Titian - Knowledge (XXG)

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which he learned to be the production of Tintoretto; it is inferred that he became at once jealous of so promising a student. This, however, is mere conjecture; and perhaps it may be fairer to suppose that the drawings exhibited so much independence of manner that Titian judged that young Jacopo, although he might become a painter, would never be properly a pupil. From this time forward the two always remained upon distant terms, though Tintoretto being indeed a professed and ardent admirer of Titian, but never a friend, and Titian and his adherents turned a cold shoulder to him. There was also active disparagement, but it passed unnoticed by Tintoretto.

2480: 1968: 2416: 2673: 2384: 174: 1351: 3190: 2880: 2448: 3235: 3289: 1790: 3140: 2845:, when in 1525 she fell seriously ill. Titian, wishing to legitimize the children, married her. Cecilia recovered, the marriage was a happy one, and they had another daughter who died in infancy. In August 1530 Cecilia died. Titian remarried, but little information is known about his second wife; she was possibly the mother of his daughter Lavinia. Titian had a fourth child, Emilia, the result of an affair, possibly with a housekeeper. His favourite child was Orazio, who became his assistant. 2235: 2432: 2630: 2400: 1520: 2813: 1854: 3336:, which sets out the evidence, and supports 1477—an unusual view today. Gould (pp. 264–66) also sets out much of the evidence without coming to a conclusion. Charles Hope in Jaffé (p. 11) also discusses the issue, favouring a date "in or just before 1490" as opposed to the much earlier dates, as does Penny (p. 201) "probably in 1490 or a little earlier". The question has become caught up in the still controversial division of works between 187: 7407: 2157: 1687:, better known as the Madonna di Ca' Pesaro (c. 1519–1526), also for the Frari church. This is perhaps his most studied work, whose patiently developed plan is set forth with supreme display of order and freedom, originality and style. Here Titian gave a new conception of the traditional groups of donors and holy persons moving in aerial space, the plans and different degrees set in an architectural framework. 1850:, one of several mythological paintings, or "poesie" ("poems"), as the painter called them. This painting was done for Alessandro Farnese, but a later variant was produced for Philip II, for whom Titian painted many of his most important mythological paintings. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons. 3268: 3098: 3159: 4458: 2876:, his older brother, was introduced to painting by Titian (it is said at the age of twelve, but chronology will hardly admit of this), and painted in the church of S. Vito in Cadore a picture of the titular saint armed. This was a noteworthy performance, of which Titian (the usual story) became jealous; so Francesco was diverted from painting to soldiering, and afterwards to mercantile life. 1156: 1464:(state-warehouse for the German merchants). Their relationship evidently contained a significant element of rivalry. Distinguishing between their work during this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, with little traffic the other way. One of the earliest known Titian works, 4524: 4511: 2464: 7419: 1880:, whose ship is shown in the distance and who has just left Ariadne at Naxos, when Bacchus arrives, jumping from his chariot, drawn by two cheetahs, and falling immediately in love with Ariadne. Bacchus raised her to heaven. Her constellation is shown in the sky. The painting belongs to a series commissioned from Bellini, Titian, and Dosso Dossi, for the 2526: 2016: 1615: 58: 1484: 3741: 1371:, to have been born in 1474, but this seems most unlikely. Other writers contemporary to his old age give figures that would equate to birth dates between 1473 and after 1482. Most modern scholars believe a date between 1488 and 1490 is more likely, though his age at death being 99 had been accepted into the 20th century. 2591:

Titian had engaged his daughter Lavinia, the beautiful girl whom he loved deeply and painted various times, to Cornelio Sarcinelli of Serravalle. She had succeeded her aunt Orsa, then deceased, as the manager of the household, which, with the lordly income that Titian made by this time, placed her on

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During the last twenty-six years of his life (1550–1576), Titian worked mainly for Philip II and as a portrait-painter. He became more self-critical, an insatiable perfectionist, keeping some pictures in his studio for ten years—returning to them and retouching them, constantly adding new expressions

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Well, we heard him say—didn't we, Jane?—'Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.' There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked

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was brought to Titian's studio by his father. This was supposedly around 1533, when Titian was (according to the ordinary accounts) over 40 years of age. Tintoretto had only been ten days in the studio when Titian sent him home for good, because the great master observed some very spirited drawings,

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at S. Samuele, the precise site being now unknown. It was not until 1516, after the death of Giovanni Bellini, that he came into actual enjoyment of his patent. At the same time he entered an exclusive arrangement for painting. The patent yielded him a good annuity of 20 crowns and exempted him from

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on 2 February 2009 for £50 million. The galleries had until 31 December 2008 to make the purchase before the work would be offered to private collectors, but the deadline was extended. The sale created controversy with politicians who argued that the money could have been spent more wisely

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He was the son of Gregorio Vecellio and his wife Lucia, of whom little is known. Gregorio was superintendent of the castle of Pieve di Cadore and managed local mines for their owners. Gregorio was also a distinguished councilor and soldier. Many relatives, including Titian's grandfather, were

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In August 1530, Titian moved his two sons and infant daughter to a new home and convinced his sister Orsa to come from Cadore and take charge of the household. The mansion, difficult to find now, is in the Biri Grande, then a fashionable suburb, at the extreme end of Venice, on the sea, with

1306:), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late 2652:, is a dramatic, nocturnal scene of suffering. He apparently intended it for his own tomb chapel. He had selected, as his burial place, the chapel of the Crucifix in the Basilica di Santa Maria Gloriosa dei Frari, the church of the Franciscan Order. In payment for a grave, he offered the 2256:

at once more refined, concise, and subtle. He also finished many copies that his pupils made of his earlier works. This caused problems of attribution and priority among versions of his works—which were also widely copied and faked outside his studio during his lifetime and afterwards.

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Jill Dunkerton and Marika Spring, with contributions from Rachel Billinge, Kamilla Kalinina, Rachel Morrison, Gabriella Macaro, David Peggie and Ashok Roy, Titian's Painting Technique to c. 1540, National Gallery Technical Bulletin, volume 34, 2013, pp. 4–31. Catalog I and

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took note and observed that Titian was neglecting his work in the hall of the great council, but in 1516 he succeeded his master Giovanni Bellini in receiving a pension from the Senate. Furthermore, he painted the similar painting of Assumption of the Virgin above the altar in

2263:, which scholars regard as among his greatest works. Thanks to the prudishness of Philip's successors, these were later mostly given as gifts, and only two remain in the Prado. Titian was producing religious works for Philip at the same time, some of which—the ones inside 2087:). He painted the likenesses of princes, or Doges, cardinals or monks, and artists or writers. "...no other painter was so successful in extracting from each physiognomy so many traits at once characteristic and beautiful". Among portrait-painters Titian is compared to 1336:

During his long life, Titian's artistic manner changed drastically, but he retained a lifelong interest in colour. Although his mature works may not contain the vivid, luminous tints of his early pieces, they are renowned for their loose brushwork and subtlety of tone.

2008:). These violent scenes viewed in perspective from below were by their very nature in unfavourable situations. They were nevertheless much admired and imitated, Rubens among others applying this system to his forty ceilings (the sketches only remain) of the 1582:(a profitable privilege much coveted by artists) in the Fondaco dei Tedeschi. He became superintendent of the government works, especially charged with completing the paintings left unfinished by Giovanni Bellini in the hall of the great council in the 2148:

and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt. In 1532, after painting a portrait of the emperor Charles V in Bologna, he was made a Count Palatine and

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This major battle scene was lost—with many other major works by Venetian artists—in the 1577 fire that destroyed all the old pictures in the great chambers of the Doge's Palace. It depicted in life-size the moment when the Venetian general

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At the age of about ten to twelve Titian and his brother Francesco (who perhaps followed later) were sent to an uncle in Venice to find an apprenticeship with a painter. The minor painter Sebastian Zuccato, whose sons became well-known

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Titian was then at the height of his fame, and towards 1521, following the production of a figure of St. Sebastian for the papal legate in Brescia (of which there are numerous replicas), purchasers pressed for his work.

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art and Rubens, both in the handling of details and the general effect of horses, soldiers, lictors, powerful stirrings of crowds at the foot of a stairway, lit by torches with the flapping of banners against the sky.

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had already dealt with the subject in his Dresden picture, finished by Titian, but here a purple drapery substituted for a landscape background changed, by its harmonious colouring, the whole meaning of the scene.

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Titian joined Giorgione as an assistant, but many contemporary critics already found Titian's work more impressive—for example, in exterior frescoes (now almost totally destroyed) that they collaborated on for the

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This appointment allowed him to gain royal patronage and work on prestigious commissions. As a matter of professional and worldly success, his position from about this time is regarded as equal only to that of

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Titian employed an extensive array of pigments and it can be said that he availed himself of virtually all available pigments of his time. In addition to the common pigments of the Renaissance period, such as

2188:. Another source of profit, for he was always aware of money, was a contract obtained in 1542 for supplying grain to Cadore, where he visited almost every year and where he was both generous and influential. 4867: 2900:, called Marco di Tiziano, born in 1545, was Titian's nephew and was constantly with the master in his old age, and learned his methods of work. He has left some able productions in the ducal palace, the 2688:

raged in Venice, Titian died on 27 August 1576. Depending on his unknown birthdate (see above), he was somewhere from his late eighties or even close to 100. Titian was interred in the Frari (Basilica di

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picture remain. It combined extreme violence and a landscape, mostly consisting of a great tree, that pressed into the scene and seems to accentuate the drama in a way that looks forward to the Baroque.

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and, at a later date, Rubens. In 1540 he received a pension from d'Avalos, marquis del Vasto, and an annuity of 200 crowns (which was afterwards doubled) from Charles V from the treasury of

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The contours in early works may be described as "crisp and clear", while of his late methods it was said that "he painted more with his fingers than his brushes." Dunkerton, Jill, et al.,

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From a different branch of the family came Fabrizio di Ettore, a painter who died in 1580. His brother Cesare, who also left some pictures, is well known by his book of engraved costumes,

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His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the

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Contemporary estimates attribute around 400 works to Titian, of which about 300 survive. Two of Titian's works in private hands were put up for sale in 2008. One of these,

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towards 1555, of which there is a finished sketch in the Louvre. His friend Aretino died suddenly in 1556, and another close intimate, the sculptor and architect

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attacked the enemy, with horses and men crashing down into a stream. It was Titian's most important attempt at a tumultuous and heroic scene of movement to rival

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Another painting that apparently remained in his studio at his death, and has been much less well known until recent decades, is the powerful, even "repellent"

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admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.

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Landau, 304–305, and in catalogue entries following. Much more detailed consideration is given at various points in: David Landau & Peter Parshall,

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worked along with him, and some fragments of paintings remain, probably by Giorgione. Some of their work is known, in part, through the engravings of

3325: 6891: 6845: 6837: 6729: 6653: 5461: 4916: 3932: 3240: 2548: 2857:, the influential and audacious figure who features so strangely in the chronicles of the time. Titian sent a portrait of him to Gonzaga, duke of 2724: 3234: 2415: 981: 949: 5167: 7509: 7504: 6915: 6333: 5492: 5407: 5159: 4650: 2841:. As a young woman she had been his housekeeper and mistress for some five years. Cecilia had already borne Titian two fine sons, Pomponio and 2626:. It is suggested that members of Titian's Venice workshop probably painted the curtain and Luke, because of the lower quality of those parts. 2059: 2938:

Few of the pupils and assistants of Titian became well known in their own right; for some being his assistant was probably a lifetime career.

7499: 7494: 7444: 6930: 4563: 4549: 4447: 2664:, before the Savior. He nearly finished this work, but differences arose regarding it, and he settled on being interred in his native Pieve. 2605: 1173: 5112: 5082: 4902: 4365: 1889: 1743: 3288: 7489: 6999: 6432: 2447: 2383: 1804:; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian 1513: 6130: 5337: 5151: 5143: 4577: 4141:"The relationship between the writer and the painter became particularly close over the almost thirty years Aretino spent in Venice." 2100: 1466: 1002: 360: 6953: 6822: 6645: 6575: 6470: 5237: 4473: 4439: 4418: 4379: 4351: 4334: 4081: 4025: 3915: 3875: 3676: 3566: 3497: 3478: 3458: 3403: 1633: 1619: 1262: 458: 2564:, of Madrid. On the other hand, from the standpoint of flesh tints, his most moving pictures are those of his old age, such as the 3267: 7479: 7337: 5415: 5399: 5306: 5135: 4830: 3097: 2136: 2122: 2064: 844: 824: 628: 1967: 1943:(these last two unfinished). There remains only a poor, incomplete copy at the Uffizi, and a mediocre engraving by Fontana. The 1607:

style, undertook larger, more complex subjects, and for the first time attempted a monumental style. Giorgione died in 1510 and

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During this period (1516–1530), which may be called the period of his mastery and maturity, the artist moved on from his early

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For each problem he undertook, he furnished a new and more perfect formula. He never again equaled the emotion and tragedy of

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in 1516, leaving Titian unrivaled in the Venetian School. For sixty years he was the undisputed master of Venetian painting.

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are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).

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for the purpose; but the project lapsed through his being summoned away from Venice in 1547 to paint Charles V and others in

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In 1507–1508, Giorgione was commissioned by the state to create frescoes on the re-erected Fondaco dei Tedeschi. Titian and

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established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of

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He continued to accept commissions to the end of his life. Like many of his late works, Titian's last painting, the

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on the Morosini Palace is said to have been one of Titian's earliest works. Others were the Bellini-esque so-called

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He visited Rome in 1546 and obtained the freedom of the city—his immediate predecessor in that honor having been

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a corresponding footing. Lavinia's marriage to Cornelio took place in 1554. She died in childbirth in 1560.

