353:
348:
343:
338:
315:
310:
277:
272:
267:
333:
305:
300:
295:
262:
257:
239:
234:
229:
224:
219:
29:
410:
wrote that "McDonald tended to favor droning mantras like the album-closing 'An
Untitled Protest', which worked better when contrasted with the likes of Melton's catchy anti-New York diatribe, 'The Streets of Your Town', and the group-written 'Rock and Soul Music'."
1118:
959:
177:
1150:
1145:
1080:
952:
1040:
1048:
159:
945:
248:
1155:
324:
638:
388:
had briefly left the band prior to the recording sessions. All of the band members contributed to the songwriting.
28:
1064:
490:
1099:
968:
381:
146:
41:
839:
1140:
979:
465:
385:
69:
994:
539:
483:
378:
375:
126:
90:
619:
527:
139:
134:
771:
717:
681:
656:
612:
571:
1134:
999:
731:
626:
601:
550:
543:
520:
372:
74:
984:
502:
121:
649:
605:
589:
557:
513:
506:
469:
82:
989:
663:
286:
699:
688:
95:
937:
407:
211:
1072:
432:"Good Guys/Bad Guys Cheer / The Streets of Your Town" (Melton) - 3:43
420:"Rock and Soul Music" (McDonald, Melton, Cohen, Barthol, Hirsh) – 6:51
429:"Bright Suburban Mr. & Mrs. Clean Machine" (Hirsh, Melton) - 2:19
642:
564:
368:
36:
670:
582:
941:
884:
Woodstock FAQ: All That's Left to Know About the Fabled Garden
476:
395:
The original lineup of the band broke up after the release of
392:
is the most commercially successful album from the band.
73:
and
February 1968 Vanguard Studios, 71 West 23rd Street,
900:(2nd ed.). Rough Guides Ltd. 1999. p. 219.
1110:
1091:
1032:
441:"Waltzing in the Moonlight" (Hirsh, Melton) - 2:13
426:"Mojo Navigator" (Denson, Melton, McDonald) - 2:23
145:
133:
120:
104:
81:
64:
56:
48:
35:
21:
1119:The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag
16:1968 studio album by Country Joe and the Fish
292:
216:
953:
8:
330:
254:
960:
946:
938:
812:MusicHound Rock: The Essential Album Guide
287:MusicHound Rock: The Essential Album Guide
191:
27:
18:
928:Joel Whitburn's Top Pop Albums, 1955-2001
886:. Rowman & Littlefield. p. 211.
868:. Rowman & Littlefield. p. 124.
814:. Visible Ink Press. 1999. p. 279.
743:
450:"An Untitled Protest" (McDonald) - 2:45
444:"Away Bounce My Bubbles" (Hirsh) - 2:25
772:"AllMusic Review by William Ruhlmann"
197:
7:
1041:Electric Music for the Mind and Body
877:
875:
766:
764:
762:
438:"The Harlem Song" (McDonald) - 4:19
294:
218:
1151:Albums produced by Samuel Charters
915:. Bloomsbury Academic. p. 75.
828:. Random House. 1992. p. 164.
14:
800:. Vol. 2. MUZE. p. 576.
798:The Encyclopedia of Popular Music
753:Goldmine Record Album Price Guide
332:
256:
249:The Encyclopedia of Popular Music
840:"Artist Biography by Bruce Eder"
351:
346:
341:
336:
331:
313:
308:
303:
298:
293:
275:
270:
265:
260:
255:
237:
232:
227:
222:
217:
1146:Country Joe and the Fish albums
930:. Record Research. p. 193.
913:The A to X of Alternative Music
866:Fast Forward, Play, and Rewind
1:
1049:I-Feel-Like-I'm-Fixin'-to-Die
826:The Rolling Stone Album Guide
325:The Rolling Stone Album Guide
160:I-Feel-Like-I'm-Fixin'-to-Die
447:"Cetacean" (Barthol) - 3:38
68:Sierra Sound Laboratories,
1172:
975:
864:Oberman, Michael (2020).
491:electric 12-string guitar
205:
202:
153:
26:
1100:Live! Fillmore West 1969
969:Country Joe and the Fish
882:Harkins, Thomas (2019).
460:Country Joe and the Fish
382:Country Joe and the Fish
147:Country Joe and the Fish
42:Country Joe and the Fish
1156:Vanguard Records albums
985:Barry "The Fish" Melton
926:Whitburn, Joel (2001).
911:Taylor, Steven (2006).
898:The Rough Guide to Rock
751:Popoff, Martin (2009).
423:"Susan" (Hirsh) - 3:28
980:"Country" Joe McDonald
796:Larkin, Colin (2006).
