Knowledge (XXG)

Toad of Toad Hall

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568:, sitting near a river. Marigold tells her nurse about the riverbank animals, and the scene fades into the main action. Marigold and the nurse are not seen again until the epilogue of the play. Mole emerges from his underground home, and meets Rat and Badger for the first time. They are joined by Toad, who persuades Mole and Rat to join him on a holiday in his new horse-drawn caravan, pulled by the querulous horse Alfred. Unseen, the weasels, ferrets and stoats curse Toad, whom they hate. The caravan is in collision with a motor-car, and Toad becomes instantly obsessed with becoming a motorist. Mole and Rat lead him homewards. 596:
Safely inside Badger's underground house, Mole and Rat refresh themselves, and discuss with Badger the excesses Toad has been committing, squandering his fortune on expensive cars and crashing them. Toad now finds Badger's house, and seeks refuge. Badger lectures him about his foolish ways, but Toad
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There are familiarities which we will allow only ourselves to take. Your hands and my hands are no cleaner than anybody else's hands, yet the sort of well-thumbed bread-and-butter which we prefer is that on which we have placed our own thumbs. It may be that to turn Mr Kenneth Grahame into a play is
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The Chief Weasel's birthday party is in progress. Badger leads the attack and the enemy is quickly routed. Toad sings a song about his homecoming and gradually the other characters of the play – including the weasels, Mole, Rat, the judge, Alfred, the barge-woman, Phoebe, and last of all Badger –
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In deep snow, Toad, who has once again crashed his car (his eighth), walks fearfully through the wood, harried by the weasels and their allies. When he has gone, Mole stumbles on, lost, and is rescued by Rat, who has been looking for him. They find themselves at the entrance to Badger's house and
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to leave unattractive finger-marks all over him, but I love his books so much that I cannot bear to think of anybody else disfiguring them. That is why I accepted a suggestion, which I should have refused in the case of any other book as too difficult for me, that I should dramatize
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commented that Milne had succeeded brilliantly in putting Grahame's characters on the stage, but thought the play might be over the heads of a children's audience, having "so much in it to appeal to the adult mind". The other principal theatrical paper,
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In the 1960s and 1970s there were annual West End revivals during the Christmas season, with Goolden returning to the part of Mole in every year except one. Among the actors appearing in the play in London and elsewhere were, in the title role
29: 94:, which make up about half of the original book, because they lent themselves most easily to being staged. He loved Grahame's book, which was one of the reasons why he decided to adapt it. He wrote in the introduction to the published play: 696:
The scene at Toad Hall fades away and the setting is as it was for the prologue. Marigold is asleep; a badger, a water-rat, a mole and finally a toad pass the slumbering child, before the nurse tells her it is time to wake up and come
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Toad makes his way to Rat's house, where he learns to his horror that his grand residence, Toad Hall, has been occupied by the weasels, ferrets and stoats. When Mole and Badger enter, the four discuss how to drive the occupiers
784:, thought that there might be "a certain amount of doubt whether Mr Milne has succeeded in bringing the peculiar and indefinable atmosphere of Kenneth Grahame's little classic in the realms of fantasy, 1308:, 15 October 1981, p. 1, 8 July 1982, p. 2, 30 June 1983, p. 23, 12 January 1984, p. 11, 17 January 1985, p. 29, 16 January 1986, pp. 34–35, 18 June 1987, pp. 1–2 and 10 August 1989, p. 26; 624:
Toad is on trial for stealing a motor-car, driving recklessly, and, most seriously, being grossly impertinent to a police officer. He is found guilty and sentenced to 20 years' imprisonment.
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In the absence of Badger and Mole, Toad tricks Rat into letting him escape from his confinement at Badger's house and he flees, singing a gleeful and boastful song to himself.
1486: 788:, on to the stage. But perhaps he never attempted to do so. What he has actually done has been to provide an entertainment brimful of delight, for childish hearts". 1709: 1699: 936:'s television version of the play was broadcast live on eight occasions between 1946 and 1950 with varying casts, the only principal common to all eight being 640:
Toad shakes off the pursuing forces of law and order, and hitches a ride on a canal barge. He quarrels with the barge-woman, steals her horse and rides off.
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has broadcast several adaptations of the play. A 1942 radio version featured Goolden and Burtwell reprising their roles from the first London production,
1312:, 8 December 1990, p. 83, 2 December 1991, p. 79, 2 March 1992, p. 84, 6 December 1993, p. 74, 6 December 1994, p. 75 and 4 December 1995, p. 83; 1546: 1532: 1479: 1400: 112: 67: 1582: 1577: 1572: 1562: 1557: 1552: 933: 597:
is unrepentant. Badger says that Toad must stay with him until his motor-mania has worn off, and Toad is locked into the guest-bedroom.