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Finally this was the period when Titian composed the half-length figures and busts of young women, such as

1681:, each time attaining to a higher and more perfect conception. He finally reached a classic formula in the 1645:. This piece of colourism, executed on a grand scale rarely before seen in Italy, created a sensation. The 7316: 7281: 7187: 6961: 6780: 6280: 5477: 4961: 2963: 2935:. Various pictures of his were touched up by the master, and are difficult to distinguish from originals. 2268: 1571: 1056: 1041: 966: 683: 546: 340: 2288:, of which the earliest surviving version, delivered in 1554, is in the Prado, but several versions exist 777: 7454: 7212: 7142: 6794: 6622: 6404: 5741: 5469: 5438: 4931: 3755: 2909: 2203: 1794: 1789: 1400: 1367:

The exact time or date of Titian's birth is uncertain. When he was an old man he claimed in a letter to

593: 453: 385: 160: 3021:. The rest of the money came from the National Gallery and from private donations. The other painting, 2141: 2140:(1548), an equestrian picture in a symphony of purples. This state portrait of Charles V (1548) at the 355: 2716:, also died of the plague, greatly complicating the settlement of his estate, as he had made no will. 2259:

For Philip II, he painted a series of large mythological paintings known as the "poesie", mostly from

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Titian: His Life and Times. With Some Account of His Family, Chiefly from New and Unpublished Records

3222: 3060: 3046: 3041: 2955: 2817: 2751:, in twelve blocks, intended as wall decoration as a substitute for paintings; and collaborated with 2585: 2510: 2486: 2350: 2340: 2324:, were dispatched in 1559, owned jointly by the National Gallery and the National Gallery of Scotland 2095:, with the interior life of the former, and the clearness, certainty, and obviousness of the latter. 1587: 1461: 1061: 1013: 772: 563: 400: 370: 259: 2629: 2501: 7242: 5981: 5863: 5825: 5696: 5621: 5453: 4502: 3897:"Separated For Centuries, Titian's 'Poesie' Reunite At The Gardner Museum In A Powerful Exhibition" 3014: 2979: 2932: 2752: 2192: 1872: 1858: 1828: 1770: 1651: 1307: 1129: 1018: 976: 802: 365: 301: 289: 277: 4714: 3719: 2463: 2153:. His children were also made nobles of the Empire, which for a painter was an exceptional honor. 1832:

in the Louvre. At least according to popular legend, they were modeled by some of Venice's famous

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based on his paintings and drawings. Much later he provided drawings based on his paintings to

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Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of

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of his time at the fixed price of eight crowns each. The actual number he painted was five.

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During the next period (1530–1550), Titian developed the style introduced by his dramatic

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From the beginning of his career, Titian was a masterful portrait-painter, in works like

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Titian had a favourite villa on the neighboring Manza Hill (in front of the church of

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has been used to describe red hair, almost always on women, since the 19th century.

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as a means to expand his reputation. In the period 1515–1520 he designed a number of

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The two young masters were likewise recognized as the leaders of their new school of

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No memorial marked his grave. Much later the Austrian rulers of Venice commissioned

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Italian Art: Painting, Sculpture, Architecture from the Origins to the Present Day

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David Jaffé (ed), Titian, The National Gallery Company/Yale, p. 11, London 2003,

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Titian's wife, Cecilia, was a barber's daughter from his hometown village of

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certain taxes. In return, he was bound to paint likenesses of the successive

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Several other artists of the Vecelli family followed in the wake of Titian.

2781: 2736: 2515: 2222:, which was sent to England and was useful in Philip's suit for the hand of 2088: 2052: 1833: 1805: 1705: 1655: 1604: 1476: 1453: 1404: 1322: 1086: 1081: 834: 531: 526: 375: 4804:

Isabella Stewart Gardner Museum in Boston (12 August 2021 – 2 January 2022)

5175: 4698: 4302: 3181: 3165: 2958:

is said to have been a follower or pupil of Titian. Other followers were

2951: 2801: 2215: 1646: 1419: 1411:, Titian's older brother, later became a painter of some note in Venice. 1318: 1076: 1023: 757: 603: 7418: 4736: 3324:

is generally accepted despite claims in his lifetime that he was older,

7116: 4767: 4660: 4102: 2853:. In about 1526 he had become acquainted, and soon close friends, with 2797: 2793: 2744: 2525: 2177: 2051:, Madrid, which shows the influence of contact with ancient sculpture. 2015: 1960: 1924: 1897: 1885: 1877: 1747: 1709: 1674: 1659: 1614: 1483: 1283: 1066: 747: 536: 57: 17: 6487:

Virgin and Child with Saint John the Baptist and an Unidentified Saint

4686: 3473:, pp. 281–286. Yale University, National Gallery Publications, 1999. 3471:

Dürer to Veronese: Sixteenth-Century Painting in the National Gallery

3226: 3149: 2991: 2858: 2850: 2838: 2821:(c. 1565–1570) is thought to depict (from left) Titian, his son 2789: 2105: 1956: 1823: 1775: 1729: 1670: 1415: 1384: 1291: 473: 150: 128: 83: 4411:

The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600

2712:

Very shortly after Titian's death, his son, assistant and sole heir

7056: 4695:

multimedia feature, Musée du Louvre official site (English version)

4762: 4715:

Christies' sale blurb for the recently restored 'Mother and Child'

4463:

This article incorporates text from a publication now in the

4298: 4201:

Biografia degli Artisti, Emporeo biografico metodico, volume unico

2973: 2878: 2811: 2723: 2671: 2661: 2628: 2524: 2233: 2185: 2155: 2058: 2014: 1966: 1852: 1788: 1613: 1578:

In 1512 Titian returned to Venice from Padua; in 1513 he obtained

1534: 1533:

Titian's talent in fresco is shown in those he painted in 1511 at

1518: 1482: 1349: 140: 4868:

Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter

1959:, 1541). Despite its loss, the painting had a great influence on 3332:

both use c. 1488. See discussion of the issue below and at

2260: 2031: 7060: 4812: 3330:

Metropolitan Museum of Art timeline, retrieved 11 February 2009

6939:

Madonna and Child with Saints Luke and Catherine of Alexandria

6525:

Virgin and Child with Saints Anthony Abbot, Jerome and Francis

3017:

offered £12.5 million and £10 million came from the

2619:

Madonna and Child with Saints Luke and Catherine of Alexandria

2202:

in 1537. He could at the same time have succeeded the painter

1951:(Venice, 1539), one of his most popular canvasses, and by the 1704:, and destroyed by an Austrian shell in 1867. Only copies and 1245: 4525:

The Life and Times of Titian. With Some Account of His Family

4796:

National Gallery in London (16 March 2020 – 17 January 2021)

4783:

The John G. Johnson Collection: A History and Selected Works

4051:"Printed Bodies and the Materiality of Early Modern Prints," 3916:"Can We Ever Look at Titian's Paintings the Same Way Again?" 4768:

Titian: general resources, his paintings, and pigments used

4756:

Interactive high resolution scientific imagery of Titian's

4163: 4161: 4159: 3870:, 1996, p. 402, Ministerio de Educación y Cultura, Madrid, 3792: 3790: 3788: 3786: 3784: 3782: 3780: 3778: 3776: 3774: 2946:

were his assistants during at some point in their careers.

2218:. He was there again in 1550, and executed the portrait of 1444:

is an early portrait, painted around 1509 and described by

1391:, from which they later transferred to that of his brother 4800:

the Museo del Prado in Madrid (2 March 2021 – 4 July 2021)

4790:

Titian's Filppo Archinto at the Metropolitan Museum of Art

4751:

Tiziano Vecellio - one of the greatest artists of all time

4384:

Landau, David, in Jane Martineau and Charles Hope (eds.),

3433: 3431: 3429: 3427: 3425: 3423: 3421: 3419: 3417: 3415: 1242: 6266:

Virgin and Child Between Saints Anthony of Padua and Roch

4808: 3548:. Vol. 5. New York: Simon and Schuster. p. 667. 2206:

in his lucrative office as holder of the piombo or Papal

1239: 6546:

Virgin and Child with Saints Stephen, Jerome and Maurice

6479:

The Virgin and Child with Saint George and Saint Dorothy

6311:

Virgin and Child with Saints Stephen, Jerome and Maurice

4179:, Volume 1, by Carlo Ridolfi, Giuseppe Vedova, page 288. 3591:"Portrait of Gerolamo (?) Barbarigo, about 1510, Titian" 1557:, The Miracle of the Jealous Husband, which depicts the 4786:, a Philadelphia Museum of Art free digital publication 4301:

had yet to be established, the Latin equivalent of the

1716:

The artist simultaneously continued a series of small

1677:(1522), and the retable of San Niccolò (1523), in the 7395: 6869:

Christ Appearing to his Mother after his Resurrection

2271:. The "poesie" series contained the following works: 1263: 2660:

