suddenly in 1556, and another close intimate, the sculptor and architect

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attacked the enemy, with horses and men crashing down into a stream. It was Titian's most important attempt at a tumultuous and heroic scene of movement to rival

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Another painting that apparently remained in his studio at his death, and has been much less well known until recent decades, is the powerful, even "repellent"

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admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.

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Landau, 304–305, and in catalogue entries following. Much more detailed consideration is given at various points in: David Landau & Peter Parshall,

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worked along with him, and some fragments of paintings remain, probably by Giorgione. Some of their work is known, in part, through the engravings of

3314: 6880: 6834: 6826: 6718: 6642: 5450: 4905: 3921: 3229: 2537: 2846:, the influential and audacious figure who features so strangely in the chronicles of the time. Titian sent a portrait of him to Gonzaga, duke of 2713: 3223: 2404: 970: 938: 5156: 7498: 7493: 6904: 6322: 5481: 5396: 5148: 4639: 2830:. As a young woman she had been his housekeeper and mistress for some five years. Cecilia had already borne Titian two fine sons, Pomponio and 2615:. It is suggested that members of Titian's Venice workshop probably painted the curtain and Luke, because of the lower quality of those parts. 2048: 2927:

Few of the pupils and assistants of Titian became well known in their own right; for some being his assistant was probably a lifetime career.

7488: 7483: 7433: 6919: 4552: 4538: 4436: 2653:, before the Savior. He nearly finished this work, but differences arose regarding it, and he settled on being interred in his native Pieve. 2594: 1162: 5101: 5071: 4891: 4354: 1878: 1732: 3277: 7478: 6988: 6421: 2436: 2372: 1793:; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian 1502: 6119: 5326: 5140: 5132: 4566: 4130:"The relationship between the writer and the painter became particularly close over the almost thirty years Aretino spent in Venice." 2089: 1455: 991: 349: 6942: 6811: 6634: 6564: 6459: 5226: 4462: 4428: 4407: 4368: 4340: 4323: 4070: 4014: 3904: 3864: 3665: 3555: 3486: 3467: 3447: 3392: 1622: 1608: 1251: 447: 2553:, of Madrid. On the other hand, from the standpoint of flesh tints, his most moving pictures are those of his old age, such as the 3256: 7468: 7326: 5404: 5388: 5295: 5124: 4819: 3086: 2125: 2111: 2053: 833: 813: 617: 1956: 1932:(these last two unfinished). There remains only a poor, incomplete copy at the Uffizi, and a mediocre engraving by Fontana. The 1596:

style, undertook larger, more complex subjects, and for the first time attempted a monumental style. Giorgione died in 1510 and

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During this period (1516–1530), which may be called the period of his mastery and maturity, the artist moved on from his early

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For each problem he undertook, he furnished a new and more perfect formula. He never again equaled the emotion and tragedy of

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in 1516, leaving Titian unrivaled in the Venetian School. For sixty years he was the undisputed master of Venetian painting.

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are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).

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for the purpose; but the project lapsed through his being summoned away from Venice in 1547 to paint Charles V and others in

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In 1507–1508, Giorgione was commissioned by the state to create frescoes on the re-erected Fondaco dei Tedeschi. Titian and

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established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of

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He continued to accept commissions to the end of his life. Like many of his late works, Titian's last painting, the

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on the Morosini Palace is said to have been one of Titian's earliest works. Others were the Bellini-esque so-called

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He visited Rome in 1546 and obtained the freedom of the city—his immediate predecessor in that honor having been

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a corresponding footing. Lavinia's marriage to Cornelio took place in 1554. She died in childbirth in 1560.

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Finally this was the period when Titian composed the half-length figures and busts of young women, such as

1670:, each time attaining to a higher and more perfect conception. He finally reached a classic formula in the 1634:. This piece of colourism, executed on a grand scale rarely before seen in Italy, created a sensation. The 7305: 7270: 7176: 6950: 6769: 6269: 5466: 4950: 2952: 2924:. Various pictures of his were touched up by the master, and are difficult to distinguish from originals. 2257: 1560: 1045: 1030: 955: 672: 535: 329: 2277:, of which the earliest surviving version, delivered in 1554, is in the Prado, but several versions exist 766: 7443: 7201: 7131: 6783: 6611: 6393: 5730: 5458: 5427: 4920: 3744: 2898: 2192: 1783: 1778: 1389: 1356:

The exact time or date of Titian's birth is uncertain. When he was an old man he claimed in a letter to

582: 442: 374: 149: 3010:. The rest of the money came from the National Gallery and from private donations. The other painting, 2130: 2129:(1548), an equestrian picture in a symphony of purples. This state portrait of Charles V (1548) at the 344: 2705:, also died of the plague, greatly complicating the settlement of his estate, as he had made no will. 2248:

For Philip II, he painted a series of large mythological paintings known as the "poesie", mostly from

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Titian: His Life and Times. With Some Account of His Family, Chiefly from New and Unpublished Records

3211: 3049: 3035: 3030: 2944: 2806: 2740:, in twelve blocks, intended as wall decoration as a substitute for paintings; and collaborated with 2574: 2499: 2475: 2339: 2329: 2313:, were dispatched in 1559, owned jointly by the National Gallery and the National Gallery of Scotland 2084:, with the interior life of the former, and the clearness, certainty, and obviousness of the latter. 1576: 1450: 1050: 1002: 761: 552: 389: 359: 248: 2618: 2490: 7231: 5970: 5852: 5814: 5685: 5610: 5442: 4491: 3886:"Separated For Centuries, Titian's 'Poesie' Reunite At The Gardner Museum In A Powerful Exhibition" 3003: 2968: 2921: 2741: 2181: 1861: 1847: 1817: 1759: 1640: 1296: 1118: 1007: 965: 791: 354: 290: 278: 266: 4703: 3708: 2452: 2142:. His children were also made nobles of the Empire, which for a painter was an exceptional honor. 1821:

in the Louvre. At least according to popular legend, they were modeled by some of Venice's famous

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based on his paintings and drawings. Much later he provided drawings based on his paintings to

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Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of

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of his time at the fixed price of eight crowns each. The actual number he painted was five.

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During the next period (1530–1550), Titian developed the style introduced by his dramatic

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From the beginning of his career, Titian was a masterful portrait-painter, in works like

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Titian had a favourite villa on the neighboring Manza Hill (in front of the church of

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has been used to describe red hair, almost always on women, since the 19th century.

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as a means to expand his reputation. In the period 1515–1520 he designed a number of

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The two young masters were likewise recognized as the leaders of their new school of

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No memorial marked his grave. Much later the Austrian rulers of Venice commissioned

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Italian Art: Painting, Sculpture, Architecture from the Origins to the Present Day

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David Jaffé (ed), Titian, The National Gallery Company/Yale, p. 11, London 2003,

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Titian's wife, Cecilia, was a barber's daughter from his hometown village of

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certain taxes. In return, he was bound to paint likenesses of the successive

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Several other artists of the Vecelli family followed in the wake of Titian.

2770: 2725: 2504: 2211:, which was sent to England and was useful in Philip's suit for the hand of 2077: 2041: 1822: 1794: 1694: 1644: 1593: 1465: 1442: 1393: 1311: 1075: 1070: 823: 520: 515: 364: 4793:

Isabella Stewart Gardner Museum in Boston (12 August 2021 – 2 January 2022)

5164: 4687: 4291: 3170: 3154: 2947:

is said to have been a follower or pupil of Titian. Other followers were

2940: 2790: 2204: 1635: 1408: 1400:, Titian's older brother, later became a painter of some note in Venice. 1307: 1065: 1012: 746: 592: 7407: 4725: 3313:

is generally accepted despite claims in his lifetime that he was older,

7105: 4756: 4649: 4091: 2842:. In about 1526 he had become acquainted, and soon close friends, with 2786: 2782: 2733: 2514: 2166: 2040:, Madrid, which shows the influence of contact with ancient sculpture. 2004: 1949: 1913: 1886: 1874: 1866: 1736: 1698: 1663: 1648: 1603: 1472: 1272: 1055: 736: 525: 46: 6476:

Virgin and Child with Saint John the Baptist and an Unidentified Saint

4675: 3462:, pp. 281–286. Yale University, National Gallery Publications, 1999. 3460:

Dürer to Veronese: Sixteenth-Century Painting in the National Gallery

3215: 3138: 2980: 2847: 2839: 2827: 2810:(c. 1565–1570) is thought to depict (from left) Titian, his son 2778: 2094: 1945: 1812: 1764: 1718: 1659: 1404: 1373: 1280: 462: 139: 117: 72: 4400:

The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600

2701:

Very shortly after Titian's death, his son, assistant and sole heir

7045: 4684:

multimedia feature, Musée du Louvre official site (English version)

4751: 4704:

Christies' sale blurb for the recently restored 'Mother and Child'

4452:

This article incorporates text from a publication now in the

4287: 4190:

Biografia degli Artisti, Emporeo biografico metodico, volume unico

2962: 2867: 2800: 2712: 2660: 2650: 2617: 2513: 2222: 2174: 2144: 2047: 2003: 1955: 1841: 1777: 1602: 1567:

In 1512 Titian returned to Venice from Padua; in 1513 he obtained

1523: 1522:

Titian's talent in fresco is shown in those he painted in 1511 at

1507: 1471: 1338: 129: 4857:

Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter

1948:, 1541). Despite its loss, the painting had a great influence on 3321:

both use c. 1488. See discussion of the issue below and at

2249: 2020: 7049: 4801: 3319:

Metropolitan Museum of Art timeline, retrieved 11 February 2009

6928:

Madonna and Child with Saints Luke and Catherine of Alexandria

6514:

Virgin and Child with Saints Anthony Abbot, Jerome and Francis

3006:

offered £12.5 million and £10 million came from the

2608:

Madonna and Child with Saints Luke and Catherine of Alexandria

2191:

in 1537. He could at the same time have succeeded the painter

1940:(Venice, 1539), one of his most popular canvasses, and by the 1693:, and destroyed by an Austrian shell in 1867. Only copies and 1234: 4514:

The Life and Times of Titian. With Some Account of His Family

4785:

National Gallery in London (16 March 2020 – 17 January 2021)

4772:

The John G. Johnson Collection: A History and Selected Works

4040:"Printed Bodies and the Materiality of Early Modern Prints," 3905:"Can We Ever Look at Titian's Paintings the Same Way Again?" 4757:

Titian: general resources, his paintings, and pigments used

4745:

Interactive high resolution scientific imagery of Titian's

4152: 4150: 4148: 3859:, 1996, p. 402, Ministerio de Educación y Cultura, Madrid, 3781: 3779: 3777: 3775: 3773: 3771: 3769: 3767: 3765: 3763: 2935:

were his assistants during at some point in their careers.

