509:(1930) including the bomber mission, the "dogfight" sequence complete with the head-on collision of two aircraft, was merged into the final production print. Principal photography in both Culver City studio and location sites began in mid-December 1932 and wrapped in February 1933. After looking at rushes of the young actors that were integral to the background of the film, it was evident that their British accents were completely unconvincing and Hawks resorted to excising their scenes altogether and entering a new rewrite, focusing more heavily on Crawford's character, with no better results. The upper-class dialogue that once was considered "snappy" now appeared to be "Hemingwayesque" and combined with the ludicrous period outfits worn by the cast, especially Crawford's outlandish gowns, made it difficult for cast members to not consider the entire exercise a farce.
29:
475:. Faulkner took only five days to write the film himself, but when Irving Thalberg, the vice-president of MGM studios at the time, insisted that Crawford be written into the script as she was contractually committed to a $ 500,000 salary, working or not, the first of many rewrites began. Faulkner created the role of Ann, who was involved in a love triangle. Hawks hated the studio interference in what he considered would have been a "man's picture", but found working with Crawford was pleasant. Although touted as a classic screen pairing,
532:, was less strident, but noted the film was "at times vague and cumbersome. It possesses, however, the spark of sincerity, and its lack of clarity might be ascribed either to Howard Hawks's direction or to the script contributed by Edith Fitzgerald and Dwight Taylor, for there are sequences that are far too lengthy and others that would be considerably improved by more detail." A modern assessment was similarly damning, "... the melodrama is more clinging than the mud of the Marne."
488:
films in release, and when the opportunity to work with Hawks came, it also aligned him with the mercurial
Crawford, albeit in what he later would regard as a "misguided project". A series of rewrites with both Faulkner and other screenwriters along with the cutting of key opening scenes led to a confusing jumble of versions, as the original screen time of 135 minutes of a preview print indicates.
451:
334:), who seeks to move into his new property. Right as Bogard arrives, Ann and the house's servants find out that her father has been killed in action, but Ann projects calm and brave graciousness and moves to the guest cottage without complaint. Bogard finds her strength attractive and quickly falls in love with her.
369:
However, there had been a mistake, and Bogard comes back unharmed. Though she is happy to see him, she disappears soon after he arrives. Bogard comes across a drunken Claude in a bar and takes him home—a home he shares with Ann. Bogard becomes jealous, and a rivalry for Ann develops between Bogard
479:
was the only time Joan
Crawford and Gary Cooper performed together. MGM marketed the film as a romance with the trailer focusing on the two stars, gushing on screen with the taglines, "The fiery head-strong personality of exquisite Joan Crawford" and "The calm strength, the eager romantic nature of
487:
two weeks after the projected date of principal photography, although some sources indicate that Cooper, Robert Young and
Franchot Tone were Hawks' first choices. Press releases had touted that Crawford had insisted on Cooper as her co-star. Cooper was in a slight decline with two other "mediocre"
384:
Ann learns of Claude's blindness and says a final goodbye to Bogard, but he realizes Diana and Bogard's true feelings for one another. Diana feels it is her duty to care for Claude, and when an aerial suicide mission comes up, all three men participate, with the outcome being that both Claude and
525:
having a litany of complaints: "... the film was 20 minutes too long. Crawford was unconvincing, Hawks used too much aerial footage from 'Hell's Angels' (1930), the "Gowns by Adrian" were extreme and annoying, and the story was superficial ... " Mordant Hall in his review for
302:
on March 5, 1932, the film is about two officers during World War I, who compete for the same beautiful young woman. Faulkner provided dialogue for the film, making it the only film version of his work that
Faulkner co-wrote.
349:
officers going off to fight in the war. Ann believes she is in love with Claude, and consents to marry him. However, she soon realizes she is in true love when meeting Bogard. Though Bogard originally proclaimed his
1946:
358:. Ann goes to London, and though Claude is unaware of Diana's true feelings for Bogard, Ann admits her feelings for Bogard to Ronnie. Ronnie advises her to tell Claude the truth, but Ann is intent on keeping her
370:
and Claude. Claude agrees to accompany Bogard on an air fight, and Bogard is surprised by Claude's expert shooting. Bogard takes a turn at Claude's shift on a boat, and Claude is blinded when hand-launching a
385:
Ronnie die in action, although their boat successfully makes a torpedo run. Their sacrifice allows Bogard to survive, and although Diana is sad to lose both Ronnie and Claude, she and Bogard are reunited.
587:
Actors such as Cooper, wore their own 1933 styled clothing in complete contrast to what was to be a World War I setting. The enormous collar worn by
Crawford "stuck in everybody's eye."
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Crawford fretted that not only was she forced into the film but it required her to master a
British accent which she felt was not altogether successful. Reviewers called it "dreadful".