that represented himself and his son Orazio, with a

1545:, some of which have been preserved, among them the 1236: 7348: 7251: 7135: 7094: 7033: 6122: 5598: 5564: 5534:–1560 – also attributed to Titian's workshop) 4859: 4671:. Vol. XXIII (9th ed.). pp. 413–417. 4374:, The National Gallery Company/Yale, London, 2003, 3967:"Titian Madonna and Child sells for record $ 16.9m" 1233: 166: 156: 146: 136: 117: 90: 48: 4595: 3947:, pp. 231–233, 1983, Royal Academy of Arts, London 2864:When he was very young, the famed Italian painter 2709:to sculpt the large monument still in the church. 2034:, the artist began a series of reclining Venuses: 1782:, many times imitated but never surpassed even by 1694:To this period belongs a more extraordinary work, 1631:In 1516, he completed his famous masterpiece, the 1567:The Saint Healing the Young Man with a Broken Limb 4242:"Titian's Diana and Actaeon saved for the nation" 3671:. Strategic Book Publishing & Rights Agency. 2954:(or Dominikos Theotokopoulos) in his last years. 2739:, but he was very conscious of the importance of 1844:Titian's skill with colour is exemplified by his 1456:borrowed the composition for his self-portraits. 5617: – also attributed to Giorgione and others) 2083:(Eleanora de Gonzaga, Duchess of Urbino, at the 1219: – 27 August 1576), Latinized as 4230:, Walker and Company, NY, 2000, pp. 10–11. 3052: 2370:in Boston, where it closed on January 2, 2022. 4618:Titian and the End of the Venetian Renaissance 4204:. Venice: Co' Tipi di Gondolieri. p. 703. 3050:, is described as having Titian hair when 15: 2747:, including an enormous and impressive one of 2616:Around 1560, Titian painted the oil on canvas 1432:(from the convent of Sant'Andrea), now in the 37:"Tiziano" redirects here. For other uses, see 7072: 4824: 4430:, translated by Julia Conaway Bondanella and 4346:, National Gallery Catalogues, London, 1975, 2749:The Drowning of Pharaoh's Army in the Red Sea 2572:of the Louvre. He even attempted problems of 2359: 2267:—are known to have been destroyed during the 2244: 2069: 1977: 1761: 1452:, but now think it is of Gerolamo Barbarigo. 1181: 75: 8: 6699:The Presentation of the Virgin at the Temple 4409:, National Gallery Catalogues (new series): 3652:, March 1999, Volume LXXXI Number 1, Author 2701:. He lies near his own famous painting, the 1700:(1530), formerly in the Dominican Church of 1563:A Child Testifying to Its Mother's Innocence 1448:in 1568. Scholars long believed it depicted 4413:, 2008, National Gallery Publications Ltd, 4329:, Westview Press, Boulder, Colorado, 1999, 1274:, the most important artist of Renaissance 7079: 7065: 7057: 4831: 4817: 4809: 4693:A closer Look at the Madonna of the Rabbit 3357:. Metropolitan Museum of Art. October 2003 2609:(now in San Salvatore, Venice), inscribed 1639:Basilica di Santa Maria Gloriosa dei Frari 1480:scene, was long regarded as by Giorgione. 1286:. During his lifetime he was often called 1188: 1174: 181: 56: 45: 7520:Burials at Santa Maria Gloriosa dei Frari 7465:16th-century deaths from plague (disease) 4570:Titian's Touch: Art, Magic and Philosophy 3868:Museo del Prado, Catálogo de las pinturas 3512:. Lafrusta.homestead.com. 4 November 2002 2729:Drowning of Pharaoh's Army in the Red Sea 1403:, and Giorgio da Castelfranco, nicknamed 4732:Titian at Panopticon Virtual Art Gallery 4167: 3943:Giles Robertson in Jane Martineau, ed., 3796: 3437: 2818:The Allegory of Age Governed by Prudence 2763:from the Netherlands who engraved them. 1795:Salome with the Head of John the Baptist 7402: 6607:The Assassination of Saint Peter Martyr 4598:Problems in Titian, Mostly Iconographic 4388:, Royal Academy of Arts, London, 1983, 4327:Titian and Venetian Painting, 1450–1590 4290: 3310: 3072: 2767:followed Cort from about 1558 to 1568. 2372: 2030:At this time also, during his visit to 1892:, who in 1510 even tried to commission 1697:The Assassination of Saint Peter Martyr 982:Black Legend of the Spanish Inquisition 950:Dicastery for the Doctrine of the Faith 202: 5911:Alfonso d'Avalos Addressing his Troops 4710:Tiziano Vecellio at Web Gallery of Art 4701:Images of 168 paintings by the artist. 4558:, New York: Walker and Company, 2009. 4529:Volume II (London: John Murray, 1881). 2538:, is a bold diagonal composition that 1884:(Alabaster Room) in the Ducal Palace, 1559:Murder of a Young Woman by Her Husband 5677: – also attributed to Giorgione) 4360:, HarperCollins, New York, NY, 2012, 4344:The Sixteenth Century Italian Schools 3557: 3555: 2849:beautiful gardens and a view towards 1207: 7: 7450:Painters from the Republic of Venice 6599:Saint Francis Receiving the Stigmata 4240:Carrell, Severin (2 February 2009). 4063:Vol. 1 No. 1 (May–June 2011), p. 26. 3530:Hale, 5-6; also see references above 2755:and others, who produced additional 1325:, he is considered a founder of the 7485:People from the Province of Belluno 5424:John Frederick I, Elector of Saxony 3759:. New York: Robert Appleton Company 2638:, c. 1576, his last painting. 2588:, Church of San Domenico, Ancona). 1931:, Michelangelo's equally ill-fated 1523:Allegory of Sacred Love (detail of 7470:Infectious disease deaths in Italy 6977:Judith with the Head of Holofernes 6502:Madonna and Child with Four Saints 4215:Scientific images of this painting 3914:Cotter, Holland (12 August 2021). 3013:during a deepening recession. The 2508:). Another violent masterpiece is 1949:Presentation of the Blessed Virgin 1575:(Uffizi) also dates to 1511-1512. 1003:Collegium Germanicum et Hungaricum 25: 5192:Count Antonio Porcia and Brugnera 4758:Portrait of a Woman with a Mirror 3709:Charles Hope, in Jaffé, pp. 16–17 3637:Charles Hope, in Jaffé, pp. 11–14 3355:Heilbrunn Timeline of Art History 2796:, he also used the rare pigments 2731:, 1515-17, woodcut, 221.5 cm wide 2693:), as at first intended, and his 2580:, Church of the Jesuits, Venice; 2240:Venus and Organist and Little Dog 1890:Alfonso I d'Este, Duke of Ferrara 1294:', taken from his native region. 7417: 7405: 6379:The Archangel Raphael and Tobias 4985:Gian Giacomo Bartolotti da Parma 4620:, London: Reaktion Books, 2013. 4572:, London: Reaktion Books, 2019, 4456: 3753:. In Herbermann, Charles (ed.). 3739: 3665:Sethre, Janet (8 January 2020). 3398:. New York and London: Prestel. 3287: 3266: 3248: 3233: 3209: 3188: 3157: 3138: 3117: 3096: 3075: 2560:(Venice, Doge's Palace), or the 2478: 2462: 2446: 2430: 2414: 2398: 2382: 2137:Equestrian Portrait of Charles V 2123:Portrait of Isabella of Portugal 2065:Equestrian Portrait of Charles V 1430:Visitation of Mary and Elizabeth 1229: 1154: 629:Giovanni Pierluigi da Palestrina 230:Catholic Reformation and Revival 212: 185: 172: 7218:Antonio da Sangallo the Younger 6846:The Martyrdom of Saint Lawrence 5922:(several versions, 1540s–1570s) 5354:Pope Paul III and His Grandsons 5346:Pope Paul III Wearing a Camauro 4683:139 artworks by or after Titian 4507:Cavalcaselle, Giovanni Battista 4386:The Genius of Venice, 1500–1600 4305:had been in use for natives of 3945:The Genius of Venice, 1500-1600 3668:Venice: Souls' Mother and Child 3256:Altarpiece of James the Greater 3218:Pope Paul III and His Grandsons 3019:National Heritage Memorial Fund 2622:, a derivative on the motif of 2536:Isabella Stewart Gardner Museum 2368:Isabella Stewart Gardner Museum 2334:Isabella Stewart Gardner Museum 2111:Pope Paul III and his Grandsons 1973:Portrait of Federico II Gonzaga 1945:Speech of the Marquis del Vasto 1665:The pictorial structure of the 1310:, but on future generations of 1209:[titˈtsjaːnoveˈtʃɛlljo] 1009:Pontifical Gregorian University 361:Olav Engelbrektsson's rebellion 219:Faith, or The Church Triumphant 6801:Castello Roganzuolo Altarpiece 6326:Miracle of the Jealous Husband 4297:Though the modern Republic of 3718:Charles Hope, in Jaffé, p. 17 3010:National Galleries of Scotland 2891:National Galleries of Scotland 2691:Santa Maria Gloriosa dei Frari 2678:Santa Maria Gloriosa dei Frari 2558:The Doge Grimani adoring Faith 2210:, and he was prepared to take 2024:Santa Maria Gloriosa dei Frari 1586:. He set up an atelier on the 1120:Nationalism in the Middle Ages 27:Italian painter (1488/90–1576) 1: 7510:16th-century Italian painters 7505:15th-century Italian painters 7301: 7264: 7004: 6981: 6966: 6943: 6920: 6916:Saint Margaret and the Dragon 6881: 6850: 6827: 6812: 6785: 6770: 6755: 6719: 6688: 6681: 6666: 6635: 6580: 6565: 6550: 6529: 6506: 6491: 6460: 6436: 6422: 6408: 6390: 6383: 6368: 6353: 6338: 6334:Rest on the Flight into Egypt 6315: 6300: 6285: 6270: 6254: 6240: 6222: 6207: 6192: 6169: 6154: 6135: 6093: 6078: 6063: 6048: 6033: 6018: 5963: 5946:(several versions; 1543–1565) 5884: 5872:The Bacchanal of the Andrians 5853: 5830: 5815: 5800: 5785: 5770: 5731: 5716: 5701: 5686: 5671: 5656: 5641: 5626: 5611: 5585: 5551: 5528: 5505: 5482: 5443: 5428: 5389: 5366: 5327: 5288: 5265: 5250: 5222:Eleonora Gonzaga della Rovere 5211: 5196: 5117: 5102: 5087: 5064: 5049: 5034: 5019: 5004: 4989: 4974: 4951: 4936: 4920: 4906: 4880: 4794:The poesie exhibition at the 4602:. New York University Press. 4188:Ridolfi and Vedova, page 289. 3700:Charles Hope, in Jaffé, p. 15 3691:Charles Hope, in Jaffé, p. 14 3318: 3170: 2984: 2166: 1753:The Bacchanal of the Andrians 1213: 444:French school of spirituality 278:Nova ordinantia eclessiastica 266:Regimini militantis Ecclesiae 98: 68: 7500:16th-century Venetian people 7495:15th-century Venetian people 7445:Italian Renaissance painters 7046:Francesco Vecellio (brother) 5501:Girl with a Platter of Fruit 5462:Cardinal Cristoforo Madruzzo 5230:Francesco Maria della Rovere 5128:Alfonso d'Avalos with a Page 5030:Young Woman in a Black Dress 4745:The New York Review of Books 3351:"Titian (ca. 1485/90?