2207:. He was there again in 1550, and executed the portrait of 1433:

is an early portrait, painted around 1509 and described by

1380:, from which they later transferred to that of his brother 4789:

the Museo del Prado in Madrid (2 March 2021 – 4 July 2021)

4779:

Titian's Filppo Archinto at the Metropolitan Museum of Art

4740:

Tiziano Vecellio - one of the greatest artists of all time

4373:

Landau, David, in Jane Martineau and Charles Hope (eds.),

3422: 3420: 3418: 3416: 3414: 3412: 3410: 3408: 3406: 3404: 1231: 6255:

Virgin and Child Between Saints Anthony of Padua and Roch

4797: 3537:. Vol. 5. New York: Simon and Schuster. p. 667. 2195:

in his lucrative office as holder of the piombo or Papal

1228: 6535:

Virgin and Child with Saints Stephen, Jerome and Maurice

6468:

The Virgin and Child with Saint George and Saint Dorothy

6300:

Virgin and Child with Saints Stephen, Jerome and Maurice

4168:, Volume 1, by Carlo Ridolfi, Giuseppe Vedova, page 288. 3580:"Portrait of Gerolamo (?) Barbarigo, about 1510, Titian" 1546:, The Miracle of the Jealous Husband, which depicts the 4775:, a Philadelphia Museum of Art free digital publication 4290:

had yet to be established, the Latin equivalent of the

1705:

The artist simultaneously continued a series of small

1666:(1522), and the retable of San Niccolò (1523), in the 7384: 6858:

Christ Appearing to his Mother after his Resurrection

2260:. The "poesie" series contained the following works: 1252: 2649:

