325:(with Japanese lyrics], in a fantasy sequence set at the Navoi Theatre which (as noted below) had been built after the war by Japanese POWs. During a visit to the bazaar, she wanders off with a hand-held camera and starts videotaping in a restricted area. She runs away from the police, who eventually apprehend her but treat her kindly, especially when she learns that her firefighter boyfriend may have been involved in a massive oil refinery fire in Tokyo Bay, where he was stationed. (The boyfriend is never actually seen or heard; all the audience learns about him comes from texts he exchanges with Yoko.)
29:
306:, a local dish; repeatedly takes nausea-inducing turns on a fun-park pendulum ride until her camera crew can get enough B-camera footage of her face; and tries to liberate a goat in captivity named Okoo only to learn that if she does, it will be eaten by wild dogs.
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gave the film 3.5 out of 5 stars, describing it as "a uniquely
Kurosawa mix of showbiz comedy, woman-in-jeopardy thriller and romantic drama with Maeda's lonely-but-intrepid heroine serving as the strong connecting thread." Sam C. Mac of
443:
isn't, by any measure, a horror film, but it uses aesthetic and philosophical foundations that
Kurosawa laid in his genre work to insinuate tensions and anxieties lurking beneath the serene surface of everyday life." Neil Young of
450:
wrote, "Officially endorsed international co-productions are usually stilted, self-consciously didactic affairs; the seasoned but adventurous hands of
Kurosawa, however, here yield quietly immersive and spellbinding results."
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In a finale set in the mountains, her crew once again in pursuit of a likely mythical beast, she again sings Hymne à l'amour as she imagines that she has caught sight of Okoo running free in the distance.
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The film consists of a series of episodes in which Yoko wades into a lake to describe looking for a possibly mythical Uzbeki fish; proclaims the delicious crunchiness of under-cooked rice in a bowl of
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with her television crew to make an episode for the program. She dreams of becoming a singer. The film contrasts Yoko's upbeat on-camera persona with her internal conflicts when she is on her own.
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The film was made to commemorate the 25th anniversary of diplomatic relations between Japan and
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finds filmmaker
Kiyoshi Kurosawa crafting an insightful evocation of the feeling of being far from home." On
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475:"'To the Ends of the Earth': Tough times for travel reporting"
293:) is the reporter for a television travel program who visits
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819:"'To the Ends of the Earth': Film Review | Locarno 2019"
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317:; in the latter, she sings the classic
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617:Toronto International Film Festival
501:Economou, Vassilis (14 June 2019).
1241:Films directed by Kiyoshi Kurosawa
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789:Mac, Sam C. (15 September 2019).
677:Busan International Film Festival
555:Schilling, Mark (26 June 2019).
527:Blair, Gavin J. (2 April 2018).
473:Schilling, Mark (12 June 2019).
862:Tabi no Owari Sekai no Hajimari
240:Tabi no Owari Sekai no Hajimari
817:Young, Neil (22 August 2019).
705:Film Society of Lincoln Center
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1221:2010s Japanese-language films
411:On review aggregator website
401:2019 New York Film Festival
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937:The Guard from Underground
759:"To the Ends of the Earth"
728:"To the Ends of the Earth"
700:"To the Ends of the Earth"
672:"To the Ends of the Earth"
640:"To the Ends of the Earth"
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584:"The First and Last Night"
385:72nd Locarno Film Festival
269:72nd Locarno Film Festival
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1236:Films shot in Uzbekistan
1137:To the Ends of the Earth
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417:To the Ends of the Earth
393:BFI London Film Festival
227:To the Ends of the Earth
22:To the Ends of the Earth
16:2019 Japanese drama film
1231:Films set in Uzbekistan
1211:Uzbekistani drama films
309:She and the crew visit
917:Kandagawa Pervert Wars
824:The Hollywood Reporter
648:. 2019. Archived from
534:The Hollywood Reporter
447:The Hollywood Reporter
154:14 June 2019
141:Tokyo Theatres Company
356:Adiz Rajabov as Temur
1226:Uzbek-language films
1206:Japanese drama films
1201:2010s Japanese films
1087:Journey to the Shore
645:London Film Festival
263:, Adiz Rajabov, and
271:on 17 August 2019.
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650:the original
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339:Atsuko Maeda
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291:Atsuko Maeda
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253:Atsuko Maeda
234:旅のおわり世界のはじまり
226:
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171:Running time
162: (Japan)
147:Release date
99:Adiz Rajabov
85:Atsuko Maeda
49:旅のおわり世界のはじまり
40:
1080:(cancelled)
1037:Retribution
391:, the 2019
351:Tokio Emoto
347:as Yoshioka
261:Tokio Emoto
251:. It stars
175:120 minutes
95:Tokio Emoto
60:Directed by
1191:2019 films
1185:Categories
1127:Foreboding
927:Sweet Home
774:29 January
764:Metacritic
743:30 October
684:14 October
656:14 October
624:14 October
455:References
421:Metacritic
399:, and the
367:Production
319:Édith Piaf
295:Uzbekistan
284:girl group
189:Uzbekistan
158:2019-06-14
70:Written by
830:4 October
802:4 October
712:4 October
596:4 October
568:4 October
540:4 October
512:4 October
507:Cineuropa
486:4 October
407:Reception
353:as Sasaki
311:Samarkand
200:Languages
180:Countries
122:Edited by
967:Charisma
738:Fandango
360:Ryo Kase
321:anthem,
315:Tashkent
265:Ryo Kase
207:Japanese
130:Music by
103:Ryo Kase
78:Starring
379:Release
362:as Iwao
341:as Yoko
216:English
156: (
1170:(2024)
1160:(2024)
1150:(2020)
1140:(2019)
1130:(2018)
1120:(2017)
1110:(2016)
1100:(2016)
1097:Creepy
1090:(2015)
1070:(2013)
1060:(2013)
1050:(2008)
1040:(2006)
1030:(2005)
1020:(2005)
1010:(2003)
1000:(2003)
990:(2001)
980:(2000)
977:Séance
970:(1999)
960:(1998)
950:(1997)
940:(1992)
930:(1989)
920:(1983)
708:. 2019
680:. 2019
620:. 2019
395:, the
1157:Cloud
987:Pulse
287:AKB48
212:Uzbek
192:Qatar
186:Japan
42:Kanji
1077:1905
1057:Real
1027:Loft
947:Cure
867:IMDb
832:2019
804:2019
776:2020
745:2021
714:2019
686:2019
658:2019
626:2019
598:2019
570:2019
542:2019
514:2019
488:2019
333:Cast
313:and
303:plov
281:idol
275:Plot
865:at
1187::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