–1576)" 3326:Getty Union Artist Name List 3126:Portrait of Jacopo Sannazaro 2576:in fantastic night effects ( 2314:National Gallery of Scotland 2126:(Madrid), and the series of 2108:, or the sketch of the same 2098:These qualities show in the 1637:, for the high altar of the 1331:Italian Renaissance painting 1223:, hence known in English as 6218:Holy Family with a Shepherd 6141: – also attributed to 5362:Cardinal Alessandro Farnese 4876:A Man with a Quilted Sleeve 4776:Archbishop Filippo Archinto 3055:to paint red-haired women." 2134:(1533), and especially the 1870:Another famous painting is 1441:A Man with a Quilted Sleeve 1356:A Man with a Quilted Sleeve 1272:Italian Renaissance painter 961:Index Librorum Prohibitorum 7536: 7490:Republic of Venice artists 7366:Johann Joachim Winckelmann 7356:Art patronage of Julius II 6131:Christ Carrying the Cross 4434:, Penn State Press, 1996, 4198:Boni, Filippo de' (1840). 2132:Charles V with a Greyhound 2117:Portrait of Pietro Aretino 2048:Venus—and the Organ-Player 1547:Meeting at the Golden Gate 1472:Scuola Grande di San Rocco 36: 29: 6892:Saint Jerome in Penitence 6838:Saint Jerome in Penitence 6654:Saint Jerome in Penitence 6232:Christ and the Adulteress 4846: 4657:Rossetti, William Michael 4538:Titian's Man in a Red Hat 4470:Rossetti, William Michael 3810:The Catholic Encyclopedia 3720:Engraving of the painting 3681:– via Google Books. 3546:The Story of Civilization 3241:Saint Jerome in Penitence 2902:Meeting of Charles V and 2578:Martyrdom of St. Laurence 2360: 2245: 2151:knight of the Golden Spur 2120:of the Pitti Palace, the 2101:Portrait of Pope Paul III 2070: 1988:Less successful were the 1978: 1905:Death of St. Peter Martyr 1762: 1467:Christ Carrying the Cross 1105:Catholic literary revival 624:Bartolomé Esteban Murillo 336:European Wars of Religion 284:Defensio Tridentinæ fidei 223:Bartolomé Esteban Murillo 171: 76: 55: 7015:The Crowning with Thorns 6730:The Crowning with Thorns 6576:The Entombment of Christ 6561:Malchiostro Annunciation 6471:Assumption of the Virgin 6059:Venus Blindfolding Cupid 5758:Lucretia and her Husband 5400:Charles V (on horseback) 5113:Giacomo di Andrea Dolfin 4737:How to Paint Like Titian 4722:The early work of Titian 3654:Sergio Rossetti Morosini 3453:, p. 194. Giunti, 2000. 2549:The Crowning with Thorns 2130:of the same museum, the 1994:Santa Maria della Salute 1634:Assumption of the Virgin 1620:Assumption of the Virgin 1551:Miracoli di sant'Antonio 1369:Philip II, King of Spain 996:Philosophy and education 254:Decet Romanum Pontificem 39:Tiziano (disambiguation) 7480:Italian Roman Catholics 6992:Religion saved by Spain 6448:Madonna of the Cherries 6349:Balbi Holy Conversation 5727:Sacred and Profane Love 5637:The Legend of Polydoros 4668:Encyclopædia Britannica 4639:Titian's Pietro Aretino 4498:List of works by Titian 4483:Encyclopædia Britannica 4147:Titian's Pietro Aretino 4103:Pigments used by Titian 4056:24 October 2020 at the 4049:Schmidt, Suzanne Karr. 4020:. Taschen. p. 95. 3933:"Titian Comes Together" 3826:nationalgallery.org.uk/ 3577:Jaffé No. 1, pp. 74–75 3510:"When Was Titian Born?" 3004:, was purchased by the 2966:, and Gaspare Nervesa. 2929:Abiti antichi e moderni 2735:Titian never attempted 2640:Gallerie dell'Accademia 2348:The poesie, except for 2308:, owned jointly by the 1810:Galleria Doria Pamphilj 1673:(1520), the retable of 1553:) from the life of St. 1526:Sacred and Profane Love 1489:Sacred and Profane Love 1321:and papacy. Along with 955:Excommunicable offences 569:Michelangelo Caravaggio 416:Jacobite rising of 1689 396:Strasbourg Bishops' War 391:French Wars of Religion 32:Titian (disambiguation) 7317:Sistine Chapel ceiling 7282:San Pietro in Montorio 7188:Bernardino delle Croci 6707:Saint John the Baptist 6281:The Resurrected Christ 5478:Woman Holding an Apple 3956:Robertson, pp. 229–230 3394:Wolf, Norbert (2006). 3296:The Flaying of Marsyas 3260:San Lio church, Venice 3066: 3063:, Anne of Green Gables 2995: 2918:Santi Giovanni e Paolo 2894: 2834: 2732: 2703:Madonna di Ca' Pesaro. 2681: 2643: 2543: 2269:1755 Lisbon Earthquake 2252: 2172: 2076: 2027: 1985: 1941:The Battle of Anghiari 1867: 1813: 1722:Virgin with the Rabbit 1628: 1572:The Resurrected Christ 1530: 1498: 1364: 1161:Catholicism portal 1057:Discalced Augustinians 1042:Augustinian Recollects 967:Portuguese Inquisition 547:Spanish Golden Century 341:Dalecarlian Rebellions 237:Councils and documents 7475:Italian male painters 7213:Sebastiano del Piombo 7143:Mariotto Albertinelli 7041:Orazio Vecellio (son) 6795:Serravalle Altarpiece 6623:Madonna of the Rabbit 5990:Perseus and Andromeda 5742:The Feast of the Gods 5712:The Three Ages of Man 5238:Cardinal Pietro Bembo 4932:Shepherd with a Flute 4742:essay on Titian from 4699:The Titian Foundation 4556:Titian: The Last Days 4228:Titian: The Last Days 4074:The Renaissance Print 4016:Kennedy, Ian (2006). 3756:Catholic Encyclopedia 3540:Durant, Will (1953). 3340:and the young Titian. 3334:When Was Titian Born? 3202:S. Maria della Salute 2977: 2950:said Titian employed 2910:San Giacomo di Rialto 2882: 2815: 2727: 2675: 2632: 2528: 2455:Perseus and Andromeda 2293:Perseus and Andromeda 2237: 2204:Sebastiano del Piombo 2159: 2062: 2018: 1970: 1929:Battle of Constantine 1862:, c. 1520–1523. 1856: 1792: 1617: 1522: 1486: 1353: 689:Francisco de Zurbarán 594:Artemisia Gentileschi 454:Ignatian spirituality 386:Prayer Book Rebellion 7311:St. Peter's Basilica 7178:Antonio da Correggio 7095:Principal proponents 6631:Madonna of the Roses 6615:Aldobrandini Madonna 6188:Saint Mark Enthroned 6104:Tarquin and Lucretia 6074:Allegory of Prudence 6014:The Death of Actaeon 5959:Mars, Venus and Amor 5880:Allegory of Marriage 5841:The Worship of Venus 5493:Christina of Denmark 5416:Isabella of Portugal 5307:The Vendramin Family 5136:Charles V with a Dog 4778:by Titian (cat. 204) 4503:Crowe, Joseph Archer 4370:Jaffé, David (ed.), 4278:Anne of Green Gables 3223:Museo di Capodimonte 3047:Anne of Green Gables 3042:Lucy Maud Montgomery 2956:Polidoro da Lanciano 2511:Tarquin and Lucretia 2487:The Death of Actaeon 2378:series for Philip II 2351:The Death of Actaeon 2341:The Death of Actaeon 2336:), delivered in 1562 2146:equestrian sculpture 2045:at the same museum, 2002:Sacrifice of Abraham 1882:Camerino d'Alabastro 1641:, where it is still 1549:, and three scenes ( 1462:Fondaco dei Tedeschi 1062:Discalced Carmelites 1014:Second scholasticism 850:Catherine de' Medici 773:Lawrence of Brindisi 564:Gian Lorenzo Bernini 346:German Peasants' War 260:Confutatio Augustana 131:, Republic of Venice 30:For other uses, see 7243:Antonio Vassilacchi 5982:Venus with a Mirror 5864:Bacchus and Ariadne 5826:Woman with a Mirror 5707: – attributed) 5622:The Birth of Adonis 5516:Fabrizio Salvaresio 5454:Philip II in Armour 5207:A Man with a Falcon 5144:Ippolito de' Medici 5098:Federico II Gonzaga 4532:Dalvit, Giulio and 4432:Peter E. Bondanella 3995:"Art and the Bible" 3015:Scottish Government 2980:Woman with a Mirror 2933:Girolamo di Tiziano 2808:Family and workshop 2753:Domenico Campagnola 2534:c. 1560–1562, 2193:Castello Roganzuolo 2012:church at Antwerp. 1873:Bacchus and Ariadne 1859:Bacchus and Ariadne 1829:Woman with a Mirror 1798:, c. 1515, or 1771:Bacchus and Ariadne 1652:Dubrovnik Cathedral 1428:in Vienna, and the 1308:Italian Renaissance 1130:Proto-Protestantism 1019:School of Salamanca 977:Spanish Inquisition 684:Juan de Valdés Leal 366:Pilgrimage of Grace 302:Immensa aeterni Dei 290:Regnans in Excelsis 206:Counter-Reformation 7208:Baldassare Peruzzi 7163:Moretto da Brescia 7148:Pellegrino Aretusi 6954:Penitent Magdalene 6823:Penitent Magdalene 6662:Pilgrims at Emmaus 6646:Penitent Magdalene 6591:Averoldi Polyptych 6112:Flaying of Marsyas 6089:Nymph and Shepherd 6029:The Rape of Europa 6006:Diana and Callisto 5954:(several versions) 5919:Venus and Musician 5408:Charles V (seated) 5377:Pier Luigi Farnese 5276:A Young Englishman 4947:A Man in a Red Cap 4773:Teresa Lignelli, " 4705:Titian's paintings 4651:978-1-911-282-71-6 4635:Salomon, Xavier F. 4516:Volume I (London: 4428:The Life of Titian 4275:Montgomery, Lucy. 3920:The New York Times 3730:Jaffé, pp. 100–111 3083:Portrait of a Lady 3023:Diana and Callisto 3008:in London and the 2996: 2960:Nadalino da Murano 2944:Bonifazio Veronese 2895: 2874:Francesco Vecellio 2835: 2825:, and his nephew, 2771:Painting materials 2733: 2682: 2676:Tomb of Titian in 2644: 2595:Titian was at the 2554:Pilgrims of Emmaus 2544: 2531:The Rape of Europa 2520:Fitzwilliam Museum 2497:Flaying of Marsyas 2471:The Rape of Europa 2439:Diana and Callisto 2366:in Madrid, to the 2358:in London, to the 2329:The Rape of Europa 2321:Diana and Callisto 2312:in London and the 2298:Wallace Collection 2253: 2173: 2142:Battle of Mühlberg 2077: 2028: 1986: 1915:, was reinstated. 1868: 1814: 1629: 1541:church and in the 1531: 1499: 1409:Francesco Vecellio 1401:Sebastiano Luciani 1365: 1110:History of Germany 793:Cardinal Richelieu 753:Ignatius of Loyola 679:Georges de la Tour 614:Giovanni Lanfranco 496:Transubstantiation 356:Tyrone's Rebellion 111:Republic of Venice 7515:Catholic painters 7393: 7392: 7338:The Last Judgment 7127:Leonardo da Vinci 7054: 7053: 6766:Abraham and Isaac 6751:David and Goliath 6456:The Tribute Money 6296:Baptism of Christ 6203:The Gypsy Madonna 6165:Flight into Egypt 5998:Diana and Actaeon 5685:(with Giorgione, 5000:A Knight of Malta 4626:978 1 78023 186 0 4564:978-0-8027-1076-5 4550:978-1-913875-30-5 4534:Peyton, Elizabeth 4448:978-0-271-01627-6 3975:. 28 January 2011 3903:. 16 August 2021. 