that represented himself and his son Orazio, with a

1534:, some of which have been preserved, among them the 1225: 7337: 7240: 7124: 7083: 7022: 6111: 5587: 5553: 5523:–1560 – also attributed to Titian's workshop) 4848: 4660:. Vol. XXIII (9th ed.). pp. 413–417. 4363:, The National Gallery Company/Yale, London, 2003, 3956:"Titian Madonna and Child sells for record $ 16.9m" 1222: 155: 145: 135: 125: 106: 79: 37: 4584: 3936:, pp. 231–233, 1983, Royal Academy of Arts, London 2853:When he was very young, the famed Italian painter 2698:to sculpt the large monument still in the church. 2023:, the artist began a series of reclining Venuses: 1771:, many times imitated but never surpassed even by 1683:To this period belongs a more extraordinary work, 1620:In 1516, he completed his famous masterpiece, the 1556:The Saint Healing the Young Man with a Broken Limb 4231:"Titian's Diana and Actaeon saved for the nation" 3660:. Strategic Book Publishing & Rights Agency. 2943:(or Dominikos Theotokopoulos) in his last years. 2728:, but he was very conscious of the importance of 1833:Titian's skill with colour is exemplified by his 1445:borrowed the composition for his self-portraits. 5606: – also attributed to Giorgione and others) 2072:(Eleanora de Gonzaga, Duchess of Urbino, at the 1208: – 27 August 1576), Latinized as 4219:, Walker and Company, NY, 2000, pp. 10–11. 3041: 2359:in Boston, where it closed on January 2, 2022. 4607:Titian and the End of the Venetian Renaissance 4193:. Venice: Co' Tipi di Gondolieri. p. 703. 3039:, is described as having Titian hair when 15: 2736:, including an enormous and impressive one of 2605:Around 1560, Titian painted the oil on canvas 1421:(from the convent of Sant'Andrea), now in the 26:"Tiziano" redirects here. For other uses, see 7061: 4813: 4419:, translated by Julia Conaway Bondanella and 4335:, National Gallery Catalogues, London, 1975, 2738:The Drowning of Pharaoh's Army in the Red Sea 2561:of the Louvre. He even attempted problems of 2348: 2256:—are known to have been destroyed during the 2233: 2058: 1966: 1750: 1441:, but now think it is of Gerolamo Barbarigo. 1170: 64: 8: 6688:The Presentation of the Virgin at the Temple 4398:, National Gallery Catalogues (new series): 3641:, March 1999, Volume LXXXI Number 1, Author 2690:. He lies near his own famous painting, the 1689:(1530), formerly in the Dominican Church of 1552:A Child Testifying to Its Mother's Innocence 1437:in 1568. Scholars long believed it depicted 4402:, 2008, National Gallery Publications Ltd, 4318:, Westview Press, Boulder, Colorado, 1999, 1263:, the most important artist of Renaissance 7068: 7054: 7046: 4820: 4806: 4798: 4682:A closer Look at the Madonna of the Rabbit 3346:. Metropolitan Museum of Art. October 2003 2598:(now in San Salvatore, Venice), inscribed 1628:Basilica di Santa Maria Gloriosa dei Frari 1469:scene, was long regarded as by Giorgione. 1275:. During his lifetime he was often called 1177: 1163: 170: 45: 34: 7509:Burials at Santa Maria Gloriosa dei Frari 7454:16th-century deaths from plague (disease) 4559:Titian's Touch: Art, Magic and Philosophy 3857:Museo del Prado, Catálogo de las pinturas 3501:. Lafrusta.homestead.com. 4 November 2002 2718:Drowning of Pharaoh's Army in the Red Sea 1392:, and Giorgio da Castelfranco, nicknamed 4721:Titian at Panopticon Virtual Art Gallery 4156: 3932:Giles Robertson in Jane Martineau, ed., 3785: 3426: 2807:The Allegory of Age Governed by Prudence 2752:from the Netherlands who engraved them. 1784:Salome with the Head of John the Baptist 7391: 6596:The Assassination of Saint Peter Martyr 4587:Problems in Titian, Mostly Iconographic 4377:, Royal Academy of Arts, London, 1983, 4316:Titian and Venetian Painting, 1450–1590 4279: 3299: 3061: 2756:followed Cort from about 1558 to 1568. 2361: 2019:At this time also, during his visit to 1881:, who in 1510 even tried to commission 1686:The Assassination of Saint Peter Martyr 971:Black Legend of the Spanish Inquisition 939:Dicastery for the Doctrine of the Faith 191: 5900:Alfonso d'Avalos Addressing his Troops 4699:Tiziano Vecellio at Web Gallery of Art 4690:Images of 168 paintings by the artist. 4547:, New York: Walker and Company, 2009. 4518:Volume II (London: John Murray, 1881). 2527:, is a bold diagonal composition that 1873:(Alabaster Room) in the Ducal Palace, 1548:Murder of a Young Woman by Her Husband 5666: – also attributed to Giorgione) 4349:, HarperCollins, New York, NY, 2012, 4333:The Sixteenth Century Italian Schools 3546: 3544: 2838:beautiful gardens and a view towards 1196: 7: 7439:Painters from the Republic of Venice 6588:Saint Francis Receiving the Stigmata 4229:Carrell, Severin (2 February 2009). 4052:Vol. 1 No. 1 (May–June 2011), p. 26. 3519:Hale, 5-6; also see references above 2744:and others, who produced additional 1314:, he is considered a founder of the 7474:People from the Province of Belluno 5413:John Frederick I, Elector of Saxony 3748:. New York: Robert Appleton Company 2627:, c. 1576, his last painting. 2577:, Church of San Domenico, Ancona). 1920:, Michelangelo's equally ill-fated 1512:Allegory of Sacred Love (detail of 7459:Infectious disease deaths in Italy 6966:Judith with the Head of Holofernes 6491:Madonna and Child with Four Saints 4204:Scientific images of this painting 3903:Cotter, Holland (12 August 2021). 3002:during a deepening recession. The 2497:). Another violent masterpiece is 1938:Presentation of the Blessed Virgin 1564:(Uffizi) also dates to 1511-1512. 992:Collegium Germanicum et Hungaricum 14: 5181:Count Antonio Porcia and Brugnera 4747:Portrait of a Woman with a Mirror 3698:Charles Hope, in Jaffé, pp. 16–17 3626:Charles Hope, in Jaffé, pp. 11–14 3344:Heilbrunn Timeline of Art History 2785:, he also used the rare pigments 2720:, 1515-17, woodcut, 221.5 cm wide 2682:), as at first intended, and his 2569:, Church of the Jesuits, Venice; 2229:Venus and Organist and Little Dog 1879:Alfonso I d'Este, Duke of Ferrara 1283:', taken from his native region. 7406: 7394: 6368:The Archangel Raphael and Tobias 4974:Gian Giacomo Bartolotti da Parma 4609:, London: Reaktion Books, 2013. 4561:, London: Reaktion Books, 2019, 4445: 3742:. In Herbermann, Charles (ed.). 3728: 3654:Sethre, Janet (8 January 2020). 3387:. New York and London: Prestel. 3276: 3255: 3237: 3222: 3198: 3177: 3146: 3127: 3106: 3085: 3064: 2549:(Venice, Doge's Palace), or the 2467: 2451: 2435: 2419: 2403: 2387: 2371: 2126:Equestrian Portrait of Charles V 2112:Portrait of Isabella of Portugal 2054:Equestrian Portrait of Charles V 1419:Visitation of Mary and Elizabeth 1218: 1143: 618:Giovanni Pierluigi da Palestrina 219:Catholic Reformation and Revival 201: 174: 161: 7207:Antonio da Sangallo the Younger 6835:The Martyrdom of Saint Lawrence 5911:(several versions, 1540s–1570s) 5343:Pope Paul III and His Grandsons 5335:Pope Paul III Wearing a Camauro 4672:139 artworks by or after Titian 4496:Cavalcaselle, Giovanni Battista 4375:The Genius of Venice, 1500–1600 4294:had been in use for natives of 3934:The Genius of Venice, 1500-1600 3657:Venice: Souls' Mother and Child 3245:Altarpiece of James the Greater 3207:Pope Paul III and His Grandsons 3008:National Heritage Memorial Fund 2611:, a derivative on the motif of 2525:Isabella Stewart Gardner Museum 2357:Isabella Stewart Gardner Museum 2323:Isabella Stewart Gardner Museum 2100:Pope Paul III and his Grandsons 1962:Portrait of Federico II Gonzaga 1934:Speech of the Marquis del Vasto 1654:The pictorial structure of the 1299:, but on future generations of 1198:[titˈtsjaːnoveˈtʃɛlljo] 998:Pontifical Gregorian University 350:Olav Engelbrektsson's rebellion 208:Faith, or The Church Triumphant 6790:Castello Roganzuolo Altarpiece 6315:Miracle of the Jealous Husband 4286:Though the modern Republic of 3707:Charles Hope, in Jaffé, p. 17 2999:National Galleries of Scotland 2880:National Galleries of Scotland 2680:Santa Maria Gloriosa dei Frari 2667:Santa Maria Gloriosa dei Frari 2547:The Doge Grimani adoring Faith 2199:, and he was prepared to take 2013:Santa Maria Gloriosa dei Frari 1575:. He set up an atelier on the 1109:Nationalism in the Middle Ages 16:Italian painter (1488/90–1576) 1: 7499:16th-century Italian painters 7494:15th-century Italian painters 7290: 7253: 6993: 6970: 6955: 6932: 6909: 6905:Saint Margaret and the Dragon 6870: 6839: 6816: 6801: 6774: 6759: 6744: 6708: 6677: 6670: 6655: 6624: 6569: 6554: 6539: 6518: 6495: 6480: 6449: 6425: 6411: 6397: 6379: 6372: 6357: 6342: 6327: 6323:Rest on the Flight into Egypt 6304: 6289: 6274: 6259: 6243: 6229: 6211: 6196: 6181: 6158: 6143: 6124: 6082: 6067: 6052: 6037: 6022: 6007: 5952: 5935:(several versions; 1543–1565) 5873: 5861:The Bacchanal of the Andrians 5842: 5819: 5804: 5789: 5774: 5759: 5720: 5705: 5690: 5675: 5660: 5645: 5630: 5615: 5600: 5574: 5540: 5517: 5494: 5471: 5432: 5417: 5378: 5355: 5316: 5277: 5254: 5239: 5211:Eleonora Gonzaga della Rovere 5200: 5185: 5106: 5091: 5076: 5053: 5038: 5023: 5008: 4993: 4978: 4963: 4940: 4925: 4909: 4895: 4869: 4783:The poesie exhibition at the 4591:. New York University Press. 4177:Ridolfi and Vedova, page 289. 3689:Charles Hope, in Jaffé, p. 15 3680:Charles Hope, in Jaffé, p. 14 3307: 3159: 2973: 2155: 1742:The Bacchanal of the Andrians 1202: 433:French school of spirituality 267:Nova ordinantia eclessiastica 255:Regimini militantis Ecclesiae 87: 57: 7489:16th-century Venetian people 7484:15th-century Venetian people 7434:Italian Renaissance painters 7035:Francesco Vecellio (brother) 5490:Girl with a Platter of Fruit 5451:Cardinal Cristoforo Madruzzo 5219:Francesco Maria della Rovere 5117:Alfonso d'Avalos with a Page 5019:Young Woman in a Black Dress 4734:The New York Review of Books 3340:"Titian (ca. 1485/90?–1576)" 3315:Getty Union Artist Name List 3115:Portrait of Jacopo Sannazaro 2565:in fantastic night effects ( 2303:National Gallery of Scotland 2115:(Madrid), and the series of 2097:, or the sketch of the same 2087:These qualities show in the 1626:, for the high altar of the 1320:Italian Renaissance painting 1212:, hence known in English as 6207:Holy Family with a Shepherd 6130: – also attributed to 5351:Cardinal Alessandro Farnese 4865:A Man with a Quilted Sleeve 4765:Archbishop Filippo Archinto 3044:to paint red-haired women." 