1605: 1472: 1567: 912:. In the 1980s and subsequently the play has been frequently revived in London, the British provinces and in North America. 1689: 1358: 108: 71: 853: 564:
The play is framed by scenes featuring two characters not in Grahame's book: a 12-year-old girl, Marigold, and her
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In a secret underground passage the four friends prepare to enter Toad Hall and catch the occupiers unawares.
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Phoebe, the jailer's daughter, takes pity on Toad, and helps him escape by disguising him as a washerwoman.
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each year from 1932 to 1935, and was next seen there in 1954, in a production first seen at the
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as the Judge. This version was broadcast again in 1973, 1976, 1979, 1981 and 1990.
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the following year, and has been revived frequently by many theatrical companies.
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2. Thunderstorm, war-song, dance and chorus, "Toad, Toad, down with Toad!"
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Although not a musical, the play contains ten musical numbers composed by
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Rat. A 1973 radio version featured Goolden with Derek Smith as Toad,
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For his stage version of Grahame's book, the humorist and playwright
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9. Weasel's song: "Toad he went a-pleasuring gaily down the road"
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3. Mole's song, "'I have noticed before', said the wise Mr Rat"
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4. Carol-singers' chorus, "Joy shall be yours in the morning"
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A serialised radio adaptation of the play was broadcast on
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7. The Judge's song, "If an animal errs or a citizen sins"
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The play comprises a prologue, four acts and an epilogue:
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8. Quartet, "When night comes on and the owls are hooting
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6. Toad's first song, "The World has held great heroes"
892:. Performers seen in other roles in the play included 677:
join in dancing in a circle round the triumphant Toad.
1265:, Royal Shakespeare Company. Retrieved 23 April 2021 1617: 1591: 1524: 1508: 1018:, 24 December 1920, p. 1; and Milne (1932), p. iii 1014:, 26 December 1929, p. 18; "Toad of Toad Hall", 1450:Paul Scofield: An illustrated study of his work 876:were among those seen as Rat; Badgers included 940:as Badger. A 1953 television version featured 111:, on 21 December 1929, under the direction of 1480: 754:10. Toad's second song, "The Toad came home". 723:1. "Down by the willows" (introductory music) 8: 115:. The first London productions were at the 74:, on 21 December 1929. It was given in the 32:Poster for a 2008 theatrical production of 1487: 1473: 1465: 134: 1354: 1352: 1350: 48:– the first of several dramatisations of 1547:The Reluctant Dragon & Mr. Toad Show 1292:Herbert, pp. 521, 545, 1199 and 27; and 1296:, Ian McKellen. Retrieved 23 April 2021 1006: 1004: 991: 1710:Works based on The Wind in the Willows 1533:The Adventures of Ichabod and Mr. Toad 1361:, BBC Genome. Retrieved 23 April 2021 7: 1700:Compositions by Harold Fraser-Simson 673:3. The Banqueting-Room at Toad Hall 1283:Herbert, pp. 420, 553, 794 and 1269 1120:, WorldCat. Retrieved 23 April 2021 961:played Toad, Goolden was Mole and 771:Reviewing the Liverpool premiere, 90:concentrated on the adventures of 14: 123:on 22 December 1931, directed by 107:The first production was at the 82:Background and first productions 66:. It was originally produced by 1324:, 17 November 2010, p. 43; and 602:3. The Same. Some Weeks Later 537:(1930); and playscript (1931). 