3376:Pliny the Younger 3197:David and Goliath 3001:Diana and Actaeon 2885:Diana and Actaeon 2656:a picture of the 2624:Madonna and Child 2423:Diana and Actaeon 2305:Diana and Actaeon 2128:Emperor Charles V 2020:Pesaro altarpiece 2006:David and Goliath 1992:of the cupola at 1937:Leonardo da Vinci 1933:Battle of Cascina 1495:Galleria Borghese 1278:. He was born in 1276:Venetian painting 1198: 1197: 1115:Holy Roman Empire 972:Roman Inquisition 768:John of the Cross 728:Robert Bellarmine 659:Peter Paul Rubens 579:Ludovico Carracci 574:Annibale Carracci 486:Spanish mysticism 401:Thirty Years' War 371:Bigod's rebellion 296:Ascendente Domino 180: 179: 125:(aged 87–88) 16:(Redirected from 7527: 7422: 7421: 7410: 7409: 7408: 7401: 7361:Jacob Burckhardt 7306: 7305: 1502–1516 7303: 7269: 7268: 1492–1498 7266: 7223:Andrea del Sarto 7158:Ludovico Beretta 7088:High Renaissance 7081: 7074: 7067: 7058: 7009: 7006: 6986: 6983: 6971: 6968: 6948: 6945: 6925: 6922: 6886: 6883: 6855: 6852: 6832: 6829: 6817: 6814: 6790: 6787: 6775: 6772: 6760: 6757: 6724: 6721: 6693: 6690: 6686: 6683: 6677:Supper at Emmaus 6671: 6668: 6640: 6637: 6585: 6582: 6570: 6567: 6555: 6552: 6539:Gozzi Altarpiece 6534: 6531: 6511: 6508: 6496: 6493: 6465: 6462: 6441: 6438: 6427: 6424: 6413: 6410: 6395: 6392: 6388: 6385: 6373: 6370: 6358: 6355: 6343: 6340: 6320: 6317: 6305: 6302: 6290: 6287: 6275: 6272: 6259: 6256: 6245: 6242: 6227: 6224: 6212: 6209: 6197: 6194: 6174: 6171: 6159: 6156: 6140: 6137: 6098: 6095: 6083: 6080: 6068: 6065: 6053: 6050: 6038: 6035: 6023: 6020: 5968: 5965: 5951:Venus and Adonis 5889: 5886: 5858: 5855: 5849:Venus Anadyomene 5835: 5832: 5820: 5817: 5805: 5802: 5790: 5787: 5775: 5772: 5736: 5733: 5721: 5718: 5706: 5703: 5691: 5688: 5676: 5673: 5667:Pastoral Concert 5661: 5658: 5646: 5643: 5631: 5628: 5616: 5613: 5590: 5587: 5556: 5553: 5533: 5530: 5510: 5507: 5487: 5484: 5448: 5445: 5433: 5430: 5394: 5391: 5371: 5368: 5332: 5329: 5323:Lavinia Vecellio 5299:Clarissa Strozzi 5293: 5290: 5284:Ranuccio Farnese 5270: 5267: 5255: 5252: 5246:Benedetto Varchi 5216: 5213: 5201: 5198: 5122: 5119: 5107: 5104: 5092: 5089: 5075:Alfonso I d'Este 5069: 5066: 5054: 5051: 5045:Man with a Glove 5039: 5036: 5024: 5021: 5009: 5006: 4994: 4991: 4979: 4976: 4970:Jacopo Sannazaro 4956: 4953: 4941: 4938: 4925: 4922: 4911: 4908: 4885: 4882: 4833: 4826: 4819: 4810: 4727:Internet Archive 4672: 4664: 4643:Frick Collection 4613: 4601: 4542:Frick Collection 4487: 4462: 4460: 4459: 4366:978-0-00717582-6 4358:Titian: His Life 4310: 4309:since antiquity. 4295: 4283: 4282: 4272: 4266: 4265: 4258: 4252: 4251: 4237: 4231: 4224: 4218: 4212: 4206: 4205: 4195: 4189: 4186: 4180: 4177: 4171: 4165: 4154: 4151:Titian: His Life 4139: 4133: 4130: 4124: 4121: 4115: 4112: 4106: 4100: 4094: 4090: 4084: 4070: 4064: 4047: 4041: 4038: 4032: 4031: 4013: 4007: 4006: 4004: 4002: 3991: 3985: 3984: 3982: 3980: 3963: 3957: 3954: 3948: 3941: 3935: 3930: 3924: 3923: 3911: 3905: 3904: 3893: 3887: 3884: 3878: 3865: 3859: 3856: 3850: 3843: 3837: 3836: 3834: 3832: 3818: 3812: 3806: 3800: 3794: 3769: 3768: 3766: 3764: 3743: 3742: 3737: 3731: 3728: 3722: 3716: 3710: 3707: 3701: 3698: 3692: 3689: 3683: 3682: 3662: 3656: 3649:The Art Bulletin 3644: 3638: 3635: 3629: 3628: 3626: 3624: 3619:. Abcgallery.com 3612: 3606: 3605: 3603: 3601: 3595:National Gallery 3587: 3581: 3575: 3569: 3559: 3550: 3549: 3537: 3531: 3528: 3522: 3521: 3519: 3517: 3506: 3500: 3487: 3481: 3467: 3461: 3447: 3441: 3435: 3410: 3409: 3391: 3385: 3373: 3367: 3366: 3364: 3362: 3347: 3341: 3323: 3322: 1488/1490 3320: 3315: 3291: 3278:, c. 1572, 3270: 3252: 3237: 3221:, c. 1546; 3213: 3192: 3175: 3172: 3161: 3148:, c. 1520, 3146:Man with a glove 3142: 3131:Royal Collection 3121: 3110:National Gallery 3100: 3079: 3069:Gallery of works 3064: 3061:L. M. Montgomery 3006:National Gallery 2989: 2986: 2922:Christ Fulminant 2831:National Gallery 2699:Palma il Giovane 2697:was finished by 2601:Jacopo Sansovino 2597:Council of Trent 2482: 2466: 2450: 2434: 2418: 2407:Venus and Adonis 2402: 2386: 2365: 2364: 2356:National Gallery 2310:National Gallery 2285:Venus and Adonis 2250: 2249: 2243:, c. 1550. 2171: 2168: 2075: 2074: 1983: 1982: 1976:, c. 1529. 1913:Battle of Cadore 1864:National Gallery 1767: 1766: 1758:Worship of Venus 1627:church in Venice 1609:Giovanni Bellini 1555:Anthony of Padua 1543:Scuola del Santo 1474:, depicting the 1450:Ludovico Ariosto 1393:Giovanni Bellini 1361:National Gallery 1359:, c. 1509, 1266: 1261: 1260: 1259: 1258: 1251: 1248: 1247: 1244: 1241: 1238: 1235: 1218: 1215: 1211: 1206: 1201:Tiziano Vecellio 1190: 1183: 1176: 1159: 1158: 1036:Religious orders 803:Francisco Suárez 798:Francis de Sales 733:Charles Borromeo 654:Jusepe de Ribera 644:Scipione Pulzone 619:Orlando di Lasso 609:Jacobus de Kerle 589:Domenico Fontana 584:Anthony van Dyck 559:Federico Barocci 381:Schmalkaldic War 331:Augsburg Interim 242:Council of Trent 216: 215: 189: 182: 176: 124: 103: 100: 95:Tiziano Vecellio 81: 80: 74:, now housed in 73: 70: 60: 46: 21: 7535: 7534: 7530: 7529: 7528: 7526: 7525: 7524: 7430: 7429: 7428: 7416: 7406: 7404: 7396: 7394: 7389: 7344: 7330:Transfiguration 7304: 7267: 7260:The Last Supper 7247: 7203:Maffeo Olivieri 7183:Piero di Cosimo 7168:Gasparo Cairano 7131: 7102:Donato Bramante 7090: 7085: 7055: 7050: 7029: 7007: 7000:Saint Sebastian 6984: 6969: 6946: 6923: 6884: 6853: 6830: 6815: 6808:The Fall of Man 6788: 6773: 6758: 6722: 6715:Sciarra Madonna 6691: 6684: 6669: 6638: 6583: 6568: 6553: 6532: 6509: 6494: 6463: 6439: 6425: 6411: 6393: 6386: 6371: 6364:Noli me tangere 6356: 6341: 6318: 6303: 6288: 6273: 6257: 6243: 6225: 6210: 6195: 6172: 6157: 6138: 6118: 6096: 6081: 6066: 6051: 6036: 6021: 5966: 5903:Venus of Urbino 5887: 5856: 5833: 5818: 5803: 5788: 5773: 5750:Venus and Cupid 5734: 5719: 5704: 5689: 5674: 5659: 5644: 5629: 5614: 5594: 5588: 5560: 5554: 5547:A Lady in White 5531: 5524:An Unknown Lady 5508: 5485: 5446: 5431: 5392: 5369: 5330: 5291: 5268: 5253: 5214: 5199: 5168:Isabella d'Este 5120: 5105: 5090: 5067: 5052: 5037: 5022: 5007: 4992: 4977: 4954: 4939: 4923: 4909: 4883: 4855: 4842: 4837: 4679: 4655: 4631:Prose, Francine 4610: 4592:Panofsky, Erwin 4590: 4568:Loh, Maria H., 4494: 4492:Further reading 4468: 4457: 4455: 4407:Penny, Nicholas 4319: 4314: 4313: 4296: 4292: 4287: 4286: 4274: 4273: 4269: 4260: 4259: 4255: 4239: 4238: 4234: 4225: 4221: 4213: 4209: 4197: 4196: 4192: 4187: 4183: 4178: 4174: 4170:, p. 1025. 4166: 4157: 4153:(2012), p. 229. 4140: 4136: 4131: 4127: 4122: 4118: 4113: 4109: 4101: 4097: 4091: 4087: 4071: 4067: 4058:Wayback Machine 4048: 4044: 4039: 4035: 4028: 4015: 4014: 4010: 4000: 3998: 3997:. Artbible.info 3993: 3992: 3988: 3978: 3976: 3972:BBC News Online 3965: 3964: 3960: 3955: 3951: 3942: 3938: 3931: 3927: 3913: 3912: 3908: 3895: 3894: 3890: 3885: 3881: 3866: 3862: 3857: 3853: 3844: 3840: 3830: 3828: 3820: 3819: 3815: 3807: 3803: 3799:, p. 1024. 3795: 3772: 3762: 3760: 3745: 3740: 3738: 3734: 3729: 3725: 3717: 3713: 3708: 3704: 3699: 3695: 3690: 3686: 3679: 3664: 3663: 3659: 3645: 3641: 3636: 3632: 3622: 3620: 3614: 3613: 3609: 3599: 3597: 3589: 3588: 3584: 3576: 3572: 3560: 3553: 3542:The Renaissance 3539: 3538: 3534: 3529: 3525: 3515: 3513: 3508: 3507: 3503: 3488: 3484: 3468: 3464: 3449:Fossi, Gloria, 3448: 3444: 3440:, p. 1023. 3436: 3413: 3406: 3393: 3392: 3388: 3374: 3370: 3360: 3358: 3349: 3348: 3344: 3321: 3316: 3312: 3307: 3300: 3292: 3283: 3271: 3262: 3253: 3244: 3238: 3229: 3214: 3205: 3193: 3184: 3173: 3162: 3153: 3143: 3134: 3122: 3113: 3105:Noli me tangere 3101: 3092: 3080: 3071: 3065: 3059: 3031: 2987: 2972: 2889: 2810: 2786:lead-tin yellow 2773: 2722: 2670: 2490: 2483: 2474: 2467: 2458: 2451: 2442: 2435: 2426: 2419: 2410: 2403: 2394: 2387: 2362:Museo del Prado 2247:Museo del Prado 2232: 2169: 2072:Museo del Prado 2041:of the Uffizi, 2038:Venus of Urbino 1980:Museo del Prado 1842: 1764:Museo del Prado 1679:Vatican Museums 1601: 1510:Morto da Feltre 1389:Gentile Bellini 1348: 1343: 1327:Venetian school 1312:Western artists 1280:Pieve di Cadore 1264: 1255: 1254: 1253: 1232: 1228: 1216: 1204: 1194: 1165: 1153: 1145: 1144: 1125:Nation-building 1100: 1092: 1091: 1037: 1029: 1028: 997: 989: 988: 945: 937: 936: 738:Joseph Calasanz 711:Teresa of Ávila 704: 702: 694: 693: 542:Flemish Baroque 520: 518: 508: 507: 491:Tridentine Mass 449:Gregorian chant 434:Confraternities 429: 421: 420: 406:Bohemian Revolt 339: 333: 329: 327:Catholic League 325: 320: 312: 311: 305: 299: 293: 287: 281: 275: 272:Roman Catechism 269: 263: 257: 251: 245: 238: 225: 213: 205: 161:Venetian school 132: 126: 122: 113: 107:Pieve di Cadore 104: 101: 97: 96: 86: 78:Museo del Prado 71: 51: 42: 35: 28: 23: 22: 15: 12: 11: 5: 7533: 7531: 7523: 7522: 7517: 7512: 7507: 7502: 7497: 7492: 7487: 7482: 7477: 7472: 7467: 7462: 7457: 7452: 7447: 7442: 7432: 7431: 7427: 7426: 7414: 7391: 7390: 7388: 7387: 7386: 7385: 7376:Giorgio Vasari 7373: 7368: 7363: 7358: 7352: 7350: 7346: 7345: 7343: 7342: 7334: 7326: 7320: 7314: 7308: 7293: 7285: 7279: 7271: 7255: 7253: 7249: 7248: 7246: 7245: 7240: 7235: 7230: 7225: 7220: 7215: 7210: 7205: 7200: 7195: 7193:Girolamo Genga 7190: 7185: 7180: 7175: 7170: 7165: 7160: 7155: 7153:Fra Bartolomeo 7150: 7145: 7139: 7137: 7133: 7132: 7130: 7129: 7124: 7119: 7114: 7109: 7104: 7098: 7096: 7092: 7091: 7086: 7084: 7083: 7076: 7069: 7061: 7052: 7051: 7049: 7048: 7043: 7037: 7035: 7031: 7030: 7028: 7027: 7019: 7011: 6996: 6988: 6973: 6958: 6950: 6935: 6927: 6912: 6908:The Entombment 6904: 6896: 6888: 6877:Mater Dolorosa 6873: 6865: 6857: 6842: 6834: 6819: 6804: 6798: 6792: 6777: 6762: 6747: 6746: 6745: 6734: 6726: 6711: 6703: 6695: 6673: 6658: 6650: 6642: 6627: 6619: 6611: 6603: 6595: 6587: 6572: 6557: 6542: 6536: 6521: 6517:Pesaro Madonna 6513: 6498: 6483: 6475: 6467: 6452: 6444: 6443: 6442: 6429: 6415: 6397: 6375: 6360: 6345: 6330: 6322: 6307: 6292: 6277: 6262: 6261: 6260: 6247: 6229: 6214: 6199: 6184: 6180:Lochis Madonna 6176: 6161: 6146: 6126: 6124: 6120: 6119: 6117: 6116: 6108: 6100: 6085: 6070: 6055: 6040: 6025: 6010: 6002: 5994: 5986: 5978: 5970: 5955: 5947: 5939: 5931: 5923: 5915: 5907: 5899: 5895:Eleven Caesars 5891: 5876: 5868: 5860: 5845: 5837: 5822: 5807: 5792: 5777: 5762: 5754: 5746: 5738: 5723: 5708: 5693: 5678: 5663: 5648: 5633: 5618: 5602: 5600: 5596: 5595: 5593: 5592: 5577: 5568: 5566: 5565:Self portraits 5562: 5561: 5559: 5558: 5543: 5535: 5520: 5512: 5497: 5489: 5474: 5466: 