2123:(1533), and especially the 1859:Another famous painting is 1430:A Man with a Quilted Sleeve 1345:A Man with a Quilted Sleeve 1261:Italian Renaissance painter 950:Index Librorum Prohibitorum 7525: 7479:Republic of Venice artists 7355:Johann Joachim Winckelmann 7345:Art patronage of Julius II 6120:Christ Carrying the Cross 4423:, Penn State Press, 1996, 4187:Boni, Filippo de' (1840). 2121:Charles V with a Greyhound 2106:Portrait of Pietro Aretino 2037:Venus—and the Organ-Player 1536:Meeting at the Golden Gate 1461:Scuola Grande di San Rocco 25: 18: 6881:Saint Jerome in Penitence 6827:Saint Jerome in Penitence 6643:Saint Jerome in Penitence 6221:Christ and the Adulteress 4835: 4646:Rossetti, William Michael 4527:Titian's Man in a Red Hat 4459:Rossetti, William Michael 3799:The Catholic Encyclopedia 3709:Engraving of the painting 3670:– via Google Books. 3535:The Story of Civilization 3230:Saint Jerome in Penitence 2891:Meeting of Charles V and 2567:Martyrdom of St. Laurence 2349: 2234: 2140:knight of the Golden Spur 2109:of the Pitti Palace, the 2090:Portrait of Pope Paul III 2059: 1977:Less successful were the 1967: 1894:Death of St. Peter Martyr 1751: 1456:Christ Carrying the Cross 1094:Catholic literary revival 613:Bartolomé Esteban Murillo 325:European Wars of Religion 273:Defensio Tridentinæ fidei 212:Bartolomé Esteban Murillo 160: 65: 44: 7004:The Crowning with Thorns 6719:The Crowning with Thorns 6565:The Entombment of Christ 6550:Malchiostro Annunciation 6460:Assumption of the Virgin 6048:Venus Blindfolding Cupid 5747:Lucretia and her Husband 5389:Charles V (on horseback) 5102:Giacomo di Andrea Dolfin 4726:How to Paint Like Titian 4711:The early work of Titian 3643:Sergio Rossetti Morosini 3442:, p. 194. Giunti, 2000. 2538:The Crowning with Thorns 2119:of the same museum, the 1983:Santa Maria della Salute 1623:Assumption of the Virgin 1609:Assumption of the Virgin 1540:Miracoli di sant'Antonio 1358:Philip II, King of Spain 985:Philosophy and education 243:Decet Romanum Pontificem 28:Tiziano (disambiguation) 7469:Italian Roman Catholics 6981:Religion saved by Spain 6437:Madonna of the Cherries 6338:Balbi Holy Conversation 5716:Sacred and Profane Love 5626:The Legend of Polydoros 4657:Encyclopædia Britannica 4628:Titian's Pietro Aretino 4487:List of works by Titian 4472:Encyclopædia Britannica 4136:Titian's Pietro Aretino 4092:Pigments used by Titian 4045:24 October 2020 at the 4038:Schmidt, Suzanne Karr. 4009:. Taschen. p. 95. 3922:"Titian Comes Together" 3815:nationalgallery.org.uk/ 3566:Jaffé No. 1, pp. 74–75 3499:"When Was Titian Born?" 2993:, was purchased by the 2955:, and Gaspare Nervesa. 2918:Abiti antichi e moderni 2724:Titian never attempted 2629:Gallerie dell'Accademia 2337:The poesie, except for 2297:, owned jointly by the 1799:Galleria Doria Pamphilj 1662:(1520), the retable of 1542:) from the life of St. 1515:Sacred and Profane Love 1478:Sacred and Profane Love 1310:and papacy. Along with 944:Excommunicable offences 558:Michelangelo Caravaggio 405:Jacobite rising of 1689 385:Strasbourg Bishops' War 380:French Wars of Religion 21:Titian (disambiguation) 7306:Sistine Chapel ceiling 7271:San Pietro in Montorio 7177:Bernardino delle Croci 6696:Saint John the Baptist 6270:The Resurrected Christ 5467:Woman Holding an Apple 3945:Robertson, pp. 229–230 3383:Wolf, Norbert (2006). 3285:The Flaying of Marsyas 3249:San Lio church, Venice 3055: 3052:, Anne of Green Gables 2984: 2907:Santi Giovanni e Paolo 2883: 2823: 2721: 2692:Madonna di Ca' Pesaro. 2670: 2632: 2532: 2258:1755 Lisbon Earthquake 2241: 2161: 2065: 2016: 1974: 1930:The Battle of Anghiari 1856: 1802: 1711:Virgin with the Rabbit 1617: 1561:The Resurrected Christ 1519: 1487: 1353: 1150:Catholicism portal 1046:Discalced Augustinians 1031:Augustinian Recollects 956:Portuguese Inquisition 536:Spanish Golden Century 330:Dalecarlian Rebellions 226:Councils and documents 7464:Italian male painters 7202:Sebastiano del Piombo 7132:Mariotto Albertinelli 7030:Orazio Vecellio (son) 6784:Serravalle Altarpiece 6612:Madonna of the Rabbit 5979:Perseus and Andromeda 5731:The Feast of the Gods 5701:The Three Ages of Man 5227:Cardinal Pietro Bembo 4921:Shepherd with a Flute 4731:essay on Titian from 4688:The Titian Foundation 4545:Titian: The Last Days 4217:Titian: The Last Days 4063:The Renaissance Print 4005:Kennedy, Ian (2006). 3745:Catholic Encyclopedia 3529:Durant, Will (1953). 3329:and the young Titian. 3323:When Was Titian Born? 3191:S. Maria della Salute 2966: 2939:said Titian employed 2899:San Giacomo di Rialto 2871: 2804: 2716: 2664: 2621: 2517: 2444:Perseus and Andromeda 2282:Perseus and Andromeda 2226: 2193:Sebastiano del Piombo 2148: 2051: 2007: 1959: 1918:Battle of Constantine 1851:, c. 1520–1523. 1845: 1781: 1606: 1511: 1475: 1342: 678:Francisco de Zurbarán 583:Artemisia Gentileschi 443:Ignatian spirituality 375:Prayer Book Rebellion 7300:St. Peter's Basilica 7167:Antonio da Correggio 7084:Principal proponents 6620:Madonna of the Roses 6604:Aldobrandini Madonna 6177:Saint Mark Enthroned 6093:Tarquin and Lucretia 6063:Allegory of Prudence 6003:The Death of Actaeon 5948:Mars, Venus and Amor 5869:Allegory of Marriage 5830:The Worship of Venus 5482:Christina of Denmark 5405:Isabella of Portugal 5296:The Vendramin Family 5125:Charles V with a Dog 4767:by Titian (cat. 204) 4492:Crowe, Joseph Archer 4359:Jaffé, David (ed.), 4267:Anne of Green Gables 3212:Museo di Capodimonte 3036:Anne of Green Gables 3031:Lucy Maud Montgomery 2945:Polidoro da Lanciano 2500:Tarquin and Lucretia 2476:The Death of Actaeon 2367:series for Philip II 2340:The Death of Actaeon 2330:The Death of Actaeon 2325:), delivered in 1562 2135:equestrian sculpture 2034:at the same museum, 1991:Sacrifice of Abraham 1871:Camerino d'Alabastro 1630:, where it is still 1538:, and three scenes ( 1451:Fondaco dei Tedeschi 1051:Discalced Carmelites 1003:Second scholasticism 839:Catherine de' Medici 762:Lawrence of Brindisi 553:Gian Lorenzo Bernini 335:German Peasants' War 249:Confutatio Augustana 120:, Republic of Venice 19:For other uses, see 7232:Antonio Vassilacchi 5971:Venus with a Mirror 5853:Bacchus and Ariadne 5815:Woman with a Mirror 5696: – attributed) 5611:The Birth of Adonis 5505:Fabrizio Salvaresio 5443:Philip II in Armour 5196:A Man with a Falcon 5133:Ippolito de' Medici 5087:Federico II Gonzaga 4521:Dalvit, Giulio and 4421:Peter E. Bondanella 3984:"Art and the Bible" 3004:Scottish Government 2969:Woman with a Mirror 2922:Girolamo di Tiziano 2797:Family and workshop 2742:Domenico Campagnola 2523:c. 1560–1562, 2182:Castello Roganzuolo 2001:church at Antwerp. 1862:Bacchus and Ariadne 1848:Bacchus and Ariadne 1818:Woman with a Mirror 1787:, c. 1515, or 1760:Bacchus and Ariadne 1641:Dubrovnik Cathedral 1417:in Vienna, and the 1297:Italian Renaissance 1119:Proto-Protestantism 1008:School of Salamanca 966:Spanish Inquisition 673:Juan de Valdés Leal 355:Pilgrimage of Grace 291:Immensa aeterni Dei 279:Regnans in Excelsis 195:Counter-Reformation 7197:Baldassare Peruzzi 7152:Moretto da Brescia 7137:Pellegrino Aretusi 6943:Penitent Magdalene 6812:Penitent Magdalene 6651:Pilgrims at Emmaus 6635:Penitent Magdalene 6580:Averoldi Polyptych 6101:Flaying of Marsyas 6078:Nymph and Shepherd 6018:The Rape of Europa 5995:Diana and Callisto 5943:(several versions) 5908:Venus and Musician 5397:Charles V (seated) 5366:Pier Luigi Farnese 5265:A Young Englishman 4936:A Man in a Red Cap 4762:Teresa Lignelli, " 4694:Titian's paintings 4640:978-1-911-282-71-6 4624:Salomon, Xavier F. 4505:Volume I (London: 4417:The Life of Titian 4264:Montgomery, Lucy. 3909:The New York Times 3719:Jaffé, pp. 100–111 3072:Portrait of a Lady 3012:Diana and Callisto 2997:in London and the 2985: 2949:Nadalino da Murano 2933:Bonifazio Veronese 2884: 2863:Francesco Vecellio 2824: 2814:, and his nephew, 2760:Painting materials 2722: 2671: 2665:Tomb of Titian in 2633: 2584:Titian was at the 2543:Pilgrims of Emmaus 2533: 2520:The Rape of Europa 2509:Fitzwilliam Museum 2486:Flaying of Marsyas 2460:The Rape of Europa 2428:Diana and Callisto 2355:in Madrid, to the 2347:in London, to the 2318:The Rape of Europa 2310:Diana and Callisto 2301:in London and the 2287:Wallace Collection 2242: 2162: 2131:Battle of Mühlberg 2066: 2017: 1975: 1904:, was reinstated. 1857: 1803: 1618: 1530:church and in the 1520: 1488: 1398:Francesco Vecellio 1390:Sebastiano Luciani 1354: 1099:History of Germany 782:Cardinal Richelieu 742:Ignatius of Loyola 668:Georges de la Tour 603:Giovanni Lanfranco 485:Transubstantiation 345:Tyrone's Rebellion 100:Republic of Venice 7504:Catholic painters 7382: 7381: 7327:The Last Judgment 7116:Leonardo da Vinci 7043: 7042: 6755:Abraham and Isaac 6740:David and Goliath 6445:The Tribute Money 6285:Baptism of Christ 6192:The Gypsy Madonna 6154:Flight into Egypt 5987:Diana and Actaeon 5674:(with Giorgione, 4989:A Knight of Malta 4615:978 1 78023 186 0 4553:978-0-8027-1076-5 4539:978-1-913875-30-5 4523:Peyton, Elizabeth 4437:978-0-271-01627-6 3964:. 28 January 2011 3892:. 16 August 2021. 