646:(tracks 1-3, 5, 8, 10)
517:(tracks 1, 3, 4, 5, 7)
435:"The Fish Moan" - 0:27
609:(tracks 1-3, 5, 7-10)
1010:John Francis Gunning
990:Gary "Chicken" Hirsh
709:Additional personnel
639:Gary "Chicken" Hirsh
466:Country Joe McDonald
386:Country Joe McDonald
384:, released in 1968.
193:Professional ratings
70:Berkeley, California
1019:Gregory Leroy Dewey
995:David Bennett Cohen
561:(tracks 2, 3, 7, 8)
547:(tracks 1-5, 9, 10)
194:
403:Critical reception
192:
1128:
1127:
1065:Here We Are Again
722:
716:Robin McDonald –
704:
697:
693:
686:
679:
675:
668:
661:
654:
653:(tracks 2, 9, 10)
647:
635:
631:
624:
617:
610:
598:
594:
587:
580:
576:
569:
562:
555:
548:
536:
532:
525:
518:
511:
510:(tracks 1, 5, 10)
499:
495:
488:
481:
474:
360:
359:
190:
189:
186:
185:
178:Here We Are Again
1163:
962:
955:
948:
939:
932:
931:
923:
917:
916:
908:
902:
901:
894:
888:
887:
879:
870:
869:
861:
855:
854:
852:
850:
836:
830:
829:
822:
816:
815:
808:
802:
801:
793:
787:
786:
784:
782:
768:
757:
756:
748:
720:
702:
695:
691:
684:
677:
673:
666:
659:
652:
645:
633:
629:
622:
615:
608:
596:
592:
585:
578:
574:
567:
560:
553:
546:
534:
530:
524:(tracks 2, 3, 8)
523:
516:
509:
497:
493:
486:
484:12-string guitar
479:
473:(tracks 1, 7-11)
472:
376:psychedelic rock
356:
355:
354:
350:
349:
345:
344:
340:
339:
335:
334:
318:
317:
316:
312:
311:
307:
306:
302:
301:
297:
296:
280:
279:
278:
274:
273:
269:
268:
264:
263:
259:
258:
242:
241:
240:
236:
235:
231:
230:
226:
225:
221:
220:
195:
155:
154:
116:
115:
111:
91:Psychedelic rock
31:
19:
1171:
1170:
1166:
1165:
1164:
1162:
1161:
1160:
1131:
1130:
1129:
1124:
1106:
1087:
1028:
971:
966:
936:
935:
925:
924:
920:
910:
909:
905:
896:
895:
891:
881:
880:
873:
863:
862:
858:
848:
846:
838:
837:
833:
824:
823:
819:
810:
809:
805:
795:
794:
790:
780:
778:
770:
769:
760:
750:
749:
745:
740:
729:
727:Chart positions
620:acoustic guitar
528:acoustic guitar
457:
417:
405:
352:
347:
342:
337:
314:
309:
304:
299:
276:
271:
266:
261:
238:
233:
228:
223:
181:
172:
163:
140:Samuel Charters
113:
109:
108:
100:
72:
44:
17:
12:
11:
5:
1169:
1167:
1159:
1158:
1153:
1148:
1143:
1133:
1132:
1126:
1125:
1123:
1122:
1114:
1112:
1108:
1107:
1105:
1104:
1095:
1093:
1089:
1088:
1086:
1085:
1077:
1069:
1061:
1053:
1045:
1036:
1034:
1030:
1029:
1027:
1026:
1023:
1020:
1017:
1014:
1013:Paul Armstrong
1011:
1008:
1005:
1002:
997:
992:
987:
982:
976:
973:
972:
967:
965:
964:
957:
950:
942:
934:
933:
918:
903:
889:
871:
856:
831:
817:
803:
788:
758:
742:
741:
739:
736:
728:
725:
724:
723:
718:finger cymbals
713:
712:
710:
706:
705:
682:harmony vocals
676:, sand blocks
657:backing vocals
636:
613:backing vocals
599:
577:, spoken word
572:backing vocals
537:
500:
494:(tracks 9, 10)
462:
461:
456:
453:
452:
451:
448:
445:
442:
439:
436:
433:
430:
427:
424:
421:
416:
413:
404:
401:
358:
357:
328:
320:
319:
290:
282:
281:
252:
244:
243:
214:
208:
207:
204:
200:
199:
188:
187:
184:
183:
174:
165:
151:
150:
143:
142:
137:
131:
130:
124:
118:
117:
106:
102:
101:
99:
98:
93:
87:
85:
79:
78:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1168:
1157:
1154:
1152:
1149:
1147:
1144:
1142:
1139:
1138:
1136:
1120:
1116:
1115:
1113:
1109:
1102:
1101:
1097:
1096:
1094:
1090:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1037:
1035:
1033:Studio albums