5458: 5450: 5435: 5420: 5412: 5404: 5396: 5381: 5373: 5358: 5350: 5342: 5334: 5319: 5315:Pietro Aretino 5311: 5303: 5295: 5280: 5272: 5261:Pope Sixtus IV 5257: 5242: 5234: 5226: 5218: 5203: 5188: 5180: 5172: 5164: 5156: 5148: 5140: 5132: 5124: 5109: 5094: 5079: 5071: 5056: 5041: 5026: 5015:Vincenzo Mosti 5011: 4996: 4981: 4966: 4958: 4943: 4928: 4927: 4926: 4913: 4895: 4887: 4872: 4863: 4861: 4857: 4856: 4854: 4853: 4847: 4844: 4843: 4838: 4836: 4835: 4828: 4821: 4813: 4807: 4806: 4792: 4787: 4771: 4765: 4753: 4748: 4734: 4729: 4719:Bell, Malcolm 4717: 4712: 4707: 4702: 4696: 4690: 4678: 4677:External links 4675: 4674: 4673: 4662:"Titian" 4653: 4628: 4616:Nichols, Tom, 4614: 4608: 4588: 4578:978-1789140828 4566: 4554:Hudson, Mark, 4552: 4530: 4521: 4500: 4493: 4490: 4489: 4488: 4478:Chisholm, Hugh 4453: 4424:Ridolfi, Carlo 4421: 4404: 4382: 4368: 4356:Hale, Sheila, 4354: 4337: 4318: 4315: 4312: 4311: 4289: 4288: 4285: 4284: 4267: 4253: 4232: 4219: 4207: 4190: 4181: 4172: 4155: 4143:Xavier Salomon 4134: 4125: 4116: 4107: 4095: 4085: 4076:, Yale, 1996, 4065: 4042: 4033: 4026: 4008: 3986: 3958: 3949: 3936: 3925: 3906: 3888: 3879: 3860: 3851: 3847:Life of Titian 3838: 3813: 3801: 3770: 3732: 3723: 3711: 3702: 3693: 3684: 3677: 3657: 3639: 3630: 3607: 3582: 3570: 3551: 3532: 3523: 3501: 3482: 3462: 3442: 3411: 3404: 3386: 3368: 3342: 3309: 3308: 3306: 3303: 3302: 3301: 3293: 3286: 3284: 3275:The Entombment 3272: 3265: 3263: 3254: 3247: 3245: 3239: 3232: 3230: 3215: 3208: 3206: 3194: 3187: 3185: 3163: 3156: 3154: 3144: 3137: 3135: 3123: 3116: 3114: 3102: 3095: 3093: 3088:'La Schiavona' 3081: 3074: 3070: 3067: 3057: 3044:'s 1908 novel 3030: 3027: 2971: 2968: 2898:Marco Vecellio 2855:Pietro Aretino 2827:Marco Vecellio 2809: 2806: 2772: 2769: 2721: 2718: 2707:Antonio Canova 2669: 2666: 2611:Titianus fecit 2506:Czech Republic 2492: 2491: 2484: 2477: 2475: 2468: 2461: 2459: 2452: 2445: 2443: 2436: 2429: 2427: 2420: 2413: 2411: 2404: 2397: 2395: 2388: 2381: 2379: 2346: 2345: 2337: 2325: 2317: 2301: 2300:, now damaged) 2289: 2281: 2265:Ribeira Palace 2231: 2228: 2170: 1546–47 2043:Venus and Love 1841: 1838: 1744:Alfonso d'Este 1708:of this proto- 1684:Pesaro Madonna 1600: 1597: 1446:Giorgio Vasari 1347: 1344: 1342: 1339: 1217: 1488/90 1196: 1195: 1193: 1192: 1185: 1178: 1170: 1167: 1166: 1164: 1163: 1150: 1147: 1146: 1143: 1142: 1137: 1132: 1127: 1122: 1117: 1112: 1107: 1101: 1099:Related topics 1098: 1097: 1094: 1093: 1090: 1089: 1084: 1079: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1038: 1035: 1034: 1031: 1030: 1027: 1026: 1021: 1016: 1011: 1006: 998: 995: 994: 991: 990: 987: 986: 985: 984: 974: 969: 964: 957: 952: 946: 943: 942: 939: 938: 935: 934: 929: 924: 919: 914: 909: 904: 899: 894: 889: 884: 873: 872: 867: 862: 857: 852: 847: 842: 837: 832: 827: 822: 811: 810: 808:Francis Xavier 805: 800: 795: 790: 785: 780: 775: 770: 765: 760: 755: 750: 745: 743:Peter Canisius 740: 735: 730: 719: 718: 713: 703: 700: 699: 696: 695: 692: 691: 686: 681: 676: 671: 666: 664:Vincenzo Ruffo 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 611: 606: 601: 596: 591: 586: 581: 576: 571: 566: 561: 550: 549: 544: 539: 534: 529: 519: 514: 513: 510: 509: 506: 505: 503:Works of mercy 500: 499: 498: 488: 483: 482: 481: 476: 466: 461: 456: 451: 446: 441: 436: 430: 427: 426: 423: 422: 419: 418: 413: 408: 403: 398: 393: 388: 383: 378: 373: 368: 363: 358: 353: 351:Wars of Kappel 348: 321: 318: 317: 314: 313: 248:Exsurge Domine 239: 236: 235: 232: 231: 227: 226: 217: 209: 208: 200: 199: 191: 190: 178: 177: 169: 168: 164: 163: 158: 154: 153: 148: 144: 143: 138: 134: 133: 127: 121:27 August 1576 119: 115: 114: 105: 102: 1488/90 94: 92: 88: 87: 61: 53: 52: 49: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7532: 7521: 7518: 7516: 7513: 7511: 7508: 7506: 7503: 7501: 7498: 7496: 7493: 7491: 7488: 7486: 7483: 7481: 7478: 7476: 7473: 7471: 7468: 7466: 7463: 7461: 7458: 7456: 7453: 7451: 7448: 7446: 7443: 7441: 7438: 7437: 7435: 7425: 7420: 7415: 7413: 7403: 7399: 7384: 7383: 7379: 7378: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7353: 7351: 7347: 7340: 7339: 7335: 7332: 7331: 7327: 7324: 7323:Raphael Rooms 7321: 7318: 7315: 7312: 7309: 7299: 7298: 7294: 7291: 7290: 7286: 7283: 7280: 7277: 7276: 7272: 7262: 7261: 7257: 7256: 7254: 7250: 7244: 7241: 7239: 7238:Palma Vecchio 7236: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7216: 7214: 7211: 7209: 7206: 7204: 7201: 7199: 7198:Lorenzo Lotto 7196: 7194: 7191: 7189: 7186: 7184: 7181: 7179: 7176: 7174: 7173:Giulio Clovio 7171: 7169: 7166: 7164: 7161: 7159: 7156: 7154: 7151: 7149: 7146: 7144: 7141: 7140: 7138: 7136:Other artists 7134: 7128: 7125: 7123: 7120: 7118: 7115: 7113: 7110: 7108: 7105: 7103: 7100: 7099: 7097: 7093: 7089: 7082: 7077: 7075: 7070: 7068: 7063: 7062: 7059: 7047: 7044: 7042: 7039: 7038: 7036: 7032: 7025: 7024: 7020: 7017: 7016: 7012: 7002: 7001: 6997: 6994: 6993: 6989: 6979: 6978: 6974: 6964: 6963: 6962:Saint Dominic 6959: 6956: 6955: 6951: 6941: 6940: 6936: 6933: 6932: 6928: 6918: 6917: 6913: 6910: 6909: 6905: 6902: 6901: 6897: 6894: 6893: 6889: 6879: 6878: 6874: 6871: 6870: 6866: 6863: 6862: 6858: 6848: 6847: 6843: 6840: 6839: 6835: 6825: 6824: 6820: 6810: 6809: 6805: 6802: 6799: 6796: 6793: 6783: 6782: 6781:Cain and Abel 6778: 6768: 6767: 6763: 6753: 6752: 6748: 6743: 6740: 6739: 6738: 6735: 6732: 6731: 6727: 6717: 6716: 6712: 6709: 6708: 6704: 6701: 6700: 6696: 6679: 6678: 6674: 6664: 6663: 6659: 6656: 6655: 6651: 6648: 6647: 6643: 6633: 6632: 6628: 6625: 6624: 6620: 6617: 6616: 6612: 6609: 6608: 6604: 6601: 6600: 6596: 6593: 6592: 6588: 6578: 6577: 6573: 6563: 6562: 6558: 6548: 6547: 6543: 6540: 6537: 6527: 6526: 6522: 6519: 6518: 6514: 6504: 6503: 6499: 6489: 6488: 6484: 6481: 6480: 6476: 6473: 6472: 6468: 6458: 6457: 6453: 6450: 6449: 6445: 6434: 6430: 6420: 6416: 6406: 6403: 6402: 6401: 6398: 6381: 6380: 6376: 6366: 6365: 6361: 6351: 6350: 6346: 6336: 6335: 6331: 6328: 6327: 6323: 6313: 6312: 6308: 6298: 6297: 6293: 6283: 6282: 6278: 6268: 6267: 6263: 6252: 6248: 6238: 6235: 6234: 6233: 6230: 6220: 6219: 6215: 6205: 6204: 6200: 6190: 6189: 6185: 6182: 6181: 6177: 6167: 6166: 6162: 6152: 6151: 6150:Bache Madonna 6147: 6144: 6133: 6132: 6128: 6127: 6125: 6121: 6114: 6113: 6109: 6106: 6105: 6101: 6091: 6090: 6086: 6076: 6075: 6071: 6061: 6060: 6056: 6046: 6045: 6041: 6031: 6030: 6026: 6016: 6015: 6011: 6008: 6007: 6003: 6000: 5999: 5995: 5992: 5991: 5987: 5984: 5983: 5979: 5976: 5975: 5971: 5961: 5960: 5956: 5953: 5952: 5948: 5945: 5944: 5940: 5937: 5936: 5932: 5929: 5928: 5924: 5921: 5920: 5916: 5913: 5912: 5908: 5905: 5904: 5900: 5897: 5896: 5892: 5882: 5881: 5877: 5874: 5873: 5869: 5866: 5865: 5861: 5851: 5850: 5846: 5843: 5842: 5838: 5828: 5827: 5823: 5813: 5812: 5808: 5798: 5797: 5793: 5783: 5782: 5778: 5768: 5767: 5763: 5760: 5759: 5755: 5752: 5751: 5747: 5744: 5743: 5739: 5729: 5728: 5724: 5714: 5713: 5709: 5699: 5698: 5694: 5684: 5683: 5682:Dresden Venus 5679: 5669: 5668: 5664: 5654: 5653: 5649: 5639: 5638: 5634: 5624: 5623: 5619: 5609: 5608: 5604: 5603: 5601: 5597: 5583: 5582: 5581:Self-Portrait 5578: 5575: 5574: 5573:Self-Portrait 5570: 5569: 5567: 5563: 5549: 5548: 5544: 5541: 5540: 5539:Jacopo Strada 5536: 5526: 5525: 5521: 5518: 5517: 5513: 5503: 5502: 5498: 5495: 5494: 5490: 5480: 5479: 5475: 5472: 5471: 5467: 5464: 5463: 5459: 5456: 5455: 5451: 5441: 5440: 5436: 5426: 5425: 5421: 5418: 5417: 5413: 5410: 5409: 5405: 5402: 5401: 5397: 5387: 5386: 5385:Andrea Gritti 5382: 5379: 5378: 5374: 5364: 5363: 5359: 5356: 5355: 5351: 5348: 5347: 5343: 5340: 5339: 5338:Pope Paul III 5335: 5325: 5324: 5320: 5317: 5316: 5312: 5309: 5308: 5304: 5301: 5300: 5296: 5286: 5285: 5281: 5278: 5277: 5273: 5263: 5262: 5258: 5248: 5247: 5243: 5240: 5239: 5235: 5232: 5231: 5227: 5224: 5223: 5219: 5209: 5208: 5204: 5194: 5193: 5189: 5186: 5185: 5184:Girl in a Fur 5181: 5178: 5177: 5173: 5170: 5169: 5165: 5162: 5161: 5157: 5154: 5153: 5152:Giacomo Doria 5149: 5146: 5145: 5141: 5138: 5137: 5133: 5130: 5129: 5125: 5115: 5114: 5110: 5100: 5099: 5095: 5085: 5084: 5080: 5077: 5076: 5072: 5062: 5061: 5057: 5047: 5046: 5042: 5032: 5031: 5027: 5017: 5016: 5012: 5002: 5001: 4997: 4987: 4986: 4982: 4972: 4971: 4967: 4964: 4963: 4959: 4949: 4948: 4944: 4934: 4933: 4929: 4918: 4914: 4904: 4901: 4900: 4899: 4896: 4893: 4892: 4888: 4878: 4877: 4873: 4870: 4869: 4865: 4864: 4862: 4858: 4852: 4851:List of works 4849: 4848: 4845: 4841: 4834: 4829: 4827: 4822: 4820: 4815: 4814: 4811: 4805: 4801: 4797: 4793: 4791: 4788: 4785: 4784: 4779: 4777: 4772: 4769: 4766: 4764: 4760: 4759: 4754: 4752: 4749: 4747: 4746: 4741: 4738: 4735: 4733: 4730: 4728: 4724: 4723: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4700: 4697: 4694: 4691: 4688: 4684: 4681: 4680: 4676: 4670: 4669: 4663: 4658: 4654: 4652: 4648: 4644: 4640: 4636: 4632: 4629: 4627: 4623: 4619: 4615: 4611: 4605: 4600: 4599: 4593: 4589: 4587: 4583: 4579: 4575: 4571: 4567: 4565: 4561: 4557: 4553: 4551: 4547: 4543: 4539: 4535: 4531: 4528: 4526: 4522: 4519: 4515: 4513: 4508: 4504: 4501: 4499: 4496: 4495: 4491: 4485: 4484: 4479: 4475: 4471: 4466: 4465:public domain 4454: 4452: 4449: 4445: 4441: 4440:0-271-01627-2 4437: 4433: 4429: 4426:(1594–1658); 4425: 4422: 4420: 4419:1-85709-913-3 4416: 4412: 4408: 4405: 4403: 4399: 4395: 4391: 4387: 4383: 4381: 4380:1-85709-903-6 4377: 4373: 4369: 4367: 4363: 4359: 4355: 4353: 4352:0-947645-22-5 4349: 4345: 4341: 4338: 4336: 4335:0-8133-9043-5 4332: 4328: 4324: 4321: 4320: 4316: 4308: 4304: 4300: 4294: 4291: 4280: 4279: 4271: 4268: 4263: 4257: 4254: 4249: 4248: 4243: 4236: 4233: 4229: 4226:Mark Hudson, 4223: 4220: 4216: 4211: 4208: 4203: 4202: 4194: 4191: 4185: 4182: 4176: 4173: 4169: 4168:Rossetti 1911 4164: 4162: 4160: 4156: 4152: 4148: 4144: 4138: 4135: 4129: 4126: 4120: 4117: 4111: 4108: 4104: 4099: 4096: 4089: 4086: 4083: 4082:0-300-06883-2 4079: 4075: 4069: 4066: 4062: 4059: 4055: 4052: 4046: 4043: 4040:Hale, 722-723 4037: 4034: 4029: 4027:9783822849125 4023: 4019: 4012: 4009: 3996: 3990: 3987: 3974: 3973: 3968: 3962: 3959: 3953: 3950: 3946: 3940: 3937: 3934: 3929: 3926: 3921: 3917: 3910: 3907: 3902: 3898: 3892: 3889: 3886:Penny, 249–50 3883: 3880: 3877: 3876:84-87317-53-7 3873: 3869: 3864: 3861: 3855: 3852: 3848: 3845:R. F. Heath, 3842: 3839: 3827: 3823: 3817: 3814: 3811: 3805: 3802: 3798: 3797:Rossetti 1911 3793: 3791: 3789: 3787: 3785: 3783: 3781: 3779: 3777: 3775: 3771: 3758: 3757: 3752: 3748: 3736: 3733: 3727: 3724: 3721: 3715: 3712: 3706: 3703: 3697: 3694: 3688: 3685: 3680: 3678:9781951530242 3674: 3670: 3669: 3661: 3658: 3655: 3651: 3650: 3643: 3640: 3634: 3631: 3618: 3615:Olga Mataev. 