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2001:
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Joan
Crawford's character was added to the film to include a love interest. She met her future husband Franchot Tone on the set of the film. They married two years later.
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With the working titles, "We Live Again" and "Turn About", Howard Hawks purchased an option on
Faulkner's short story, "Turnabout" of men in combat as a star vehicle for
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According to MGM records the film earned $ 590,000 in the US and Canada and $ 445,000 elsewhere resulting in a loss of $ 23,000.
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as "the studio simply had to put her (Crawford) to work or lose money." A further complication was that
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pledge. Then Ronnie shows an announcement in the paper informing her that Bogard was reported
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was a very different film in its final release form, and was almost universally panned, with
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A combination of model work and live action photography made for convincing aerial sequences.
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in
California, individual aerial sequences were shot although footage from
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615:, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
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932:. Lexington, Kentucky: The University Press of Kentucky, 2002.
1947:
Films set on the United Kingdom home front during World War I
917:. Knoxville, Tennessee: University of Tennessee Press, 2001.
853:
Not the Girl Next Door: Joan Crawford: a Personal Biography.
652:
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322:) is an English girl living on her father's estate in
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962:(Great Stars). New York: Faber & Faber, 2010.
914:Fiction, Film, and Faulkner: The Art of Adaptation
354:and indifference to the war, he soon joins as a
337:Meanwhile, her brother Lt. Ronnie Boyce-Smith (
814:April 15, 1933. Retrieved: September 18, 2012.
1422:
1043:
8:
569:, the original star, had balked at the role.
397:(main roles and screen credits identified):
2002:Films with screenplays by William Faulkner
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27:
18:
1820:William Clark Falkner (great-grandfather)
945:The Last Hero: A Biography of Gary Cooper
885:. Grove Press, 2000, First edition 1997.
870:. Dulles, Virginia: Potomac Books, 2000.
625:
623:
16:1933 film by Howard Hawks, Richard Rosson
1977:Films based on works by William Faulkner
928:Quirk, Lawrence J. and William Schoell.
883:Howard Hawks: The Grey Fox of Hollywood'
745:
743:
607:
605:
603:
599:
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930:Joan Crawford: The Essential Biography
2012:English-language romantic drama films
517:Although well received in a preview,
326:. The estate is bought by a wealthy
7:
900:. New York: William Morrow, 1998.
292:Based on the story "Turnabout" by
14:
1942:Western Front (World War I) films
838:Joan Crawford: Hollywood Martyr.
422:as Lieutenant Ronnie Boyce-Smith
840:New York: Da Capo Press, 2008.
635:; retrieved September 18, 2012.
146:Elmer Dyer (aerial photography)
1982:Films directed by Howard Hawks
1962:American black-and-white films
1894:PEN/Faulkner Award for Fiction
855:New York: Pocket Books, 2009.
798:Retrieved: September 18, 2012.
755:Retrieved: September 18, 2012.
701:Retrieved: September 18, 2012.
656:Quirk and Schoell 2002, p. 69.
1:
1997:American romantic drama films
947:. New York: Doubleday, 1980.
1972:Films based on short fiction
1957:1930s English-language films
1022:AFI Catalog of Feature Films
868:Brassey's Guide to War Films
410:as Lieutenant Richard Bogard
366:during a training accident.
1900:Fiction, Film, and Faulkner
1835:William Faulkner Foundation
1550:If I Forget Thee, Jerusalem
773:McCarthy 2000, pp. 184-185.
318:, Diana "Ann" Boyce-Smith (
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1937:World War I aviation films
898:Gary Cooper: American Hero
793:"Articles: Today We Live."
1967:Metro-Goldwyn-Mayer films
1927:1933 romantic drama films
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1069:
644:Phillips 2001, pp. 13–16.
561:Thalberg interfered with
416:as Lieutenant Claude Hope
269:produced and directed by
33:Theatrical release poster
26:
1992:Films shot in California
1338:Gentlemen Prefer Blondes
694:"Today we live trailer."
491:After obtaining General
296:, which appeared in the
195:April 21, 1933
1952:World War I naval films
1932:American aviation films
1331:The Ransom of Red Chief
750:"Notes: Today We Live."
630:"Today We Live (1933)."
613:The Eddie Mannix Ledger
480:handsome Gary Cooper."
341:) and Lt. Claude Hope (
1830:Papers and manuscripts
1494:The Sound and the Fury
1307:I Was a Male War Bride
1235:Only Angels Have Wings
796:Turner Classic Movies.
782:McCarthy 2000, p. 185.
764:McCarthy 2000, p. 184.
753:Turner Classic Movies.
728:Chandler 2009, p. 135.
710:Swindell 1980, p. 157.
674:Chandler 2009, p. 116.
469:Charles "Buddy" Rogers
455:
1889:Faux Faulkner contest
1733:Shingles for the Lord
1370:Man's Favorite Sport?
851:Chandler, Charlotte.