3365:Pliny the Younger 3186:David and Goliath 2990:Diana and Actaeon 2874:Diana and Actaeon 2645:a picture of the 2613:Madonna and Child 2412:Diana and Actaeon 2294:Diana and Actaeon 2117:Emperor Charles V 2009:Pesaro altarpiece 1995:David and Goliath 1981:of the cupola at 1926:Leonardo da Vinci 1922:Battle of Cascina 1484:Galleria Borghese 1267:. He was born in 1265:Venetian painting 1187: 1186: 1104:Holy Roman Empire 961:Roman Inquisition 757:John of the Cross 717:Robert Bellarmine 648:Peter Paul Rubens 568:Ludovico Carracci 563:Annibale Carracci 475:Spanish mysticism 390:Thirty Years' War 360:Bigod's rebellion 285:Ascendente Domino 169: 168: 114:(aged 87–88) 7516: 7411: 7410: 7399: 7398: 7397: 7390: 7350:Jacob Burckhardt 7295: 7294: 1502–1516 7292: 7258: 7257: 1492–1498 7255: 7212:Andrea del Sarto 7147:Ludovico Beretta 7077:High Renaissance 7070: 7063: 7056: 7047: 6998: 6995: 6975: 6972: 6960: 6957: 6937: 6934: 6914: 6911: 6875: 6872: 6844: 6841: 6821: 6818: 6806: 6803: 6779: 6776: 6764: 6761: 6749: 6746: 6713: 6710: 6682: 6679: 6675: 6672: 6666:Supper at Emmaus 6660: 6657: 6629: 6626: 6574: 6571: 6559: 6556: 6544: 6541: 6528:Gozzi Altarpiece 6523: 6520: 6500: 6497: 6485: 6482: 6454: 6451: 6430: 6427: 6416: 6413: 6402: 6399: 6384: 6381: 6377: 6374: 6362: 6359: 6347: 6344: 6332: 6329: 6309: 6306: 6294: 6291: 6279: 6276: 6264: 6261: 6248: 6245: 6234: 6231: 6216: 6213: 6201: 6198: 6186: 6183: 6163: 6160: 6148: 6145: 6129: 6126: 6087: 6084: 6072: 6069: 6057: 6054: 6042: 6039: 6027: 6024: 6012: 6009: 5957: 5954: 5940:Venus and Adonis 5878: 5875: 5847: 5844: 5838:Venus Anadyomene 5824: 5821: 5809: 5806: 5794: 5791: 5779: 5776: 5764: 5761: 5725: 5722: 5710: 5707: 5695: 5692: 5680: 5677: 5665: 5662: 5656:Pastoral Concert 5650: 5647: 5635: 5632: 5620: 5617: 5605: 5602: 5579: 5576: 5545: 5542: 5522: 5519: 5499: 5496: 5476: 5473: 5437: 5434: 5422: 5419: 5383: 5380: 5360: 5357: 5321: 5318: 5312:Lavinia Vecellio 5288:Clarissa Strozzi 5282: 5279: 5273:Ranuccio Farnese 5259: 5256: 5244: 5241: 5235:Benedetto Varchi 5205: 5202: 5190: 5187: 5111: 5108: 5096: 5093: 5081: 5078: 5064:Alfonso I d'Este 5058: 5055: 5043: 5040: 5034:Man with a Glove 5028: 5025: 5013: 5010: 4998: 4995: 4983: 4980: 4968: 4965: 4959:Jacopo Sannazaro 4945: 4942: 4930: 4927: 4914: 4911: 4900: 4897: 4874: 4871: 4822: 4815: 4808: 4799: 4716:Internet Archive 4661: 4653: 4632:Frick Collection 4602: 4590: 4531:Frick Collection 4476: 4451: 4449: 4448: 4355:978-0-00717582-6 4347:Titian: His Life 4299: 4298:since antiquity. 4284: 4272: 4271: 4261: 4255: 4254: 4247: 4241: 4240: 4226: 4220: 4213: 4207: 4201: 4195: 4194: 4184: 4178: 4175: 4169: 4166: 4160: 4154: 4143: 4140:Titian: His Life 4128: 4122: 4119: 4113: 4110: 4104: 4101: 4095: 4089: 4083: 4079: 4073: 4059: 4053: 4036: 4030: 4027: 4021: 4020: 4002: 3996: 3995: 3993: 3991: 3980: 3974: 3973: 3971: 3969: 3952: 3946: 3943: 3937: 3930: 3924: 3919: 3913: 3912: 3900: 3894: 3893: 3882: 3876: 3873: 3867: 3854: 3848: 3845: 3839: 3832: 3826: 3825: 3823: 3821: 3807: 3801: 3795: 3789: 3783: 3758: 3757: 3755: 3753: 3732: 3731: 3726: 3720: 3717: 3711: 3705: 3699: 3696: 3690: 3687: 3681: 3678: 3672: 3671: 3651: 3645: 3638:The Art Bulletin 3633: 3627: 3624: 3618: 3617: 3615: 3613: 3608:. Abcgallery.com 3601: 3595: 3594: 3592: 3590: 3584:National Gallery 3576: 3570: 3564: 3558: 3548: 3539: 3538: 3526: 3520: 3517: 3511: 3510: 3508: 3506: 3495: 3489: 3476: 3470: 3456: 3450: 3436: 3430: 3424: 3399: 3398: 3380: 3374: 3362: 3356: 3355: 3353: 3351: 3336: 3330: 3312: 3311: 1488/1490 3309: 3304: 3280: 3267:, c. 1572, 3259: 3241: 3226: 3210:, c. 1546; 3202: 3181: 3164: 3161: 3150: 3137:, c. 1520, 3135:Man with a glove 3131: 3120:Royal Collection 3110: 3099:National Gallery 3089: 3068: 3058:Gallery of works 3053: 3050:L. M. Montgomery 2995:National Gallery 2978: 2975: 2911:Christ Fulminant 2820:National Gallery 2688:Palma il Giovane 2686:was finished by 2590:Jacopo Sansovino 2586:Council of Trent 2471: 2455: 2439: 2423: 2407: 2396:Venus and Adonis 2391: 2375: 2354: 2353: 2345:National Gallery 2299:National Gallery 2274:Venus and Adonis 2239: 2238: 2232:, c. 1550. 2160: 2157: 2064: 2063: 1972: 1971: 1965:, c. 1529. 1902:Battle of Cadore 1853:National Gallery 1756: 1755: 1747:Worship of Venus 1616:church in Venice 1598:Giovanni Bellini 1544:Anthony of Padua 1532:Scuola del Santo 1463:, depicting the 1439:Ludovico Ariosto 1382:Giovanni Bellini 1350:National Gallery 1348:, c. 1509, 1255: 1250: 1249: 1248: 1247: 1240: 1237: 1236: 1233: 1230: 1227: 1224: 1207: 1204: 1200: 1195: 1190:Tiziano Vecellio 1179: 1172: 1165: 1148: 1147: 1025:Religious orders 792:Francisco Suárez 787:Francis de Sales 722:Charles Borromeo 643:Jusepe de Ribera 633:Scipione Pulzone 608:Orlando di Lasso 598:Jacobus de Kerle 578:Domenico Fontana 573:Anthony van Dyck 548:Federico Barocci 370:Schmalkaldic War 320:Augsburg Interim 231:Council of Trent 205: 204: 178: 171: 165: 113: 92: 89: 84:Tiziano Vecellio 70: 69: 63:, now housed in 62: 59: 49: 35: 7524: 7523: 7519: 7518: 7517: 7515: 7514: 7513: 7419: 7418: 7417: 7405: 7395: 7393: 7385: 7383: 7378: 7333: 7319:Transfiguration 7293: 7256: 7249:The Last Supper 7236: 7192:Maffeo Olivieri 7172:Piero di Cosimo 7157:Gasparo Cairano 7120: 7091:Donato Bramante 7079: 7074: 7044: 7039: 7018: 6996: 6989:Saint Sebastian 6973: 6958: 6935: 6912: 6873: 6842: 6819: 6804: 6797:The Fall of Man 6777: 6762: 6747: 6711: 6704:Sciarra Madonna 6680: 6673: 6658: 6627: 6572: 6557: 6542: 6521: 6498: 6483: 6452: 6428: 6414: 6400: 6382: 6375: 6360: 6353:Noli me tangere 6345: 6330: 6307: 6292: 6277: 6262: 6246: 6232: 6214: 6199: 6184: 6161: 6146: 6127: 6107: 6085: 6070: 6055: 6040: 6025: 6010: 5955: 5892:Venus of Urbino 5876: 5845: 5822: 5807: 5792: 5777: 5762: 5739:Venus and Cupid 5723: 5708: 5693: 5678: 5663: 5648: 5633: 5618: 5603: 5583: 5577: 5549: 5543: 5536:A Lady in White 5520: 5513:An Unknown Lady 5497: 5474: 5435: 5420: 5381: 5358: 5319: 5280: 5257: 5242: 5203: 5188: 5157:Isabella d'Este 5109: 5094: 5079: 5056: 5041: 5026: 5011: 4996: 4981: 4966: 4943: 4928: 4912: 4898: 4872: 4844: 4831: 4826: 4668: 4644: 4620:Prose, Francine 4599: 4581:Panofsky, Erwin 4579: 4557:Loh, Maria H., 4483: 4481:Further reading 4457: 4446: 4444: 4396:Penny, Nicholas 4308: 4303: 4302: 4285: 4281: 4276: 4275: 4263: 4262: 4258: 4249: 4248: 4244: 4228: 4227: 4223: 4214: 4210: 4202: 4198: 4186: 4185: 4181: 4176: 4172: 4167: 4163: 4159:, p. 1025. 4155: 4146: 4142:(2012), p. 229. 4129: 4125: 4120: 4116: 4111: 4107: 4102: 4098: 4090: 4086: 4080: 4076: 4060: 4056: 4047:Wayback Machine 4037: 4033: 4028: 4024: 4017: 4004: 4003: 3999: 3989: 3987: 3986:. Artbible.info 3982: 3981: 3977: 3967: 3965: 3961:BBC News Online 3954: 3953: 3949: 3944: 3940: 3931: 3927: 3920: 3916: 3902: 3901: 3897: 3884: 3883: 3879: 3874: 3870: 3855: 3851: 3846: 3842: 3833: 3829: 3819: 3817: 3809: 3808: 3804: 3796: 3792: 3788:, p. 1024. 3784: 3761: 3751: 3749: 3734: 3729: 3727: 3723: 3718: 3714: 3706: 3702: 3697: 3693: 3688: 3684: 3679: 3675: 3668: 3653: 3652: 3648: 3634: 3630: 3625: 3621: 3611: 3609: 3603: 3602: 3598: 3588: 3586: 3578: 3577: 3573: 3565: 3561: 3549: 3542: 3531:The Renaissance 3528: 3527: 3523: 3518: 3514: 3504: 3502: 3497: 3496: 3492: 3477: 3473: 3457: 3453: 3438:Fossi, Gloria, 3437: 3433: 3429:, p. 1023. 3425: 3402: 3395: 3382: 3381: 3377: 3363: 3359: 3349: 3347: 3338: 3337: 3333: 3310: 3305: 3301: 3296: 3289: 3281: 3272: 3260: 3251: 3242: 3233: 3227: 3218: 3203: 3194: 3182: 3173: 3162: 3151: 3142: 3132: 3123: 3111: 3102: 3094:Noli me tangere 3090: 3081: 3069: 3060: 3054: 3048: 3020: 2976: 2961: 2878: 2799: 2775:lead-tin yellow 2762: 2711: 2659: 2479: 2472: 2463: 2456: 2447: 2440: 2431: 2424: 2415: 2408: 2399: 2392: 2383: 2376: 2351:Museo del Prado 2236:Museo del Prado 2221: 2158: 2061:Museo del Prado 2030:of the Uffizi, 2027:Venus of Urbino 1969:Museo del Prado 1831: 1753:Museo del Prado 1668:Vatican Museums 1590: 1499:Morto da Feltre 1378:Gentile Bellini 1337: 1332: 1316:Venetian school 1301:Western artists 1269:Pieve di Cadore 1253: 1244: 1243: 1242: 1221: 1217: 1205: 1193: 1183: 1154: 1142: 1134: 1133: 1114:Nation-building 1089: 1081: 1080: 1026: 1018: 1017: 986: 978: 977: 934: 926: 925: 727:Joseph Calasanz 700:Teresa of Ávila 693: 691: 683: 682: 531:Flemish Baroque 509: 507: 497: 496: 480:Tridentine Mass 438:Gregorian chant 423:Confraternities 418: 410: 409: 395:Bohemian Revolt 328: 322: 318: 316:Catholic League 314: 309: 301: 300: 294: 288: 282: 276: 270: 264: 261:Roman Catechism 258: 252: 246: 240: 234: 227: 214: 202: 194: 150:Venetian school 121: 115: 111: 102: 96:Pieve di Cadore 93: 90: 86: 85: 75: 67:Museo del Prado 60: 40: 31: 24: 17: 12: 11: 5: 7522: 7520: 7512: 7511: 7506: 7501: 7496: 7491: 7486: 7481: 7476: 7471: 7466: 7461: 7456: 7451: 7446: 7441: 7436: 7431: 7421: 7420: 7416: 7415: 7403: 7380: 7379: 7377: 7376: 7375: 7374: 7365:Giorgio Vasari 7362: 7357: 7352: 7347: 7341: 7339: 7335: 7334: 7332: 7331: 7323: 7315: 7309: 7303: 7297: 7282: 7274: 7268: 7260: 7244: 7242: 7238: 7237: 7235: 7234: 7229: 7224: 7219: 7214: 7209: 7204: 7199: 7194: 7189: 7184: 7182:Girolamo Genga 7179: 7174: 7169: 7164: 7159: 7154: 7149: 7144: 7142:Fra Bartolomeo 7139: 7134: 7128: 7126: 7122: 7121: 7119: 7118: 7113: 7108: 7103: 7098: 7093: 7087: 7085: 7081: 7080: 7075: 7073: 7072: 7065: 7058: 7050: 7041: 7040: 7038: 7037: 7032: 7026: 7024: 7020: 7019: 7017: 7016: 7008: 7000: 6985: 6977: 6962: 6947: 6939: 6924: 6916: 6901: 6897:The Entombment 6893: 6885: 6877: 6866:Mater Dolorosa 6862: 6854: 6846: 6831: 6823: 6808: 6793: 6787: 6781: 6766: 6751: 6736: 6735: 6734: 6723: 6715: 6700: 6692: 6684: 6662: 6647: 6639: 6631: 6616: 6608: 6600: 6592: 6584: 6576: 6561: 6546: 6531: 6525: 6510: 6506:Pesaro Madonna 6502: 6487: 6472: 6464: 6456: 6441: 6433: 6432: 6431: 6418: 6404: 6386: 6364: 6349: 6334: 6319: 6311: 6296: 6281: 6266: 6251: 6250: 6249: 6236: 6218: 6203: 6188: 6173: 6169:Lochis Madonna 6165: 6150: 6135: 6115: 6113: 6109: 6108: 6106: 6105: 6097: 6089: 6074: 6059: 6044: 6029: 6014: 5999: 5991: 5983: 5975: 5967: 5959: 5944: 5936: 5928: 5920: 5912: 5904: 5896: 5888: 5884:Eleven Caesars 5880: 5865: 5857: 5849: 5834: 5826: 5811: 5796: 5781: 5766: 5751: 5743: 5735: 5727: 5712: 5697: 5682: 5667: 5652: 5637: 5622: 5607: 5591: 5589: 5585: 5584: 5582: 5581: 5566: 5557: 5555: 5554:Self portraits 5551: 5550: 5548: 5547: 5532: 5524: 5509: 5501: 5486: 5478: 5463: 5455: 5447: 5439: 5424: 5409: 5401: 5393: 5385: 5370: 5362: 5347: 5339: 5331: 5323: 5308: 5304:Pietro Aretino 5300: 5292: 5284: 5269: 5261: 5250:Pope Sixtus IV 5246: 5231: 5223: 5215: 5207: 5192: 5177: 5169: 5161: 5153: 5145: 5137: 5129: 5121: 5113: 5098: 5083: 5068: 5060: 5045: 5030: 5015: 5004:Vincenzo Mosti 5000: 4985: 4970: 4955: 4947: 4932: 4917: 4916: 4915: 4902: 4884: 4876: 