1031:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1001:
1000:Bruce Barthol
998:
996:
993:
991:
988:
986:
983:
981:
978:
977:
974:
970:
963:
958:
956:
951:
949:
944:
943:
940:
929:
922:
919:
914:
907:
904:
899:
893:
890:
885:
878:
876:
872:
867:
860:
857:
845:
841:
835:
832:
827:
821:
818:
813:
807:
804:
799:
792:
789:
777:
773:
767:
765:
763:
759:
754:
747:
744:
737:
735:
733:
732:Billboard 200
726:
719:
715:
714:
711:
708:
707:
701:
690:
683:
672:
665:
660:(tracks 4, 7)
658:
651:
644:
640:
637:
628:
621:
616:(tracks 4, 7)
614:
607:
603:
602:Bruce Barthol
600:
591:
584:
573:
566:
559:
552:
551:rhythm guitar
545:
541:
538:
529:
522:
521:rhythm guitar
515:
508:
504:
501:
492:
485:
478:
471:
467:
464:
463:
459:
458:
454:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
419:
418:
415:Track listing
414:
412:
409:
402:
400:
398:
393:
391:
387:
383:
380:
377:
374:
373:San Francisco
370:
367:is the third
366:
365:
329:
327:
326:
322:
321:
291:
289:
288:
284:
283:
253:
251:
250:
246:
245:
215:
213:
210:
209:
201:
198:Review scores
196:
180:
179:
175:
171:
170:
166:
162:
161:
157:
156:
152:
148:
144:
141:
138:
136:
132:
128:
125:
123:
119:
107:
103:
97:
94:
92:
89:
88:
86:
84:
80:
76:
75:New York City
71:
67:
63:
60:November 1967
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1098:
1079:
1071:
1063:
1056:
1055:
1047:
1039:
1025:Doug Metzler
927:
921:
912:
906:
897:
892:
883:
865:
859:
847:. Retrieved
843:
834:
825:
820:
811:
806:
797:
791:
779:. Retrieved
775:
752:
746:
730:
503:Barry Melton
406:
396:
394:
389:
363:
362:
361:
323:
285:
247:
176:
168:
167:
158:
37:Studio album
1141:1968 albums
1092:Live albums
1022:Mark Kapner
1007:Peter Albin
650:lead vocals
590:harpsichord
558:lead guitar
540:David Cohen
514:lead vocals
507:lead guitar
482:, acoustic
470:lead vocals
1135:Categories
1004:David Getz
755:. Penguin.
738:References
721:(track 11)
703:(track 10)
696:(track 10)
664:percussion
634:(track 10)
630:(track 11)
623:(track 10)
597:(track 10)
593:(track 10)
535:(track 10)
498:(track 10)
149:chronology
1016:Mark Ryan
734:- No. 23
700:music box
694:, noises
692:(track 8)
689:castanets
685:(track 8)
678:(track 7)
674:(track 5)
667:(track 4)
632:, noises
595:, noises
586:(track 9)
579:(track 7)
575:(track 4)
568:(track 4)
554:(track 1)
533:, noises
531:(track 4)
496:, noises
487:(track 7)
480:(track 7)
455:Personnel
129:VSD-79277
96:folk rock
52:July 1968
1057:Together
849:30 March
844:AllMusic
781:30 March
776:AllMusic
408:AllMusic
397:Together
390:Together
364:Together
212:AllMusic
169:Together
135:Producer
127:Vanguard
57:Recorded
49:Released
39: by
22:Together
1081:Reunion
1073:CJ Fish
371:by the
182:(1969)
173:(1968)
164:(1967)
1103:(1994)
1084:(1977)
1076:(1970)
1068:(1969)
1060:(1968)
1052:(1967)
1044:(1967)
206:Rating
203:Source
105:Length
65:Studio
1111:Songs
671:bells
643:drums
627:organ
583:bells
565:piano
544:organ
369:album
122:Label
83:Genre
851:2021
783:2021
606:bass
379:band
77:, NY
477:rap
1137::
874:^
842:.
774:.
761:^
698:,
687:,
680:,
669:,
662:,
655:,
648:,
641:-
625:,
618:,
611:,
604:-
588:,
581:,
570:,
563:,
556:,
549:,
542:–
526:,
519:,
512:,
505:–
489:,
475:,
468:–
399:.
114:31
110:34
1121:"
1117:"
961:e
954:t
947:v
853:.
785:.
112::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