665:Thompson 2010, p. 40.
495:'s help in reserving
453:
299:Saturday Evening Post
90:Saturday Evening Post
2007:1930s American films
1987:Films set in England
1884:Southern Renaissance
1840:Yoknapatawpha County
1775:To Have and Have Not
1574:Intruder in the Dust
1346:Land of the Pharaohs
1275:To Have and Have Not
1107:A Girl in Every Port
791:LoBianco, Lorraine.
404:as Diana "Ann" Boyce
823:Evans 2000, p. 185.
812:The New York Times,
432:Louise Closser Hale
259:is a 1933 American
170:Metro-Goldwyn-Mayer
95:by William Faulkner
999:TCM Movie Database
911:Phillips, Gene D.
737:Brett 2008, p. 79.
683:Brett 2008, p. 78.
633:The New York Times
529:The New York Times
456:
330:, Richard Bogard (
1909:
1908:
1651:Collected Stories
1582:Requiem for a Nun
1534:Absalom, Absalom!
1486:Flags in the Dust
1404:
1403:
1211:The Road to Glory
1187:Twentieth Century
1147:The Criminal Code
1131:Trent's Last Case
1075:The Road to Glory
968:978-0-8654-7932-6
958:Thompson, Davis.
943:Swindell, Larry.
938:978-0-81312-254-0
923:978-1-57233-166-2
906:978-0-688-15494-3
861:978-1-84739-229-9
846:978-0-30681-624-6
719:Meyer 1998, p. 92
567:Tallulah Bankhead
493:Douglas MacArthur
428:as "Mac" McGinnis
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1794:Children's books
1767:Submarine Patrol
1712:Mountain Victory
1705:That Evening Sun
1677:A Rose for Emily
1542:The Unvanquished
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1227:Bringing Up Baby
1091:Cradle Snatchers
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896:Meyer, Jeffrey.
891:978-080213-740-1
881:McCarthy, Todd.
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43:Howard Hawks
1862:Ikkemotubbe
1743:Screenplays
1627:collections
1625:Short story
1614:The Reivers
1606:The Mansion
1315:The Big Sky
1171:Tiger Shark
960:Gary Cooper
497:March Field
473:Clark Gable
446:as the Maid
444:Eily Malyon
408:Gary Cooper
345:) are both
332:Gary Cooper
316:World War I
279:Gary Cooper
248:$ 1,035,000
216:113 minutes
181:Loew's Inc.
120:Gary Cooper
100:Produced by
39:Directed by
1922:1933 films
1916:Categories
1684:Red Leaves
1558:The Hamlet
1474:Mosquitoes
1083:Fig Leaves
544:References
536:Box office
459:Production
440:as Eleanor
379:battleship
374:against a
352:neutrality
267:drama film
245:Box office
199:1933-04-21
162:Production
85:Turn About
55:(dialogue)
49:Written by
1510:Sanctuary
1386:El Dorado
1354:Rio Bravo
1291:Red River
1267:Air Force
595:Citations
513:Reception
485:Paramount
240:$ 663,000
203: (US)
151:Edited by
1735:" (1943)
1728:" (1941)
1721:" (1939)
1714:" (1932)
1707:" (1931)
1700:" (1931)
1693:" (1931)
1686:" (1930)
1679:" (1930)
1672:" (1919)
1635:These 13
1598:The Town
1482:Sartoris
1394:Rio Lobo
1333:" (1952)
1155:Scarface
1010:AllMovie
360:marriage
328:American
261:pre-Code
229:Language
108:Starring
81:Based on
1813:Related
1590:A Fable
1362:Hatari!
1019:at the
997:at the
699:YouTube
523:Variety
372:torpedo
314:During
264:romance
232:English
221:Country
197: (
164:company
1805:(1927)
1786:(1945)
1778:(1944)
1770:(1938)
1762:(1933)
1754:(1932)
1654:(1950)
1646:(1949)
1638:(1931)
1617:(1962)
1609:(1959)
1601:(1957)
1593:(1954)
1585:(1951)
1577:(1948)
1569:(1942)
1561:(1940)
1553:(1939)
1545:(1938)
1537:(1936)
1529:(1935)
1521:(1932)
1513:(1931)
1505:(1930)
1497:(1929)
1477:(1927)
1469:(1926)
1458:Novels
1397:(1970)
1389:(1966)
1381:(1965)
1373:(1964)
1365:(1962)
1357:(1959)
1349:(1955)
1341:(1953)
1326:(1952)
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376:German
237:Budget
1751:Flesh
1526:Pylon
1115:Fazil
549:Notes
988:IMDb
964:ISBN
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887:ISBN
872:ISBN
857:ISBN
842:ISBN
389:Cast
364:dead
324:Kent
310:Plot
285:and
93:1932
1061:by
1008:at
986:at
697:on
1918::
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201:)
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