4861: 4852: 4850: 4846: 4845: 4843: 4842: 4836: 4833: 4832: 4827: 4825: 4824: 4817: 4810: 4802: 4796: 4795: 4781: 4776: 4760: 4754: 4742: 4737: 4723: 4718: 4708:Bell, Malcolm 4706: 4701: 4696: 4691: 4685: 4679: 4667: 4666:External links 4664: 4663: 4662: 4651:"Titian" 4642: 4617: 4605:Nichols, Tom, 4603: 4597: 4577: 4567:978-1789140828 4555: 4543:Hudson, Mark, 4541: 4519: 4510: 4489: 4482: 4479: 4478: 4477: 4467:Chisholm, Hugh 4442: 4413:Ridolfi, Carlo 4410: 4393: 4371: 4357: 4345:Hale, Sheila, 4343: 4326: 4307: 4304: 4301: 4300: 4278: 4277: 4274: 4273: 4256: 4242: 4221: 4208: 4196: 4179: 4170: 4161: 4144: 4132:Xavier Salomon 4123: 4114: 4105: 4096: 4084: 4074: 4065:, Yale, 1996, 4054: 4031: 4022: 4015: 3997: 3975: 3947: 3938: 3925: 3914: 3895: 3877: 3868: 3849: 3840: 3836:Life of Titian 3827: 3802: 3790: 3759: 3721: 3712: 3700: 3691: 3682: 3673: 3666: 3646: 3628: 3619: 3596: 3571: 3559: 3540: 3521: 3512: 3490: 3471: 3451: 3431: 3400: 3393: 3375: 3357: 3331: 3298: 3297: 3295: 3292: 3291: 3290: 3282: 3275: 3273: 3264:The Entombment 3261: 3254: 3252: 3243: 3236: 3234: 3228: 3221: 3219: 3204: 3197: 3195: 3183: 3176: 3174: 3152: 3145: 3143: 3133: 3126: 3124: 3112: 3105: 3103: 3091: 3084: 3082: 3077:'La Schiavona' 3070: 3063: 3059: 3056: 3046: 3033:'s 1908 novel 3019: 3016: 2960: 2957: 2887:Marco Vecellio 2844:Pietro Aretino 2816:Marco Vecellio 2798: 2795: 2761: 2758: 2710: 2707: 2696:Antonio Canova 2658: 2655: 2600:Titianus fecit 2495:Czech Republic 2481: 2480: 2473: 2466: 2464: 2457: 2450: 2448: 2441: 2434: 2432: 2425: 2418: 2416: 2409: 2402: 2400: 2393: 2386: 2384: 2377: 2370: 2368: 2335: 2334: 2326: 2314: 2306: 2290: 2289:, now damaged) 2278: 2270: 2254:Ribeira Palace 2220: 2217: 2159: 1546–47 2032:Venus and Love 1830: 1827: 1733:Alfonso d'Este 1697:of this proto- 1673:Pesaro Madonna 1589: 1586: 1435:Giorgio Vasari 1336: 1333: 1331: 1328: 1206: 1488/90 1185: 1184: 1182: 1181: 1174: 1167: 1159: 1156: 1155: 1153: 1152: 1139: 1136: 1135: 1132: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1090: 1088:Related topics 1087: 1086: 1083: 1082: 1079: 1078: 1073: 1068: 1063: 1058: 1053: 1048: 1043: 1038: 1033: 1027: 1024: 1023: 1020: 1019: 1016: 1015: 1010: 1005: 1000: 995: 987: 984: 983: 980: 979: 976: 975: 974: 973: 963: 958: 953: 946: 941: 935: 932: 931: 928: 927: 924: 923: 918: 913: 908: 903: 898: 893: 888: 883: 878: 873: 862: 861: 856: 851: 846: 841: 836: 831: 826: 821: 816: 811: 800: 799: 797:Francis Xavier 794: 789: 784: 779: 774: 769: 764: 759: 754: 749: 744: 739: 734: 732:Peter Canisius 729: 724: 719: 708: 707: 702: 692: 689: 688: 685: 684: 681: 680: 675: 670: 665: 660: 655: 653:Vincenzo Ruffo 650: 645: 640: 635: 630: 625: 620: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 565: 560: 555: 550: 539: 538: 533: 528: 523: 518: 508: 503: 502: 499: 498: 495: 494: 492:Works of mercy 489: 488: 487: 477: 472: 471: 470: 465: 455: 450: 445: 440: 435: 430: 425: 419: 416: 415: 412: 411: 408: 407: 402: 397: 392: 387: 382: 377: 372: 367: 362: 357: 352: 347: 342: 340:Wars of Kappel 337: 310: 307: 306: 303: 302: 237:Exsurge Domine 228: 225: 224: 221: 220: 216: 215: 206: 198: 197: 189: 188: 180: 179: 167: 166: 158: 157: 153: 152: 147: 143: 142: 137: 133: 132: 127: 123: 122: 116: 110:27 August 1576 108: 104: 103: 94: 91: 1488/90 83: 81: 77: 76: 50: 42: 41: 38: 15: 13: 10: 9: 6: 4: 3: 2: 7521: 7510: 7507: 7505: 7502: 7500: 7497: 7495: 7492: 7490: 7487: 7485: 7482: 7480: 7477: 7475: 7472: 7470: 7467: 7465: 7462: 7460: 7457: 7455: 7452: 7450: 7447: 7445: 7442: 7440: 7437: 7435: 7432: 7430: 7427: 7426: 7424: 7414: 7409: 7404: 7402: 7392: 7388: 7373: 7372: 7368: 7367: 7366: 7363: 7361: 7358: 7356: 7353: 7351: 7348: 7346: 7343: 7342: 7340: 7336: 7329: 7328: 7324: 7321: 7320: 7316: 7313: 7312:Raphael Rooms 7310: 7307: 7304: 7301: 7298: 7288: 7287: 7283: 7280: 7279: 7275: 7272: 7269: 7266: 7265: 7261: 7251: 7250: 7246: 7245: 7243: 7239: 7233: 7230: 7228: 7227:Palma Vecchio 7225: 7223: 7220: 7218: 7215: 7213: 7210: 7208: 7205: 7203: 7200: 7198: 7195: 7193: 7190: 7188: 7187:Lorenzo Lotto 7185: 7183: 7180: 7178: 7175: 7173: 7170: 7168: 7165: 7163: 7162:Giulio Clovio 7160: 7158: 7155: 7153: 7150: 7148: 7145: 7143: 7140: 7138: 7135: 7133: 7130: 7129: 7127: 7125:Other artists 7123: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7088: 7086: 7082: 7078: 7071: 7066: 7064: 7059: 7057: 7052: 7051: 7048: 7036: 7033: 7031: 7028: 7027: 7025: 7021: 7014: 7013: 7009: 7006: 7005: 7001: 6991: 6990: 6986: 6983: 6982: 6978: 6968: 6967: 6963: 6953: 6952: 6951:Saint Dominic 6948: 6945: 6944: 6940: 6930: 6929: 6925: 6922: 6921: 6917: 6907: 6906: 6902: 6899: 6898: 6894: 6891: 6890: 6886: 6883: 6882: 6878: 6868: 6867: 6863: 6860: 6859: 6855: 6852: 6851: 6847: 6837: 6836: 6832: 6829: 6828: 6824: 6814: 6813: 6809: 6799: 6798: 6794: 6791: 6788: 6785: 6782: 6772: 6771: 6770:Cain and Abel 6767: 6757: 6756: 6752: 6742: 6741: 6737: 6732: 6729: 6728: 6727: 6724: 6721: 6720: 6716: 6706: 6705: 6701: 6698: 6697: 6693: 6690: 6689: 6685: 6668: 6667: 6663: 6653: 6652: 6648: 6645: 6644: 6640: 6637: 6636: 6632: 6622: 6621: 6617: 6614: 6613: 6609: 6606: 6605: 6601: 6598: 6597: 6593: 6590: 6589: 6585: 6582: 6581: 6577: 6567: 6566: 6562: 6552: 6551: 6547: 6537: 6536: 6532: 6529: 6526: 6516: 6515: 6511: 6508: 6507: 6503: 6493: 6492: 6488: 6478: 6477: 6473: 6470: 6469: 6465: 6462: 6461: 6457: 6447: 6446: 6442: 6439: 6438: 6434: 6423: 6419: 6409: 6405: 6395: 6392: 6391: 6390: 6387: 6370: 6369: 6365: 6355: 6354: 6350: 6340: 6339: 6335: 6325: 6324: 6320: 6317: 6316: 6312: 6302: 6301: 6297: 6287: 6286: 6282: 6272: 6271: 6267: 6257: 6256: 6252: 6241: 6237: 6227: 6224: 6223: 6222: 6219: 6209: 6208: 6204: 6194: 6193: 6189: 6179: 6178: 6174: 6171: 6170: 6166: 6156: 6155: 6151: 6141: 6140: 6139:Bache Madonna 6136: 6133: 6122: 6121: 6117: 6116: 6114: 6110: 6103: 6102: 6098: 6095: 6094: 6090: 6080: 6079: 6075: 6065: 6064: 6060: 6050: 6049: 6045: 6035: 6034: 6030: 6020: 6019: 6015: 6005: 6004: 6000: 5997: 5996: 5992: 5989: 5988: 5984: 5981: 5980: 5976: 5973: 5972: 5968: 5965: 5964: 5960: 5950: 5949: 5945: 5942: 5941: 5937: 5934: 5933: 5929: 5926: 5925: 5921: 5918: 5917: 5913: 5910: 5909: 5905: 5902: 5901: 5897: 5894: 5893: 5889: 5886: 5885: 5881: 5871: 5870: 5866: 5863: 5862: 5858: 5855: 5854: 5850: 5840: 5839: 5835: 5832: 5831: 5827: 5817: 5816: 5812: 5802: 5801: 5797: 5787: 5786: 5782: 5772: 5771: 5767: 5757: 5756: 5752: 5749: 5748: 5744: 5741: 5740: 5736: 5733: 5732: 5728: 5718: 5717: 5713: 5703: 5702: 5698: 5688: 5687: 5683: 5673: 5672: 5671:Dresden Venus 5668: 5658: 5657: 5653: 5643: 5642: 5638: 5628: 5627: 5623: 5613: 5612: 5608: 5598: 5597: 5593: 5592: 5590: 5586: 5572: 5571: 5570:Self-Portrait 5567: 5564: 5563: 5562:Self-Portrait 5559: 5558: 5556: 5552: 5538: 5537: 5533: 5530: 5529: 5528:Jacopo Strada 5525: 5515: 5514: 5510: 5507: 5506: 5502: 5492: 5491: 5487: 5484: 5483: 5479: 5469: 5468: 5464: 5461: 5460: 5456: 5453: 5452: 5448: 5445: 5444: 5440: 5430: 5429: 5425: 5415: 5414: 5410: 5407: 5406: 5402: 5399: 5398: 5394: 5391: 5390: 5386: 5376: 5375: 5374:Andrea Gritti 5371: 5368: 5367: 5363: 5353: 5352: 5348: 5345: 5344: 5340: 5337: 5336: 5332: 5329: 5328: 5327:Pope Paul III 5324: 5314: 5313: 5309: 5306: 5305: 5301: 5298: 5297: 5293: 5290: 5289: 5285: 5275: 5274: 5270: 5267: 5266: 5262: 5252: 5251: 5247: 5237: 5236: 5232: 5229: 5228: 5224: 5221: 5220: 5216: 5213: 5212: 5208: 5198: 5197: 5193: 5183: 5182: 5178: 5175: 5174: 5173:Girl in a Fur 5170: 5167: 5166: 5162: 5159: 5158: 5154: 5151: 5150: 5146: 5143: 5142: 5141:Giacomo Doria 5138: 5135: 5134: 5130: 5127: 5126: 5122: 5119: 5118: 5114: 5104: 5103: 5099: 5089: 5088: 5084: 5074: 5073: 5069: 5066: 5065: 5061: 5051: 5050: 5046: 5036: 5035: 5031: 5021: 5020: 5016: 5006: 5005: 5001: 4991: 4990: 4986: 4976: 4975: 4971: 4961: 4960: 4956: 4953: 4952: 4948: 4938: 4937: 4933: 4923: 4922: 4918: 4907: 4903: 4893: 4890: 4889: 4888: 4885: 4882: 4881: 4877: 4867: 4866: 4862: 4859: 4858: 4854: 4853: 4851: 4847: 4841: 4840:List of works 4838: 4837: 4834: 4830: 4823: 4818: 4816: 4811: 4809: 4804: 4803: 4800: 4794: 4790: 4786: 4782: 4780: 4777: 4774: 4773: 4768: 4766: 4761: 4758: 4755: 4753: 4749: 4748: 4743: 4741: 4738: 4736: 4735: 4730: 4727: 4724: 4722: 4719: 4717: 4713: 4712: 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4689: 4686: 4683: 4680: 4677: 4673: 4670: 4669: 4665: 4659: 4658: 4652: 4647: 4643: 4641: 4637: 4633: 4629: 4625: 4621: 4618: 4616: 4612: 4608: 4604: 4600: 4594: 4589: 4588: 4582: 4578: 4576: 4572: 4568: 4564: 4560: 4556: 4554: 4550: 4546: 4542: 4540: 4536: 4532: 4528: 4524: 4520: 4517: 4515: 4511: 4508: 4504: 4502: 4497: 4493: 4490: 4488: 4485: 4484: 4480: 4474: 4473: 4468: 4464: 4460: 4455: 4454:public domain 4443: 4441: 4438: 4434: 4430: 4429:0-271-01627-2 4426: 4422: 4418: 4415:(1594–1658); 4414: 4411: 4409: 4408:1-85709-913-3 4405: 4401: 4397: 4394: 4392: 4388: 4384: 4380: 4376: 4372: 4370: 4369:1-85709-903-6 4366: 4362: 4358: 4356: 4352: 4348: 4344: 4342: 4341:0-947645-22-5 4338: 4334: 4330: 4327: 4325: 4324:0-8133-9043-5 4321: 4317: 4313: 4310: 4309: 4305: 4297: 4293: 4289: 4283: 4280: 4269: 4268: 4260: 4257: 4252: 4246: 4243: 4238: 4237: 4232: 4225: 4222: 4218: 4215:Mark Hudson, 4212: 4209: 4205: 4200: 4197: 4192: 4191: 4183: 4180: 4174: 4171: 4165: 4162: 4158: 4157:Rossetti 1911 4153: 4151: 4149: 4145: 4141: 4137: 4133: 4127: 4124: 4118: 4115: 4109: 4106: 4100: 4097: 4093: 4088: 4085: 4078: 4075: 4072: 4071:0-300-06883-2 4068: 4064: 4058: 4055: 4051: 4048: 4044: 4041: 4035: 4032: 4029:Hale, 722-723 4026: 4023: 4018: 4016:9783822849125 4012: 4008: 4001: 3998: 3985: 3979: 3976: 3963: 3962: 3957: 3951: 3948: 3942: 3939: 3935: 3929: 3926: 3923: 3918: 3915: 3910: 3906: 3899: 3896: 3891: 3887: 3881: 3878: 3875:Penny, 249–50 3872: 3869: 3866: 3865:84-87317-53-7 3862: 3858: 3853: 3850: 3844: 3841: 3837: 3834:R. F. Heath, 3831: 3828: 3816: 3812: 3806: 3803: 3800: 3794: 3791: 3787: 3786:Rossetti 1911 3782: 3780: 3778: 3776: 3774: 3772: 3770: 3768: 3766: 3764: 3760: 3747: 3746: 3741: 3737: 3725: 3722: 3716: 3713: 3710: 3704: 3701: 3695: 3692: 3686: 3683: 3677: 3674: 3669: 3667:9781951530242 3663: 3659: 3658: 3650: 3647: 3644: 3640: 3639: 3632: 3629: 3623: 3620: 3607: 3604:Olga Mataev. 