1: 735:5. Rat's song, "Duck's Ditty" 1316:, 18 November 2000, p. 174; 796:The play was revived in the 656:1. Rat's House By The River 119:on 17 December 1930 and the 109:Playhouse Theatre, Liverpool 72:Playhouse Theatre, Liverpool 1320:, 19 January 2010, p. 42; 665:2. The Underground Passage 1726: 1391:Herbert, Ian, ed. (1977). 1129:"Provincial Productions", 1010:"Provincial Productions", 18: 1416:. London: Samuel French. 1344:, 26 December 1942, p. 22 1328:, 25 November 2011, p. 31 1235:, 23 December 1964, p. 11 1133:, 26 December 1929, p. 18 802:Royal Shakespeare Theatre 145: 142: 139: 137: 1654:The Willows at Christmas 1393:Who's Who in the Theatre 1274:Herbert, p. 374 and 1059 1159:, 31 December 1954, p. 8 1146:, 24 December 1920, p. 1 1099:Milne (1946), pp. 99–110 693:The Wind in the Willows 1607:The Wind in the Willows 1525:Film and TV adaptations 1497:The Wind in the Willows 1310:Illustrated London News 1090:Milne (1946), pp. 96–98 1081:Milne (1946), pp. 85–95 1072:Milne (1946), pp. 76–84 1063:Milne (1946), pp. 67–75 1054:Milne (1946), pp. 47–66 1045:Milne (1946), pp. 33–46 1036:Milne (1946), pp. 25–32 786:The Wind in the Willows 101:The Wind in the Willows 55:The Wind in the Willows 19:For the character, see 1448:Trewin, J. C. (1956). 1377:, 26 April 1948, p. 10 1027:Milne (1946), pp. 1–24 981:References and sources 36: 1429:Milne, A. A. (1946). 1410:Milne, A. A. (1932). 1142:"Toad of Toad Hall", 44:is a play written by 31: 1690:Plays by A. A. Milne 1662:Mr. Toad's Wild Ride 1647:Tales of the Willows 1452:. London: Rockliff. 1168:Herbert, pp. 482–483 1108:Milne (1946), p. 111 712:Harold Fraser-Simson 352:Herbert Bickerstaff 265:Back Legs of Alfred 64:Harold Fraser-Simson 1633:A Tale of Two Toads 1558:1984–1988 TV series 1435:. London: Methuen. 1371:"Toad of Toad Hall" 1359:"Toad of Toad Hall" 1338:"Toad of Toad Hall" 1294:"Toad of Toad Hall" 1263:"Toad of Toad Hall" 1155:"Christmas Shows", 1118:"Toad of Toad Hall" 806:Stratford-upon-Avon 621:1. The Court-House 557:Down by the Willows 335:Second Field-Mouse 246:Frederick Burtwell 16:Play by A. A. Milne 998:Milne (1946), p. v 637:3. The Canal Bank 593:2. Badger's House 550:Prologue and Act 1 498:Kathleen Boutcher 476:Phyllis Coulthard 473:Phyllis Coulthard 412:Lorraine Cromarty 321:First Field-Mouse 260:R. Halliday Mason 257:R. Halliday Mason 242:Frederick Burtwell 37: 1670: 1669: 1600:Toad of Toad Hall 1592:Stage adaptations 1540:Toad of Toad Hall 1432:Toad of Toad Hall 1413:Toad of Toad Hall 1402:978-0-273-00163-8 1326:Red Deer Advocate 946:Patrick Troughton 878:Michael Blakemore 767:Critical response 763: 762: 584:1. The Wild Wood 522: 521: 470:Elizabeth Ripley 455:Marjorie Fielding 369:Alfred Fairhurst 313:Alfred Fairhurst 299:William McGuigan 168:Katrina Kaufmann 113:William Armstrong 68:William Armstrong 41:Toad of Toad Hall 34:Toad of Toad Hall 1717: 1695:Incidental music 1626:Mole's Christmas 1489: 1482: 1475: 1466: 1461: 1444: 1425: 1406: 1378: 1368: 1362: 1356: 1345: 1335: 1329: 1303: 1297: 1290: 1284: 1281: 1275: 1272: 1266: 1260: 1254: 1253:Herbert, p. 1269 1251: 1245: 1244:Herbert, p. 1257 1242: 1236: 1229: 1223: 1220: 1214: 1211: 1205: 1202: 1196: 1193: 1187: 1184: 1178: 1175: 1169: 1166: 1160: 1153: 1147: 1140: 1134: 1127: 1121: 1115: 1109: 1106: 1100: 1097: 1091: 1088: 1082: 1079: 1073: 1070: 1064: 1061: 1055: 1052: 1046: 1043: 1037: 1034: 1028: 1025: 1019: 1008: 999: 996: 967:Bernard Cribbins 862:Peter Woodthorpe 858:Michael Williams 718: 518:Muriel Johnston 429:Robert Sinclair 401:Humphrey Morton 398:Alfred Sangster 358:Alban Blakelock 355:Alban