3611: 3608: 3596: 3592: 3586: 3583: 3580: 3574: 3571: 3568: 3567:1-85709-903-6 3564: 3558: 3556: 3552: 3547: 3543: 3536: 3533: 3527: 3524: 3511: 3505: 3502: 3499: 3498:0-947645-22-5 3495: 3491: 3486: 3483: 3480: 3479:0-300-07220-1 3476: 3472: 3466: 3463: 3460: 3459:88-09-01771-4 3456: 3452: 3446: 3443: 3439: 3438:Rossetti 1911 3434: 3432: 3430: 3428: 3426: 3424: 3422: 3420: 3418: 3416: 3412: 3407: 3405:9783791333847 3401: 3397: 3390: 3387: 3383: 3382: 3377: 3372: 3369: 3356: 3352: 3346: 3343: 3339: 3335: 3331: 3327: 3314: 3311: 3304: 3298: 3297: 3290: 3285: 3281: 3277: 3276: 3269: 3264: 3261: 3257: 3251: 3246: 3242: 3236: 3231: 3228: 3224: 3220: 3219: 3212: 3207: 3203: 3199: 3198: 3191: 3186: 3183: 3179: 3178:Palazzo Pitti 3168: 3167: 3160: 3155: 3151: 3150:Louvre Museum 3147: 3141: 3136: 3132: 3128: 3127: 3120: 3115: 3111: 3107: 3106: 3099: 3094: 3090: 3089: 3084: 3078: 3073: 3068: 3062: 3056: 3051: 3049: 3048: 3043: 3039: 3035: 3028: 3026: 3024: 3020: 3016: 3011: 3007: 3003: 3002: 2993: 2982: 2981: 2976: 2969: 2967: 2965: 2964:Damiano Mazza 2961: 2957: 2953: 2949: 2948:Giulio Clovio 2945: 2941: 2940:Paris Bordone 2936: 2934: 2930: 2925: 2923: 2919: 2915: 2911: 2907: 2905: 2899: 2892: 2887: 2886: 2881: 2877: 2875: 2870: 2867: 2862: 2860: 2856: 2852: 2846: 2844: 2840: 2832: 2828: 2824: 2820: 2819: 2814: 2807: 2805: 2803: 2799: 2795: 2791: 2787: 2783: 2779: 2770: 2768: 2766: 2762: 2761:Cornelis Cort 2758: 2754: 2750: 2746: 2742: 2738: 2730: 2726: 2719: 2717: 2715: 2710: 2708: 2704: 2700: 2696: 2692: 2687: 2679: 2674: 2667: 2665: 2663: 2659: 2655: 2651: 2650: 2641: 2637: 2636: 2631: 2627: 2625: 2621: 2620: 2614: 2612: 2608: 2607: 2602: 2598: 2593: 2589: 2587: 2583: 2579: 2575: 2571: 2567: 2563: 2559: 2555: 2551: 2550: 2541: 2537: 2533: 2532: 2527: 2523: 2521: 2517: 2513: 2512: 2507: 2503: 2499: 2498: 2489: 2488: 2481: 2476: 2473: 2472: 2465: 2460: 2457: 2456: 2449: 2444: 2441: 2440: 2433: 2428: 2425: 2424: 2417: 2412: 2409: 2408: 2401: 2396: 2393: 2392: 2385: 2380: 2377: 2373: 2371: 2369: 2363: 2357: 2353: 2352: 2343: 2342: 2338: 2335: 2331: 2330: 2326: 2323: 2322: 2318: 2315: 2311: 2307: 2306: 2302: 2299: 2295: 2294: 2290: 2287: 2286: 2282: 2279: 2278: 2274: 2273: 2272: 2270: 2266: 2262: 2257: 2248: 2242: 2241: 2236: 2229: 2227: 2225: 2221: 2217: 2213: 2209: 2205: 2201: 2196: 2194: 2189: 2187: 2183: 2179: 2164: 2163: 2162:Self-Portrait 2158: 2154: 2152: 2147: 2143: 2139: 2138: 2133: 2129: 2125: 2124: 2119: 2118: 2113: 2112: 2107: 2103: 2102: 2096: 2094: 2090: 2086: 2082: 2073: 2067: 2066: 2061: 2057: 2054: 2050: 2049: 2044: 2040: 2039: 2033: 2025: 2021: 2017: 2013: 2011: 2007: 2003: 1999: 1998:Death of Abel 1995: 1991: 1981: 1975: 1974: 1969: 1965: 1962: 1958: 1954: 1950: 1946: 1942: 1938: 1934: 1930: 1926: 1922: 1916: 1914: 1910: 1906: 1901: 1899: 1895: 1891: 1887: 1883: 1879: 1875: 1874: 1865: 1861: 1860: 1855: 1851: 1849: 1848: 1839: 1837: 1835: 1831: 1830: 1825: 1821: 1820: 1811: 1807: 1803: 1802: 1797: 1796: 1791: 1787: 1785: 1781: 1777: 1774:(1520–23) in 1773: 1772: 1765: 1759: 1755: 1754: 1749: 1745: 1741: 1740: 1735: 1731: 1727: 1723: 1719: 1714: 1711: 1707: 1703: 1699: 1698: 1692: 1688: 1686: 1685: 1680: 1676: 1672: 1668: 1663: 1661: 1657: 1653: 1648: 1644: 1640: 1636: 1635: 1626: 1622: 1621: 1616: 1612: 1610: 1606: 1605:Giorgionesque 1598: 1596: 1594: 1589: 1585: 1581: 1576: 1574: 1573: 1568: 1564: 1560: 1556: 1552: 1548: 1544: 1540: 1536: 1528: 1527: 1521: 1517: 1515: 1511: 1506: 1504: 1496: 1492: 1490: 1485: 1481: 1479: 1478: 1473: 1469: 1468: 1463: 1457: 1455: 1451: 1447: 1443: 1442: 1437: 1435: 1431: 1427: 1426: 1425:Gypsy Madonna 1421: 1417: 1412: 1410: 1406: 1402: 1398: 1397:Lorenzo Lotto 1394: 1390: 1386: 1380: 1378: 1372: 1370: 1362: 1358: 1357: 1352: 1345: 1340: 1338: 1334: 1332: 1328: 1324: 1320: 1315: 1313: 1309: 1305: 1304: 1300: 1295: 1293: 1289: 1285: 1281: 1277: 1273: 1269: 1268: 1257: 1250: 1226: 1222: 1210: 1202: 1191: 1186: 1184: 1179: 1177: 1172: 1171: 1169: 1168: 1162: 1157: 1152: 1151: 1149: 1148: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1102: 1096: 1095: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1039: 1033: 1032: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1004: 1000: 999: 993: 992: 983: 980: 979: 978: 975: 973: 970: 968: 965: 963: 962: 958: 956: 953: 951: 948: 947: 941: 940: 933: 930: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 879: 878: 877: 871: 868: 866: 865:Sigismund III 863: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 817: 816: 815: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 778:Péter Pázmány 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 725: 724: 723: 717: 714: 712: 709: 708: 707: 698: 697: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 599:Luca Giordano 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 556: 555: 554: 548: 545: 543: 540: 538: 535: 533: 530: 528: 525: 524: 523: 517: 512: 511: 504: 501: 497: 494: 493: 492: 489: 487: 484: 480: 477: 475: 472: 471: 470: 469:Popular piety 467: 465: 462: 460: 459:Interior life 457: 455: 452: 450: 447: 445: 442: 440: 439:Devotionalism 437: 435: 432: 431: 425: 424: 417: 414: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 382: 379: 377: 374: 372: 369: 367: 364: 362: 359: 357: 354: 352: 349: 347: 344: 343: 342: 338: 337: 332: 328: 324: 323:Diet of Worms 316: 315: 310: 309: 304: 303: 298: 297: 292: 291: 286: 285: 280: 279: 274: 273: 268: 267: 262: 261: 256: 255: 250: 249: 244: 243: 234: 233: 229: 228: 224: 220: 211: 210: 207: 201: 197: 193: 192: 188: 184: 183: 175: 170: 165: 162: 159: 155: 152: 149: 145: 142: 139: 135: 130: 120: 116: 112: 108: 93: 89: 85: 79: 66: 65: 64:Self-Portrait 59: 54: 47: 44: 40: 33: 19: 7455:1480s births 7380: 7371:Leonardeschi 7336: 7328: 7295: 7287: 7273: 7258: 7121: 7112:Michelangelo 7026: (1576) 7021: 7013: 6998: 6990: 6975: 6960: 6952: 6937: 6931:Annunciation 6929: 6914: 6906: 6898: 6890: 6875: 6867: 6859: 6844: 6836: 6821: 6806: 6779: 6764: 6749: 6736: 6728: 6713: 6705: 6697: 6675: 6660: 6652: 6644: 6629: 6621: 6613: 6605: 6597: 6589: 6574: 6559: 6544: 6523: 6515: 6500: 6485: 6477: 6469: 6454: 6446: 6399: 6377: 6362: 6347: 6332: 6324: 6309: 6294: 6279: 6264: 6231: 6216: 6201: 6186: 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Retrieved 3354: 3345: 3313: 3294: 3280:Prado Museum 3273: 3255: 3216: 3195: 3164: 3145: 3124: 3103: 3086: 3082: 3053: 3045: 3038:Anne Shirley 3032: 3022: 3000: 2997: 2978: 2937: 2928: 2926: 2921: 2914:Annunciation 2913: 2901: 2896: 2893:, Edinburgh. 2888:, 1556–1559. 2883: 2871: 2863: 2847: 2836: 2816: 2774: 2765:Martino Rota 2748: 2734: 2728: 2711: 2702: 2694: 2683: 2648: 2645: 2634: 2617: 2615: 2610: 2606:Annunciation 2604: 2594: 2590: 2581: 2577: 2569: 2565: 2561: 2557: 2553: 2547: 2545: 2530: 2509: 2495: 2493: 2485: 2469: 2453: 2437: 2422: 2405: 2390: 2375: 2349: 2347: 2339: 2327: 2319: 2316:in Edinburgh 2303: 2291: 2283: 2275: 2258: 2254: 2238: 2200:Michelangelo 2197: 2190: 2182:Michelangelo 2174: 2161: 2135: 2131: 2121: 2115: 2109: 2099: 2097: 2085:Pitti Palace 2080: 2078: 2063: 2046: 2042: 2035: 2029: 2005: 2001: 1997: 1987: 1971: 1952: 1948: 1944: 1940: 1932: 1928: 1917: 1912: 1909:Il Pordenone 1904: 1902: 1894:Michelangelo 1876:, depicting 1871: 1869: 1857: 1845: 1843: 1827: 1817: 1815: 1800: 1793: 1769: 1757: 1751: 1737: 1733: 1721: 1715: 1702:San Zanipolo 1695: 1693: 1689: 1682: 1666: 1664: 1642: 1632: 1630: 1618: 1602: 1584:ducal palace 1579: 1577: 1570: 1566: 1562: 1558: 1550: 1546: 1532: 1524: 1507: 1503:arte moderna 1502: 1500: 1487: 1475: 1465: 1458: 1439: 1438: 1429: 1423: 1413: 1381: 1373: 1366: 1354: 1335: 1316: 1301: 1296: 1287: 1224: 1220: 1200: 1199: 1001: 959: 927:Gregory XIII 875: 874: 845:Maximilian I 825:Ferdinand II 813: 812: 788:Matteo Ricci 721: 720: 705: 673: 639:Andrea Pozzo 634:Mattia Preti 552: 551: 521: 479:Sacred Heart 428:Spirituality 334: 306: 300: 294: 288: 282: 276: 270: 264: 258: 252: 246: 240: 218: 123:(1576-08-27) 62: 43: 7460:1576 deaths 7424:Visual arts 7341:(1536–1541) 7333:(1516–1520) 7325:(1509–1524) 7319:(1508–1512) 7313:(1506–1513) 7292:(1501–1504) 7278:(1498–1499) 7252:Major works 7008: 1575 6995:(1572–1575) 6985: 1570 6970: 1565 6947: 1560 6934:(1559–1564) 6924: 1559 6900:Crucifixion 6885: 1555 6854: 1548 6831: 1550 6816: 1550 6789: 1543 6774: 1543 6759: 1542 6723: 1540 6702:(1534–1538) 6692: 1545 6685: 1534 6670: 1533 6639: 1530 6594:(1520–1522) 6584: 1520 6569: 1520 6554: 1520 6533: 1519 6520:(1519–1526) 6510: 1516 6495: 1515 6482:(1516–1518) 6474:(1516–1518) 6464: 1516 6440: 1570 6426: 1550 6412: 1515 6394: 1540 6387: 1512 6372: 1514 6357: 1513 6342: 1512 6319: 1510 6304: 1512 6289: 1511 6274: 1511 6258: 1520 6244: 1510 6226: 1510 6211: 1510 6196: 1510 6183:(1508–1510) 6173: 1508 6158: 1508 6139: 1505 6115:(1570–1576) 6097: 1570 6082: 1565 6067: 1565 6052: 1543 6044:The Concert 6037: 1560 6022: 1559 6009:(1556–1559) 6001:(1556–1559) 5993:(1554–1556) 5974:Pardo Venus 5967: 1550 5898:(1536–1540) 5888: 1530 5875:(1523–1526) 5867:(1520–1523) 5857: 1520 5834: 1515 5819: 1515 5804: 1515 5789: 1515 5774: 1515 5753:(1510–1515) 5735: 1514 5720: 1512 5705: 1510 5690: 1510 5675: 1509 5660: 1508 5645: 1506 5630: 1506 5615: 1500 5589: 1560 5576:(1546–1547) 5555: 1561 5542:(1567–1568) 5532: 1550 5509: 1555 5496:(1555–1556) 5486: 1550 5447: 1550 5432: 1550 5393: 1546 5370: 1545 5357:(1545–1546) 5349:(1545–1546) 5341:(1545–1546) 5331: 1545 5310:(1543–1547) 5292: 1542 5279:(1540–1545) 5269: 1540 5254: 1540 5241:(1539–1540) 5215: 1537 5200: 1535 5187:(1536–1538) 5171:(1534–1536) 5163:(1533–1535) 5155:(1533–1535) 5147:(1532–1533) 5121: 1531 5106: 1529 5091: 1525 5068: 1520 5053: 1520 5038: 1520 5023: 1520 5008: 1515 4993: 1515 4978: 1514 4955: 1510 4940: 1510 4924: 1515 4910: 1512 4894:(1510–1512) 4884: 1509 4871:(1503–1506) 4770:, ColourLex 4518:John Murray 4323:Cole, Bruce 4262:"Yahoo.com" 4105:, ColourLex 3617:"Ecce Homo" 3490:Cecil Gould 3317:See below; 3200:, 1542–44, 3174: 1536 3129:, 1514–18, 3108:, 1511–15, 3034:Titian hair 3029:Titian hair 2988: 1515 2970:Present day 2904:Clement VII 2778:ultramarine 2741:printmaking 2720:Printmaking 2654:Franciscans 2586:Crucifixion 2574:chiaroscuro 2230:Final years 2212:Holy Orders 2022:, 1521–26, 1990:pendentives 1808:as models. 