3600: 3597: 3585: 3581: 3575: 3572: 3569: 3563: 3560: 3557: 3556:1-85709-903-6 3553: 3547: 3545: 3541: 3536: 3532: 3525: 3522: 3516: 3513: 3500: 3494: 3491: 3488: 3487:0-947645-22-5 3484: 3480: 3475: 3472: 3469: 3468:0-300-07220-1 3465: 3461: 3455: 3452: 3449: 3448:88-09-01771-4 3445: 3441: 3435: 3432: 3428: 3427:Rossetti 1911 3423: 3421: 3419: 3417: 3415: 3413: 3411: 3409: 3407: 3405: 3401: 3396: 3394:9783791333847 3390: 3386: 3379: 3376: 3372: 3371: 3366: 3361: 3358: 3345: 3341: 3335: 3332: 3328: 3324: 3320: 3316: 3303: 3300: 3293: 3287: 3286: 3279: 3274: 3270: 3266: 3265: 3258: 3253: 3250: 3246: 3240: 3235: 3231: 3225: 3220: 3217: 3213: 3209: 3208: 3201: 3196: 3192: 3188: 3187: 3180: 3175: 3172: 3168: 3167:Palazzo Pitti 3157: 3156: 3149: 3144: 3140: 3139:Louvre Museum 3136: 3130: 3125: 3121: 3117: 3116: 3109: 3104: 3100: 3096: 3095: 3088: 3083: 3079: 3078: 3073: 3067: 3062: 3057: 3051: 3045: 3040: 3038: 3037: 3032: 3028: 3024: 3017: 3015: 3013: 3009: 3005: 3000: 2996: 2992: 2991: 2982: 2971: 2970: 2965: 2958: 2956: 2954: 2953:Damiano Mazza 2950: 2946: 2942: 2938: 2937:Giulio Clovio 2934: 2930: 2929:Paris Bordone 2925: 2923: 2919: 2914: 2912: 2908: 2904: 2900: 2896: 2894: 2888: 2881: 2876: 2875: 2870: 2866: 2864: 2859: 2856: 2851: 2849: 2845: 2841: 2835: 2833: 2829: 2821: 2817: 2813: 2809: 2808: 2803: 2796: 2794: 2792: 2788: 2784: 2780: 2776: 2772: 2768: 2759: 2757: 2755: 2751: 2750:Cornelis Cort 2747: 2743: 2739: 2735: 2731: 2727: 2719: 2715: 2708: 2706: 2704: 2699: 2697: 2693: 2689: 2685: 2681: 2676: 2668: 2663: 2656: 2654: 2652: 2648: 2644: 2640: 2639: 2630: 2626: 2625: 2620: 2616: 2614: 2610: 2609: 2603: 2601: 2597: 2596: 2591: 2587: 2582: 2578: 2576: 2572: 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2540: 2539: 2530: 2526: 2522: 2521: 2516: 2512: 2510: 2506: 2502: 2501: 2496: 2492: 2488: 2487: 2478: 2477: 2470: 2465: 2462: 2461: 2454: 2449: 2446: 2445: 2438: 2433: 2430: 2429: 2422: 2417: 2414: 2413: 2406: 2401: 2398: 2397: 2390: 2385: 2382: 2381: 2374: 2369: 2366: 2362: 2360: 2358: 2352: 2346: 2342: 2341: 2332: 2331: 2327: 2324: 2320: 2319: 2315: 2312: 2311: 2307: 2304: 2300: 2296: 2295: 2291: 2288: 2284: 2283: 2279: 2276: 2275: 2271: 2268: 2267: 2263: 2262: 2261: 2259: 2255: 2251: 2246: 2237: 2231: 2230: 2225: 2218: 2216: 2214: 2210: 2206: 2202: 2198: 2194: 2190: 2185: 2183: 2178: 2176: 2172: 2168: 2153: 2152: 2151:Self-Portrait 2147: 2143: 2141: 2136: 2132: 2128: 2127: 2122: 2118: 2114: 2113: 2108: 2107: 2102: 2101: 2096: 2092: 2091: 2085: 2083: 2079: 2075: 2071: 2062: 2056: 2055: 2050: 2046: 2043: 2039: 2038: 2033: 2029: 2028: 2022: 2014: 2010: 2006: 2002: 2000: 1996: 1992: 1988: 1987:Death of Abel 1984: 1980: 1970: 1964: 1963: 1958: 1954: 1951: 1947: 1943: 1939: 1935: 1931: 1927: 1923: 1919: 1915: 1911: 1905: 1903: 1899: 1895: 1890: 1888: 1884: 1880: 1876: 1872: 1868: 1864: 1863: 1854: 1850: 1849: 1844: 1840: 1838: 1837: 1828: 1826: 1824: 1820: 1819: 1814: 1810: 1809: 1800: 1796: 1792: 1791: 1786: 1785: 1780: 1776: 1774: 1770: 1766: 1763:(1520–23) in 1762: 1761: 1754: 1748: 1744: 1743: 1738: 1734: 1730: 1729: 1724: 1720: 1716: 1712: 1708: 1703: 1700: 1696: 1692: 1688: 1687: 1681: 1677: 1675: 1674: 1669: 1665: 1661: 1657: 1652: 1650: 1646: 1642: 1637: 1633: 1629: 1625: 1624: 1615: 1611: 1610: 1605: 1601: 1599: 1595: 1594:Giorgionesque 1587: 1585: 1583: 1578: 1574: 1570: 1565: 1563: 1562: 1557: 1553: 1549: 1545: 1541: 1537: 1533: 1529: 1525: 1517: 1516: 1510: 1506: 1504: 1500: 1495: 1493: 1485: 1481: 1479: 1474: 1470: 1468: 1467: 1462: 1458: 1457: 1452: 1446: 1444: 1440: 1436: 1432: 1431: 1426: 1424: 1420: 1416: 1415: 1414:Gypsy Madonna 1410: 1406: 1401: 1399: 1395: 1391: 1387: 1386:Lorenzo Lotto 1383: 1379: 1375: 1369: 1367: 1361: 1359: 1351: 1347: 1346: 1341: 1334: 1329: 1327: 1323: 1321: 1317: 1313: 1309: 1304: 1302: 1298: 1294: 1293: 1289: 1284: 1282: 1278: 1274: 1270: 1266: 1262: 1258: 1257: 1246: 1239: 1215: 1211: 1199: 1191: 1180: 1175: 1173: 1168: 1166: 1161: 1160: 1158: 1157: 1151: 1146: 1141: 1140: 1138: 1137: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1091: 1085: 1084: 1077: 1074: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1029: 1028: 1022: 1021: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 993: 989: 988: 982: 981: 972: 969: 968: 967: 964: 962: 959: 957: 954: 952: 951: 947: 945: 942: 940: 937: 936: 930: 929: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 877: 874: 872: 869: 868: 867: 866: 860: 857: 855: 854:Sigismund III 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 806: 805: 804: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 773: 770: 768: 767:Péter Pázmány 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 718: 715: 714: 713: 712: 706: 703: 701: 698: 697: 696: 687: 686: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 639: 636: 634: 631: 629: 626: 624: 621: 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 588:Luca Giordano 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 549: 546: 545: 544: 543: 537: 534: 532: 529: 527: 524: 522: 519: 517: 514: 513: 512: 506: 501: 500: 493: 490: 486: 483: 482: 481: 478: 476: 473: 469: 466: 464: 461: 460: 459: 458:Popular piety 456: 454: 451: 449: 448:Interior life 446: 444: 441: 439: 436: 434: 431: 429: 428:Devotionalism 426: 424: 421: 420: 414: 413: 406: 403: 401: 398: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 346: 343: 341: 338: 336: 333: 332: 331: 327: 326: 321: 317: 313: 312:Diet of Worms 305: 304: 299: 298: 293: 292: 287: 286: 281: 280: 275: 274: 269: 268: 263: 262: 257: 256: 251: 250: 245: 244: 239: 238: 233: 232: 223: 222: 218: 217: 213: 209: 200: 199: 196: 190: 186: 182: 181: 177: 173: 172: 164: 159: 154: 151: 148: 144: 141: 138: 134: 131: 128: 124: 119: 109: 105: 101: 97: 82: 78: 74: 68: 55: 54: 53:Self-Portrait 48: 43: 36: 33: 29: 22: 7444:1480s births 7369: 7360:Leonardeschi 7325: 7317: 7284: 7276: 7262: 7247: 7110: 7101:Michelangelo 7015: (1576) 7010: 7002: 6987: 6979: 6964: 6949: 6941: 6926: 6920:Annunciation 6918: 6903: 6895: 6887: 6879: 6864: 6856: 6848: 6833: 6825: 6810: 6795: 6768: 6753: 6738: 6725: 6717: 6702: 6694: 6686: 6664: 6649: 6641: 6633: 6618: 6610: 6602: 6594: 6586: 6578: 6563: 6548: 6533: 6512: 6504: 6489: 6474: 6466: 6458: 6443: 6435: 6388: 6366: 6351: 6336: 6321: 6313: 6298: 6283: 6268: 6253: 6220: 6205: 6190: 6175: 6167: 6152: 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Guardian 4234: 4224: 4216: 4211: 4199: 4189: 4182: 4173: 4164: 4139: 4135: 4126: 4117: 4108: 4099: 4087: 4077: 4062: 4057: 4050:Art in Print 4049: 4034: 4025: 4006: 4000: 3988:. Retrieved 3978: 3966:. Retrieved 3959: 3950: 3941: 3933: 3928: 3917: 3908: 3898: 3889: 3880: 3871: 3856: 3852: 3843: 3835: 3830: 3818:. Retrieved 3814: 3805: 3798: 3793: 3750:. Retrieved 3743: 3736:Louis Gillet 3724: 3715: 3703: 3694: 3685: 3676: 3656: 3649: 3636: 3631: 3622: 3610:. Retrieved 3599: 3587:. Retrieved 3574: 3562: 3530: 3524: 3515: 3503:. Retrieved 3493: 3474: 3459: 3454: 3439: 3434: 3384: 3378: 3368: 3360: 3348:. Retrieved 3343: 3334: 3302: 3283: 3269:Prado Museum 3262: 3244: 3205: 3184: 3153: 3134: 3113: 3092: 3075: 3071: 3042: 3034: 3027:Anne Shirley 3021: 3011: 2989: 2986: 2967: 2926: 2917: 2915: 2910: 2903:Annunciation 2902: 2890: 2885: 2882:, Edinburgh. 2877:, 1556–1559. 2872: 2860: 2852: 2836: 2825: 2805: 2763: 2754:Martino Rota 2737: 2723: 2717: 2700: 2691: 2683: 2672: 2637: 2634: 2623: 2606: 2604: 2599: 2595:Annunciation 2593: 2583: 2579: 2570: 2566: 2558: 2554: 2550: 2546: 2542: 2536: 2534: 2519: 2498: 2484: 2482: 2474: 2458: 2442: 2426: 2411: 2394: 2379: 2364: 2338: 2336: 2328: 2316: 2308: 2305:in Edinburgh 2292: 2280: 2272: 2264: 2247: 2243: 2227: 2189:Michelangelo 2186: 2179: 2171:Michelangelo 2163: 2150: 2124: 2120: 2110: 2104: 2098: 2088: 2086: 2074:Pitti Palace 2069: 2067: 2052: 2035: 2031: 2024: 2018: 1994: 1990: 1986: 1976: 1960: 1941: 1937: 1933: 1929: 1921: 1917: 1906: 1901: 1898:Il Pordenone 1893: 1891: 1883:Michelangelo 1865:, depicting 1860: 1858: 1846: 1834: 1832: 1816: 1806: 1804: 1789: 1782: 1758: 1746: 1740: 1726: 1722: 1710: 1704: 1691:San Zanipolo 1684: 1682: 1678: 1671: 1655: 1653: 1631: 1621: 1619: 1607: 1591: 1573:ducal palace 1568: 1566: 1559: 1555: 1551: 1547: 1539: 1535: 1521: 1513: 1496: 1492:arte moderna 1491: 1489: 1476: 1464: 1454: 1447: 1428: 1427: 1418: 1412: 1402: 1370: 1362: 1355: 1343: 1324: 1305: 1290: 1285: 1276: 1213: 1209: 1189: 1188: 990: 948: 916:Gregory XIII 864: 863: 834:Maximilian I 814:Ferdinand II 802: 801: 777:Matteo Ricci 710: 709: 694: 662: 628:Andrea Pozzo 623:Mattia Preti 541: 540: 510: 468:Sacred Heart 417:Spirituality 323: 295: 289: 283: 277: 271: 265: 259: 253: 247: 241: 235: 229: 207: 112:(1576-08-27) 51: 32: 7449:1576 deaths 7413:Visual arts 7330:(1536–1541) 7322:(1516–1520) 7314:(1509–1524) 7308:(1508–1512) 7302:(1506–1513) 7281:(1501–1504) 7267:(1498–1499) 7241:Major works 6997: 1575 6984:(1572–1575) 6974: 1570 6959: 1565 6936: 1560 6923:(1559–1564) 6913: 1559 6889:Crucifixion 6874: 1555 6843: 1548 6820: 1550 6805: 1550 6778: 1543 6763: 1543 6748: 1542 6712: 1540 6691:(1534–1538) 6681: 1545 6674: 1534 6659: 1533 6628: 1530 6583:(1520–1522) 6573: 1520 6558: 1520 6543: 1520 6522: 1519 6509:(1519–1526) 6499: 1516 6484: 1515 6471:(1516–1518) 6463:(1516–1518) 6453: 1516 6429: 1570 6415: 1550 6401: 1515 6383: 1540 6376: 1512 6361: 1514 6346: 1513 6331: 1512 6308: 1510 6293: 1512 6278: 1511 6263: 1511 6247: 1520 6233: 1510 6215: 1510 6200: 1510 6185: 1510 6172:(1508–1510) 6162: 1508 6147: 1508 6128: 1505 6104:(1570–1576) 6086: 1570 6071: 1565 6056: 1565 6041: 1543 6033:The Concert 6026: 1560 6011: 1559 5998:(1556–1559) 5990:(1556–1559) 5982:(1554–1556) 5963:Pardo Venus 5956: 1550 5887:(1536–1540) 5877: 1530 5864:(1523–1526) 5856:(1520–1523) 5846: 1520 5823: 1515 5808: 1515 5793: 1515 5778: 1515 5763: 1515 5742:(1510–1515) 5724: 1514 5709: 1512 5694: 1510 5679: 1510 5664: 1509 5649: 1508 5634: 1506 5619: 1506 5604: 1500 5578: 1560 5565:(1546–1547) 5544: 1561 5531:(1567–1568) 5521: 1550 5498: 1555 5485:(1555–1556) 5475: 1550 5436: 1550 5421: 1550 5382: 1546 5359: 1545 5346:(1545–1546) 5338:(1545–1546) 5330:(1545–1546) 5320: 1545 5299:(1543–1547) 5281: 1542 5268:(1540–1545) 5258: 1540 5243: 1540 5230:(1539–1540) 5204: 1537 5189: 1535 5176:(1536–1538) 5160:(1534–1536) 5152:(1533–1535) 5144:(1533–1535) 5136:(1532–1533) 5110: 1531 5095: 1529 5080: 1525 5057: 1520 5042: 1520 5027: 1520 5012: 1520 4997: 1515 4982: 1515 4967: 1514 4944: 1510 4929: 1510 4913: 1515 4899: 1512 4883:(1510–1512) 4873: 1509 4860:(1503–1506) 4759:, ColourLex 4507:John Murray 4312:Cole, Bruce 4251:"Yahoo.com" 4094:, ColourLex 3606:"Ecce Homo" 3479:Cecil Gould 3306:See below; 3189:, 1542–44, 3163: 1536 3118:, 1514–18, 3097:, 1511–15, 3023:Titian hair 3018:Titian hair 2977: 1515 2959:Present day 2893:Clement VII 2767:ultramarine 2730:printmaking 2709:Printmaking 2643:Franciscans 2575:Crucifixion 2563:chiaroscuro 2219:Final years 2201:Holy Orders 2011:, 1521–26, 1979:pendentives 1797:as models. 