Blakelock 341:Robert Sinclair 196:Richard Goolden 140:Liverpool, 1929 135: 60:incidental music 1725: 1724: 1720: 1719: 1718: 1716: 1715: 1714: 1675: 1674: 1671: 1666: 1613: 1587: 1520: 1504: 1502:Kenneth Grahame 1493: 1447: 1428: 1409: 1403: 1390: 1387: 1382: 1381: 1369: 1365: 1357: 1348: 1336: 1332: 1304: 1300: 1291: 1287: 1282: 1278: 1273: 1269: 1261: 1257: 1252: 1248: 1243: 1239: 1230: 1226: 1221: 1217: 1213:Herbert, p. 745 1212: 1208: 1204:Herbert, p. 723 1203: 1199: 1195:Herbert, p. 658 1194: 1190: 1186:Herbert, p. 403 1185: 1181: 1177:Herbert, p. 391 1176: 1172: 1167: 1163: 1154: 1150: 1141: 1137: 1128: 1124: 1116: 1112: 1107: 1103: 1098: 1094: 1089: 1085: 1080: 1076: 1071: 1067: 1062: 1058: 1053: 1049: 1044: 1040: 1035: 1031: 1026: 1022: 1009: 1002: 997: 993: 988: 983: 954:Children's Hour 928:was Badger and 918: 906:Rita Tushingham 846:Michael Hordern 794: 769: 764: 708: 629:2. The Dungeon 544: 515:Frances Waring 324:Sally Lockhart 213:A. Cameron Hall 192:Richard Goolden 133: 105: 84: 50:Kenneth Grahame 24: 17: 12: 11: 5: 1723: 1721: 1713: 1712: 1707: 1705:West End plays 1702: 1697: 1692: 1687: 1677: 1676: 1668: 1667: 1665: 1664: 1659: 1658: 1657: 1643: 1636: 1629: 1621: 1619: 1615: 1614: 1612: 1611: 1603: 1595: 1593: 1589: 1588: 1586: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1543: 1536: 1528: 1526: 1522: 1521: 1519: 1518: 1512: 1510: 1506: 1505: 1494: 1492: 1491: 1484: 1477: 1469: 1463: 1462: 1445: 1426: 1407: 1401: 1386: 1383: 1380: 1379: 1363: 1346: 1330: 1322:The Missoulian 1318:Calgary Herald 1298: 1285: 1276: 1267: 1255: 1246: 1237: 1224: 1215: 1206: 1197: 1188: 1179: 1170: 1161: 1148: 1135: 1122: 1110: 1101: 1092: 1083: 1074: 1065: 1056: 1047: 1038: 1029: 1020: 1000: 990: 989: 987: 984: 982: 979: 973:as Badger and 959:Norman Shelley 942:Gerald Campion 917: 914: 894:Beverley Cross 866:Patrick Wymark 822:Brewster Mason 818:Edward Atienza 814:William Squire 793: 790: 768: 765: 761: 760: 756: 755: 752: 749: 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A. Milne 46:A. A. Milne 1685:1929 plays 1679:Categories 1509:Characters 1458:1150965542 986:References 898:Judi Dench 870:Alan Badel 810:Leo McKern 349:Policeman 219:Mr Badger 172:Wendy Toye 1609:(musical) 1583:2006 film 1578:1996 film 1573:1995 film 1568:1988 film 1563:1987 film 1553:1983 film 1441:963200557 1422:772896476 1306:The Stage 1233:The Times 1157:The Stage 1131:The Stage 1012:The Stage 957:in 1948; 932:was Rat. 926:Fred Yule 812:as Toad, 774:The Stage 528:The Stage 525:Sources: 432:Jim Neal 330:Jim Neal 187:Alan Webb 183:The Mole 165:Marigold 1516:Mr. Toad 969:as Rat, 816:as Rat, 798:West End 792:Revivals 686:Epilogue 542:Synopsis 531:(1929); 490:Jim Ned 76:West End 21:Mr. Toad 1385:Sources 1144:The Era 1016:The Era 808:, with 781:The Era 614:Act III 534:The Era 437:Phoebe 409:Turkey 363:Gaoler 251:Alfred 92:Mr Toad 70:at the 58:– with 1456:  1439:  1420:  1399:  758: 649:Act IV 577:Act II 395:Usher 377:Judge 151:Nurse 706:Music 697:home. 566:nurse 423:Duck 235:Toad 1454:OCLC 1437:OCLC 1418:OCLC 1397:ISBN 920:The 908:and 888:and 872:and 868:. 864:and 660:out. 1500:by 922:BBC 62:by 1681:: 1373:, 1349:^ 1340:, 1003:^ 904:, 900:, 896:, 884:, 880:, 860:, 856:, 852:, 848:, 844:, 840:, 836:, 832:, 804:, 714:: 127:. 1488:e 1481:t 1474:v 1460:. 1443:. 1424:. 1405:. 104:. 23:.

Index

Mr. Toad

A. A. Milne
Kenneth Grahame
The Wind in the Willows
incidental music
Harold Fraser-Simson
William Armstrong
Playhouse Theatre, Liverpool
West End
A. A. Milne
Mr Toad
The Wind in the Willows
Playhouse Theatre, Liverpool
William Armstrong
Lyric Theatre
Savoy Theatre
Frank Cellier
Wendy Toye
Nova Pilbeam
Alan Webb
Richard Goolden
Lloyd Pearson
A. Cameron Hall
Wyndham Goldie
Frederick Burtwell
James Harcourt
Tom Reynolds
Marjorie Fielding
The Stage

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