1780:Renaissance 1588:Grand Canal 1580:La Senseria 1346:Early years 1140:Renaissance 1135:Reformation 944:Inquisition 892:Clement VII 860:Sigismund I 783:Philip Neri 763:John Fisher 716:Thomas More 221:(1665), by 137:Nationality 72: 1567 7434:Categories 5697:The Lovers 4962:A Sick Man 4802:, and the 4609:0714813257 4586:178914082X 4402:0297783238 4394:0810909855 4317:References 4307:the region 4001:30 January 3979:30 January 3858:Penny, 204 3808:"Titian", 3763:30 January 3623:30 January 3516:30 January 3361:30 January 2866:Tintoretto 2684:While the 2584:, Louvre; 2582:St. Jerome 2224:Queen Mary 1834:courtesans 1806:courtesans 1786:himself." 1734:Entombment 1726:The Louvre 1706:engravings 1667:Assumption 1436:, Venice. 1385:mosaicists 1270:), was an 1072:Oratorians 1047:Barnabites 907:Julius III 669:Tintoretto 649:Guido Reni 411:Rohan Wars 308:Unigenitus 147:Occupation 7382:The Lives 7297:Mona Lisa 7233:Tamagnino 7228:Il Sodoma 7107:Giorgione 6861:La Gloria 6737:Ecce Homo 6733:(1542–43) 6549:(Vienna; 6143:Giorgione 6123:Religious 5844:(1518–19) 5766:The Bravo 5470:Philip II 5439:A General 5160:Charles V 4860:Portraits 4761:from the 4472:(1911). " 4281:. Pitman. 4132:Hale, 486 4123:Hale, 249 4114:Hale, 215 3396:I, Titian 3338:Giorgione 3243:, c. 1552 3091:) 1510-12 2833:, London. 2782:vermilion 2737:engraving 2642:, Venice. 2516:Cambridge 2374:Titian's 2332:(Boston, 2251:, Madrid. 2220:Philip II 2093:Velázquez 2089:Rembrandt 2053:Giorgione 1984:, Madrid. 1961:Bolognese 1953:Ecce Homo 1921:d'Alviano 1866:, London. 1732:, is the 1539:Carmelite 1477:Ecce Homo 1454:Rembrandt 1434:Accademia 1405:Giorgione 1341:Biography 1323:Giorgione 1319:Habsburgs 1288:da Cadore 1087:Ursulines 1082:Theatines 1052:Capuchins 887:Adrian VI 870:William V 855:Philip II 835:Louis XIV 830:Leopold I 820:Charles V 532:Polyphony 527:Mannerism 464:Mariology 376:Dacke War 167:Signature 7412:Painting 6314:(Paris; 5935:Sisyphus 5811:Violante 5176:La Bella 4903:New York 4659:(1888). 4645:, 2020, 4594:(1969). 4544:, 2022, 4054:Archived 3822:"Titian" 3751:"Titian" 3749:(1913). 3299:, 1570s 3282:, Madrid 3258:, 1558, 3204:, Venice 3182:Florence 3166:La Bella 3058:— 2952:El Greco 2802:orpiment 2745:woodcuts 2680:, Venice 2568:and the 2502:Kroměříž 2216:Augsburg 2081:La Bella 2068:, 1548, 2026:, Venice 1840:Maturity 1768:and the 1756:and the 1739:camerino 1718:Madonnas 1647:Signoria 1420:Hercules 1377:notaries 1363:, London 1303:Paradiso 1290:, 'from 1221:Titianus 1205:Italian: 1077:Piarists 1024:Molinism 932:Sixtus V 902:Paul III 897:Pius III 814:Monarchs 758:John Eck 604:El Greco 319:Politics 204:Catholic 196:a series 194:Part of 157:Movement 7398:Portals 7349:Related 7117:Raphael 7034:Related 6433:Private 6389:–1514; 6237:Glasgow 5652:Justice 5599:Secular 4520:, 1877) 4480:(ed.). 4467:: 3849:, p. 5. 3381:Letters 3152:, Paris 3040:, from 2906:in 1529 2798:realgar 2794:azurite 2570:Antiope 2562:Trinity 2178:Raphael 1925:Raphael 1898:Raphael 1886:Ferrara 1878:Theseus 1822:in the 1812:, Rome. 1760:in the 1748:Ferrara 1710:Baroque 1675:Brescia 1660:Croatia 1643:in situ 1537:in the 1514:Fontana 1470:in the 1299:Dante's 1284:Belluno 1282:, near 1067:Jesuits 917:Pius IV 912:Paul IV 748:Erasmus 553:Artists 537:Baroque 522:Schools 141:Italian 18:Tiziano 7440:Titian 7284:(1500) 7122:Titian 7018:(1576) 6957:(1565) 6911:(1559) 6903:(1558) 6895:(1575) 6872:(1554) 6864:(1554) 6856:–1559) 6841:(1552) 6803:(1549) 6797:(1548) 6791:–1545) 6776:–1544) 6761:–1544) 6744:, 1543 6742:Vienna 6710:(1540) 6672:–1534) 6657:(1531) 6649:(1531) 6626:(1530) 6618:(1530) 6610:(1529) 6602:(1525) 6541:(1520) 6512:–1520) 6497:–1520) 6451:(1515) 6419:Madrid 6400:Salome 6396:–1545) 6329:(1511) 6321:–1525) 6251:Vienna 6084:–1570) 6054:–1564) 6039:–1562) 6024:–1575) 5985:(1555) 5977:(1551) 5938:(1549) 5930:(1549) 5927:Tityus 5914:(1540) 5906:(1538) 5890:–1535) 5796:Vanity 5761:(1515) 5745:(1514) 5722:–1514) 5647:–1508) 5632:–1508) 5519:(1558) 5511:–1558) 5488:–1555) 5473:(1554) 5465:(1552) 5457:(1551) 5434:–1551) 5419:(1548) 5411:(1548) 5403:(1548) 5395:–1550) 5380:(1546) 5372:–1546) 5318:(1545) 5302:(1542) 5233:(1538) 5225:(1538) 5202:–1540) 5179:(1536) 5139:(1533) 5131:(1533) 5123:–1532) 5093:–1565) 5083:A Lady 5078:(1523) 5070:–1525) 4980:–1518) 4965:(1515) 4957:–1515) 4942:–1515) 4840:Titian 4780:," in 4687:Art UK 4649: 4641:, The 4624: 4606: 4584: 4576: 4562: 4548: 4540:, The 4476:". In 4474:Titian 4461: 4446: 4438: 4417: 4400: 4392: 4378: 4372:Titian 4364: 4350: 4333: 4080: 4024: 4018:Titian 3874: 3831:26 May 3744: 3675: 3600:26 May 3565: 3496: 3477: 3457: 3402: 3227:Naples 3112:London 2992:Louvre 2859:Mantua 2851:Murano 2843:Orazio 2839:Cadore 2823:Orazio 2792:, and 2790:ochres 2757:prints 2714:Orazio 2686:plague 2566:poesie 2540:Rubens 2376:poesie 2114:, the 2106:Naples 2010:Jesuit 1957:Vienna 1935:, and 1824:Uffizi 1801:Judith 1784:Rubens 1776:London 1730:Louvre 1671:Ancona 1656:Ragusa 1599:Growth 1565:, and 1497:, Rome 1493:1514, 1416:fresco 1292:Cadore 1225:Titian 922:Pius V 840:Mary I 722:Clergy 706:People 701:People 674:Titian 474:Rosary 151:Artist 129:Venice 84:Madrid 50:Titian 7289:David 7275:Pietà 7023:Pietà 5943:Danaë 5781:Flora 4898:A Man 4763:C2RMF 4725:, at 4299:Italy 3579:image 3384:9.23. 3305:Notes 2916:; in 2912:, an 2908:; in 2695:Pietà 2668:Death 2662:sibyl 2658:Pietà 2649:Pietà 2635:Pietà 2391:Danaë 2277:Danaë 2186:Milan 1888:, by 1847:Danaë 1819:Flora 1724:, in 1658:(now 1654:, in 1625:Frari 1593:Doges 1535:Padua 1252: 882:Leo X 876:Popes 6405:Rome 6291:–12) 4689:site 4647:ISBN 4633:and 4622:ISBN 4604:ISBN 4582:ISBN 4574:ISBN 4560:ISBN 4546:ISBN 4505:and 4444:ISBN 4436:ISBN 4415:ISBN 4398:ISBN 4390:ISBN 4376:ISBN 4362:ISBN 4348:ISBN 4331:ISBN 4078:ISBN 4022:ISBN 4003:2011 3981:2011 3901:WBUR 3872:ISBN 3833:2023 3765:2011 3673:ISBN 3625:2011 3602:2013 3563:ISBN 3518:2011 3494:ISBN 3475:ISBN 3455:ISBN 3400:ISBN 3363:2011 3328:and 3133:, UK 2942:and 2800:and 2261:Ovid 2208:seal 2091:and 2036:The 2032:Rome 1896:and 1826:and 1265:TISH 118:Died 91:Born 4093:II. 2522:). 2104:of 1939:'s 1927:'s 1746:in 1742:of 1662:). 1418:of 1329:of 1267:-ən 516:Art 82:in 7436:: 7302:c. 7265:c. 7005:c. 6982:c. 6967:c. 6944:c. 6921:c. 6882:c. 6851:c. 6828:c. 6813:c. 6786:c. 6771:c. 6756:c. 6720:c. 6689:c. 6687:; 6682:c. 6667:c. 6636:c. 6581:c. 6566:c. 6551:c. 6530:c. 6507:c. 6492:c. 6461:c. 6437:c. 6435:, 6423:c. 6421:, 6409:c. 6407:, 6391:c. 6384:c. 6369:c. 6354:c. 6339:c. 6316:c. 6301:c. 6286:c. 6271:c. 6255:c. 6253:, 6241:c. 6239:, 6223:c. 6208:c. 6193:c. 6170:c. 6155:c. 6136:c. 6094:c. 6079:c. 6064:c. 6049:c. 6034:c. 6019:c. 5964:c. 5885:c. 5854:c. 5831:c. 5816:c. 5801:c. 5786:c. 5771:c. 5732:c. 5717:c. 5702:c. 5687:c. 5672:c. 5657:c. 5642:c. 5627:c. 5612:c. 5586:c. 5552:c. 5529:c. 5506:c. 5483:c. 5444:c. 5429:c. 5390:c. 5367:c. 5328:c. 5289:c. 5266:c. 5251:c. 5212:c. 5197:c. 5118:c. 5103:c. 5088:c. 5065:c. 5050:c. 5035:c. 5020:c. 5005:c. 4990:c. 4975:c. 4952:c. 4937:c. 4921:c. 4919:, 4907:c. 4905:, 4881:c. 4798:, 4665:. 4637:, 4580:, 4536:, 4509:, 4442:, 4396:, 4342:, 4325:, 4244:. 4158:^ 4145:, 3969:. 3918:. 3899:. 3824:. 3773:^ 3593:. 3554:^ 3544:. 3414:^ 3378:, 3353:. 3319:c. 3225:, 3180:, 3176:, 3171:c. 3169:, 2990:, 2985:c. 2983:, 2962:, 2920:, 2861:. 2829:. 2804:. 2788:, 2784:, 2780:, 2518:, 2504:, 2226:. 2180:, 2167:c. 2165:, 2004:, 2000:, 1900:. 1836:. 1750:, 1569:. 1561:, 1414:A 1407:. 1399:, 1333:. 1314:. 1246:ən 1214:c. 1212:; 198:on 109:, 99:c. 69:c. 67:, 7400:: 7307:) 7300:( 7270:) 7263:( 7080:e 7073:t 7066:v 7010:) 7003:( 6987:) 6980:( 6972:) 6965:( 6949:) 6942:( 6926:) 6919:( 6887:) 6880:( 6849:( 6833:) 6826:( 6818:) 6811:( 6784:( 6769:( 6754:( 6725:) 6718:( 6694:) 6680:( 6665:( 6641:) 6634:( 6586:) 6579:( 6571:) 6564:( 6556:) 6535:) 6528:( 6505:( 6490:( 6466:) 6459:( 6431:( 6428:) 6417:( 6414:) 6382:( 6374:) 6367:( 6359:) 6352:( 6344:) 6337:( 6306:) 6299:( 6284:( 6276:) 6269:( 6249:( 6246:) 6228:) 6221:( 6213:) 6206:( 6198:) 6191:( 6175:) 6168:( 6160:) 6153:( 6145:) 6134:( 6099:) 6092:( 6077:( 6069:) 6062:( 6047:( 6032:( 6017:( 5969:) 5962:( 5883:( 5859:) 5852:( 5836:) 5829:( 5821:) 5814:( 5806:) 5799:( 5791:) 5784:( 5776:) 5769:( 5737:) 5730:( 5715:( 5700:( 5692:) 5670:( 5662:) 5655:( 5640:( 5625:( 5610:( 5591:) 5584:( 5557:) 5550:( 5527:( 5504:( 5481:( 5449:) 5442:( 5427:( 5388:( 5365:( 5333:) 5326:( 5294:) 5287:( 5271:) 5264:( 5256:) 5249:( 5217:) 5210:( 5195:( 5116:( 5108:) 5101:( 5086:( 5063:( 5055:) 5048:( 5040:) 5033:( 5025:) 5018:( 5010:) 5003:( 4995:) 4988:( 4973:( 4950:( 4935:( 4915:( 4912:) 4886:) 4879:( 4832:e 4825:t 4818:v 4612:. 4527:. 4514:. 4264:. 4250:. 4030:. 4005:. 3983:. 3922:. 3835:. 3767:. 3627:. 3604:. 3520:. 3408:. 3365:. 3085:( 2994:. 2514:( 2500:( 2296:( 1996:( 1955:( 1529:) 1491:, 1249:/ 1243:ʃ 1240:ɪ 1237:t 1234:ˈ 1231:/ 1227:( 1203:( 1189:e 1182:t 1175:v 41:. 34:. 20:)

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