1769:Renaissance 1577:Grand Canal 1569:La Senseria 1335:Early years 1129:Renaissance 1124:Reformation 933:Inquisition 881:Clement VII 849:Sigismund I 772:Philip Neri 752:John Fisher 705:Thomas More 210:(1665), by 126:Nationality 61: 1567 7423:Categories 5686:The Lovers 4951:A Sick Man 4791:, and the 4598:0714813257 4575:178914082X 4391:0297783238 4383:0810909855 4306:References 4296:the region 3990:30 January 3968:30 January 3847:Penny, 204 3797:"Titian", 3752:30 January 3612:30 January 3505:30 January 3350:30 January 2855:Tintoretto 2673:While the 2573:, Louvre; 2571:St. Jerome 2213:Queen Mary 1823:courtesans 1795:courtesans 1775:himself." 1723:Entombment 1715:The Louvre 1695:engravings 1656:Assumption 1425:, Venice. 1374:mosaicists 1259:), was an 1061:Oratorians 1036:Barnabites 896:Julius III 658:Tintoretto 638:Guido Reni 400:Rohan Wars 297:Unigenitus 136:Occupation 7371:The Lives 7286:Mona Lisa 7222:Tamagnino 7217:Il Sodoma 7096:Giorgione 6850:La Gloria 6726:Ecce Homo 6722:(1542–43) 6538:(Vienna; 6132:Giorgione 6112:Religious 5833:(1518–19) 5755:The Bravo 5459:Philip II 5428:A General 5149:Charles V 4849:Portraits 4750:from the 4461:(1911). 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Pitman. 4121:Hale, 486 4112:Hale, 249 4103:Hale, 215 3385:I, Titian 3327:Giorgione 3232:, c. 1552 3080:) 1510-12 2822:, London. 2771:vermilion 2726:engraving 2631:, Venice. 2505:Cambridge 2363:Titian's 2321:(Boston, 2240:, Madrid. 2209:Philip II 2082:Velázquez 2078:Rembrandt 2042:Giorgione 1973:, Madrid. 1950:Bolognese 1942:Ecce Homo 1910:d'Alviano 1855:, London. 1721:, is the 1528:Carmelite 1466:Ecce Homo 1443:Rembrandt 1423:Accademia 1394:Giorgione 1330:Biography 1312:Giorgione 1308:Habsburgs 1277:da Cadore 1076:Ursulines 1071:Theatines 1041:Capuchins 876:Adrian VI 859:William V 844:Philip II 824:Louis XIV 819:Leopold I 809:Charles V 521:Polyphony 516:Mannerism 453:Mariology 365:Dacke War 156:Signature 7401:Painting 6303:(Paris; 5924:Sisyphus 5800:Violante 5165:La Bella 4892:New York 4648:(1888). 4634:, 2020, 4583:(1969). 4533:, 2022, 4043:Archived 3811:"Titian" 3740:"Titian" 3738:(1913). 3288:, 1570s 3271:, Madrid 3247:, 1558, 3193:, Venice 3171:Florence 3155:La Bella 3047:— 2941:El Greco 2791:orpiment 2734:woodcuts 2669:, Venice 2557:and the 2491:Kroměříž 2205:Augsburg 2070:La Bella 2057:, 1548, 2015:, Venice 1829:Maturity 1757:and the 1745:and the 1728:camerino 1707:Madonnas 1636:Signoria 1409:Hercules 1366:notaries 1352:, London 1292:Paradiso 1279:, 'from 1210:Titianus 1194:Italian: 1066:Piarists 1013:Molinism 921:Sixtus V 891:Paul III 886:Pius III 803:Monarchs 747:John Eck 593:El Greco 308:Politics 193:Catholic 185:a series 183:Part of 146:Movement 7387:Portals 7338:Related 7106:Raphael 7023:Related 6422:Private 6378:–1514; 6226:Glasgow 5641:Justice 5588:Secular 4509:, 1877) 4469:(ed.). 4456:: 3838:, p. 5. 3370:Letters 3141:, Paris 3029:, from 2895:in 1529 2787:realgar 2783:azurite 2559:Antiope 2551:Trinity 2167:Raphael 1914:Raphael 1887:Raphael 1875:Ferrara 1867:Theseus 1811:in the 1801:, Rome. 1749:in the 1737:Ferrara 1699:Baroque 1664:Brescia 1649:Croatia 1632:in situ 1526:in the 1503:Fontana 1459:in the 1288:Dante's 1273:Belluno 1271:, near 1056:Jesuits 906:Pius IV 901:Paul IV 737:Erasmus 542:Artists 526:Baroque 511:Schools 130:Italian 7429:Titian 7273:(1500) 7111:Titian 7007:(1576) 6946:(1565) 6900:(1559) 6892:(1558) 6884:(1575) 6861:(1554) 6853:(1554) 6845:–1559) 6830:(1552) 6792:(1549) 6786:(1548) 6780:–1545) 6765:–1544) 6750:–1544) 6733:, 1543 6731:Vienna 6699:(1540) 6661:–1534) 6646:(1531) 6638:(1531) 6615:(1530) 6607:(1530) 6599:(1529) 6591:(1525) 6530:(1520) 6501:–1520) 6486:–1520) 6440:(1515) 6408:Madrid 6389:Salome 6385:–1545) 6318:(1511) 6310:–1525) 6240:Vienna 6073:–1570) 6043:–1564) 6028:–1562) 6013:–1575) 5974:(1555) 5966:(1551) 5927:(1549) 5919:(1549) 5916:Tityus 5903:(1540) 5895:(1538) 5879:–1535) 5785:Vanity 5750:(1515) 5734:(1514) 5711:–1514) 5636:–1508) 5621:–1508) 5508:(1558) 5500:–1558) 5477:–1555) 5462:(1554) 5454:(1552) 5446:(1551) 5423:–1551) 5408:(1548) 5400:(1548) 5392:(1548) 5384:–1550) 5369:(1546) 5361:–1546) 5307:(1545) 5291:(1542) 5222:(1538) 5214:(1538) 5191:–1540) 5168:(1536) 5128:(1533) 5120:(1533) 5112:–1532) 5082:–1565) 5072:A Lady 5067:(1523) 5059:–1525) 4969:–1518) 4954:(1515) 4946:–1515) 4931:–1515) 4829:Titian 4769:," in 4676:Art UK 4638: 4630:, The 4613: 4595: 4573: 4565: 4551: 4537: 4529:, The 4465:". In 4463:Titian 4450: 4435: 4427: 4406: 4389: 4381: 4367: 4361:Titian 4353: 4339: 4322: 4069: 4013: 4007:Titian 3863: 3820:26 May 3733: 3664: 3589:26 May 3554: 3485: 3466: 3446: 3391: 3216:Naples 3101:London 2981:Louvre 2848:Mantua 2840:Murano 2832:Orazio 2828:Cadore 2812:Orazio 2781:, and 2779:ochres 2746:prints 2703:Orazio 2675:plague 2555:poesie 2529:Rubens 2365:poesie 2103:, the 2095:Naples 1999:Jesuit 1946:Vienna 1924:, and 1813:Uffizi 1790:Judith 1773:Rubens 1765:London 1719:Louvre 1660:Ancona 1645:Ragusa 1588:Growth 1554:, and 1486:, Rome 1482:1514, 1405:fresco 1281:Cadore 1214:Titian 911:Pius V 829:Mary I 711:Clergy 695:People 690:People 663:Titian 463:Rosary 140:Artist 118:Venice 73:Madrid 39:Titian 7278:David 7264:Pietà 7012:Pietà 5932:Danaë 5770:Flora 4887:A Man 4752:C2RMF 4714:, at 4288:Italy 3568:image 3373:9.23. 3294:Notes 2905:; in 2901:, an 2897:; in 2684:Pietà 2657:Death 2651:sibyl 2647:Pietà 2638:Pietà 2624:Pietà 2380:Danaë 2266:Danaë 2175:Milan 1877:, by 1836:Danaë 1808:Flora 1713:, in 1647:(now 1643:, in 1614:Frari 1582:Doges 1524:Padua 1241: 871:Leo X 865:Popes 6394:Rome 6280:–12) 4678:site 4636:ISBN 4622:and 4611:ISBN 4593:ISBN 4571:ISBN 4563:ISBN 4549:ISBN 4535:ISBN 4494:and 4433:ISBN 4425:ISBN 4404:ISBN 4387:ISBN 4379:ISBN 4365:ISBN 4351:ISBN 4337:ISBN 4320:ISBN 4067:ISBN 4011:ISBN 3992:2011 3970:2011 3890:WBUR 3861:ISBN 3822:2023 3754:2011 3662:ISBN 3614:2011 3591:2013 3552:ISBN 3507:2011 3483:ISBN 3464:ISBN 3444:ISBN 3389:ISBN 3352:2011 3317:and 3122:, UK 2931:and 2789:and 2250:Ovid 2197:seal 2080:and 2025:The 2021:Rome 1885:and 1815:and 1254:TISH 107:Died 80:Born 4082:II. 2511:). 2093:of 1928:'s 1916:'s 1735:in 1731:of 1651:). 1407:of 1318:of 1256:-ən 505:Art 71:in 7425:: 7291:c. 7254:c. 6994:c. 6971:c. 6956:c. 6933:c. 6910:c. 6871:c. 6840:c. 6817:c. 6802:c. 6775:c. 6760:c. 6745:c. 6709:c. 6678:c. 6676:; 6671:c. 6656:c. 6625:c. 6570:c. 6555:c. 6540:c. 6519:c. 6496:c. 6481:c. 6450:c. 6426:c. 6424:, 6412:c. 6410:, 6398:c. 6396:, 6380:c. 6373:c. 6358:c. 6343:c. 6328:c. 6305:c. 6290:c. 6275:c. 6260:c. 6244:c. 6242:, 6230:c. 6228:, 6212:c. 6197:c. 6182:c. 6159:c. 6144:c. 6125:c. 6083:c. 6068:c. 6053:c. 6038:c. 6023:c. 6008:c. 5953:c. 5874:c. 5843:c. 5820:c. 5805:c. 5790:c. 5775:c. 5760:c. 5721:c. 5706:c. 5691:c. 5676:c. 5661:c. 5646:c. 5631:c. 5616:c. 5601:c. 5575:c. 5541:c. 5518:c. 5495:c. 5472:c. 5433:c. 5418:c. 5379:c. 5356:c. 5317:c. 5278:c. 5255:c. 5240:c. 5201:c. 5186:c. 5107:c. 5092:c. 5077:c. 5054:c. 5039:c. 5024:c. 5009:c. 4994:c. 4979:c. 4964:c. 4941:c. 4926:c. 4910:c. 4908:, 4896:c. 4894:, 4870:c. 4787:, 4654:. 4626:, 4569:, 4525:, 4498:, 4431:, 4385:, 4331:, 4314:, 4233:. 4147:^ 4134:, 3958:. 3907:. 3888:. 3813:. 3762:^ 3582:. 3543:^ 3533:. 3403:^ 3367:, 3342:. 3308:c. 3214:, 3169:, 3165:, 3160:c. 3158:, 2979:, 2974:c. 2972:, 2951:, 2909:, 2850:. 2818:. 2793:. 2777:, 2773:, 2769:, 2507:, 2493:, 2215:. 2169:, 2156:c. 2154:, 1993:, 1989:, 1889:. 1825:. 1739:, 1558:. 1550:, 1403:A 1396:. 1388:, 1322:. 1303:. 1235:ən 1203:c. 1201:; 187:on 98:, 88:c. 58:c. 56:, 7389:: 7296:) 7289:( 7259:) 7252:( 7069:e 7062:t 7055:v 6999:) 6992:( 6976:) 6969:( 6961:) 6954:( 6938:) 6931:( 6915:) 6908:( 6876:) 6869:( 6838:( 6822:) 6815:( 6807:) 6800:( 6773:( 6758:( 6743:( 6714:) 6707:( 6683:) 6669:( 6654:( 6630:) 6623:( 6575:) 6568:( 6560:) 6553:( 6545:) 6524:) 6517:( 6494:( 6479:( 6455:) 6448:( 6420:( 6417:) 6406:( 6403:) 6371:( 6363:) 6356:( 6348:) 6341:( 6333:) 6326:( 6295:) 6288:( 6273:( 6265:) 6258:( 6238:( 6235:) 6217:) 6210:( 6202:) 6195:( 6187:) 6180:( 6164:) 6157:( 6149:) 6142:( 6134:) 6123:( 6088:) 6081:( 6066:( 6058:) 6051:( 6036:( 6021:( 6006:( 5958:) 5951:( 5872:( 5848:) 5841:( 5825:) 5818:( 5810:) 5803:( 5795:) 5788:( 5780:) 5773:( 5765:) 5758:( 5726:) 5719:( 5704:( 5689:( 5681:) 5659:( 5651:) 5644:( 5629:( 5614:( 5599:( 5580:) 5573:( 5546:) 5539:( 5516:( 5493:( 5470:( 5438:) 5431:( 5416:( 5377:( 5354:( 5322:) 5315:( 5283:) 5276:( 5260:) 5253:( 5245:) 5238:( 5206:) 5199:( 5184:( 5105:( 5097:) 5090:( 5075:( 5052:( 5044:) 5037:( 5029:) 5022:( 5014:) 5007:( 4999:) 4992:( 4984:) 4977:( 4962:( 4939:( 4924:( 4904:( 4901:) 4875:) 4868:( 4821:e 4814:t 4807:v 4601:. 4516:. 4503:. 4253:. 4239:. 4019:. 3994:. 3972:. 3911:. 3824:. 3756:. 3616:. 3593:. 3509:. 3397:. 3354:. 3074:( 2983:. 2503:( 2489:( 2285:( 1985:( 1944:( 1518:) 1480:, 1238:/ 1232:ʃ 1229:ɪ 1226:t 1223:ˈ 1220:/ 1216:( 1192:( 1178:e 1171:t 1164:v 30:. 23:.

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